COVER
COVER
COVER
The story starts with the tale of A MODERN BANANA that disem-
barks on the Philippine island of Mindanao. This first move stages
a history of a powerful project of banana plantation modernity that
comes to enrol people, crops and land to a particular discipline of
work and life.
TALES
The second move tells the tales of FLYING BANANAS. By zooming
in on the trajectories and practices of side-selling banana contract
farmers, the project of banana plantation modernity turns out not
to be powerful in and by itself. Rather, it has to be made powerful
through particular practices of translation. These may fail. of the
POST-PLANTATION
The third move continues on this line of thought and tells the tales
of A FUNGUS, named Fusarium oxysporum f.sp. cubense TR4. As this
lethal pathogen comes to threaten commercial banana production in
the Philippines and beyond, the tales zoom in on the trajectories of
banana growers, scientists and their fungal foe. Tracing the fungus’
plantation-making presence, I find the epistemic and ontological Unlikely protagonists of modern
foundations of the modern plantation are shaking. Perhaps, in the
Philippine banana history
midst of trouble, it is time to wonder ...
ROBIN THIERS