Peter Whitfield

The History of
NON-
FICTION
English Poetry
Read by Derek Jacobi
HISTORIES

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7 CDs
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 CD 1

1 Foundations 6:05
2 Beowulf (8th–11th century) 4:51
3 Geoffrey Chaucer (c. 1343–1400) 5:08
4 Geoffrey Chaucer (cont.) 5:00
5 John Skelton (c. 1460–1529) 6:57
6 Sir Thomas Sackville (1536–1608); Sir Thomas Wyatt (1503–1542) 5:48
7 Sir Thomas Wyatt (cont.); Henry Howard, Earl of Surrey (1517–1547) 7:03

The Elizabethan Achievement

8 Sir Walter Ralegh (1552–1618); Sir Philip Sidney (1554–1586) 7:03
9 Edmund Spenser (1552–1599) 7:26
10 George Chapman (c. 1559–1634); Arthur Golding (c. 1536 – c. 1605);

Richard Stanyhurst (1547–1618) 5:28

11 Samuel Daniel (1563–1619); Michael Drayton (1563–1631) 6:03
12 Christopher Marlowe (1564–1593) 5:43

Total time on CD 1: 72:42

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 CD 2

The Elizabethan Achievement (cont.)

1 William Shakespeare (1564–1616) 5:36
2 William Shakespeare (cont.) 6:17
3 William Shakespeare (cont.) 4:28
4 William Shakespeare (cont.) 4:34

The 17th Century: From Donne to Milton

5 John Donne (1572–1631) 7:52
6 Thomas Carew (1595–1640); Richard Lovelace (1618–1657);

John Cleveland (1613–1658); Edmund Waller (1606–1687) 7:58

7 Robert Herrick (1591–1674) 4:15
8 George Herbert (1593-1633); Henry Vaughan (1621–1695);

Thomas Traherne (1637–1674); Richard Crashaw (1613–1649) 6:53

9 Andrew Marvell (1621–1678) 2:33
10 John Milton (1608–1674) 6:28
11 John Milton (cont.) 4:19
12 John Marston (1576–1634) 4:09

Total time on CD 2: 65:27

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 CD 3

The 18th Century: From Dryden to Blake

1 Samuel Butler (1613–1680);

John Wilmot, second Earl of Rochester (1647–1680) 5:50

2 John Dryden (1631–1700) 4:25
3 John Dryden (cont.) 4:53
4 Alexander Pope (1688–1744) 6:48
5 Lady Mary Wortley Montagu (1689–1762); James Thomson (1700–1748) 6:40
6 Edward Young (1681–1765); Thomas Gray (1716–1771) 5:29
7 Thomas Percy (1729–1811); James Macpherson (1736–1796) 6:08
8 Samuel Johnson (1709–1784); Oliver Goldsmith (1728–1774) 4:01
9 William Cowper (1731–1800); George Crabbe (1754–1832) 5:56
10 Robert Burns (1759–1796) 3:53
11 William Blake (1757–1827) 5:43
12 William Blake (cont.) 5:38

Total time on CD 3: 65:32

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 CD 4

The Romantic Poets

1 William Wordsworth (1770–1850) 6:52
2 William Wordsworth (cont.) 4:59
3 Samuel Taylor Coleridge (1772–1834) 4:11
4 Samuel Taylor Coleridge (cont.); Walter Scott (1771–1832) 5:01
5 Lord Byron (1788–1824) 5:28
6 Lord Byron (cont.) 6:15
7 Percy Bysshe Shelley (1792–1822) 5:48
8 Percy Bysshe Shelley (cont.) 4:23
9 John Keats (1795–1821) 4:26
10 John Keats (cont.) 5:04
11 John Clare (1793–1864) 6:40

The Poetry of the Victorian Age

12 Alfred Tennyson (1809–1892) 5:15
13 Alfred Tennyson (cont.) 6:17

Total time on CD 4: 70:46

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 CD 5

The Poetry of the Victorian Age (cont.)

1 Robert Browning (1812–1889) 7:56
2 Elizabeth Barrett Browning (1806–1861) 4:35
3 Matthew Arnold (1822–1888) 5:52
4 Edward Fitzgerald (1809–1883); George Meredith (1828–1909) 4:43
5 Emily Brontë (1818–1848); Dante Gabriel Rossetti (1828–1882) 5:02
6 William Morris (1834–1896) 3:07
7 Christina Rossetti (1830–1894) 5:07
8 Algernon Charles Swinburne (1837–1909) 4:58
9 Gerard Manley Hopkins (1844–1889) 4:46
10 Gerard Manley Hopkins (cont.) 5:49
11 Thomas Hardy (1840–1928) 4:18
12 A.E. Housman (1859–1936); Rudyard Kipling (1865–1936) 4:44
13 Oscar Wilde (1854–1900) 4:57

Total time on CD 5: 66:04

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 CD 6

American Poetry
1 Anne Bradstreet (c. 1612–1672); Edward Taylor (c. 1642–1729) 6:59
2 Philip Freneau (1752–1832); William Cullen Bryant (1794–1878) 5:49
3 Ralph Waldo Emerson (1803–1882) 4:36
4 Edgar Allan Poe (1809–1849) 3:38
5 Walt Whitman (1819–1892) 5:56
6 Emily Dickinson (1830–1886) 6:54
7 Henry Wadsworth Longfellow (1807–1882);

John Greenleaf Whittier (1807–1892) 6:50

8 Sidney Lanier (1842–1881); Edward Arlington Robinson (1869–1935) 8:26
9 Robert Frost (1874–1963) 5:24

Modernism
10 Introduction 3:18
11 William Butler Yeats (1865–1939) 5:21
12 James Elroy Flecker (1884–1915; Edward Thomas (1878–1917) 5:27
13 Wilfred Owen (1893–1918); Isaac Rosenberg (1890–1918);

Ezra Pound (1885–1972) 7:56

Total time on CD 6: 76:41

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 CD 7

Modernism (cont.)
1 T.S. Eliot (1888–1965) 8:22
2 W.H. Auden (1907-1972); Louis MacNeice (1907–1963) 4:17
3 Hilda Doolittle (1886–1961); Carl Sandburg (1878–1967) 5:09
4 Edgar Lee Masters (1868–1950); Vachel Lindsay (1879–1931);

Langston Hughes (1902–1967) 5:49

5 e.e. cummings (1894–1962); Robinson Jeffers (1887–1962);

William Carlos Williams (1883–1963) 5:44

6 Wallace Stevens (1879-1955); Hart Crane (1899–1932) 5:59
7 Edna St Vincent Millay (1892–1950) 3:57
8 Dylan Thomas (1914–1953); John Betjeman (1906–1984) 5:13
9 Philip Larkin (1922–1985); Ted Hughes (1930–1998) 5:27
10 Sylvia Plath (1932–1963); Ginsberg (1926–1997) 3:53
11 Robert Lowell (1917–1977) 6:04
12 Conclusion 4:30
13 The Essence of the Poetic Act 4:33

Total time on CD 7: 69:05

Total time on CDs 1–7: 8:06:17

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 Peter Whitfield
The History of English Poetry
What is poetry? A simple but apparently What emerges is a series of love affairs
impossible question to answer. A poem is with language. Poetry is distinguished
immediately recognisable, be it a ballad by language itself in the foreground –
from the late middle ages, an Elizabethan language is made to live and flow in what
sonnet, an epic by Milton or Tennyson, can only be called the music of ideas. The
or the free-verse lyric of today. But what line of verse and the stanza, isolated on
is it that links these works? What were the page, draw the eye and the mind
writers as different as Donne, Pope, to each word and phrase, which should
Shelley, Whitman and Eliot doing that be individually striking, but which must
makes it possible for us to see their work harmonise into a satisfying whole. Prose
as belonging to the great artistic structure is subtler – more flexible, more diffuse and
we call poetry? Does something happen in more forgiving. Two or three imperfect
a poem that does not happen in a novel, words can diminish or even ruin a poem;
an essay or a play, and if so what is it? a thousand will not ruin a novel. In prose
In this survey of the course of English we are looking through the language at
poetry over more than six centuries we the ideas; in poetry we are looking at, and
have tried to answer these questions by perhaps even living within, the language
examining what poetry has been. Here, itself. That is the difference. The music
the great ages of poetry – Elizabethan, of ideas is not wholly rational, and as we
Augustan, Romantic, Victorian and encounter it in poetry it gives a depth of
Modernist – are evoked in turn, while the pleasure that prose rarely can. It embodies
novelty and impact of American poetry is an imaginative response to the world, an
also considered. alchemy of words in which experience is
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 recreated in new forms; this is, after all,
There have always been poets who did
exactly what we mean by the very word value individuality above all things, who
‘poetic’. wanted to explore new realms of thought
What have poets used this music for –and feeling. Donne, Herbert and the
what have they had to say? In many cases,other metaphysical poets rejected stock
of course, the answer is: little that waspoeticisms in their attempts to bring real
original. They have often been content experience, emotional and spiritual, into
to repeat and polish themes and styles their poems.
which they have learned from others: The story of English poetry could be
the tradition of poetry is built up as one
seen in terms of a tension between formal
voice releases other voices. But this is a
mastery and individual expression, a
characteristic of any art and it does nottension in which the Romantic Movement
mean that this kind of work is worthless.was crucial in focusing attention on
The sonnet-writers of Elizabethan England,
the personal vision of the poet. Blake,
or the satirical poets of the Augustan age,
Wordsworth, Shelley, Keats, Tennyson
wanted to show their mastery of certain and Whitman were exploring their own
models, often classical or foreign models.
selfhood and their response to the
Originality and individuality were not part
world; they were no longer interested
of their conception of poetry. A lyric such
in perfecting existing models, or in
as Carew’s – being part of any school. Others, such
as Hopkins and Emily Dickinson, were
Ask me no more where Jove bestows, so radical in their approach that they
When June is past, the fading rose… remained unpublishable in their lifetimes.
In the modern era we have come to be
– might have been written by any one interested in poets only when they differ
of a score of poets at any time between from others, only at the point where they
1600 and 1700, but its charm and balance acquire a unique voice. Perhaps it is no
are as enduring as the melody of a song. accident that this has happened at a time
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 when the conventional poetic forms have
dissolved and all but vanished: we now
find ourselves in a rich but bewildering
modern landscape of poetic freedom, for
which we have few maps.
Poetry was for centuries a mainstream
art, and writers such as Spenser, Milton,
Donne, Blake, Wordsworth, Tennyson
and Browning created a world of beauty,
of images and forms, as enduring as the
painting of the Renaissance or the music
of the classical age. Their work became
part of the English consciousness. Poetry
may no longer enjoy this position of
centrality in our culture, but the music of
ideas that these poets developed is still
among the most precious legacies that we
have received from the past. This history
explores that legacy and shows how vital
and challenging modern poetry can still
be. Lucidly presented and richly illustrated
with passages from scores of great poets,
it offers an expert guide to the whole
world of English and American poetry
that is distinctive, thought-provoking, and
above all, enjoyable.

Notes by Peter Whitfield

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 Derek Jacobi is one of Britain’s leading actors, having made his
mark on stage, film and television – and notably on audiobook. He is
particularly known for the roles of I Claudius and Brother Caedfael,
both of which he has recorded for audiobook. His extensive theatrical
credits, from London’s West End to Broadway, include numerous roles
encompassing the whole range of theatre. He also reads The History
of Theatre, The History of English Literature and Lives of the Twelve
Caesars for Naxos AudioBooks.

Peter Whitfield is an historian and a poet. His books include

A Universe of Books: Readings in World Literature, Landmarks in
Western Science and New Found Lands – Maps in the History of
Exploration. He is a keen cyclist and has written books on his sport. He
has also written and read Darwin – In a Nutshell and The Renaissance
– In a Nutshell for Naxos AudioBooks.

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 Extracts recorded specially for this title are read by
Sean Barrett, Bertie Carvel and Anne-Marie Piazza.

Other extracts Are takeN from the following titles:

The Great Poets: Elizabeth Barrett Browning and Christina Rossetti

Read by Rachel Bavidge and Georgina Sutton, ISBN: 9789626349205
The Great Poets: William Blake
Read by Robert Glenister, Michael Maloney and Stephen Critchlow
ISBN: 9789626344729
The Great Poets: Robert Burns
Read by Forbes Masson, ISBN: 9789626349687
The General Prologue and the Physician’s Tale (Chaucer)
Read by Richard Bebb, Philip Madoc and Michael Maloney, ISBN: 9789626344002
The Great Poets: Emily Dickinson
Read by Teresa Gallagher, ISBN: 9789626348567
Winter Words (Hardy)
Read by Bruce Alexander and Janet Maw, ISBN: 9789626343739
The Great Poets: John Keats
Read by Samuel West and Michael Sheen, ISBN: 9789626344897
The Great Poets: Rudyard Kipling
Read by Robert Glenister and Michael Maloney, ISBN: 9789626344743
The Song of Hiawatha (Longfellow)
Read by William Hootkins, ISBN: 9789626343401

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 The Great Poets: Gerard Manley Hopkins
Read by Jeremy Northam, ISBN: 9789626349007
The Essential John Milton
Read by Anton Lesser, Samantha Bond and Derek Jacobi, ISBN: 9789626348857
Paradise Lost (Milton)
Read by Anton Lesser, ISBN: 9789626343500
The Essential Edgar Allan Poe
Read by Kerry Shale, John Chancer and William Roberts, ISBN: 9789626349212
From Shakespeare – with Love
Read by David Tennant, Juliet Stevenson, Anton Lesser and others,
ISBN: 9789626349564
Venus and Adonis & The Rape of Lucrece (Shakespeare)
Read by David Burke, Clare Corbett, Benjamin Soames, Eve Best and Oliver Le Sueur,
ISBN: 9789626344293
The Faerie Queene (Spenser)
Read by John Moffat, ISBN: 9789626343777

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 Collections:

Classic American Poetry

Read by Garrick Hagon, Liza Ross, William Hootkins, Kate Harper, James Goode, Alibe
Parsons, ISBN: 9789626341988
Classic Erotic Verse
Read by Benjamin Soames, Stella Gonet and others, ISBN: 9789626349380
Great Narrative Poems of the Romantic Age (available for download only)*
Read by John Moffatt, Samuel West, Sarah Woodward, ISBN: 9789626340929
Great Poets of the Romantic Age
Read by Michael Sheen, ISBN: 9789626340219
A Lover’s Gift from Him to Her
Read by Michael Sheen, ISBN: 9789626343890
Poets of the Great War
Read by Michael Maloney, Jasper Britton, Michael Sheen, Sarah Woodward
ISBN: 9789626341094
Popular Poetry – Popular Verse (available for download only)*
Read by Anton Lesser and Simon Russell Beale, ISBN: 9626340169
Popular Poetry – Popular Verse Vol. 2 (available for download only)*
Read by Tony Britton, Jasper Britton and Emma Fielding, ISBN: 962634072X

* www.naxosaudiobooks.com

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 Credits

Produced by David Timson

Recorded at Motivation Sound Studios, London
Literary Editor: Genevieve Helsby
Sound Editor: Sarah Butcher

ALL RIGHTS RESERVED. UNAUTHORISED PUBLIC PERFORMANCE, BROADCASTING

AND COPYING OF THESE COMPACT DISCS PROHIBITED.

Cover picture: Poems by William Cowper, c.1890–1905 by Claude Raguet Hirst (1855–
1942) © Collection of the New York Historical Society, USA; courtesy of The Bridgeman
Art Library

The text of this audiobook is an abridged version of Peter Whitfield’s book English
Poetry: a New Illustrated History, but an unabridged audiobook title.

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 The music on this recording was taken from the NAXOS catalogue

PIANO MUSIC FOR CHILDREN 8.550885

Idil Biret, piano

DOWLAND Lute Music, Vol. 1 8.557586

Nigel North, lute

BACH, J.S. Viola da Gamba Sonatas 8.570210

Mikko Perkola, viola da gamba; Aapo Häkinnen, harpsichord

BEETHOVEN Bagatelles and Dances, Vol. 1 8.553795

Jenó´ Jandó, piano

SCHUMANN, R. Arabeske 8.550715

Bernd Glemser, piano

BRAHMS Clarinet Quintet, Op. 115 8.554601

Boris Rener, clarinet; Ludwig Quartet

DvoŘák String Quartet No. 12, ‘American’ 8.550251

Moyzes Quartet

JanáČek Violin Sonata 8.553895

Jana Vlachová, violin; František Malý, piano

Music programming by Sarah Butcher

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 Other works on Naxos AudioBooks

The Canterbury Tales Volume I The Canterbury Tales Volume II

(Chaucer) ISBN: 9789626340448 (Chaucer) ISBN: 9789626342565
read by Philip Madoc, Edward de Souza, read by Philip Madoc, Frances Jeater,
Anthony Donovan, Clive Merrison, Charles Simpson, John Rowe
Clive Swift and Anton Lesser and John Moffatt

The Canterbury Tales Volume III Paradise Lost

(Chaucer) ISBN: 9789626343043 (Milton) ISBN: 9789626343500
read by Philip Madoc, Tim Pigott-Smith, Stephen read by Anton Lesser
Tompkinson, Sean Barrett, Michael Maloney,
Charles Kay, Rosalind Shanks and Timothy West
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 Other works on Naxos AudioBooks

From Shakespeare – with Love The Faerie Queene

(Shakespeare) ISBN: 9789626349564 (Spenser) ISBN: 9789626343777
read by David Tennant, Juliet Stevenson, read by John Moffat
Anton Lesser and others

The Great Poets: Burns The Great Poets: Blake

(Burns) ISBN: 9789626349687 (Blake) ISBN: 9789626344729
read by Forbes Masson read by Robert Glenister, Michael Maloney
and Stephen Critchlow

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Naxos Audiobook titles please contact:

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order online at
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