Amp Fre QQV 2 User Manual
Amp Fre QQV 2 User Manual
MANUAL
Index
1. Legal Notice
2. Features
3. Requirements
4. PC installation and authorization
5. Mac installation and authorization
6. General Information
7. User interface - Source Inputs
8. User interface - Sample player
9. User interface - MIDI Learn and Playbars
10. User interface - 10 Band and 4 Band equalisers
11. User interface - Limiters, Record and HP/LP Features
12. User interface - Effects processors
13. User interface - Dub Siren control
14. User interface - Killer Switches
15. Appendix A - Audio Drivers and I/O
16. Appendix B – Keyboard shortcuts, full list
17. Appendix C - Inputs
1
LEGAL NOTICE
Amp FreQQ and killer switches are trademarks of Slawter Studios. Copyright 2020 by Slawter Studios Ltd
with all rights reserved. Other trademarks are property of their respective owners an used for illustrative
purposes only.
This manual and software are copyrighted with all rights reserved. Under the copyright laws, this manual
or the software may not be copied, in whole or part, without written consent of Slawter Studios, except in
the normal use of the software by licensed users or to make a backup copy. The same proprietary and
copyright notices must be affixed to any permitted copies as were affixed to the original.
You may use the software on any computer system. Each single user license grants the right to use the
software for one computer only and may not be transferred.
Disclaimer
Slawter Studios makes no warranty or representation, either expressed or implied, with respect to this
software, its quality, performance, merchantability or fitness for a particular purpose. As a result, this
software is sold “as is”, and you, the purchaser, are assuming the entire risk as to its quality and
performance.
In no event will Slawter studios be liable for direct, indirect, special, incidental or consequential damages
resulting from any defect in the software or its documentation, even if advised of the possibility of such
damages. In particular Slawter Studios shall have no liability for ay programs or data stored in or used
with the Amp FreQQ family of products, including the cost of recovering such programs or data.
The warranty and remedies set forth above are exclusive and in lieu of all others oral or written expressed
or implied. No Amp FreQQ dealer, agent or employee is authorized to make any modifications, extension or
addition to this warranty.
2
Features
4 Way isolator
• Fully adjustable frequency cutoff, Q factor, gain (+12dB) and VU meters for each band.
• FX, dub siren, microphone and sample player bypass and go straight to master.
FX
• Tape echo modeled on the classic HH Slider tape echo. Full control over feedback, time and tape
saturation. Custom band pass filter with sweep and Q factor control.
• Reverb processor with extended control over room, high frequency damping and gain levels. Custom band
pass filter with sweep and Q factor control.
• Unique punch in FX operation based on momentary triggers allows for accurate timing and delivery.
Dub filter
• Switchable HP/LP, one-knob style resonant filter with 3 different routing options: A) Only on music source,
B) On master output, C) On samples only. One of a kind dubwise implementation.
• Q Factor control for extended resonant sound-shaping.
Equalizers
• In addition to the extra gains available on the killer bands, a further 4 band parametric EQ (dynamic
readings of frequency cutoff) with +/-24 dB
• 10 Band graphic EQ with +/-10 dB.
• EQ routing selector allows for any combination of the above. 45 Hz cut switch.
Dub siren
• Pitch control.
• Dual LFO (sine and square waveform) with dedicated rate and depth controls.
• Echo send level.
• 12 Slot preset selector with save & load sets.
• Bitcrusher and sample rate.
3
FEATURES
Sampler player
• 12 Slot (momentary and one-shot play).
• Effects send level.
• High pass filter.
• Clear all samples button.
Session recorder
• Wav/Aiff master output recording.
Limiters
• Dedicated adjustable limiters for master, reverb and echo.
MIDI
• Fully mappable. Every parameter on screen can be assigned to one or several controls on one or more
MIDI controllers. One or more parameters can be mapped to a single control.
• Custom integration with Akai MidiMix including LED feedback.
• Compatible with any class-compliant MIDI controller.
• Save & load MIDI configuration and mappings.
• Re-scan function.
• Controller list display.
User modes
• Safe mode (killer frequencies and gains are restricted to usables ranges, as are FX and dub filter).
Simplified interface.
• Advanced mode is unrestricted and displays full interface.
Keyboard control
• The most important controls are pre-mapped for precise and instant operation.
• Browse through playlists, load & play songs.
• Forget about trackpad or mouse. Perfectly usable without MIDI controller.
4
Requirements
• 4 Gb RAM
• Audio interface with separate channels for line and Mic Inputs*
• MIDI Controller**
*Amp FreQQ will work with your built in sound card but some inputs may not be available
**Please ensure that your driver is set up properly and any other related software. Your MIDI controller needs to be able to send
out the midi messages
*** We highly recommend a more powerful Mac as we noticed some performance issues with Macs of less Spec
5
INSTALLATION
Windows 7/8/10
We do expect you to have some knowledge of sound and computing in order to select your audio interface
and setup your inputs on the settings panels provided. If you have difficulty, please contact support@Amp
FreQQ.com. Amp FreQQ is provided as an all in one file and will be installed as an automated process
Before you begin, please turn off Anti-Virus or make exclusions to the installer. You may create exceptions
for Amp FreQQ if needed. We would advise that Amp FreQQ is run on a clean install of Windows. If you have
a lot of applications installed , we would recommend you clean up to maximize the amount of resources
available so you have more dubbing power!
Once you have downloaded the RAR file, simply run the installer and you will be requested to enter the
install password. This is:
dubmachine
Go ahead and run the Amp FreQQ shortcut on your desktop and you will be presented with a 5 digit code
Please email info@Amp FreQQ.com with this code stating Windows version. Once your request has been
verified, you will be issued a computer specific password that will unlock the application. This is a one-
time only issued password, so please keep the email safe in case you ever need to reload. Additional
computers will require additional purchases of the app and each license is not transferable. Enter the
password provided by email and this will unlock the application. It may take up to 90 seconds or so to load
the app. Please wait up to 5 mins or so for the first time load. If the app does not load please press the
right click on your mouse and try to open as administrator.
If you receive an error stating that you are missing MCVPR120 dll, please download Microsoft Visual Studio
2013 direct from Microsoft site:
https://www.microsoft.com/en- gb/download/details.aspx?id=40784
and be sure to install both the 32 bit and 64 bit versions. Then try Amp FreQQ again.
Once the app loads, you will be presented with the application interface.
6
INSTALLATION
Before you begin, please ensure that any anti-virus has been turned off.
If you still have problems, we would advise that Amp FreQQ is run on a clean install of MacOS and a factory
reset should be administered.
Once you have downloaded the ZIP file, unzip and place on desktop. Then simply run the installer and you
will be requested to enter the install password. This is:
dubmachine
Go ahead and open Amp FreQQ from Applications folder and you will be presented with a 5 digit code.
Please Email info@Amp FreQQ with this challenge number and Mac Version. Once your request has been
verified, you will be issued a computer specific password that will unlock the application. It may take up to
5 mins or so to load the app This is a one-time only issued password, so please keep the email safe in case
you ever need to reload. Additional computers will require additional purchases of the app and each
license is not transferable.
Once the app loads, you will be presented with the interface.
The Mac version will play Music directly from the internal CD via the computer inputs, since Macs read
AIFF natively. All other sources must go through the assignable inputs.
7
GENERAL INFORMATION
It allows unprecedented control of frequency and emulates how 4 way sound systems play music, plus
more. It dissects the frequencies and allows for pure musical interaction at source. Remaster and redub
any audio signal. Live remixing or live dubbing of stereo recordings.
Please note that this app will not play completely flat . A certain amount of colour is achieved by the way
our parametric controls on the 4 bands. The default settings produce a “sound system” sound, so please
adjust to suit your needs. Every parameter is editable, then saves automatically on exit
It’s all about balancing everything. This new software technology permits the user to define four distinct
bands of sound. The most important thing is to balance the bands to correctly maximize the available
frequencies on both the track being played and your attached speakers. Please try to use the gains on the
killers for gentle EQ control and not volume. You should keep your power amp gains quite high and use the
killer gains to get the right amount of gain for each band. Amp FreQQ permits freely assignable crossover
points and therefore you can efficiently select the frequencies to attain the very best results out of any
music you play.
Please be aware that on some hi-fi/speaker systems, you may have some kind of limiters built in either the
amplifiers or speakers. This will of course mean Amp FreQQ is unable to complete its duty and can only
push to the limits of what is available!!
• A bespoke handmade Preamp or mixer or speaker management LMS to power speaker arrays, with
separate Echo and reverb and siren units
• Rack EQ and processors
• Power Amplifiers
• Sub Bass, Bass (Kick), Mid and High Speaker arrays
Amp FreQQ was originally created for home use and to maximize your existing home sound system setup
and emulate all of the above. However since we launched in 2017, many users have been using this app in
conjunction with or instead of alternative DJ software.
A lot of hardware preamps are notoriously difficult to understand, therefore we created a way to visually
tweak your sound , making the job of getting the best out of each track much simpler. First we will try and
explain a little about sound. tweak your sound , making the job of getting the best out of each track much
simpler. First we will try and explain a little about sound.
8
GENERAL INFORMATION
Frequency response describes a range of audible frequencies. A speaker can reproduce between 20 Hz
(deep bass) and 20 kHz (a piercingly high frequency), which is considered the range of human hearing. In
reality, our hearing does not typically extend up to 20 kHz (especially as we get older), and bass
frequencies below 30 Hz tend to be felt more than heard. Since everyone has different speakers of
different configurations.
You can play music from any source and "dub" the it live
Amp FreQQ allows you to sculpt frequencies into four separate bands. The core feature of this app are the
4 x EQ Kill switches. Each band has filterband control with a graph and comes preset with suggested
settings. You should not need to adjust these much. The gain fader are set at 0dB but there is available
Super powerful custom 4 band Equalizer will allow for macro changes on the audio signal, while the 10
band is for finer adjustment.
Unique to the FreQQ is the process of FX delivery. The traditional way is to send out using an aux send dial.
We use momentary triggers which then passes the signal through independent band pass filter graphs.
This process allows the user to punch and blend in effects as though they were in the original recording.
Therefore creating new "versions" of their music on the fly.
We also have a custom designed dub siren and 12 slot sample player which can be routed to the FX
The one knob filter is an adjustable resonant filter with a few routing options.
Once you understand and learn how this app operates, you will be able to Recreate, Revive, Redub, Remix
and Rejoice with the power of Amp FreQQ!
9
USER INTERFACE
Tracks A and B are where your stereo digital files will play. Simply click and drag audio files and drop and
drop here, selector style. Or use the load button below the fader to load a single file. Below this, are the
play, stop and rewind controls. Plus next and previous track buttons if you are using our playlist feature.
In1 and In2 are assignable inputs and will play any source* that is connected to your computers audio
inputs. Pan control is below the faders should you wish to play stereo.
Please always ensure the input signal is as high as possible, so that the system has a good strong sound to
process.
• We use Trigger push sends to “punch in” effects directly into the music. There are independent sends
for source inputs
• Rewind function. As it suggests, actually rewinds your digital file and the length of rewind is regulable
by the dials placed to the left of the rewind buttons tracks A and B
• BP Bypass button allows audio from samples to bypass the Killer switches. This is also used should you
want to remix a track, with flat EQ and blend in echos, reverbs and sound effects.
10
USER INTERFACE
Trk A is Track A Stereo Load, play, replay and stop MP3, Wav, FLAC, AIFF files
Trk B is Track B Stereo Load, play, replay and stop MP3, Wav, FLAC, AIFF files
In 1 is external input 1 Mono Any Source connected to your Audio Cards line input
In 2 is external input 2 Mono Any Source connected to your Audio Cards line input
Mutes Mic and Assignable inputs are open so mutes are engaged by default
Echo Send Switch from Source Input or Mic to Tape Echo Processor**
Then you LOAD & PLAY (This is different from the Play/pause button). The play/pause button will only play
what is currently loaded in the playbar. Please note that scroll up/down and Next/Previous are different
functions.
EQ Selection
Kills Only Use the special parametric Kills EQ Only
10B EQ 10 Band Graphic Equalizer
4B EQ 4 Band Fully Parametric Equalizer
All EQ All of the Equalizers together
45Hz cut This removes all frequencies 45Hz and under
11
USER INTERFACE
Sample Player
Twelve slot sample player can be used to play any audio clips such as jingles, adverts,
dub siren clips or any other samples. They can be played via a dial and momentary
trigger or via single buttons controlled via midi. There are also independent reverb and
echo sends, that can be momentary triggered via the keyboard or midi control. The HP
fltr is high pass filter to remove unwanted bass frequencies
In addition to this, whole tracks can be played through the sampler and you can use
the bypass switch (BP) to have a cleaner (bypasses kills) signal to record out.
This way you can record a mix with FX etc without colouring the overall sound with
the killer bands.
Samples can be loaded in several ways. Click and drag a single sample and drop into
the samples section in the main app interface, then turn the dial and repeat the
process. Or click load button to open and select sample to load then turn the dial and
repeat. Or you can also select several samples (up to 12) and drop them directly into
the same area. Or click and drag to sample slots one by one. Hovering over sample
slots displays the loaded sample or audio file. The application will remember the last loaded samples.
Echo send level is also provided.
Lastly, you can click and drag your single samples to any of the twelve slots in the panel area. When
loaded the slot will turn part yekllow. When sample is engaged the while slot displays yellow. The switch
to the right of each slot, allow you to select momentary or full playback of the sample loaded.
Midi Learn
The midi function is simple and should work for all midi controllers, but we cannot guarantee functionality with
dedicated units for other applications. So long as it is class compliant and recognised by the operating system,
it should be available on Amp FreQQ.
• First open settings and check to see if you connect controller is displayed, if it is not please click midi
rescan. Once your controller is displayed you can begin the mapping process
• Click the midi learn switch. This may take a few seconds to engage and disengage.
• The interface will display an overlay with some new parameters, now you can click on any function or
parameter on the app and it will highlight in a redish colour.
• Go ahead and click, push or turn your desired control on your midi controller and on screen, it will clear the
highlight. If you click that control again on screen, the highlight will be green and this confirms that it has
been assigned. You may also add multiple functions just by following the same procedure, for example you
12
USER INTERFACE
can set several kill switches with one button (highlight your kills on the app, then push your single button on
the controller) or you can add two or more buttons, faders or dials to any single function on the app. All
functions are available for MIDI control on the app, including the twelve sample slots. Be careful to assign
carefully one at a time.
• To delete a single assigned control, whilst in midi learn mode, click the control you want to clear (It will be
green) then press the shift key and click with the mouse.
• When assigning controls on the playlists or panels, It Is advised that you open them, before midi learn.
• Once you have completed your assignments, please do the following right away.
Play bars
Here you can skip through your digital files. View the
track title and time remaining. The time left also acts as a
switch to Playbar Playlist View. The switch at the far end
enables a repeat feature.
• Range
This determines how wide or narrow the EQ band is. A setting further clockwise will narrow the range.
13
USER INTERFACE
There Is a dynamic display which shows the current set range. In the
Image for example the Bass Is set to 85hz to 248hz. Moving this dial
changes the start Frequency.
• Gain
The EQ have no effect without some gain reduction or addition, no
matter what you do with the other controls. Gain determines how
much of a certain group of frequency is boosted or cut.
Limiters
Each limiter is set on as default, please adjust these to your required levels depending on
your needs. Sliding the fader to the left will reduce the overall output gain available. These
can be used both for protection and also creatively.
Record Out
A basic record function has been provided. Simply click the record button to the left and this
will open up a browser, please give a name to your file and the choose the type. When you are
ready to record, click the start button in the middle and it will begin to record (the LED will
come on). Press stop when finished and the LED switches off.
HP/LP
This is a high pass and low pass resonant filter. This simply operates clockwise to engage the filter and anti-clockwise
fully puts it back to idle. The switch determines which filter will be in operation. The Q slider controls the amount of
resonance from none to high.
14
USER INTERFACE
Effects Processors
Both processors bypass the kills and go straight to Master. They also include band pass filters in their
audio paths, therefore opening up creative expression that fits better into the music being played. Press
the trigger send on any of the sources at the right times and musically interact with your track to create a
special remix.
Reverb Processor
Send Amount of signal input
Verb Reverb Length or decay
HFD High Frequency Dampener
RTN Amount of signal return
Out Output - Reverb volume
D/W Amount of Dry or Wet signal
The direct switch on the FX processors, routes the entire incoming audio through the filter. Or you can
choose to have this off, if you want a less filtered effect (Also open the Q). With direct on, the input signal
is doubled, so with it off you will need to add a bit more gain.
15
USER INTERFACE
4 This moves the reverb band left to lower frequencies (press and hold to slide)
5 This moves the reverb band right to higher frequencies (press and hold to slide)
A Touch once to reduce delay time 25ms (press and hold to slide)
S Touch once to increase delay time 25ms (press and hold to slide)
F This puts Feedback at 90% creating endless delay, press D to fade out.
This should also be used when wanting to hold a particular delay echo.
D The default setting for feedback set at 70%.
E This puts feedback at 100% creating endless increasing gain delays, press D to fade out.
6 This moves the echo band left to lower frequencies (press and hold to slide)
7 This moves the echo band right to higher frequencies (press and hold to slide)
or boost. The left margin can be used to reset the Q. If you hover over the any band with your mouse you
will see the settings currently chosen, with the centre frequency, gain and Q.(As shown in graph).
The best way to use these is to set them while you are playing a track, then rewind!
Please note the spectrum analyzer only displays the affected sound on the effects processors, helping
you to pick the best range of frequencies to mix into the track.
16
USER INTERFACE
Killer switches
Killer switches are uniquely designed kill switches that have special graphical band width, frequency and
gain control, that will enable the user to preciously set cut off frequencies to match both the track being
played and the speaker set up in use and then use gain accordingly for each band to get a particular sound.
Here you can use the graphs in a similar way to the graphs on the processors, except the gain is separated
into a fader to the right of each section.
To set the bandwidth, click on the right margin of the width control box (It will highlight Red) and drag
narrower or wider to your desired bandwidth, then click and drag horizontally into position. Set the fader to
boost/Cut as required. Note; you can actually push the Sub bass band further to the left to catch those really
low end frequencies. The default settings cover most user’s needs, and you can adjust according to the track
you are playing and your speaker setup. Some speakers do not handle the real low sub frequencies, therefore
you will need to set Amp FreQQ sub bass band to go a bit higher up, so it will maximize the bass available from
your speaker. May need to move bass band too
It is all about balance please try not to increase a particular band to extremes as this will distort the overall
sound try to keep the master level fixed and adjust inputs, kills and effects as required. With patience you
can really get the best out of your music and your speaker setup with Amp FreQQ.
The VU meter displays the amount of signal being sent out to master from each of the killers
The best way to use the FreQQ, is to play your track , adjust all 6 graphs, then rewind and dub!
KEYBOARD CONTROLS
Z Sub Bass Kills Switch
X Bass Kills Switch
C Mids kills Switch
V High/Tops Kills Switch
9 This moves the sub bass band left to lower frequencies (press and hold to slide)
0 This moves the sub bass band right to higher frequencies (press and hold to slide)
17
Amp FreQQ should be intuitive and hopefully,
you will have the hang of it in no time.
Please take a look at our YouTube, Instagram and Facebook page for videos on how to operate it best.
18
APPENDIX A
Settings
Here you can setup all your Audio card settings.
Driver
Save Midi Config This will save all the mappings you assigned to a file.
Load Midi Config This will load your saved mappings (Two files should display as shown above).
Midi Learn Mode Learning mode , so you can assign any parameter to any control.
Colour settings Set the background colour of the User interface (Default colour is also provided).
Blue power button Turn the DSP on or off. It is advised to turn off when changing drivers.
19
APPENDIX A
Settings
Here you can setup all your Audio card settings.
Driver
Select your audio interfaces own driver. Then use the I/O Mappings
to select the correct inputs and outputs. (Input 3 is the mic input)
• Input and Output mapping allows you select the channels you
want to use
• Audio Driver settings opens your audio drivers own settings. You
may need to setup separate channels for Mic and Line inputs and
other adjustments or settings here.
I/O Mappings
Here you setup how Amp–FreQQ uses the inputs and outputs.
Generally the 1 and 2 will be left and right inputs and the same for
outputs. If you would like to use a mic as well as the assignable
inputs then you will need to setup input 3 and set it to your audio
cards mic input as a separate channel.
20
APPENDIX B
21
APPENDIX C
Inputs
Here you can setup all your audio card settings
Amp FreQQ can also play music streamed from your computer. So you can stream from the internet or any
music coming from your audio out.
It may take a while to configure the right settings, but we have tested on several computers and various
se ups and were able to establish connections.
You then need to select the HIFI cable as the main default recording driver on your windows sound
properties. In Amp FreQQ open settings and select HIFI cable as the input device and you are good to go.
Or use VB cable from the same website
Please read the instructions supplied with Soundflower to configure on your Mac
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BY SLAWTER STUDIOS