Mock 24 P1 Lang - Ms
Mock 24 P1 Lang - Ms
Published
This mark scheme is published as an aid to teachers and candidates, to indicate the requirements of the
examination. It shows the basis on which Examiners were instructed to award marks. It does not indicate the
details of the discussions that took place at an Examiners’ meeting before marking began, which would have
considered the acceptability of alternative answers.
Mark schemes should be read in conjunction with the question paper and the Principal Examiner Report for
Teachers.
Cambridge International will not enter into discussions about these mark schemes.
Cambridge International is publishing the mark schemes for the October/November 2023 series for most
Cambridge IGCSE, Cambridge International A and AS Level components, and some Cambridge O Level
components.
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Cambridge International AS & A Level – Mark Scheme
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Generic Marking Principles
These general marking principles must be applied by all examiners when marking candidate answers. They should be applied alongside the
specific content of the mark scheme or generic level descriptors for a question. Each question paper and mark scheme will also comply with these
marking principles.
the specific content of the mark scheme or the generic level descriptors for the question
the specific skills defined in the mark scheme or in the generic level descriptors for the question
the standard of response required by a candidate as exemplified by the standardisation scripts.
Marks awarded are always whole marks (not half marks, or other fractions).
marks are awarded for correct/valid answers, as defined in the mark scheme. However, credit is given for valid answers which go beyond
the scope of the syllabus and mark scheme, referring to your Team Leader as appropriate
marks are awarded when candidates clearly demonstrate what they know and can do
marks are not deducted for errors
marks are not deducted for omissions
answers should only be judged on the quality of spelling, punctuation and grammar when these features are specifically assessed by the
question as indicated by the mark scheme. The meaning, however, should be unambiguous.
Rules must be applied consistently, e.g. in situations where candidates have not followed instructions or in the application of generic level
descriptors.
Cambridge International AS & A Level – Mark Scheme
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GENERIC MARKING PRINCIPLE 5:
Marks should be awarded using the full range of marks defined in the mark scheme for the question (however; the use of the full mark range may
be limited according to the quality of the candidate responses seen).
Marks awarded are based solely on the requirements as defined in the mark scheme. Marks should not be awarded with grade thresholds or
grade descriptors in mind.
Marks should be awarded for the accuracy of the candidate’s understanding of the text and its features, not for any analysis of them which is
recognised under AO3.
Where comparison is required, marks should be awarded for the candidate’s recognition of similarities and differences between the texts and
their features, not for any consequent analysis.
When awarding a ‘best-fit’ mark within a Level for each AO, consider each bullet point equally.
AO2 Write effectively, creatively, accurately and appropriately, for a range of audiences and purposes. (Writing)
Marks should be awarded equally on the basis of the level of the candidate’s written expression (range of features used and accuracy) and the
development of their writing (its organisation and relevance to task and audience).
When awarding a ‘best-fit’ mark within a Level for each AO, consider each bullet point equally.
AO3: Analyse the ways in which writers’ and speakers’ choices of form, structure and language produce meaning and style. (Analysis)
Marks should be awarded equally on the basis of the level of the candidate’s analysis of the text’s elements (form, structure and language) and
of the writer’s stylistic choices (including how style relates to audience and shapes meaning).
When awarding a ‘best-fit’ mark within a Level for each AO, consider each bullet point equally.
In response to Question 1(a), candidates are required to write between 150 and 200 words. While there is no direct penalty for failing to adhere to
this requirement, examiners should consider this an aspect of the response’s ‘relevance to purpose’. As such, adherence to the word limit is
assessed as part of the second bullet point of AO2.
Cambridge International AS & A Level – Mark Scheme
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Section A: Directed response
1(a) Read the following text, which is an extract from the book titled Paradise Gardens. 10
In response to the text, you decide to write a letter to your local authority suggesting the benefits of creating of a
public garden in your local area. Use 150–200 words.
Additional guidance:
The comments below are illustrative and are not intended to be exhaustive. Candidates may make other valid comments
that should be credited.
form, audience, purpose, style, conventions, language and structure will be appropriately adapted to suit task
content may include personal opinion, anecdote, argument, as well as other relevant ideas
tone will be used to have an impact on the reader and to create an effect.
Cambridge International AS & A Level – Mark Scheme
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Question Answer Marks
1(b) Compare your letter with the extract, analysing form, structure and language. 15
Additional guidance:
The comments below are illustrative and are not intended to be exhaustive. Candidates may make other valid comments
that should be credited.
Candidates may organise their response in any appropriate way. They are not required to focus on form, structure and
language in separate sections.
Form
the typical text conventions used in the original extract and the letter
the ways in which the different purposes affect the content and style of the two texts
the ways in which the article and the letter appeal to the respective intended audiences, e.g. through the tone
and register used in each text
any other relevant aspect of the form of the two texts
Structure
1(b) Language
references to people and gardens e.g nomadic desert Arabs, Muhammad, the Persian pairidaeza, the four-part chahar
bagh
factual information about the gardens e.g. an enclosed garden filled with trees – and especially fruit trees.
lexical fields of nature/water/deserts/gardens e.g. sophisticated water channels and pools, central fountain with flowing
water, deeply sunken beds so the tops of the trees were at head height, olive and fig, date and pomegranate
negative language e.g. remorseless, harshest, least fertile, barren vastness, daunting
contrast between the desert landscape and gardens; intolerable, heaven on earth
vocabulary associated with heaven or paradise and the key constituents required to achieve it e.g. water, shade, fruits,
safety and harmony, just about perfect
repeated references to water to indicate its significance – from contemplation to irrigation, water channels and pools,
moving water is the key, the one great essential – water
the ultimate iteration of what paradise comprises – green repose, sensual refinement, safety and harmony
any other relevant language features used in the texts
Cambridge International AS & A Level – Mark Scheme
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Section B: Text analysis
2 Read the following text, which is an extract from the introduction to a cookery book. 25
Additional guidance:
The analysis should address the style, form, genre, structure and language of the text (including specific and relevant
references), explaining how they create meaning in relation to audience and purpose.
The comments below are illustrative and are not intended to be exhaustive. Candidates may make other valid comments
that should be credited.
Candidates may organise their response in any appropriate way. They are not required to focus on form, structure and
language in separate sections.
Form
Structure
the ways in which the heading and short/long paragraphs or sections are used in the text
the way in which the passage develops almost like a journey from India to England, diner to cook and back
the way the passage ends with the childhood memories
any other relevant structural features in the text
Cambridge International AS & A Level – Mark Scheme
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Question Answer Marks
2 Language
the vivid and positive descriptions of food, and the narrator's passion for the dishes described e.g. loved, passion,
sacred, most tantalising odours
lists of food items indicating plenty and excess e.g. steaming basmati rice, roasting cumin seeds, cinnamon sticks in
hot oil
the triad used to describe in detail the family's bearer – turbaned, sashed and barefooted – indicating differences in
class and wealth, and contrasting with London
the contrast between dining at home in Delhi and digs in London e.g. a pleasant room and ... use of the kitchen which
is very flat and simple – no bearers, no excess
the narrator's love of food even from early childhood e.g. smacking my lips is contrasted with her lack of culinary skills
– I could not cook
names of recipes are Persian/Kashmiri and exotic-sounding e.g. Phool gobi aur aloo ki bhaji, and the Sanskrit om both
exotic and associated with being sung as a mantra
the cuisine is described in very positive terms e.g. so very satisfying, titillate our palates, wholesome food and endless
flavours and dishes
evocative descriptions of the Delhi schooldays feature humour and contrasts e.g. tiffin-carrier, ribboned pigtails,
exhaust-spewing buses, mind-numbing algebra, and the ultimate pleasure of taking lunch with her friends suggesting,
by their differences, that interest in food crosses cultures and other barriers
eating is presented as adventure and discovery
any other relevant language features used in the text.
3 Clear understanding of text (meaning/context/audience) Clear expression, with occasional errors which do not
Clear reference to characteristic features impede communication
Content is relevant to audience and purpose; ideas are
developed clearly
3 marks 3 marks
2 Limited understanding of text (meaning/context/audience) Expression is clear but may not flow easily, with frequent
Limited reference to characteristic features errors which generally do not impede communication
Content is mostly relevant to audience and purpose; ideas
are developed in a limited manner
2 marks 2 marks
1 Basic understanding of text (meaning/context/audience) Basic expression, with frequent errors which impede
Minimal reference to characteristic features communication
Content may lack relevance to audience and purpose;
minimal development of ideas
1 mark 1 mark
Table B
Level AO1: Read and demonstrate understanding of a wide variety AO3: Analyse the ways in which writers’ and speakers’
of texts. choices of form, structure and language produce meaning
and style.
5 marks 10 marks
4 Detailed comparative understanding of texts Detailed comparative analysis of elements of form, structure
(meaning/context/audience) and language
Effective reference to characteristic features Detailed analysis of how the writers’ stylistic choices relate
to audience and shape meaning
4 marks 7–8 marks
3 Clear comparative understanding of texts Clear comparative analysis of elements of form, structure
(meaning/context/audience) and/or language
Clear reference to characteristic features Clear analysis of how the writers’ stylistic choices relate to
audience and shape meaning
3 marks 5–6 marks
2 Limited understanding of texts (meaning/context/audience), Limited analysis of form, structure and/or language, with
with limited comparison limited comparison
Limited reference to characteristic features Limited analysis of how the writers’ stylistic choices relate to
audience and shape meaning
2 marks 3–4 marks
Cambridge International AS & A Level – Mark Scheme
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Level AO1: Read and demonstrate understanding of a wide variety AO3: Analyse the ways in which writers’ and speakers’
of texts. choices of form, structure and language produce meaning
and style.
5 marks 10 marks
1 Basic understanding of texts (meaning/context/audience), Minimal analysis of form, structure and/or language, with
with minimal comparison minimal comparison
Minimal reference to characteristic features Minimal analysis of how the writers’ stylistic choices relate to
audience and shape meaning
1 mark 1–2 marks