Heart of Darkness Essay
Heart of Darkness Essay
Heart of Darkness Essay
Martín Velardez
Literature – 3.691
Heart of Darkness was first published in 1899 and was at once recognized as an
important piece of work. The harsh criticism of the free Congo state was noticed, but that the
novel should criticise imperialism in general was not obvious. Among the most famous
responses to the novel is the African writer Chinua Achebe who calls Conrad a racist. At the
time the novel was written, racism as we know it today did not exist. The superiority of the
white man was not yet questioned. Frances B. Singh contributes to the discussion with a more
balanced view in “The Colonialist Bias of Heart of Darkness” where she states that “a story
that was meant to be a clear-cut attack on a vicious system [turns] into a partial apology for
it” (Singh 280). This shows the ambiguity of the novel and that readers have interpreted
Heart of Darkness in many different ways. This essay is aimed at arguing that Joseph Conrad
wrote Heart of Darkness in order to reach his readers on a deeper level, and thus the novel is
not propaganda but can be regarded as ambiguous.
The novel deals with Marlow, who is hired by a trading company to sail up a river in
Africa to rescue an agent by the name of Kurtz. In the beginning of the novel, Marlow sits
with his friends on the deck of a yawl and tells the story about his experience. The members
of his audience are not named but instead described by their present professions: the lawyer,
the accountant and the director. This is done to illustrate what Marlow was up against, the
institutions in society. Anyhow, these men were former seamen and they shared with Marlow
the moral codes of life at sea and he hoped that they would both listen and understand. Thus,
this situation illustrates the ambiguity that will emerge throughout the novel.
When Marlow arrives in Africa he understands that the noble values so well formulated
in Europe are only hypocrisy and the only reason for the Europeans being in Africa is to
exploit the continent for their own benefit. Kurtz, on the other hand, had come out with the
best intentions but was unprepared for what he encounters. He was neither a hypocrite nor
had he the inner strength to sustain restraint towards suppressed urges unknown to him, when
left alone in the wilderness. Marlow rescues him in the end of the story but Kurtz dies on their
way back. In the end of the novel, Marlow visits Kurtz’s Intended to give her letters and
personal papers. She has not met the man Kurtz had become but knew only the man he was
before going out to Africa. Marlow, who hates lies, makes an exception and lies to her when
she asks for Kurtz’s last words. Marlow says it was her name when, in fact, Kurtz uttered
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INSPT – UTN
Martín Velardez
Literature – 3.691
“The horror! The horror!” (HoD 91). This line shows that Conrad considered imperialism
destructive not only for the people who are oppressed but also for the oppressors. Marlow
feels ambiguous about what he experiences in Africa. In the following quotation one can
identify a change of personality in these gentlemen, different from their European self: “To
tear treasure out of the bowels of the land was their desire, with no more moral purpose at the
back of it than there is in burglars breaking into a safe. Who paid the expenses of the noble
enterprise I don’t know…” (HoD 37).
At the end of the novel, Marlow comes back from Africa to Brussels, quite a different
person. The following paragraph shows the transformation he has gone through and how he
regards imperialism: “I found myself back in the sepulchral city resenting the sight of people
hurrying through the streets to filch a little money from each other, to devour their infamous
cookery, to gulp their unwholesome beer, to dream their insignificant and silly dreams. […]
Their bearing, […] was offensive to me like the outrageous flauntings of folly in the face of
danger it is unable to comprehend.” (HoD 93)
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INSPT – UTN
Martín Velardez
Literature – 3.691
References
Achebe, Chinua. “An Image of Africa: Racism in Conrad’s Heart of Darkness”. A Norton
Critical Edition, Joseph Conrad Heart of Darkness. 1963.
Singh B, Frances. “The Colonialist Bias of Heart of Darkness”. A Norton Critical Edition,
Joseph Conrad Heart of Darkness. 1963.