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Path 5

The document is a musical score titled "Max Richter Path 5 (delta)". It contains musical notation for two soprano parts, an effect synthesizer, and a synthesizer. The score indicates the musical parts should be played simultaneously and includes symbols denoting the timing, pitch, and duration of the notes to be played by each instrument.

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Алиса
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148 views2 pages

Path 5

The document is a musical score titled "Max Richter Path 5 (delta)". It contains musical notation for two soprano parts, an effect synthesizer, and a synthesizer. The score indicates the musical parts should be played simultaneously and includes symbols denoting the timing, pitch, and duration of the notes to be played by each instrument.

Uploaded by

Алиса
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Max Richter

Path 5 ( delta)

 = 55       

    
Soprano 1

            
Soprano 2
                              
Effect Synthesizer          

8        

   

S. 1

         
S. 2
                                   
       
Synth.  

16        

   

S. 1

           
S. 2
                         
   
Synth.
        
 


24        

  
                        
S. 1

   
S. 2
                  
         
         
Synth.


         
         
32

   
    
S. 1

   
S. 2
                 
         
         
Synth.


           
        
40

  
                         
S. 1

    
S. 2
                  
       
 
         
Synth.


  
      

48

   

S. 1

       


S. 2
                  
         
         
Synth.


56         
    
2

S. 1    

   
            
S. 2
                                   

         
       
Synth.

64        
S. 1 
   
          
S. 2
                                   

       
 
       
Synth.

72         
S. 1         

   
                           
S. 2
  
                   

       
 
       
Synth.

80        
S. 1 
   
           
S. 2
                                   

Synth.           

88 
S. 1 


S. 2
      

Synth.  

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