Aristotle was the first to define tragedy in his work Poetics. He wrote that tragedy must involve the reversal of fortunes of a powerful person from good to bad, due to a character flaw. Tragedy must also create a sense of fear and pity in viewers that can lead to catharsis. More modern dramatists have expanded on tragedy involving common people to allow viewers easier relatability. The history of tragedy developed from Greek tragedies typically involving protagonists of high rank accepting their fall from grace, to Elizabethan/Jacobean tragedies often about nobility encountering reversals and dying, to 20th century theatre challenging old rules and developing new experimental forms.
Aristotle was the first to define tragedy in his work Poetics. He wrote that tragedy must involve the reversal of fortunes of a powerful person from good to bad, due to a character flaw. Tragedy must also create a sense of fear and pity in viewers that can lead to catharsis. More modern dramatists have expanded on tragedy involving common people to allow viewers easier relatability. The history of tragedy developed from Greek tragedies typically involving protagonists of high rank accepting their fall from grace, to Elizabethan/Jacobean tragedies often about nobility encountering reversals and dying, to 20th century theatre challenging old rules and developing new experimental forms.
Aristotle was the first to define tragedy in his work Poetics. He wrote that tragedy must involve the reversal of fortunes of a powerful person from good to bad, due to a character flaw. Tragedy must also create a sense of fear and pity in viewers that can lead to catharsis. More modern dramatists have expanded on tragedy involving common people to allow viewers easier relatability. The history of tragedy developed from Greek tragedies typically involving protagonists of high rank accepting their fall from grace, to Elizabethan/Jacobean tragedies often about nobility encountering reversals and dying, to 20th century theatre challenging old rules and developing new experimental forms.
Aristotle was the first to define tragedy in his work Poetics. He wrote that tragedy must involve the reversal of fortunes of a powerful person from good to bad, due to a character flaw. Tragedy must also create a sense of fear and pity in viewers that can lead to catharsis. More modern dramatists have expanded on tragedy involving common people to allow viewers easier relatability. The history of tragedy developed from Greek tragedies typically involving protagonists of high rank accepting their fall from grace, to Elizabethan/Jacobean tragedies often about nobility encountering reversals and dying, to 20th century theatre challenging old rules and developing new experimental forms.
Significance • The definition of tragedy has also changed over
time; Aristotle was the first to fully define it in
of Tragedy in his work Poetics. He wrote that tragedy must involve the reversal of fortunes of a powerful Literature person from good to bad, due to the hamartia of the protagonist. He also wrote that tragedy must create a sense of fear and pity in the viewer, which can then lead to catharsis.
• More modern dramatists, such as Arthur Miller,
have written that tragedy can also be written about the common person; in fact, the viewer may more easily relate to this type of tragedy and thus feel a greater sense of fear and pity. Development of • Greek Tragedy: Tragedy Ancient Greek tragedies typically consisted of ( the history of a protagonist of high rank who makes an error of tragedy) judgement and accepts his fall from grace. Other important elements include Gods, mythology, conflict, suffering and catharsis. The great Greek tragedians were Sophocles, Euripides and Aeschylus. Sophocles’ play Oedipus Rex ( Oedipus The King) is often considered the perfect tragedy. • Elizabethan and JacobeanTragedy: Elizabethan tragedies (not all written by William Shakespeare) often include protagonists of high status (nobility, military rank, etc.) who are flawed, encounter a reversal of fortune and (usually) die at play’s end. Jacobean tragedies are mostly characterized as being revenge tragedies. • Twentieth-century theatre : • 20th century theatre describes a period of great change within the theatrical culture of the 20th century, mainly in Europe and North America. There was a widespread challenge to long established rules surrounding theatrical representation; resulting in the development of many new forms of theatre, including modernism, Expressionism, Impressionism. political theatre and other forms of Experimental theatre, as well as the continuing development of already established theatrical forms like naturalism and realism. Major dramatists of the 20th century are George Bernard Shaw, Samuel Beckett and Henrick Ibsen, and Anton Chekhov.