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Alfred Eisenstaedt
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Alfred Eisenstaedt (December 6, 1898 – August 23, 1995) was a German-born American photographer
and photojournalist. He began his career in Germany prior to World War II but achieved prominence as a
staff photographer for Life magazine after moving to the U.S. Life featured more than 90 of his pictures on
its covers, and more than 2,500 of his photo stories were published.[1]
Contents
Early life
Professional photographer
Style and technique
London, 1932
Martha's Vineyard
Born December 6, 1898
Personal life and death Dirschau, West Prussia,
German Empire (now
Notable Eisenstaedt photographs
Tczew, Poland)
Awards and recognition
Died August 23, 1995
Exhibitions
(aged 96)
Alfred Eisenstaedt Awards for Magazine Oak Bluffs,
Photography Massachusetts, U.S.
References
Spouse Kathy Kaye (1949-1972;
External links her death)
Military career
Early life
Allegiance German Empire
Professional photographer
In 1935, Fascist Italy's impending invasion of Ethiopia led to a burst of international interest in Ethiopia.
While working for Berliner Illustrierte Zeitung, Alfred took over 3,500 photographs in Ethiopia, before
emigrating to the United States, where he joined Life magazine, but returned in the following year to
Ethiopia to continue his photography.[7]
Eisenstaedt's family was Jewish. Oppression in Hitler's Nazi Germany caused them to emigrate to the
U.S.[8] They arrived in 1935 and settled in New York, where he subsequently became a naturalized
citizen,[9] and joined fellow Associated Press émigrés Leon Daniel and Celia Kutschuk in their PIX Publishing
photo agency founded that year. The following year, 1936, Time founder Henry Luce bought Life magazine,
and Eisenstaedt, already noted for his photography in Europe,[5] was asked to join the new magazine as one
of its original staff of four photographers, including Margaret Bourke-White and Robert Capa.[8] He
remained a staff photographer from 1936 to 1972, achieving notability for his photojournalism of news
events and celebrities.[2]
Along with entertainers and celebrities, he photographed politicians, philosophers, artists, industrialists,
and authors during his career with Life. By 1972, he had photographed nearly 2,500 stories and had more
than 90 of his photos on the cover.[10] With Life's circulation of two million readers, Eisenstaedt's reputation
increased substantially.[5] According to one historian, "his photographs have a power and a symbolic
resonance that made him one of the best Life photographers."[11] In subsequent years, he also worked for
Harper's Bazaar, Vogue, Town & Country and others.[11]
From his early years as professional photographer he became an enthusiast for small 35 mm film cameras,
especially the Leica camera. Unlike most news photographers at the time who relied on much larger and
less portable 4"×5" press cameras with flash attachments, Eisenstaedt preferred the smaller hand-held
Leica, which gave him greater speed and more flexibility when shooting news events or capturing candids
of people in action.[9] His photos were also notable as a result of his typical use of natural light as opposed
to relying on flash lighting.[9] In 1944, Life described him as the "dean of today's miniature-camera
experts."[5]
At the time, this style of photojournalism, with a smaller camera with its ability to use available light, was
then in its infancy.[10] It also helped Eisenstaedt create a more relaxed atmosphere when photographing
famous people where he was able to capture more natural poses and expressions: "They don't take me too
seriously with my little camera," he stated. "I don't come as a photographer. I come as a friend."[10] It was a
style he learned from his 35 years in Europe, where he preferred making informal, unposed portraits, along
with extended picture stories. As a result, Life began using more such photo stories, with the magazine
becoming a recognized source of such photojournalism of the world's luminaries.[10] Of Life's
photographers, Eisenstaedt was most noted for his "human interest" photos and less the hard news images
used by most news publications.[10]
His success at establishing a relaxed setting for his subjects was not without difficulties, however, when he
needed to capture the feeling he wanted. Anthony Eden, resistant to being photographed, called
Eisenstaedt "the gentle executioner."[10] Similarly, Winston Churchill told him where to place the camera to
get a good picture,[10] and during a photo shoot of Ernest Hemingway in his boat, Hemingway, in a rage,
tore his own shirt to shreds and threatened to throw Eisenstaedt overboard.[10]
Martha's Vineyard
After first settling in New York City in 1935, Eisenstaedt lived in Jackson Heights, Queens (NYC) for the rest
of his life. He met Kathy Kaye, a South African woman, and married her in 1949. The couple had no children
and remained together until her death in 1972. Until shortly before Eisenstaedt's death, he would walk daily
from his home to his Life office on the Avenue of the Americas and 51st Street.[13]
He died in his bed at midnight at his beloved Menemsha Inn cottage known as the "Pilot House" at age 96[2]
in the company of his sister-in-law, Lucille Kaye,[14] and a friend, William E. Marks.[15]
Eisenstaedt's most famous photograph is of an American sailor grabbing and kissing a stranger—a young
woman—on August 14, 1945, in Times Square. He took this photograph using a Leica IIIa. (The photograph
is known under various names: V-J Day in Times Square, V-Day, and others.[17][18]) Because Eisenstaedt
was photographing rapidly changing events during the V-J Day celebrations, he stated that he did not get a
chance to obtain names and details, which has encouraged a number of mutually incompatible claims to the
identities of the subjects.[19] Their identities turned out to be George Mendonsa (1923–2019) and Greta
Zimmer Friedman (1924–2016).[20]
The portraits of Sophia Loren have been described by Marianne Fulton of The Digital Journalist as
conveying mischievousness, dignity, and love on the part of both Eisenstaedt and Loren.[21]
This 1932 photograph depicts a waiter at the ice rink of the Grand Hotel. "I did one smashing picture",
Eisenstaedt wrote, "of the skating headwaiter. To be sure the picture was sharp, I put a chair on the ice and
asked the waiter to skate by it. I had a Miroflex camera and focused on the chair."[22]
Eisenstaedt took this photo in 1963 at the Tuileries Garden. He later recalled in his self-portrait, "It took a
long time to get the angle I liked. There are some close-ups of the children that are good. But the best
picture is the one I took at the climax of the action. It carries all the excitement of the children screaming,
'The dragon is slain!' ".[23] The photo sold in Lot #91 at Sotheby's in 2006 for an artist-record price of
$55,200.[24][25]
1989: National Medal of Arts. Awarded by President George H. W. Bush in a ceremony on the White House
lawn.[26]
1999: The Digital Journalist chose Alfred Eisenstaedt as its 'Photojournalist of the Century'. Dirck
Halstead wrote, "When it came to choosing the one photojournalist who had the most profound impact,
and who leaves the greatest legacy, there was no question whom that person is – Alfred Eisenstaedt."[27]
2020: Eisenstaedt was posthumously inducted into the International Photography Hall of Fame and
Museum.[28]
Exhibitions
Alfred Eisenstaedt: 'Eisie' at 88, International Center of Photography, New York City, 1986. A
retrospective.[10]
Since 1998, the Alfred Eisenstaedt Awards for Magazine Photography have been administered by Columbia
University Graduate School of Journalism.[29]
See also
References
10. ^ a b c d e f g h i New York Magazine . New York 25. ^ "Alfred Eisenstaedt" . mutualart.com. Retrieved
Media, LLC. September 15, 1986. pp. 80–81–82–85. March 23, 2022.
11. ^ a b Marter, Joan M., ed. (2011). The Grove 26. ^ Lifetime Honors – National Medal of Arts
Encyclopedia of American Art. Vol. I. Oxford Archived July 21, 2011, at the Wayback Machine
University Press. p. 156.
27. ^ "Why We Chose Alfred Eisenstaedt as
12. ^ "Star Tracks" . People. September 13, 1993. "Photojournalist of the Century" " .
Archived from the original on September 8, 2015. digitaljournalist.org. Retrieved March 23, 2022.
13. ^ Grundberg, Andy (November 12, 1988). "Alfred 28. ^ "Alfred Eisenstaedt" . International Photography
Eisenstaedt, 90: The Image of Activity" . The New Hall of Fame. Retrieved July 28, 2022.
York Times. Retrieved September 25, 2007.
29. ^ Alfred Eisenstaedt Awards Established at
14. ^ Meras, Phyllis (August 20, 2012). "Lulu Kaye Was Columbia, 11 November 1997
Keeper of Eisie Flame" . Vineyard Gazette.
External links