Early Republican Era Architecture. Muna-Bedirhan-Shayan
Early Republican Era Architecture. Muna-Bedirhan-Shayan
Early Republican Era Architecture. Muna-Bedirhan-Shayan
STUDENTS:
MUNA AWADH
M.BEDİRHAN YILDIRIM
SHAYANDOKHT SHAMSHIRI 1
What is happening in Gençlik Parkı (Youth Park)?
2
"UYGARLIK BİR BİLGİ VE İNSANA (TARİHE) SAYGI GÖSTERGESİ, TAKLİT EDİLEMİYOR, ANCAK ÖZÜMSENİYOR."
"CIVILIZATION IS A SYMBOL OF KNOWLEDGE AND RESPECT FOR HUMANS (HISTORY), IT CANNOT BE IMITATED, BUT IT CAN BE ASSOCIATED."
Doğan Kuban- Turkish architectural historian 3
CONTENT
- Late Ottoman and Early Republic Years of Turkish Architecture
-
- The New Era of The Republıc
- Art Movements That Influenced The Period
- Early Republican Era Architecture Examples
- Architectural analysis
● Historical context
● Architectural style
● Form and spatial organization
● Materials and construction techniques
● Aesthetics and design intent
● Cultural significance
● Functionality and usability
● Original elements of the building
4
‘Bütün sokakları bu kentin Gençlik Parkına açılır
5
Late Ottoman and Early Republic Years of Turkish Architecture
6
Until the 1930s, Turkish architects who graduated from the School of Civil Engineering
(Hendese-i Mülkiye) and the School of Fine Arts (Sanayi-i Nefise Mektebi) started to initial
phase of Turkish Neoclassical architecture.
● Mimar Kemaleddin
● Ali Talat Bey
● Vedat Tek
● Mimar Muzaffer
● Arif Hikmet Koyunoğlu (Sanayi-i Nefise Mektebi)
(Hendese-i Mülkiye)
7
However, the First National Architecture style and its representatives started to face criticism for their
architectural practices.
During the 1930s and 1940s, in World War II, many experts, including architects, were invited to or
exiled to Turkey.
Some of these are:
8
These architects, active throughout the country and Ankara, played a crucial role in Turkey's
transition to modern architecture.
As a result, this led to the emergence of second wave nationalist architectural tendencies in
the country.
9
The most significant difference that sets the Second National Architecture period, apart from the first
is that it drew its inspiration more from the traditional Turkish house rather than monumental
Seljuk and Ottoman architecture.
Architects like Sedat Hakkı Eldem, Emin Onat, Orhan Arda, and Doğan Erginbaş, contributed to this
Second National Architecture movement, with the most iconic structure of the era being Anıtkabir.
During this period, Turkey took significant steps towards becoming a modern nation-state, and this
transformation was reflected in the field of architecture. Here are some key points about early
Republic architecture:
1.Independence Street and Ankara: Early Republic architecture was concentrated in Turkey's new
capital, Ankara, as well as in important areas like Istanbul's Independence Street.
2.National Architectural Movement: Early Republic architecture was part of a movement known as
the National Architectural Movement. This movement aimed to emphasize Turkish traditions and
materials, even while incorporating influences from the West.
11
3.Public Buildings: The public buildings of this period featured modern and functional designs. For example,
the Türkiye İş Bankası (Turkey's Business Bank) Headquarters and the Ankara Palas are important examples
of early Republic architecture.
4.Italian Rationalism: Some of the early Republic period buildings were influenced by an architectural
movement known as Italian Rationalism. This movement emphasized functionality and simplicity in design.
As a result, some buildings had straight lines, simple geometry, and minimal ornamentation.
Türkiye İş Bankası
Ankara Palas 12
Early Republic Architecture in Turkey
During this era, Turkey was undergoing significant social and political transformations as it transitioned
into a modern nation-state. Architecture played a crucial role in reflecting and facilitating this change.
1.National Architecture Movement: The architecture of this period is often associated with the National
Architecture Movement.
2.Important Architects:
15
BAUHAUS (1918-1932)
CUBISM (1907-1950)
● Geometrical shapes.
● Cubic houses and apartments.
● Concrete and glass.
● The basis of modern interior design in the mid-20th century.
16
Early Republican Era
Architecture Buildings
17
Architecture
Architecture
- showcases elements of the
Neoclassical style
Architecture
- symmetric approaches on its facades
21
- designed by Tahsin Bey in 1926
Architecture
25
1. Historical context
- Opening year: 1946-1966
- Explanation: Alcoholic Casino
- Gençlik Parkı (Youth Park) plan prepared by Theo
Leveau
- Purpose: Western aesthetics and lifestyle
- Location: positioned on a green island
FIGURE 1: (A) 1934 dated Genclik Park drawings of Jansen. (B) Final plan of
the Genclik Park by Teo Leveau. Source: Atilim University Digital City Archive,
2017 (A), Ercan and Memluk, 2015 (B).
26
2. Architectural style
- simple characteristics dominant
- traces of the Republic period modern architecture
- Early modern-from cubic to modern
27
3. Form and spatial organization
- vertically-oriented part facing the lake
- horizontally stretched part is designed as a restaurant area
- ground floor consists of a cloakroom, casino-restaurant area,
service areas, boiler room, stage, and toilets
- initial open design - more functional layout.
28
4. Materials and construction techniques
- Overall Floor covering: mosaic tiles
- casino-restaurant area: wooden coating
- Walls: created with plaster moldings
- Ceiling: plaster panels with grid separations
- Other ceiling part: left painted over plaster
29
5. Aesthetics and Ornamentations :
30
6. Cultural significance:
- most elite and popular venue in the region
- essential places of its time with its entertainment philosophy
- popular socializing place
- number of entertainment places increased
- park functioned as Ankara's entertainment center, it deviated
from its original design in terms of landscaping
- resilience in maintaining significance
31
Expansive Glass Facades
transparency and emphasizing the relationship between
interior and exterior spaces
Entrance Details
half-octagonal protrusion, a raised rectangular entrance was
flanked by columns
● Meeker on Bozdogan, “Modernism and Nation Building: Turkish architectural culture in the Early Republic” | H-Net. (n.d.).
https://networks.h-net.org/node/11419/reviews/11497/meeker-bozdogan-modernism-and-nation-building-turkish-architectural
● Dericizade. (n.d.). DERİCİZADE FARUK KÜÇÜK ANKARA KENT ARŞİVİ ve Eski Ankara Fotoğrafları. http://dericizade.blogspot.com/search/label/Gen%C3%A7likpark%C4%B1%20Eski
● Turgut Gültekin, N. (2013). Gençlik Parkını Kültürel Miras Olarak Okumak (Reading the Youth Park as Cultural Heritage). (GENÇLİK PARKINI KÜLTÜREL MİRAS OLARAK OKUMAK).
● Kaya, İ. N. (2023, April 28). Ankara’nın ilk modern oteli: Ankara Palas. Gzt. https://www.gzt.com/arkitekt/ankaranin-ilk-modern-oteli-ankara-palas-3745871
● Emre ÇUBUKÇU ÖZ. (2021). ERKEN CUMHURİYET DÖNEMİ MİMARİSİNDE ULUSAL KİMLİK ARAYIŞI: ANKARA’DAKİ KAMU YAPILARI The Search for a National Identity in Early Republican Period Architecture: Public
● Merdim, E. (2019, July 24). Türk Ocakları Merkez Binası’ndan Ankara Devlet Resim ve Heykel Müzesi’ne - Arkitera. Arkitera.
https://www.arkitera.com/haber/turk-ocaklari-merkez-binasindan-ankara-devlet-resim-ve-heykel-muzesine/
● Merkezi, A. M. (n.d.). İller (Belediyeler) Bankası Genel Müdürlük binası. Arkitera.com. https://www.arkiv.com.tr/proje/iller-bankasi-belediyeler-bank-genel-mudurluk-binasi/6873
● Her Umut Ortak Arar. (n.d.). Erken dönem Cumhuriyet yapıları | Her Umut Ortak Arar. https://www.herumutortakarar.com/donem_uslup/erken-donem-cumhuriyet-yapilari/
● Admin. (2020, May 30). Değişimin simgesi: Cumhuriyet döneminde mimari - akademik tarih. Akademik Tarih. https://www.akademiktarihtr.com/cumhuriyetmimarisi/
● Erken Cumhuriyet Dönemi’ndeki yabancı mimarlar - Vikipedi. (2011, April 2). https://tr.wikipedia.org/wiki/Erken_Cumhuriyet_D%C3%B6nemi%27ndeki_yabanc%C4%B1_mimarlar
33
34