How To Use A Digital Camera
How To Use A Digital Camera
Learning how to use and update a digital camera regularly can help you perform
various actions across multiple fields, from forest monitoring, geomorphological
mapping, hazard identification, and professional photography to casual
photography. Anyone can purchase a highly-acclaimed digital camera, but not
everyone knows how to use it to take better digital photos. So, to help you
understand how to operate your modern cameras, we will share the steps you
should take.
KEY TAKEAWAYS:
The first thing to do after purchasing a camera is to charge the battery fully
before use.
If you plan on editing photos after the shoot, choose the RAW format to save
the images.
Entry-level beginners should start by understanding the Auto and Program
modes.
Manufacturers recommend charging the battery full immediately after buying the
camera. And subsequently, use it until it runs empty, then charge. Try not to
overcharge the battery, this can result in reducing battery life. Additionally, keep
the battery terminals in the camera clean of corrosion. These steps are important to
maintain the battery’s performance.
Next, insert your memory card or storage card into its card slot, then set the date
and time by following the on-screen instructions. It is not a requirement to do this,
but setting them up will help you tag the images with the date and time of
recording. Lastly, format the memory card that you have added. This step helps to
introduce the card and create the folders necessary to store your images and
videos.
The disadvantage with raw files is that you will need specific software for
conversion. If you are not sure which format to pick, go for JPG. But if you want to
process them later, try shooting using both raw and JPG formats.
Do you want to leverage the pixels on your camera sensor? Select the highest pixel
count on the menu. To set the compression of your images to store many photos,
adjust the compression setting marked as ‘Quality.’
The representation of this setting is different between cameras. Some people place
the option next to the image size, while others list them with star ratings. For
example, a low compression has a high number of stars and vice versa. You can also
find a camera with the choice of Fine, Superfine, Good, Best, and so on.
Manual exposure will allow you to set the shutter speed and lens aperture as you
adjust other features. On the other hand, leave the automatic for the camera. Most
CSCs and DSLRs have a combination of preset and auto modes. If you are an entry-
level photographer, it is better to start with Auto or Program modes.
But if you feel adventurous to try out the manual options, here is a quick tip. Use
Shutter Priority in moving objects. Faster speeds freeze fast bodies, and slow speeds
record blurs.
White balance is present in all cameras; it makes colors appear brighter in any
shooting conditions. The Auto white balance system does a great job of keeping the
original colors. But for artificial light conditions, AWB systems struggle. Hence, it is
better to switch to a preset mode like Fluorescent or Incandescent. These modes will
help to render the scene and deliver the accurate color you need.
Most conventional cameras use a colored grid to adjust the white balance towards a
particular hue. This option is ideal if you want to apply a color cast, but you do not
know which color present you need. In addition, there is a color temperature over
the Kelvin scale that works the same as the preset options for most cameras. For
example, tungsten is at 3000K and daylight at 6500K. If you have no clue how to do
this then you can easily learn how to white balance with a digital camera.
INSIDER TIP
Learning how to use a digital camera can help you perform various actions across
multiple fields, from forest monitoring, geomorphological mapping, hazard
identification, and professional photography to casual photography.
Generally, always go for the lowest ISO. In most cameras, the ISO will be 100 or 200;
only a few cameras offer ISO 80. Lower ISO settings require a shot to have more
exposure, and the resulting image will have less noise. If there is not enough light
on the scene, you can go for a higher ISO. In addition, you will need a faster shutter
speed to shoot a moving object.
Set a wide range if you shoot under different lighting conditions (e.g., ISO 100-3200).
A more restrictive option (e.g., ISO100-300) can assist in noise control.
If you plan on editing or printing your images, AdobeRGB is the best color space.
You do not have to specify this setting even when shooting in raw format. Instead,
you can specify it later on. But it is wise to set it early on to negate conversions
during editing.
Most cameras have auto-focus ON by default. You can get away with this setting in
general use or when shooting static objects. But when shooting moving subjects,
switch to ‘Servo’ mode. Most DSLRs will track an object and focus on it, provided you
have good lighting. On most compact cameras, the mode goes by the title ‘AF
tracking.’
On the other hand, manual focus allows you to capture an image using the best
settings. It is particularly great for macro photography. You can easily find out how
to use a manual lens on a digital camera on youtube.
The metering system in your camera will choose for you the best exposure for a
particular scene. The decision is made by scanning the different sections in a scene
and coming up with a mix of aperture and shutter speed to produce the best result.
Suppose you are shooting on Shutter Priority or any other semi-manual mode. In
that case, the camera will use the specified shutter speed and aperture to determine
other settings that are unspecified.
As you shop around for a new or used digital camera, you’ll find they have different
specs. Most cameras either use 720p, 1080i, and 1080p for HD recording. The letter
after the number means that the camera is scanning either in interlaced or
progressive. The former combines even lines of the next frame with odd lines of one
frame, while the latter records the whole frame at once.
The interlaced format is ideal for static shots, but it will have a banding effect on
moving subjects. On the flip side, the progressive options are the best; some
manufacturers go only for progressive recording. What’s more, all the pictures
you’ve taken are stored on the camera’s memory card. This way, they’re safe until
you load pictures from the digital camera to Windows 10.