The document summarizes key aspects of Jain architecture. It discusses how Jain temples were initially influenced by Hindu and Buddhist styles but later developed uniquely by being built on hills according to the concept of "mountains of immortality." It provides details on famous Jain temples like the Adinatha Temple in Ranakpur and the Dilwara Temple complex near Mount Abu, noting their intricate marble carvings and architectural perfection. It also briefly mentions other important Jain temples and the towering Gomateshwara statue at Shravanabelagola.
The document summarizes key aspects of Jain architecture. It discusses how Jain temples were initially influenced by Hindu and Buddhist styles but later developed uniquely by being built on hills according to the concept of "mountains of immortality." It provides details on famous Jain temples like the Adinatha Temple in Ranakpur and the Dilwara Temple complex near Mount Abu, noting their intricate marble carvings and architectural perfection. It also briefly mentions other important Jain temples and the towering Gomateshwara statue at Shravanabelagola.
The document summarizes key aspects of Jain architecture. It discusses how Jain temples were initially influenced by Hindu and Buddhist styles but later developed uniquely by being built on hills according to the concept of "mountains of immortality." It provides details on famous Jain temples like the Adinatha Temple in Ranakpur and the Dilwara Temple complex near Mount Abu, noting their intricate marble carvings and architectural perfection. It also briefly mentions other important Jain temples and the towering Gomateshwara statue at Shravanabelagola.
The document summarizes key aspects of Jain architecture. It discusses how Jain temples were initially influenced by Hindu and Buddhist styles but later developed uniquely by being built on hills according to the concept of "mountains of immortality." It provides details on famous Jain temples like the Adinatha Temple in Ranakpur and the Dilwara Temple complex near Mount Abu, noting their intricate marble carvings and architectural perfection. It also briefly mentions other important Jain temples and the towering Gomateshwara statue at Shravanabelagola.
INTRODUCTION The founder of Jainism is Vardamana or Mahavira (Great Hero). But it is said that he is the last Tirthankara or Jina.(Victor) and the first one is Adinatha.
• All of Jain temples are dedicated to one of the 24
Tirthankaras.
• In Jain style of architecture, bricks were hardly used, and
the system of carving out temples from rock faces was adopted.
• Jain architecture has influence of Hindu and Buddhist
styles
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INTRODUCTION • In the initial years, many Jain temples were made adjoining the Buddhist temples following the Buddhist rock-cut style.
• However, in later years Jains started building temple-cities on
hills based on the concept of 'mountains of immortality.
In later years when Jains discovered the concept of mountains of
immortality , they proceeded to deviate from Hindu and Buddhist sites and build on their own.
• An important aspect to be noted is that Hindus and Buddhists
built temples, Jains built temple-cities on hills.
• to put it in their own words, they "ornamented these holy hills
with a crown of eternal Arhat chaityas (tabernacles of saints) shining with the splendor of jewels.“
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ADINATHA TEMPLE, RANAKPUR
• The Adinatha Temple of Ranakpur is
also named Dharma Vihara temple after its builder.
• The temple is very large. It stands on a
basement of 60m x 62m which is like a stronghold.
• On the top of a flight of stairs at the
central entrance, there is a three-storied "Balanaka" (entrance hall), which has a dome roof.
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ADINATHA TEMPLE, RANAKPUR
• Light is abundantly coming inside
through gaps between ceilings and from courtyards, highlighting the intertwined spaces and fine carvings all around.
• The splendor of the space is so pure as
the entire temple from the floors to the ceilings is made of white marble. It also might be described as the realization of the Pure Land.
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ADINATHA TEMPLE, RANAKPUR • Central Main Shrine is called "Mula-prasada," • its interior is "Garbagriha" (sanctum), its main statue is "Mulanayaka." • In the type of Chaturumukha (four-faced) shrine unlike the case of Mt. Abu, there are not "Gudha- mandapa" (closed hall) and "Trikamandapa“ (vestibule),But four "Ranga-mandapas"(A, assembly hall) in front of four portals of the main shrine. • Each Ranga-mandapa connects with three storyed "Meghanada-mandapa" ( B, high hall) in front. Having four "Mahadara-prasada" (two-faced-shrine) diagonally in four directions of the main shrine, the temple type is "Panchayatana" (five-shrined-type). • In addition to this, there are two "Bhadra-prasada" east and west sides, making the total composition much more intricate. • A line of "Deva-kulika" (small shrine) along "Bhamati" (cloister) surround the whole complex. All these shrines hold a statue of Tirthankara or Jina (four in Chaturmukha, two in Mahadara-prasada), there are more than 100 statues in total.
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ADINATHA TEMPLE, RANAKPUR
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DILWARA TEMPLE COMPLEX • The Dilwara temples of India are located about 2½km from Mount Abu, Rajasthan's only hill station. • These Jain temples were built by Vastupal Tejpal, a Jain laymen between the 11th and 13th centuries AD and are world famous for their stunning use of marble. • The five legendary marble temples of Dilwara are a sacred pilgrimage place of the Jains. • Although each temple has symmetrical plan, there is no axis that runs through this group of temples as a whole. • The mandapas of the mini-shrines were joined to form a cloister. • Into the residual space between the quadrangle and the temple, the architects inserted a pavilion held up by highly ornate columns of lavish sculptural detail. • The temples, of local white arasa marble, are carved as if made of wood.
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DILWARA TEMPLE COMPLEX
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DILWARA TEMPLE COMPLEX • Some consider them to be one of the most beautiful Jain pilgrimage sites in the world. • The marble temples have an opulent entranceway, the simplicity in architecture reflecting Jain values like honesty and frugality. • The temples are in the midst of a range of forested hills. A high wall shrouds the temple complex. • Although the Jains built some beautiful temples at other places in Rajasthan, some believe that none come close to these in terms of architectural perfection. • The ornamental detail spreading over the minutely carved ceilings, doorways, pillars and panels is simply marvelous.
The most famous of these are the Vimal Vasahi and Luna Vasahi temples.
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GOMATESHWARA GOMATESHWARA according to Jain Scriptures was the second of the one hundred sons of the first Tirthankara, Lord Rishabha and king of Podanpur. It is situated at Gomateshwara, Shravanabelagola, Karnataka, India. It is 60 feet (18 m) above a hill in a place called Shravanabelagola in the Hassan district of Karnataka state, India. This gigantic statue of lord Bahubali, the Jain saint, is carved out of a single block of granite and stands majestically on top of a hill. For centuries, Shravanabelagola has remained a great Jain center and thousands of pilgrims flock to see the magnificent, gigantic statue. It is visible from a distance of 30 km. At Shravanabelagola the Mahamastakabhisheka festival is held once in 12 years, when the image of Gomateshwara is bathed in milk, curds, ghee, saffron and gold coins