Introduction

In the complex web of human culture, one of the most lasting and

meaningful traditions is the skill of weaving blankets. This craft has been passed

down through many generations and across different parts of the world. It

represents our customs, imagination, and togetherness. Blanket weaving stands

not merely as a practical means of producing warmth, but as a symbol of identity,

and a source of pride for countless communities worldwide. Each woven

masterpiece tells a story of tradition and innovation passed down through

generations.

During the exploration of the world of blanket weaving artisans, the

researchers were captivated not only by the incredible skill shown in their work but

also by the stories they carry—stories of resilience, heritage, and the enduring

human spirit. The researcher’s goal in this research is to thoroughly understand

blanket weaving as a craft, to uncover the experiences and viewpoints of artisans

like Anastacia "Tassie" M. Simbahon, who has dedicated 13 years of her life to this

ancient practice. The researchers aim to highlight the challenges and opportunities

encountered by Tassie as she strives to preserve their traditions amidst a rapidly

changing world.

With this exploration, the researchers seek to not only celebrate the artistry

and cultural significance of blanket weaving but also to contribute to ongoing

conversations about the importance of preserving traditional crafts in the face of

modernization and globalization. In doing so, the researchers honor the legacy of

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 blanket weaving artisans past and present, recognizing their invaluable

contributions to our shared cultural heritage.

Background of the Study

Blanket weaving in the Philippines holds a rich and storied history, deeply

intertwined with the cultural heritage of indigenous communities across the

archipelago. Traditionally, blankets woven in the Philippines served not only as

practical items for warmth but also as symbols of status, identity, and cultural

expression. The art of weaving has been passed down through generations, with

techniques and patterns varying among different ethnic groups.

Among the indigenous peoples of the Cordillera region in Northern Luzon,

blanket weaving has been a central aspect of cultural identity and tradition for

centuries. The Cordillera weavers, known as "weavers of dreams," are renowned

for their intricate craftsmanship and vibrant designs, which often incorporate

symbolic motifs inspired by nature, mythology, and indigenous beliefs. Blankets

woven by Cordillera artisans, such as the "inabel" blankets of the Ilocano people

or the "tapis" skirts of the Ifugao, are prized for their beauty and cultural significance.

(McLeish, 2009).

In the southern Philippines, among the various indigenous groups in

Mindanao and the Visayas, blanket weaving traditions also hold deep cultural

significance. The Yakan people of Basilan and Zamboanga are known for their

colorful "sagal" blankets, woven using backstrap looms and adorned with

geometric patterns and vibrant hues. Similarly, the T'boli people of South Cotabato

are renowned for their intricate "t'nalak" cloth, made from abaca fibers and dyed

using natural pigments (Non, 2015).

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 Despite the rich tradition of blanket weaving in the Philippines, the craft

faces numerous challenges in the modern era. The rise of industrialization and

mass production has led to a decline in demand for traditional handwoven textiles,

as cheaper, machine-made alternatives flood the market (Coloma, 2013).

Additionally, changing consumer preferences and globalization have resulted in a

loss of interest among younger generations in learning traditional weaving

techniques.

As a result, many indigenous weaving communities in the Philippines are

grappling with the threat of cultural erosion and economic marginalization. The

decline of the weaving tradition not only jeopardizes the livelihoods of artisans but

also undermines the cultural heritage and identity of indigenous peoples.

In recent years, efforts have been made to revitalize and preserve the

tradition of blanket weaving in the Philippines. Non-governmental organizations,

government agencies, and local community initiatives have been working to

support indigenous weaving communities through capacity-building programs,

market access initiatives, and cultural preservation efforts. These efforts aim to

empower weaving artisans, preserve traditional knowledge and techniques, and

promote the cultural significance of handwoven textiles (Coloma, 2013).

Despite the challenges, blanket weaving in the Philippines continues to

endure as a testament to the resilience and creativity of indigenous communities.

By celebrating and supporting the artisans who keep this tradition alive, we can

ensure that the threads of Philippine culture and heritage continue to weave a

vibrant tapestry for generations to come.

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 Methodology

In this study, the researchers employed a qualitative research methodology

to explore the experiences and perspectives of blanket weaving artisans. The

researchers’ focus was on conducting an in-depth interview with a single artisan to

gain deep insights into their craft, techniques, challenges, and aspirations within

the realm of blanket weaving.

The selection of the artisan was a crucial aspect of the researcher’s

methodology. They sought an individual who was recognized within their

community for their expertise and dedication to the craft of blanket weaving.

The interview itself was conducted in a relaxed and informal setting, allowing

for a comfortable and open dialogue between the researcher and the artisan. The

researchers used a semi-structured interview format, which provided a framework

for the conversation while also allowing for flexibility and exploration of emergent

themes.

The interview covered a wide range of topics, including the artisan's

personal background, family traditions, training and apprenticeship experiences,

creative process, challenges faced in their craft, and their hopes and aspirations

for the future of blanket weaving.

The researchers approached the interview with a deep respect for the

artisan and their knowledge, seeking to create a space where they felt comfortable

sharing their stories and insights. They listened attentively to their responses,

probing deeper into areas of interest and allowing the conversation to flow

organically.

In addition to the interview, the researchers also conducted participant

observation, spending time observing the artisan at work in their workshop. This

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 provided valuable insights into the physical process of weaving, as well as the

broader socio-cultural context in which the craft is practiced.

Overall, the researcher’s methodology was designed to provide a rich and

nuanced understanding of the experiences and perspectives of blanket weaving

artisans. By focusing on a single artisan and using qualitative research methods

such as in-depth interviews and participant observation, the researchers were able

to capture the depth and complexity of their craft and its cultural significance.

Results and Discussion

The interview with the blanket weaving artisan yielded rich and insightful

findings, shedding light on various aspects of their craft and personal journey. One

of the key themes that emerged from the interview was the deep sense of

connection the artisan felt to their craft and cultural heritage. They spoke

passionately about their family's tradition of blanket weaving. For the artisan,

weaving was not just a livelihood but a way of life—a means of honoring their

ancestors and preserving a cherished cultural tradition.

The interview also provided valuable insights into the technical aspects of

blanket weaving. The artisan discussed their weaving techniques, including the

tools they used like cutter and shuttle, as well as the materials they worked with,

which is abaca. They shared stories of learning and mastering various weaving

patterns and motifs, each of which held deep symbolic meaning within their cultural

context.

However, alongside the pride and passion for their craft, the artisan also

expressed concerns about the challenges they faced in preserving traditional

blanket weaving techniques in a rapidly changing world. They spoke of the

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 pressures of competition from mass-produced textiles and the decline of interest

in traditional crafts among younger generations. Despite these challenges, the

artisan remained hopeful, emphasizing the importance of education, community

support, and innovation in sustaining the craft of blanket weaving.

The findings from the interview highlight the resilience and resourcefulness

of blanket weaving artisans, who continue to adapt and evolve their craft while

staying true to their cultural heritage. They serve as custodians of an ancient

tradition, ensuring that the threads of their cultural legacy continue to weave

through the fabric of human history.

In discussing the implications of our findings, it becomes clear that blanket

weaving is more than just a craft—it is a living tradition, a tangible expression of

cultural identity, and a source of resilience and creativity in the face of adversity.

By celebrating the artistry and heritage of blanket weaving artisans, we honor not

only their individual contributions but also the collective spirit of human creativity

and cultural diversity.

Conclusion

The study offers a glimpse into the world of blanket weaving artisans,

providing valuable insights into their craft, experiences, and cultural significance.

Through the in-depth interview with a single artisan, the researchers gained a

deeper appreciation for the artistry, tradition, and resilience embodied by blanket

weaving.

In the future, it's really important to help and cheer for old-fashioned crafts

like making blankets. We need to make sure they stay strong and stay a part of our

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 culture. We can do this by teaching people about them, getting communities

involved, and making sure they're recognized and saved as part of our history.

By amplifying the voices of blanket weaving artisans and advocating for their

needs, we can ensure that their craft continues to thrive and flourish for generations

to come. In doing so, the researchers honor not only the artisans themselves but

also the timeless beauty and resilience of the human spirit. As custodians of an

ancient tradition, blanket weaving artisans inspire us to cherish the past while

embracing the possibilities of the future, weaving together a vibrant tapestry of

human culture and creativity.

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 References

Aikman, L., & Montisano, S. (2019). Textiles of the Philippines: The Eclectic Identity

of an Archipelago. London: Bloomsbury Visual Arts.

Anderson, B. (2017). Keeping the Cordillera Spirit Alive: The Weavers of the

Mountain Province. Retrieved from

https://www.choosephilippines.com/do/history-and-culture/4160/cordillera-

weavers

Coloma, R. (2013). Philippine Traditional Textiles: Preserving Our Heritage. In

National Commission for Culture and the Arts (NCCA), Philippines.

Retrieved from http://ncca.gov.ph/about-culture-and-arts/articles-on-c-n-

a/article.php?i=5&subcat=1

Giongco, M. (2019). Weaving as Cultural Preservation Among Philippine

Indigenous Groups. Retrieved from

https://cnnphilippines.com/life/culture/2019/9/13/indigenous-weaving.html

McLeish, L. (2009). Textiles of Southeast Asia: Tradition, Trade, and

Transformation. London: Tuttle Publishing.

Ministry of Culture, Sports and Tourism of the Republic of Korea. (2018). Philippine

Traditional Weaving: Preserving Cultural Heritage. Retrieved from

https://ich.unesco.org/en/RL/philippine-traditional-weaving-preserving-

cultural-heritage-01390

Non, A. (2015). The T'nalak: Masterpieces of the T'boli Weavers Retrieved from

https://www.choosephilippines.com/do/art-culture/3846/tnalak-tboli-

weavers

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 APPENDIX A

Copy of Narrative Summary

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 Artisan’s Background

Artisan’s Background

Name: Anastacia “Tassie” M. Simbahon

Age: 38 Years Old

Address: Brgy. Hitoog, Matalom, Leyte

Years in Weaving: 13 Years

1. Can you share the story of your craft journey?

Originally, the artisan came from Negros Oriental but when she got married to
her husband Tin Simbahon, they decided to live in Matalom, Leyte. After she gave
birth to their eldest son, she started practicing how to weave. At the beginning, it
was not easy because it needs timing but through practice, she mastered the art of
weaving.

2. What inspired you to pursue this craft?

Anastacia’s family inspired her to pursue weaving.

3. How did your journey into this craft begin?

The journey of the artisan’s craft began when she got married on the year 2011.
At first, she did not know how to weave, but by the help of her husband she
developed her skill on weaving.

4. What pivotal moments or experiences led you to where you are today?

Poverty leads the artisan to where she is today, for them to provide for their
children’s daily needs.

5. What materials and tools are essential to your craft?

Abacá, Cutter, and Shuttle are materials and equipment that are necessary for
weaving. After every row or area of weaving is finished, extra yarn and thread are
cut with a cutter. It guarantees that the woven cloth or pattern is uniformly tidy and
helps preserve clean edges. The cutter is often a little, portable instrument with a
keen blade that effortlessly cuts through yarn or thread without endangering the
woven fabric. In addition, a shutter is a tool that regulates the warp threads'
movement during weaving. Sheds, or the gaps between the warp threads through
which the weft thread is carried to make the woven fabric, are opened and closed
with its assistance.

6. Could you describe the key components used in your creations?

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 Abacá is the key component of the artisan’s creation. The abaca plant, also
known as Manila hemp, is closely related to and looks like the banana plant. Abaca
fibers are known for their strength, flexibility, and resistance to saltwater damage,
making them ideal for a variety of weaving applications, including textiles, ropes,
and baskets. Blankets woven with abaca fibers offer a combinat6ion of strength,
flexibility, softness, and breathability, making them an excellent choice for cozy
and durable bedding.

7. What are some of the main challenges you face in your craft?

One of the primary challenges the artisan had when weaving was to reassemble
the abaca each time it was cut, which took a lot of time. The reason for this is
because she needed to have more patience to finish the product since the abaca, she
received was weak.

8. How do you navigate through these challenges?

The artisan overcomes such challenges by thinking, "It was not a big problem
but we just have to think that we can get through this or we can fix the problem."
This is similar to how, in weaving, even if the abaca she is using is weak, she will
still put the threads together repeatedly because the most important thing is that she
completes her creation.

9. What are some of your most significant successes or milestones as an

Because weaving is a labor-intensive skill that requires a lot of time and care to
complete, for her the most important accomplishment as an artist was finishing the
craft and being able to sell it. This allowed her to finally purchase food and other
necessities for her family.

10. What achievements or moments stand out in your craft journey?

Moments that stand out on her craft journey are when she completes a product,
earns money from weaving, and uses it to buy groceries and other basic necessities
for her family.

11. What do they mean to you personally and professionally?

Weaving was a major part of their lives because it is their source of money,
especially during the times when her husband was unemployed, so it means
something to her that she won't have to worry about meeting every requirement.
Together, they shall weave.

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 APPENDIX B
DOCUMENTATION

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 MATERIALS USED: ABACA, SHUTTLE, CUTTER (from left to right)

ARTISAN WEAVING THE BLANKET

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 FINISHED PRODUCT

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