#2 BLUE HOUR

By Kent DuFault

The Golden Hour is often discussed as the In fact, the day can be completely overcast,
‘Holy Grail’ of outdoor photography. But don’t and the Blue Hour will still emerge. This is
be fooled. The Blue Hour is just as exciting, because the Blue Hour is created by an excess
and it offers a little wider opportunity than the of ultraviolet light, which happens whenever
Golden Hour. sunlight is missing.

The Golden Hour can drastically vary based Sometimes, we can actually ‘see’ the blueness
upon atmospheric conditions. However, the of the ambient Blue Hour light. And digital
Blue Hour happens every day as it isn’t tied to cameras are extremely sensitive to ultraviolet
the same lighting requirements. light, so they tend to enhance the blue
ARCHITECTURE CREATIVITY PROMPT

coloration.
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https://unsplash.com/photos/0zs_-cL8DwE
Ian Simmonds – Canon EOS 5DS R, 24mm lens, f/13, 270 seconds, ISO 800

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https://unsplash.com/photos/uwkGxwQqyhc
Christian Lischka SJ – Panasonic DMC-G70, 25mm lens, f/1.8, 1/100th, ISO 200

The Blue Hour occurs from the moment the This example photo depicts the Blue Hour
sun has set for your chosen subject. This time when the camera is pointed straight at the
of day can vary based upon location, the time post-sunset sky. At the horizon, the sun is still
of the year, and the surrounding structures or warming up the light while the upper level of
landscape. the sky is already into the Blue Hour.
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The effect will also vary based upon whether

the camera is pointed at the sunset or in any
other direction.

Assignment:

Select an architectural structure with a good camera perspective that positions the setting
sun directly behind your subject. After the sun dips below the horizon, start shooting
pictures. Remember, your subject will be backlit. There will likely be little detail in the
foreground until the lights turn on. Plan on using a silhouette, and if the lights do come on,
that’s an added bonus. The idea is to get you thinking and using a sky, similar to the one
depicted in the example photo, in some of your architectural pictures.

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https://unsplash.com/photos/2SP6Myp0DeM
cs_on_tour – Xiaomi Mi Note 10, 8.2mm lens, f/2, 1/630th, ISO 100

When Does the Blue Hour Begin?

There is no exact time that one can predict Assignment:

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when the Blue Hour will exactly start. What

kicks it off is a lacking warming light from the
Go out on several days, over a period of
sun.
time, and photograph architecture at the
Blue Hour. Keep good notes as to the
In this sunset at the beach, you can see the
time of year, weather conditions, and
Blue Hour creeping into the color scheme
when the Blue Hour first appeared, as
even though the sun hasn’t quite set yet. This
well as how it changed in the hour that
is due to the cloud cover near the horizon. If
followed sunset.
it were a completely clear day, the Blue Hour
wouldn’t begin until after the sun dropped
below the horizon.

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https://unsplash.com/photos/roZhx0GNcnQ
Zan Janzekovic – Nikon D5300, 105mm lens, f/6.3, 6 seconds, ISO 100

It is important to note that the starting time Suppose your subject architecture is
of the Blue Hour will change based upon the surrounded by mountains and sits in a valley.
location. In that case, the Blue Hour may begin as early
as mid-afternoon.
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https://unsplash.com/photos/Ceh6yQjzYoQ
Zachary Kyra-Derksen – Canon EOS R, 37mm lens, f/4, 1/80th, ISO 1600

The opening moments of the Blue Hour will

also change based upon the weather.
Assignment:
Critical point: The Blue Hour is entirely
dependent upon how much warm light comes
Find various architectural subjects with
from the sun. When little or no light comes
varying topographical land masses
from the sun, the Blue Hour will begin earlier
around them. Experiment with how
and it will generally last longer.
the Blue Hour changes based upon
geography and subject positioning.

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https://unsplash.com/photos/AmDpa21cwJM
Kristina Delp – Fujifilm X100F, 23mm lens, f/2, 1/500th, ISO 400

Previously we touched upon the POV of the camera influencing the Blue Hour. A favorite
technique among experienced architectural photographers is to shoot the Blue Hour with the
post-sunset sky at their back. This will often create interesting reflections in glass structures in
front of the camera while creating a complementary color contrast with a deep blue sky and
surrounding landscape. This photo (above) is one example.
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Assignment:
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Find a glass structure with a good

camera POV that places the sunset sky
behind your back. You may have to
maneuver around to find the best angle
for a reflection of the post-sunset sky.
Try to make your subject architecture
pop from the surrounding area by
combining the Blue Hour with a warm
Graphic by Kent DuFault
sunset reflection. Remember, the sun
must be obscured or below the horizon.
Otherwise, the warm sunlight will flood
onto the entire picture!

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https://unsplash.com/photos/KQCLehkpAPU
Jack B – Canon EOS R, 51mm lens, f/4, 1/6th, ISO 400

When choosing a camera POV that places the

subject in front of the post-sunset sky, look for
strong shapes within the architecture to add Assignment:
visual interest.
Photograph architecture with exciting
The advantage to this angle is the deep rich
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shapes and highlight those shapes by

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colors that can be captured in the sky. The

placing the post-sunset Blue Hour sky
disadvantage is that the building will likely
behind your subject.
show little or no detail, so you must adjust
your thinking.

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https://unsplash.com/photos/wzXPKMEQ-PU
Tim Rubmann – Sony ILCE-7M2, 46mm
lens, f/4.5, 1/60th, ISO 320

As mentioned earlier, the Blue Hour is Also, note how photographing on the
triggered by a lack of warming sunlight. shadow side maintains details in the subject
This can occur at varying times based upon architecture while still providing the Blue Hour
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the positioning of the architecture and your effect. This is a result of a higher ambient
chosen camera position. lighting presence, and it can be helpful when
you want the Blue Hour effect but still want to
In this example photo, the timing was well see details in the subject versus a silhouette.
before sunset. However, the chosen camera
POV depicted the shadow side of the
subject.
Assignment:
Important Thought: You can create amazing
Blue Hour architectural photos by playing the
Blue Hour light against the setting sunlight. Research and locate architecture that
This creates a complementary color scheme you can photograph on the shadow
and can be highly dramatic. side for earlier Blue Hour lighting while
also catching another object with sunset
In the example photo, the airplane contrail is light. Use the secondary object as a
still illuminated by the light of the setting sun. focal point.
As such, it added a dramatic color scheme
and a fascinating focal point to the subject.

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https://unsplash.com/photos/HInAgB7YQq0
Thomas Millot – Fujifilm X-T1, 35mm lens, f/1.4, 1/60th, ISO 1250

Another variation occurs when shooting toward the post-sunset sky and your subject has artificial
lighting already turned on.

Assignment:
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Find and photograph an architectural subject where you place the deeply colored hues
of the post-sunset sky behind the subject, and the camera side is lit with artificial lighting.
Try to balance the exposure values to get the best possible color saturation and density
throughout the entire image.

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https://unsplash.com/photos/uasHaM-WUug
Patrick Humm – Fujifilm X-E2, 35mm lens, f/1.4, 1/60th, ISO 320

The Blue Hour lends itself well to abstract or semi-abstract architectural photography. You can
also bring a blue glass filter to place over your lens and deepen the bluing effect.

Evaluation: Did you enjoy exploring the Blue

Hour with architecture? Are you now better
Assignment: acquainted with the often less discussed
cousin of the Golden Hour? Did you find a
particular time of day that worked best for
Either use a blue filter on your lens or
your area? Did you try enhancing the Blue
find a piece of blue glass that you can
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Hour effect either with glass filters or in post-

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shoot through and create some abstract

production? Are you excited to continue
and or semi-abstract architectural
exploring this unusual lighting event that
photography artwork. Make it blue!
occurs daily?

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