Y6-Fiction 2024
Y6-Fiction 2024
Y6-Fiction 2024
English - Fiction
KS2-Year 6
English
Fiction
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SETTING DESCRIPTION
Colour of the sea: The sea was jewel-blue. The beach was flax-gold.
The sky: The sky was like a curtain of silk.
The horizon: The horizon was a line of silver.
Sea sounds: The sea song of the waves soothed me.
Motion: The waves were rippling gently.
Salt smell: The air was pregnant with the smell of salt.
Sensations: It was a heart-warming experience. The sun toasted our skin
1) The sea was like a blue rippling blanket. Squabbling seagulls flew overhead,
harassing the beachgoers in their endless hunger. The horizon was edged with a
silver tint while the waves in the distance were like white creases on a vast
bundle of velvet and the lolling of the yachts is both rhythmic and mesmerising.
1) The enchanted forest summoned me into its pulsing heart. The deep,
haunting rhyme of its ancient song called out to me. With a light heart, I plunged
into the forest. The forest was nut-brown. The grass was crispy under our feet.
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We looked up and the trees were skyscraper tall. Hares were scampering away
from us up ahead. The morning stars were shining like silver snowflakes. The
peace of the morning was soul soothing. The forest’s smell was fresh and
organic. We picked some wild pears and they were meadow sweet.
2) The forest we entered was oak-brown. The grass we stepped on was crackly
beneath our feet. We were in awe (amazed/
hypnotized/fascinated/mesmerized) of the size and majesty of the trees. Their
knotted arms rose ever upwards, as if guarding the forest. They were like
ancient fortresses that stood proudly.
1) The river was a sleeping cobra. It lay across the land in smooth seductive
curves, beautiful in the morning light. The gentle murmur of the water lured
you, yet behind its serenity, it hid a myriad of dangers. The boat we were in
looked like it would simply be our coffin.
2) After so many months of no rain, the river was barely a stream moving.
There was no wading over it, no swimming, no jumping in, we could step across
it and still have dry feet. The marsh plants on the banks were wilted and weak.
The edges of their blade-like leaves were yellowed where they should be green.
2) Storms brewed on the cold horizon promising nothing but winds and heavy
rain. The rain lashed down like a whip, and the wind was unleashed. Thunder
rolled/cracked across the sky, seeming to crack the world in halves and reveal
the fury of the gods. (lightning flashed/ struck across the sky)
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3) Thunder rumbled in the distance and a bolt of lightning cracked the sky into
halves. The terrible tune of the wind and the gushing of the rain went in
unison/harmony, creating a scary symphony. The rain showed no sign to cease;
the inception of the storm had only just arrived.
4) The wind screamed. Rain fell as stones. The trees moaned as they bend
because of the harsh wind. The rain and wind were wicked, destroying anything
and everything in their way.
footsteps on the stair, creaking doors, window shutters rattling on the outside,
rustling paper through a broken window gap, words whispered in ear, screams,
crying, wailing, laughter, glass smashing, the scrap of a chair moving, the
scratch of tree branches scraping at the windows, rats squeaking, heavy
breathing.
Sense of touch
A phantom hand on the shoulder, the puff of breath on the earlobe or the back
of the neck, the sensation of being grabbed on the arm, pushed, pulled, pinched,
poked, slapped, burned, icy cold, hair rising on arms or the back of the neck,
chills, shivering.
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Setting description
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Planning Frame
Choose one of the following scenarios and try to write the opening of a story that feels very
believable to the reader
Task A
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1. What could be the moral of this story?
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2. Who has given Kirsy advice?
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B) Choose the correct answer:
1) What is the purpose of the ellipsis used when Kirsty speaks to the driver for the first time?
a) Something has been missed out b) There to follow is information to follow that is not
included
f) None of these
It’s a phrase that writing teachers throw at their students — but do they really get it?
It’s important to understand the profound difference between showing and telling in
your writing.
Telling sentences tell us something. They give information but it is general, non-
specific, and often vague. They don’t involve the reader. Telling sentences are
written in a dull and lifeless manner. You leave out the action, emotion, and sensory
detail—all the vital ingredients that make the reader believe in your story. “Telling”
is a way of communicating facts to the reader— the wrong way. The right way is to
“show” information through the use of action, dialogue, and the five senses. (If
you’re still confused, please read on and let me “show” you what I mean.)
Showing sentences show us - they describe the scenes and actions; they help us see
by using clear, specific details to create clear, strong pictures in our minds.
Showing sentences dramatise the events of your plot. The reader experiences the
story as if he’s right there, participating in the story. In his imagination, he becomes
the character. A showing sentence has a different “sound” and “feeling” when you
read it.
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And along the way, something miraculous happens: Jack becomes a real person.
Even if he’s the bad guy, we can identify with him because we experience his fear,
and fear is a universal human emotion. We want to turn the page and find out what
happens to Jack. This is the power of “showing” instead of “telling.”
So what is the secret to “showing” a scene? It’s beautifully simple. Use specific
details.
Specific details breathe life into your story. They stimulate the reader’s
imagination, so he can project himself into the -scene and become a part of it.
Jack was afraid. It’s lazy writing.
The reader won’t feel the emotional impact. How much better it is to “show” the
emotion through action, the five senses, and dialogue.
2) Second Example
Telling sentence: Dave thought Brenda was acting secretive.
Showing sentence: Brenda slammed his dresser drawer shut and spun around,
her hands hidden behind her back. Her lips jerked into a stiff smile. “Dave! I
thought you wouldn’t be home until six o’clock.”
So now you have the idea, right? We need details. We need to know thoughts,
feelings; we need to see, hear, feel, smell and taste your story. Learn how to put
details in your writing. Did you ever wonder why you remember the characters in a
book? Or what made a story especially memorable? By combining many elements of
writing, you can learn how to write good stories and essays. You have to use the
senses, avoid boring dialogue, and write memorable descriptions.
3) Third Example
Telling sentence: Mary was a pretty girl, with blue eyes and blond hair.
Showing sentence: Mary’s blue eyes glistened with joy, her blond hair
bouncing with each step.
4) Fourth Example
Telling sentence: Molly is a wonderful person.
Showing sentence: Molly is always there when anyone needs her. She’s the
first to arrive with a casserole when someone is sick, the first to send a note of
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encouragement to those who are troubled, the first to offer a hug to anyone --
man, woman or child -- at anytime.
5) Fifth Example
Telling sentence: It was very dark inside.
Showing sentence: I held my hand in front of my eyes but couldn’t see its
outline. The walls were invisible and it was impossible to see the bottom of
the steep stairs.
6) Sixth Example
Telling sentence: The pizza was delicious.
Showingsentence:
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7) Seven Example
Telling sentence: The house was haunted.
Showing sentence:
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8) Eight Example
Telling sentence: Eating healthy is good for your body.
Showing sentence:
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9) Ninth Example
Telling sentence: I was really mad.
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Showing sentence:
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WRITING
EXERCISES
Now you try it! Write a showing sentence about
each telling sentence.
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CHARACTERIZATION
Characters are people or animals in a story.
DO NOT TELL DIRECTLY ABOUT THE CHARACTER; SHOW THE
CHARACTER.
TELL:
Mr. Dave was a mean teacher; he hated the students.
SHOW:
With his evil stare, Mr. Dave sent chills down the children’s spine. He was like a
hungry dinosaur that wanted to feed on them,
“Get your H.W out, you lousy lot!” he roared like angry thunder.
Speech
• Indirect Characterization shows things that reveal the
personality of the character. Thoughts
“Good morning, little angels,” whispered Ms. Linda with a beaming Effect on others
smile on her charming face. The children’s eyes glistened and Actions
sparked as they watched her move around. “Have you had trouble
Looks
with your H.W?” she asked as she patted Jessy’s shoulder. The aura
of kindness around her hypnotized the children.”
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1) This phantom was close. Very close. At first its whisper was like the soft
murmur of the wind in the trees. Then, as the ghost became clear, more sharply
focused, the whisper became an eerie rasping voice. Moaning… Groaning. Now
we could see the form of a man with a silvery ragged line across his neck and
cold, soulless eyes.
2) The monster was a predator. His frontal eyes were better than any hawk and
his teeth sharper than steak knives. He moved in the shadows until his victim
was in reach and then the tentacles would shoot out and pull them into his
mouth. For the most part, those poor victims didn't even have time to call out
and all one could hear was the crunching of bones.
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Genre Worksheet 1
Directions: Read the descriptions of the texts. Look for details that reveal the genre. Write the genre and
subgenre on the lines and write a sentence explaining your answer.
After a life of studying the nano-transportation sciences, Professor Melton stumbles upon a major
breakthrough. On April 20th, 2042, Melton discovers a way to transport particles at light-speed across
fixed distances. Now he can teleport from one location to another. But Professor Melton soon discovers
that there is no such thing as a free lunch. He learns that the body ages relative to the distance travelled,
not just the time. This means that a teleporting body ages very rapidly. Can Melton solve this problem
before his time is up?
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This workbook explains how to perform basic mathematical operations, like double-digit addition,
subtraction, multiplication, and division. It also explains fractions and decimals.
This is the very short story of a buck. The buck was admiring his horns in the water's reflection and feeling
bad about his skinny legs. Then a hunter tries to kill him. As the buck tries to escape, his big horns get stuck
in some tree branches, but his skinny legs manage to pull him free. The moral is that what is truly valuable
is often unappreciated.
When young Ian Bradley accidently switches suitcases with an intergalactic space explorer, he ends up
going on the trip of a lifetime. Now that he's left holding the bag, Ian must deliver it to the light scientists
on Gamma Outpost 9 in time. Every life form in the galaxy is unknowingly depending on the success of
Ian's efforts.
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Once upon a time a young girl named Rapunzel was running an errand for her mother. An evil witch
kidnaps Rapunzel and imprisons her in the tower of a castle. After years in the tower, Rapunzel grew long,
beautiful hair. Having seen nobody but the evil witch her whole life, Rapunzel is very lonely. One day a
prince wanders by and climbs up her hair. The witch doesn't like this and action ensues. Eventually the
prince and Rapunzel live happily every after.
The story of a German professor who believes there are volcanic tubes going toward the center of the
Earth. He, his nephew Axel, and their guide Hans climb down a crater and have many wild adventures,
encountering dinosaurs and prehistoric man. They eventually return to surface again in southern Italy.
A beautiful princess pricks her finger on a sewing needle, after being cursed by a wicked fairy. The princess
falls into a deep sleep. One hundred years later, a prince fights his way through the enchanted forest and
awakens the beautiful sleeping princess with a kiss.
Attila the Hun was the scourge of both the Eastern and Western Roman Empires in the 440s and 450s. . He
invaded and conquered territory in what would now be considered France and Italy, terrorizing the
countryside along the way. This text tells the story of Attila's life.
High school student Darren Banks is sick of being a viewed as a nerd. Darren enlists the help of his older
cousin Tyrone to help him learn to dress, walk, and talk. With Tyrone's help, Darren soon climbs to the
peak of high school popularity, but in his quest to become someone else, will Darren forget who he was?
Find out in this exciting novel.
This science book for grades 5 and 6 puts the "fun" in "fundamental." Students complete a variety of
exercises to develop their science skills using materials that can be found at home. This version contains
over 62 practice activities.
One day a fox came upon a grape orchard and found a bunch of beautiful grapes hanging from a high
branch. "Boy those sure would be tasty," he thought to himself. He backed up and took a running start,
and jumped. He did not get high enough. He went back to his starting spot and tried again. He almost got
high enough this time, but he still could not reach the grapes. He tried again and again, but he just couldn't
get high enough to reach the grapes. Finally, he gave up. As he walked away, he put his nose in the air and
said: "I am sure those grapes are sour anyway." It is easy to hate what you cannot have.
Fox tells the story of the fictional John Potter, a seasoned Union soldier who gets captured by Confederate
forces during the American Civil War. Potter undergoes some of the most dreadful conditions imaginable
while detained in a Confederate POW camp, but he soon makes friends with a Confederate guard who
helps Potter survive as they realize that their differences are not as striking as their similarities.
When John Carter finds gold in Arizona, he makes enemies with some Apache warriors. While attempting
to escape from these warriors, Carter hides in one of their sacred caves and is mysteriously transported
to Mars. He finds that he has great strength and superhuman agility in this new environment as a result of
its lesser gravity. He soon falls in with a nomadic tribe of Green Martians and thanks to his strength, speed,
and fighting skills, Carter rises to a high position in the tribe. When the Green Martians capture Dejah
Thoris, princess of the humanoid Red Martians, Carter can't help but to be taken with her beauty. He will
have to make some tough decisions in the exciting novel.
This periodical contains strategies for teachers and students to improve reading comprehension skills.
This novel tells the story of a fictional American teenager named Henry Cross. Against his mother's wishes,
Cross enlists in the fight against the Germans in World War II. At first he is frightened and ineffective in
battle, but after making friends with an elite sniper, Cross learns to overcome his fear in battle and become
a better solider. Soon Cross is a war machine, but sometimes soldiers have to make difficult decisions
concerning the lives of others. Will Cross make the right decision when he runs into just such a situation?
Is there a right choice for Cross to make?
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According to this Bakuba account of the world's creation, the Earth was once just darkness and water and
it was ruled by the giant Mbombo. One day Mbombo felt some sharp pains in his stomach, which caused
him to vomit the sun, moon, and stars. The sun's rays evaporated the water covering the Earth, which
created clouds, and soon the dry hills emerged from the water. Still feeling some pains in his stomach,
Mbombo vomited again, this time expelling the world's first man and woman, all of the animals, the trees,
falling stars, the firmament, and lighting.
Lance tells the true story of his own adventure into outer space. Legstrong was once an underachiever
with a troubled past, until one day a teacher influences him positively. Lance describes how he worked
hard from that point on until getting accepted into an experimental NASA space program and going to the
moon. Lance shares with readers the many life lessons he has learned in this exciting text.
Sir Gawain is King Arthur's nephew, and this is the story of how Gawain met a challenge from a giant
knight dressed in all green armor. The story is very serious and is told as though it was true; many people
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believe that King Arthur was a real person, but this story is probably not true. If it were true, it has been
greatly exaggerated.
This textbook tells the history of America, from the Revolutionary War to the Iraq War.
When Sheila moves to a new school in California, she has some trouble fitting in with the other kids. She
cannot afford the expensive clothing that the other kids wear and she does not have the newest cell
phone, but she does have a good heart. Will a chance run-in with a celebrity whom Sheila admires give
Sheila the confidence she needs to adapt to her new environment?
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Context clue
Main Clue Character Point Extract
‘Shiffled’ suggests he The man is old or The man shuffled towards the rundown
cannot walk well — infirm. house.
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Example 2 Example 1
Serena sat in her Porsche. Serena sat in her car.
What about?
Serena shifted uneasily in her Porsche. She looked in the rear mirror and
lowered her head suddenly as if she were reading a book or magazine.
We learn about:
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● Her behaviour (but the writer keeps us guessing - what has she seen in the mirror? Why
is she biding her head?)
You can use all kinds of description to illuminate character:
Appearance
• Serena’s sunglasses hid her concern.
• Her mouth turned down at the edges.
Setting
• The traffic roared past as she sat there (showing that she is isolated).
• The sky darkened (suggesting danger).
Actions
• She trapped her fingers rapidly on the dashboard (suggesting nervousness)
• She fumbled beneath the seat for her briefcase (“fumbled” suggests that she’s in a rush)
Bystanders:
Bystanders are other characters. You can use them to give information about your main
character, or to show her from a different viewpoint:
• The man cleaning the window of the shop watched her light a cigarette.
• Jane Tate, walking to work, noticed a woman in sunglasses in a smart car and thought
no more about it.
Hints
• Keep your details brief and precise — not great slabs of description.
• Keep description visual — appearances, textures, colours, movements — to help the
reader see the scene.
• Give specific details, e.g. “a Porsche”, “a Vaughn” rather than “a car”.
Details like this can tell us about a character (“He ate his half-melted KitKat” is more
interesting than “He ate his chocolate bar.”).
Remember to:
• get some action into the description — make people or animals do something
• make up some dialogue to change the rhythms of the writing.
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Jenkins was sitting in a seat in an aircraft. He was wearing a navy blue suit, though he wished
that he had taken off his jacket. He had a tie on that had the logo of his company on it. It was
an unusually hot day for Heathrow in the spring. The pilot was waiting for clearance to take
off. The cabin crew had sealed the doors and were walking up and down to check that
everyone had fastened their seatbelts. A man near the back was sweating and closing his
eyes. A child at the front was yelling. Jenkins (got out his newspaper and thought what a long
flight it was going to be.
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Take this example — the opening of an imaginary story set at a funeral. It ought to
be a gripping opening, but notice how passive descriptions get in the way:
It was a bitterly cold day. Everyone was in black. The cars were black too.
There were people standing around in a group waiting for the coffin.
Crows were flying in the sky. It was really eerie.
This is a terrible opening. Notice:
● How many sentences start: “it was ... there were ……”
● How the use of the verb “to be” (was and were) reduces the power of the
description — it isn’t active enough.
● How the writer tells us that it was eerie rather than showing us
Now look at the way a brilliant writer brings the scene to life.
Opposite is the opening to Susan Hill’s novel, Mrs de Winter.
The undertaker’s men were like crows, stiff and black, and the cars were black, lined up
beside the path that led to the church: and we, we too were black, as we stood in our pathetic,
awkward group waiting for them to lift out the coffin and shoulder it, and for the clergyman
to arrange himself, and he was another black crow in his long cloak.
And then the real crows rose suddenly from the trees and from the fields, whirled up like
scraps of blackened paper from a bonfire and circled caw - cawing above our heads.
● Scene contains movement and action — the undertakers, the crowd of onlookers, the
clergyman and the crows. We wonder who they all are and why they are here.
● “like crows — like scraps of blackened paper” Similes help us to visualise the scene
really powerfully.
● “Suddenly” Use adverb ‘suddenly’ creates tension — something that breaks the
atmospheres.
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● “Bonfire” image for the ‘blackened paper from a bonfire’ is very effective - suggesting
danger and creating a strong visual picture.
● “Caw-cawing” The movement of the crows and the way the writer imitates their sound
makes them seem menacing. (onomatopoeia).
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Understanding Tone
In a text, the author’s tone is the attitude that the author has toward the topic
or audience. We can identify the author’s tone by looking closely at word
choice.
Tone:
Oh Shenandoah,
I long to see you,
Underline words that
Away you rolling river. reveal the tone.
Oh Shenandoah,
I long to hear you,
Away, I'm bound away,
'cross the wide Missouri.
You can try, but you will fail
To catch me as I run!
Tone: Here and there and everywhere
Evading everyone.
My cookie legs will carry me
Underline words that Far, far out of town
reveal the tone. Where I will start a new
life All ginger-y and brown.
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Tone:
Dark brown is the
river. Golden is the
sand.
It flows along for ever, Underline words that
With trees on either reveal the tone.
hand.
Green leaves a-
floating, Castles of
the foam,
Boats of mine a-boating—
Where will all come home?
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C B A
“I cannot tolerate this any Mrs. Newgate knew that The sea was really deep and I
longer,” said Todd and he something was wrong when felt a bit afraid of walking
walked out of the room in a she heard a rather strange further down the beach into
huff. sound that she hadn’t heard it.
before and worried what it
might be, so she decided to
go downstairs and
investigate.
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⮚ Provide a moral
⮚ Show what the characters have learnt from their experience or want
from the future
● Novel endings could tie up all the loose endings, or tell us what happens to the main
character, but it mustn’t be a happy ending.
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The worst ending you could ever write, is what you realise at the end that it
was all a dream. This is considered a cheap way of finishing the story as all the
tension immediately evaporates.
3. Shock tactics
This could give a twist at the end of the story.
Example
As he moved his hand finally to switch out the light, he realised in a sickening second that he was
no longer alone. His old friend was back.
4. Description:
You could get a powerful effect by changing the focus away from your character to something in
the setting.
Example
‘No,’ said Ralf. He looked away.
A gust of wind lifted the branches and a scattering of red leaves fell slowly to the earth.
Building tension:
● When you build tension, you keep the reader curious to know what will happen next without
keeping him too long as it will be boring then.
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● The second builds tension, by showing events from Amanda’s viewpoint - we only know
what she does.
● The short sentences make it feel disjointed and disturbing.
● The best way is to mingle between both short and long sentences.
2. Atmospherics
● You can build tension by using emptive word – such as ‘darkness’, ‘fear, ‘storm’.
● They are more powerful than ‘street road’, ‘alleyway’ and they help to create a feeling of
unease.
Example
The darkness deepened. She looked for the end of the alley. Something was there, but not the light
she was expecting. The wind lifted and the branches above her head began to scratch at the
wooden fence beside her.
Notice
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3. Delaying Action
● When the reader wants to know what will happen next, you can build tension by keeping
him/her waiting using ???.......................
Example
Amanda peered harder into the gloom. A cat somewhere whined to be let in. Amanda’s fists
clenched tighter. There was someone there, she was sure The wind tugged at the hood of her
raincoat. She took a step further forward A cloud drifted across the moon and the darkness
thickened.
Notice
● How we are kept waiting to see what may be at the end of the passageway
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● Use a capital letter at the beginning of a sentence and for names and places and put a full
stop at the end of each sentence.
Writing Practice
Boy on holiday with parents. Swims to small island not far from the beach he’s been lying
on. Briefly explores island. Comes back to see the tide has moved in fast. The island is going
to be submerged and the crossing back to the beach is getting wider. He has to swim for it...
Take the scenario below and practice creating tension in it, using the three techniques outlined
above.
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Writing Horror Stories
Sample Short Horror Story Excerpt 1
David turned his head and spat off front porch. It had been a long day. It was good to be home.
He turned the key, his brain releasing a little squirt of dopamine at the familiar sound of the coming
relaxation and waited on the next of the two sounds he heard every day 5:30 scruff banging against
the door.
There was no banging, though. No panting, either. Nothing at all to signify that dog even knew he
was there. After a decade of driveway – key – door – dog, it was easy to notice the silence.
He shouldered the door open, failing to compensate for Scruff's missing weight and stumbles over
the threshold. More silence.
"David?"
There was a sound he noticed. He hadn't seen Linda's car when he pulled in, but he supposed he
could have missed it.
"It's me," he said, making his way towards the back of the small house they shared. "How are you?"
"Good." Linda's voice made him feel a little better. The missing dog still nagged at him.
"Where's Scruff?"
"Down here," Linda said. "He followed me downstairs to do the laundry."
David froze with his hand an inch away from the doorknob scruff never went downstairs.
Heck, Linda never did either, at least not since –
Not since they moved the washing machine upstairs.
"Linda? Are you okay?"
"Yeah." Her response was quick and sounded unusually defensive.
"You sure?"
"Yes, hon." A little softer this time, but still not right.
David eased his hand toward the doorknob.
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"Can you help me?" Her voice sounded clipped again. "I have a lot of cl ----- stuff to carry, and I
can't get to the door."
You're being stupid, Davey.
The voice in his head as full of contempt, but he couldn't shake his fear. Had she just not noticed
what she'd said? What else would she be carrying?
"Hon?"
The irritation of having to ask a third time certainly sounded normal. Dave turned the Knob and
opened the door.
He didn't have enough time to see exactly what waited on him, but it wasn't Linda. It absolutely was
not Linda.
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They all started recalling what happened a year ago; they remembered how they had over
upset Dania by making fun of her forcing her to leave the party. They shook the idea out of their
heads, trying to find more reasonable thoughts.
"Beep!" Another message said, "REVENGE!"
The sound was repeated thrice. "You choose before I do. One of you needs to kill himself.
You have five minutes, or I will force you all to."
Now, they believed it was Dania, or maybe Dania's ghost! None of them wanted to die –
none of them was ready to die, of course. They kept arguing and screaming until – “3… 2… 1…"
Their tears started covering their faces. They were ready for someone to jump through their
screens or whatever, but nothing happened – except for Diego who had been moving around the
house. They realized he was nowhere inside his room.
Diego suddenly showed up with a blender. He plugged it in and put his hands inside, one
following the other. Olivia and Noah saw nothing but blood splashing all over Diego's laptop, as if
he existed in a pool filled with blood. They like running away, far away where no one would be
able to reach, but realized there was no place a ghost can't reach. They knew nothing but that Diego
would have never done this. They looked at each other terrified – someone was controlling Diego's
movement!
In a drop of a hat, Olivia got off her bed and reached the kitchen with her laptop still on her
hands. She drank some water and secretly grabbed something and went back to the room.
"Is that what you want?" shouted Olivia crazily while stabbing a knife inside her body. She
repeated the same action over and over again, once in her arm other in her leg and the last one was
on her left side, right inside her heart.
Noah blinked and rubbed his eyes; he was dazed and sick to his stomach. He wished
somebody would hit him on the head or wake him up from his nightmare, but as he started at
Olivia's body lying on the floor with a puddle of blood spreading out of it, it all dawned on him – it
wasn't a nightmare. Olivia had saved his life – all her previous actions now made sense – she
definitely had been secretly in love with him. Noah started screaming and crying hysterically when
he suddenly realized he needed to get out of that place before anything else happened – he had to
find a way to take revenge for all his friends.
Sample Horror Story 3
Hidden shadows
I sighed heavily pushing the door to my bedroom open slinging my backpack off my
shoulder and throwing it aside. I stood before my bed before plopping onto it fluttering my eyes
shut. Today was a long day at school, it felt endless. I got a few test scores from some teachers,
helped with the float committee as volunteer work at school, and I had cheerleading practice after
school since we had a state cheerleading competition within two weeks. I was exhausted and
wanted to take a nap, and the bed seemed very welcoming. I got up and headed to the bathroom to
take shower since I was sweaty from practice. Once I entered the bathroom, I untied my hair and
got into the shower, my cheerleading uniform being discarded to the floor. The steam from the hot
shower relaxed my tensed muscles making me sigh in content.
I heard a nock on the bathroom door making me slightly started.
"What?" I asked slightly aggravated since whoever it was just broke my peace and quiet.
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"Chill, Candice; I was just informing you that I'm going to Wal-Mart. Need anything? "my older
sister, Gemma, asked.
"No, thank you," I replied back
I heard a few footsteps before a door slammed shut informing me she left. Looks like I have
a little time alone before my parents are back from work.
I turned off the water ringed my hair from the excess water. I suddenly felt this shadow form
but as soon as I blinked it was gone. I must be seeing things. I shook my head at myself.
I got out grabbing a towel to wrap around me and to wrap my hair in. I looked at the mirror
only to gasp in fright. On the mirror in big bloody letter was written DON'T LOOK BEHIND YOU,
but that was exactly what I did, but I found nothing. When I turned back around the text in blood
was gone and all what was in front of me was a foggy mirror. I gripped the sides of my head
breathing slowly.
Nothing is happening. It's all in my head.
I went to my room to get dressed into my PJs and got under the duvet to try and take a nap so I
could study afterwards.
Ten minutes had passed and all I had done was to stare at the ceiling. Something made me
feel uneasy, but I didn't know what. I played with my damp blonde hair trying to get bored and fall
asleep when I felt a presence. Something was here. Someone was here. I heard a wind – like sound
in my room even though the window was closed. The more time passed the louder the sound got. I
was feeling more frightened by the second and decided to see what was happening. I looked to find
a black shadow near my window becoming bigger and bigger while the sound turned into more of
loud growls making me back up until my back hit the headboard of the bed. Finally, the shadow
turned around.
It had red menacing eyes, two devilish horns and a yellow wicked grin that made my eyes
widen in terror. It opened its mouth and green slime came out while it spoke in a voice that made
me shudder.
"I was in need of a soul to feed on and the purest ones are the most satisfying. You my dear
are very pure which is why bad things always happen to good people, "he said hauntingly getting
closer while I tried to get back.
He was cornering me and I had no way to escape. I sobbed silently trying not to anger him.
"Please just leave me alone," I croaked in fear.
"Too late princess," he said taking one last step in front of my bed.
He suddenly let out a blood – curding scream and grabbed my neck with his bloody hands. I
let out an ear – piercing shriek when his nails dug into me penetrating my skin. He ripped my skin
open ramming his fist to grab my heart and eat it with all his might, enjoying my blood and
laughing evilly. I let out one last scream my eyes fluttering shut to never be opened again.
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⮚ is it a female or male?
⮚ Define main personality traits, without going too much into detail.
⮚ Do you want to make a very realistic character? Your character can be an alien, Fairy god
mother, an animal.
⮚ Some of these are stories in which animals behave as human beings in that they
experience emotions, talk and have the ability to reason.
The animals in fantasies also retain many of their animal characters symbolize human counterparts,
and these fantasies are often vehicles for exploring human emotions, values and relationship.
⮚ Some are stories in which admired or beloved toys (e.g., teddy bears, puppets or dolls) are
brought to life and transformed into animated beings that talk, think, live, breath and
love like humans do.
⮚ Some of these stories depend on magic. The magic becomes the very subject of the story,
rather than simply a means to an end.
⮚ In many fantasies, we see the protagonists undertaking journey to some fantasy world or
alternative world.
⮚ The great advantage to sending fictional characters on a journey is that the possibilities for
plot variations are virtually endless. The plots of fantasies are usually quite loose simply
putting together a series of adventures.
⮚ The journey may have some purpose (e.g., Alice wants to find the Queen's Garden; Dorothy
wants to find the Emerald city and ultimately a way back home), but the purpose is usually
overshadowed by the thrill and delight offered by the extraordinary events happening in
the fantasy world.
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⮚ Sometimes these stories mainly discuss a search for something. The quest may be pursuit
for justice or love, or for a rich reward, such as a magical power or a hidden treasure. In this
case, the conflict usually centers on the struggle between good and evil.
Sample Fantasy Story
Seeing is Believing
I was on my way driving to my best mate, Jacob, who had texted me saying he had
something extremely urgent to tell me, so here I was stuck in traffic wondering what was so
important that he had to tell me and couldn't do it by texting or over the phone. I reached his
apartment complex parking my car near the entrance. I got on the elevator too lazy to climb the
stairs. Once I reached his front door, I knocked waiting patiently for him to open.
"Finally! Took you long enough!" Jacob said guiding me inside.
"Sorry I can't use magic to fly my car here," I replied sarcastically.
"Just sit down wherever while I get us something to drink," he said waving his hands around.
I went to his living room plopping myself down onto his couch. He soon reentered with two
sodas and a worrisome expression.
"Okay, Ed what I am about to tell no one else knows and this has to remain a secret between us," he
whispered slowly and softly. "You have to promise me Ed that you will keep an open mind, okay?"
he asked.
"What do you have to tell me?" I asked.
"I'm … I'm a …a" he stuttered.
"Spit it out" I said.
"I'm a wizard," he spoke finally.
I laughed loudly clutching my stomach, but once noticed the serious expression on his face I
noticed he wasn't joking.
"Oh, you're not joking?" I asked confusedly to which he nodded.
"How – how can that be? Wizards aren't real!" I protested.
"I was born this way," he simply said shrugging.
"This makes no sense and why did you decide to suddenly tell me?" I implored hesitantly.
"Well, I've been hiding this secret for too long and can't take it anymore!" he shouted. "I want to be
myself."
"Prove it," I told him thinking to myself – seeing is believing.
He snapped his fingers and we were transported suddenly to this weird island.
"Whoa!" I shouted looking around me.
"That's not all" he said smirking. He waved his hand, and there suddenly was a rainbow and slight
rainfall.
"I can control nature, cast spells and more!" he claimed.
"Cast a spell!" I pleaded.
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He waved his hand at me, and I was suddenly wearing different attire. I grinned at him to
which he returned my smile.
"Want to go to a different century?" he asked, his eyes gleaming with excitement.
"Yeah!" I said nodding. He snapped his fingers and we were suddenly in the middle of a jungle. We
turned around to find a dinosaur looking at us the way we look at food. We screamed and started
running while it chased after us. After a good thirty-minute run, we found a cave to hide in to catch
our breath.
"Are you crazy?!" I yelled fearfully. "You almost killed us! Why on Earth do you have to take us all
the way back to the days of dinosaurs?! Ok, ok, I believe you. Can you take us back home now?" I
asked panting. "I can't believe I am discovering my best friend is a wizard" I mumbled.
"Uh – tiny problem-I don't remember the spell to get us back," he muttered scratching the back of
his neck.
"WHAT?" I asked, my eyes widening.
"I'll think of something! But we might as well get comfortable because this could take a while," he
said.
"Jacob – a wizard – the dinosaurs! AHHHHHH! I screamed.,
"Ed? Are you ok? Are you still sleeping? You'll miss the school bus!" Mum yelled at the top of her
voice.
Mum's voice penetrated my mind as I jumped out of bed, dazed and looking around. I
sighed in relief, realizing it had all been such a bad dream!
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- Invent a catalyst (a person or event that quickly causes changes or action) for your
adventure story.
⮚ Give your protagonist a reason to leave and go exploring.
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- Finally, resolve the climax with the defeat of the antagonist by the protagonist and her
friends.
⮚ Allow the protagonist to return home with the promise of resuming normal life.
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Slowly, she walked across the room, through the old, wooden door frame, into the
kitchen. She strolled across the room to the banquet table where she helped herself
to a piece of chocolate gateaux and filled her glass with lemonade. Carefully, she
juggled the glass and plate through the crowd, back towards the study where she
would ask the man why he was so familiar.
On entering the room, Kitty noticed that the two men had disappeared. ‘That’s
strange,’ she thought to herself, ‘I didn’t see them in the kitchen.’ Confused, she sat
back down in the old, leather armchair and began to tuck into the slice of cake.
As she raised the fork to her mouth, she noticed that there was a faint indigo glow
surrounding the mammoth bookcase. “I must be seeing things,” she muttered to
herself quietly, blinking hard to clear her mind. Slowly, she opened them. The light
was still there.
Kitty put down her plate and stood up. Cautiously, she walked towards the bookcase.
It was ajar. The misty haze was coming from inside the bookcase. Kitty reached out
her hand and touched the antique pine. It was freezing cold. She edged nearer and
nearer. She couldn’t see beyond the bright lights. “Hello,” she whispered. No-one
answered. Every nerve in her body warned her not to go any further. Closer and
closer she moved.
Her body froze. She tried to call for help. She couldn’t. Her lips wouldn’t move. She
started to panic. Where was she going? What if nobody noticed she had gone? She
closed her eyes. Tears started to roll down her cheeks.
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Her throat was dry, her tongue thick and heavy in her mouth. She opened her eyes
and couldn’t believe what she was seeing.
The magnificent trees stood tall and proud, while a blanket of snowdrops danced
towards to glittering ground. Kitty shivered. As she steadied her gaze towards the
majestic trees in front of her, she noticed that icicles, which were hanging from
every branch, glistened like liquid diamonds. Patches of misty light shone through the
gaps in the trees with a trail of fresh footprints heading towards the clearing. She
felt uneasy. The hairs on the back of her neck prickled with dread. She took a deep
breath and followed the footprints.
The 25th of December Incident
This morning I awoke blurry eyed and I instantly knew something was wrong…
Me and my family live in a creaky old house with large chimneys on the roof. My bedroom is on the second
floor and on one wall there is a huge fireplace with a wooden mantel piece. Normally, my collections of
sports awards are displayed neatly on top. My football awards on the left and tennis on the right.
However, this morning was different and a chill ran down my spine. Lying on the floor in a mess were my
trophies and awards. They were scattered around the fire place. What had happened? Then something
even stranger caught my eye! Dark, thick, dusty foot prints dotted the carpet like patch work. Strangely,
they led from inside the fire place all the way to my bedroom door. Cautiously stepping out of bed, I
noticed that these foot prints returned the same way in which they came, as though the intruder had both
entered and exited from the same chimney. Surely, this was not possible!
Peering around the frame of the door, I made my way down the stairs, which creaked and squeaked as I
stepped. Following the dust of destruction, I tip-toed over broken vases, knocked picture frames and even
crumbs, which, I later discovered, belonged to our missing mince pies!
Making my way towards the living room, my heart was thumping hard. What if the intruder was still in the
house? What if the footprints returning to the chimney were just a trick!? Taking one final deep breath, I
pushed the door open, ever so slowly. What I saw next, I will never forget. My eyes widened and my
thumping heart skipped a beat or two. Sat in the corner, like a stack of bricks were presents. I rushed
towards them. The paper glistened in the early morning sunlight. Each box was individually wrapped so
neatly and so well. Taking one small gift from the top, it read…
Who was this ‘S’? Why did they come? How had they made such a mess? I did not have answers for any of
these questions but I knew it was my mission to find out
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It features a problem
(What is the problem/who asked the hero to solve it.
It features a battle/fight/struggle
Description of a Monster:
•The monster had human head and arms, but its body was like an enormous fat snake
covered in warty spots and spines.
•The monster had hundred heads, each one dripping with venom.
•It hissed like a thousand snake and it roared like a hundred lion.
•When it roared, great rivers of boiling mud and fiery stones poured out of its mouth.
•The ferocious fierce monster tore up enormous mountains by roots.
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2. Another important fictional technique is the author’s use of powerful verbs and
images to create an atmosphere.
The form of the question in the exam paper
Read this sentence from the text
“ She had felt the thunder clap of the cracking ice cliff and had glanced over her shoulder”
Compare it to this sentence
“ She heard the noise of the ice cliff and looked around”
Sentence 1 (if you choose it)
The first sentence is more effective because the author uses powerful verbs “……………..” and
images “……………………..” to create an atmosphere. It also uses more interesting words
such as “…………………” to create a better image in the reader’s mind.
Sentence 2 (if you choose it)
Sentence 2 is better because it is clearer and easier to understand as it uses simple language.
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6. A- Which genre do you think the story is? Underline the correct answer.
Fable / fairy tale / legend / myth / science fiction / fantasy / historical story / play script /
horror / real life story
B- Mention two features of this genre
1- Historical Fiction /story
● Includes old fashioned ideas and phrases “……….” e.g. “Oil lamp”
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2- Fantasy
● It is imaginary
3- Science Fiction
● It is imaginary
4- Fable
5- Myth
6- Horror Stories
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● The plot may involve nasty characters and/or monsters etc. which need to be overcome
● It could be terrifying
● Nightmares
8- Legend
● A long story that may not be true, but it is based on truth such as a real person, place or
event that people have added to over time.
● The events are narrated in past tense
9- Play Script
● It has scenes
● The characters’ names are on the left, the dialogues on the right.
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● It tells a story
8. Explain how the author succeeded in creating suspense in the text. Use words and
phrases from the text to prove your answer.
Suspense is created through many techniques such as:
a.Starting the story with a story hook (describing a monster / exciting action to grab the
reader attention) + give example from the text
b.The usage of imagery …………….+ give example from the text
c.Description of the character’s feelings + give example from the text
d.Using short sentence and sentence fragments + example from the text
e.Using descriptive adjectives + give example from the text Adjective
9. Why did the author use short sentences and sentence fragments in the text?
10. Why does the writer sometimes use lone sentences in his story?
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11. Using dialogues is an important technique in a story. Some writers use: short
sentences and contractions in a dialogue. why?
a) Using short sentences in a dialogue: To show how boring it was and how the character
has nothing specific to talk about.
b) Using contraction in a dialogue. To make the conversation more authentic, friendly and
real as people usually talk short when they speak.
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Powerful Verbs
In this session we are going to look at ways of making our writing more
powerful, vivid and interesting. We are going to look at how people say
things in conversation and try to replace the word said with an alternative
verb.
Here are some examples of the word said:
“Don’t go in there!” he said loudly.
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I. Try the following table and see how you do. I have put in how
the speaker is feeling when they speak.
The first one is done for you.
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III. Change the verb said to a more interesting verb each time:
1. “The hills are alive with the sound of music.”………… Bob.
2. “Get out of my sight, you ungrateful, horrible woman …………. Ryan
3. “1 think we should be quiet; no one else is talking in here ………….Margaret.
4. Suzan …………… at the beautiful expanse of land. It was just breath-taking.
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IV. Change the verb smile / laugh to a more interesting verb each time:
Sneer- grin- smirk- grimace- beam - simper - chuckle - giggle- snort-
guffaw
Alternatives to “Went”
Slowly Quickly Happily
Ambled Sprinted Skipped
inched flew
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stampeded crept
pranced
Powerful Verbs
Walked Moved
strutted stomped ambled raced hurtled crawled
improve profit
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Powerful Verbs
Walked Ran Scared saw
Marched Dashed Petrified Spotted
Scampered
Stomped Horrified Glanced
Sprinted
Strolled Terrified Glimpsed
Hustled
Staggered Shocked Scanned
Trotted
Hobbled Frightened Peeked
Zoomed
Limped Examined
Flashed
Crept Starred
Sneaked Darted
Observed
Tiptoed
Escaped
Sound verbs
The following verbs are used to express different types of sounds. Many of these
words are onomatopoeia.
Buzz Rattle
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Whoosh
Clatter
The air left the tire with a great whoosh.
The dishes clattered in the kitchen while he cleaned
up after dinner.
Screech
The crow screeched in the distance when it saw
the people approaching. Thud
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Whir
Hiss
The snake hissed at the hiker to warn him away.
Once ‘bitten, twice ‘shy (saying) after an unpleasant experience you are careful to
avoid sth similar.
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5. Single-minded: only thinking about one particular aim or goal because you
are determined to achieve.
She is very single-minded about her career.
6. Good natured: kind, friendly and patient when dealing with people.
7. Timid: not brave - not courageous.
8. Highly -strung: nervous and easily upset.
9. Adventurous: willing to take risks and try new ideas.
Emotion
Heartbroken/indifferent (lacking in interest) / distraught (extremely angry
or upset)/ irritated/ ecstatic (very happy and excited)/ miserable.
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Stomped Stamped
Describing family
My elder brother, Mark, is mad about computers, Just like you
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I’m sure you’ll get on well with my dad. He loves football almost as much as you!
It’s wrong to write (My brother is nice/or good/or friendly)
I know you are a shopaholic, so make sure you will have a whale as fun as City
Stars the biggest mall in Cairo is just a stone-throw away from my house.
Everything is quite different here than your quiet and tranquil atmosphere in
your village. (creating interest).
Family
I’m sure you’ll enjoy the company of my elder brother, Mark, he’s a computer
addict just like you.
Wait till you meet my younger sister, Lydia, she’s a bookworm, she gathered
most of Dickens’ novels when she heard about your love to his novels.
I hope you don’t mind having practical jokes played on you as my young
brother, John, is always at it.
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School
It only takes me 10 minutes to bike to school as it’s really near. It seems that it
was built 200 years ago!! When you get in, you will be amazed to experience all
the latest updates in the classes which make learning so interesting.
Wait till you see Mr. Jones our absent minded English teacher! He never
remembers to comb his hair, his jacket sleeves are too short and he’s always
dropping things.
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● I gazed …………
● I peered at…………
● I glanced…………
● She peeked…………
Describe what you hear
● Standing quietly, I noticed
● I heard......
● I strained to hear……….
● I overheard………
● When I touched…………
● He was fingering…………
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● She fondled…………
● I stroked…………
● I sniffed at ....
● I smacked my lips....
● My stomach growled as ……
● I tasted …….
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3. A carpet of ominous black clouds covered the sky. Or (the sky was darkened by
ominous black clouds)
4. Grey threatening murk covered the sky
5. It darkened suddenly as though a curtain has been pulled across the sky.
6. Thunder rumbled overhead and shook me through.
7. A jagged bolt of lightening struck.
8. The wind I waves were cutting me through like a knife through the buffer.
9. The wind hissed and roared like dragons.
10. Dark ominous clouds seemed to constantly loom over my head.
Watching the sunrise was my favourite scene ever. I stood in my veranda to enjoy the
beauty of nature. As morning rose in the east, the sun peeked over the horizon, painting
the sky in extraordinary shades of yellow and orange. The moon was waving goodbye to
the world. Birds started chirping happily all over the swaying trees and the colourful
flowers started blooming. I felt the morning fresh breeze which was as sweet as ever. I was
just about to surrender to the nature’s magical spell when the loud tone of my mobile
brought me back to reality.
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10.I was about to jump out of my skin when I heard the screeching voices
of………
11.I was struggling to take my breath when………….
12.A raucous laugh was blaring out of the room when I was about to step
in.
13.She had her heart in her mouth when she saw the man approaching
her with heavy footsteps.
14.My heart skipped a beat when I was met with his hideous grin.
• Scott was on pins and needles while he waited for the result of the exam.
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gratitude.
"The speech was so touching that I had a lump in my throat."
Down in the mouth: you look depressed and unhappy.
“What's wrong with Erica? She's been looking down in the mouth all week.
Down in the dumps: to be depressed or miserable.
Sharon is down in the dumps because her parents have gone on holiday without
her.
Feeling blue or to have the blues: to feel (or look) depressed or unhappy.
She has the blues because she hasn't seen her parents for a week.
Reduced to tears: when someone or something reduces you to tears, they
make you feel so unhappy that you cry.
My boss reduced me to tears when he shouted at me.
Grin and bear it: This means accepting a situation you don’t
like because you can’t change it.
“Don’t complain so much! You’d better grin and bear it, he will never change!”
Makes one's blood boil: If something makes your blood boil, it makes you
very angry.
“It makes my blood boil to think that he will not be punished for his crime.”
“It makes my blood boil when I see people using their mobile phones while
driving.”
Go ballistic: To go ballistic is to become violently and uncontrollably
angry.
“Before you go ballistic, I just want you to know it was an accident.”
Blow your top: To blow your top up is to suddenly lose your temper (get
very angry).
“Mum will blow her top when she sees the mess you've made.”
Have a face like thunder: to have a face like thunder is to look
very angry.
“My father had a face like thunder when he saw the broken
window.”
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9. The accused turned _____________________ and was really shaking when the
witness was giving her testimony.
10. My ______________________ when I heard about a shooting in a local school.
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