Business 11Th Edition Pride Solutions Manual Full Chapter PDF
Business 11Th Edition Pride Solutions Manual Full Chapter PDF
Business 11Th Edition Pride Solutions Manual Full Chapter PDF
Manual
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CHAPTER 8
Producing Quality
Goods and Services
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Chapter 8 Producing Quality Goods and Services 427
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428 Chapter 8 Producing Quality Goods and Services
• Additional examples of companies (Honeywell Federal Manufacturing & Technologies and Car-
gill Corn Milling North America) that have won the Malcolm Baldrige National Quality Award
are included in the section “Quality Control.”
• The Entrepreneurial Challenge feature has been deleted.
• The section “World Quality Standards: ISO 9000 and ISO 14000” has been revised to provide
more information about the importance of standardization.
• The Entrepreneurial Success feature describes how small manufactures achieve big productivity
gains.
• The section “Productivity Trends” has been heavily revised with updated statistics.
• While many executives, managers, and business owners often cite government regulations as a
reason for poor productivity, a new example suggests that more regulation of off-shore drilling
and BP might have prevented or at least reduced the effects of the oil spill in the gulf.
• A new Return to Inside Business about Nestlé is provided at the end of the chapter.
• A new video case has been added about Burton Snowboards’ focus on production quality.
• Case 8.2, “Toyota’s Quality Crisis”, has been updated to reflect the automaker’s recent quality
issues and its efforts to correct serious safety problems.
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Chapter 8 Producing Quality Goods and Services 429
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430 Chapter 8 Producing Quality Goods and Services
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Chapter 8 Producing Quality Goods and Services 431
V. Operations Control
A. Purchasing
B. Inventory Control
C. Scheduling
1. Scheduling Through Gantt Charts
2. Scheduling via PERT
D. Quality Control
1. Inspection
2. Improving Quality Through Employee Participation
3. World Quality Standards: ISO 9000 and ISO 14000
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432 Chapter 8 Producing Quality Goods and Services
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Chapter 8 Producing Quality Goods and Services 433
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434 Chapter 8 Producing Quality Goods and Services
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Chapter 8 Producing Quality Goods and Services 435
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436 Chapter 8 Producing Quality Goods and Services
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Chapter 8 Producing Quality Goods and Services 437
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438 Chapter 8 Producing Quality Goods and Services
Discussion Starter: Ask your students how professors use technology to make the
learning process more efficient. Follow up with a question regarding the application
of technology and especially computers to the control process (making sure students
are on track).
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Chapter 8 Producing Quality Goods and Services 439
economy is
one in
which
more effort
is devoted
to the pro-
duction of
services
than to the production of goods. (See Figure 8.2.)
5. The production of services is very different from the production of
manufactured goods in the following four ways:
a) Services are consumed immediately and, unlike manufactured
goods, cannot be stored.
b) Services are provided when and where the customer desires
the service.
c) Services are usually labor intensive because the human re-
source is often the most important resource used in the pro-
duction of services.
d) Services are intangible, and it is therefore more difficult to
evaluate customer satisfaction.
6. Today’s successful service firms work hard at providing the ser-
vices that customers want. They often listen more carefully to cus-
tomers and respond more quickly to the market’s changing needs.
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440 Chapter 8 Producing Quality Goods and Services
CLASS ACTIVITY
Teaching Tip: Use the “Just How Good Is It?” exercise here. This is a 20-minute
group exercise that requires students to quantify service performance of local eateries.
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Chapter 8 Producing Quality Goods and Services 441
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442 Chapter 8 Producing Quality Goods and Services
CLASS ACTIVITY
Teaching Tip: Use the “Let’s Improve That Product!” exercise here. This is a group
exercise that requires approximately 15 minutes of brainstorming.
which involves
three different
phases: design
planning, facili-
ties planning,
and operational
planning. (See
Figure 8.3.)
A. Design Planning. Design planning is the development of a plan for
converting a product idea into an actual product or service. The major
decisions involved in design planning deal with product line, required
production capacity, and use of technology.
1. Product Line. A product line is a group of similar products that
differ only in relatively minor characteristics.
a) An important issue in deciding on the product line is to bal-
ance customer preferences and production requirements. Mar-
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Chapter 8 Producing Quality Goods and Services 443
Discussion Starter: Most people often spend quite a bit of time waiting in the waiting
rooms of various medical providers, from dentists to emergency rooms. In the case of
physicians, clearly there is over-scheduling and double-booking to make certain that
all the expensive capacity is used. Ask students to work together to come up with
strategies to both use the capacity and reduce waits. For example, text messages
could be sent to cell phones if a provider is running late.
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444 Chapter 8 Producing Quality Goods and Services
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Chapter 8 Producing Quality Goods and Services 445
CLASS ACTIVITY
Teaching Tip: Use “The Crayon Factory” exercise here. This is a two-part exercise
that can take 30 minutes or more depending on the size of the class. The purpose of
the exercise is to demonstrate plant layout efficacy.
products
or work-
ing on
different
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446 Chapter 8 Producing Quality Goods and Services
uct layout
(some-
times referred to as an assembly line) is used when all prod-
ucts undergo the same operations in the same sequence. Work
flows from station to station. (See Figure 8.4b.)
c) A fixed- Figure 8.4c
position
layout
(shown in
Figure
8.4c) is
used
when a very large product is produced. The product remains
stationary while people and machines are moved as needed to
assemble the product.
C. Operational Planning. The objective of operational planning is to de-
cide on the amount of products or services each facility will produce
during a specific period of time. Four steps are required.
1. Step 1: Selecting a Planning Horizon. A planning horizon is the
time period during which a plan will be in effect.
a) A common planning horizon for operational plans is one year.
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Chapter 8 Producing Quality Goods and Services 447
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448 Chapter 8 Producing Quality Goods and Services
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Chapter 8 Producing Quality Goods and Services 449
Discussion Starter: Recent recessions and reduced consumer demand have caused
more than one manufacturer to close manufacturing facilities. Even popular beverages
such as Gatorade have been affected. In January 2010, PepsiCo shut down its largest
Gatorade plant citing lack of consumer sales. Ask your students to think of other exam-
ples where a change in demand has caused corporations to take drastic action.
Purchasing
consists of
all the activi-
ties involved
in obtaining
required
materials, supplies, and parts from other firms. The objective of pur-
chasing is to ensure that required materials are available when they are
needed, in the proper amounts, and at minimum cost.
1. Purchasing personnel should constantly be on the lookout for new
or backup suppliers, even when their needs are being met by their
present suppliers.
2. The choice of suppliers should result from careful analysis of the
following critical factors:
a) Price—Comparing prices is always an essential part of select-
ing a supplier.
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450 Chapter 8 Producing Quality Goods and Services
CLASS ACTIVITY
Teaching Tip: Working in pairs, ask students to identify three different kinds of or-
ganizations, and then list potential examples of each type of inventory within each or-
ganization.
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Chapter 8 Producing Quality Goods and Services 451
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452 Chapter 8 Producing Quality Goods and Services
for
schedul-
ing ex-
tremely
complex
situa-
tions. (See Figure 8.6.)
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Chapter 8 Producing Quality Goods and Services 453
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454 Chapter 8 Producing Quality Goods and Services
CLASS ACTIVITY
Teaching Tip: Ask students to work with a partner to develop a Gantt chart for a hy-
pothetical major paper. This activity should take no more than 10 minutes.
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Chapter 8 Producing Quality Goods and Services 455
Discussion Starter: Ask students how they “control” for quality on their papers. Is it
mostly inspection, such as using a spell checker and/or proofing, or do they use some
other methods?
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456 Chapter 8 Producing Quality Goods and Services
Source: “ISO 8000—A New International Standard for Data Quality,” http://www
.dataqualitypro.com/data-quality-home/iso-8000-a-new-international-standard-for-
data-quality.html, accessed November 9, 2010.
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Chapter 8 Producing Quality Goods and Services 457
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458 Chapter 8 Producing Quality Goods and Services
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Chapter 8 Producing Quality Goods and Services 459
Teaching Tip: Use the “How Can You Improve Your Productivity?” brainstorming
exercise here.
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460 Chapter 8 Producing Quality Goods and Services
Teaching Tip: Go to the U.S. Department of Labor OSHA Web site, http://www.osha
.gov/SLTC/ergonomics/success_stories.html, which contains a list of companies re-
porting success stories from their ergonomics programs. By clicking on the company
links, students will be able to read real-world accounts of companies that have im-
proved productivity and reduced costs through their ergonomics programs.
Teaching Tip: Go to the Tech Museum Web site on robotics to see some fun class ac-
tivities that can be done to familiarize students with robotics. The site is www.the
tech.org/robotics/.
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Chapter 8 Producing Quality Goods and Services 461
Extra Example: Procter & Gamble once used a supercomputer to model the aero-
dynamics of a Pringles potato chip when it found that too many were flying off the as-
sembly line!
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462 Chapter 8 Producing Quality Goods and Services
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Chapter 8 Producing Quality Goods and Services 463
At Issue
The productivity for American workers only grew 1.2 percent in 2008. While this
can primarily be attributed to the poor global economy, there are also manage-
ment and labor issues that contribute. Who is more to blame for the lower
productivity growth rate—management or labor?
Management Labor
1. Management has reduced the 1. Major changes in the composition
amount of investment in facili- of the workforce have kept work-
ties, equipment, and employee ers from settling into a more pro-
training. ductive pattern.
2. Management has been unable to 2. Labor has made demands on man-
make necessary and favorable agement that are so unrealistic and
decisions because of increased costly that management no longer
government regulation. has the resources to support ef-
forts to increase productivity.
3. Management’s productivity 3. Labor has lost all pride in work
growth plans stress shorter-term quality, and declines in worker
rewards at the expense of long- productivity are merely an indica-
er-term productivity. tor of this trend.
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464 Chapter 8 Producing Quality Goods and Services
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Chapter 8 Producing Quality Goods and Services 465
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466 Chapter 8 Producing Quality Goods and Services
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Chapter 8 Producing Quality Goods and Services 467
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468 Chapter 8 Producing Quality Goods and Services
Nestlé
1. How does the purchasing function affect the quality of a product like Nestlé’s Kit Kat
chocolate bars?
Nestlé’s purchasing function must acquire ingredients such as chocolate (or raw materials such
as cocoa beans) at prices that allow for the planned profit margin and in quantities that will
meet planned production levels. However, the ingredients also have to be of a quality that will
meet Kit Kat buyers’ expectations. If the finished product doesn’t have the taste or the texture
that buyers like, Nestlé will lose sales and profits. Therefore, its purchasing specialists must pay
as much attention to ingredient quality as to price and other factors.
2. What benefits would a global corporation such as Nestlé be likely to gain by having all its
U.S. plants qualify for ISO certification?
One benefit of having all of Nestlé’s U.S. plants qualify for ISO certification is that the
company can standardize its quality measurements and procedures across the country,
following ISO guidelines. Another is that Nestlé will be able to achieve a high minimum level
of quality at all its U.S. plants. Also, the company will have independent auditors certifying the
plants as a double check on quality procedures. Finally, Nestlé is likely to learn new, more
efficient ways of maintaining quality.
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Chapter 8 Producing Quality Goods and Services 469
For the dry cleaner, the focus is dirty clothes and dry-cleaning solvent. The magnitude is small,
and there is only one production process.
In the auto repair shop, there are many focuses, including all the parts used and the automobiles
in need of repair. The magnitude is not very great, but several production processes are
involved because of the numerous operations performed in repairing a car.
4. Describe how research and development leads to new products.
Research and development (R&D) is a set of activities intended to identify new ideas that have
the potential to result in new goods and services. Today, business firms use three general types
of R&D activities. Basic research is aimed at uncovering new knowledge. Applied research
consists of activities geared to discovering new knowledge with some potential use.
Development and implementation are research activities undertaken specifically to put new or
existing knowledge to use in producing goods and services. The last type of research results in
more new products because that is the primary objective of development and implementation.
5. Explain why product extension and refinement are important.
Product extension and refinement are important because they extend a product’s life cycle.
Each refinement or extension results in an essentially “new” product whose sales make up for
the declining sales of a product that was introduced earlier.
6. What are the major elements of design planning?
The major elements of design planning are (1) product line, (2) required production capacity,
and (3) use of technology. When considering the product line, management must determine
how many product variations there will be, and then the product-design process will create the
specifications for each variation. The required capacity will be determined by the operations
managers working with the firm’s marketing managers to make sure resources won’t lie idle or
be insufficient. When management decides the degree to which automation will be used to
produce the product or service, it must choose between labor-intensive technology and a
capital-intensive technology.
7. What factors should be considered when selecting a site for a new manufacturing facility?
The following factors should be considered when selecting a site for a new manufacturing
facility: the location of major customers; transportation costs to deliver finished products to
customers; geographic location of suppliers of parts and raw materials; the cost of both land and
construction required to build a new production facility; local and state taxes and environmental
regulations and zoning laws; the amount of financial support offered by local and state
governments; special requirements for energy, water, and other resources used in the production
process; quality of life for employees and management in the proposed location; and
availability and cost of skilled and unskilled labor.
8. What is the objective of operational planning? What four steps are used to accomplish
this objective?
The objective of operational planning is to decide on the amount of products or services that
each facility will produce during a specific period of time.
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470 Chapter 8 Producing Quality Goods and Services
The four steps in operational planning are (1) selecting a planning horizon, (2) estimating
market demand, (3) comparing market demand with capacity, and (4) adjusting products or
services to meet demand.
9. If you were an operations manager, what would you do if market demand exceeded the
production capacity of your manufacturing facility? What action would you take if the
production capacity of your manufacturing facility exceeded market demand?
When market demand exceeds capacity, several options are available to the firm, including the
following:
a. Production of products or services may be increased by operating the facility overtime or
starting a second or third work shift.
b. For manufacturers, another response is to subcontract a portion of the work to other
producers.
c. If the excess demand is likely to be permanent, the firm may expand the current facility or
build another facility.
d. Some firms occasionally pursue another option—ignore the excess demand and allow it to
remain unmet.
When capacity exceeds market demand, again several options are available to the firm,
including the following:
a. To reduce output temporarily, workers may be laid off and part of the facility may shut
down.
b. The facility may be operated on a shorter-than-normal work week for as long as the excess
capacity persists.
c. To adjust to a permanently decreased demand, management may shift the excess capacity to
the production of other goods or services.
d. The most radical adjustment is to eliminate the excess capacity by selling unused facilities.
10. Why is selecting a supplier so important?
The objective of purchasing is to ensure that required materials are available when they are
needed at minimum cost. For some products, purchased materials make up more than 50
percent of their wholesale costs. For these reasons, purchasing personnel should constantly be
on the lookout for new or backup suppliers, even when their needs are being met by their
present suppliers. Such problems as strikes and equipment breakdowns may cut off the flow of
purchased materials from a primary supplier. The choice of suppliers should result from careful
analysis of a number of factors. The following are especially critical: price, quality, reliability,
credit terms, and shipping costs.
11. What costs must be balanced and minimized through inventory control?
The costs that must be balanced and minimized through inventory control are holding cost (or
storage cost) and stock-out cost (the cost of running out of inventory).
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and arouses religious feeling. Oratorio was his special gift to the
world and one never hears the name of Handel without thinking of
The Messiah.
Handel seemed to reunite the forms: oratorio and opera, under his
massive will. At first some of his oratorios were given in costume,
showing the influence of opera.
Handel had many enemies in England, but he also had friends.
Although imperious, he had a sweet side, and made friends with
humble folk who loved music, even though he hobnobbed with
royalty. Thomas Britton, a coal heaver, his friend, is sketched by an
artist of the day in a picture where Handel is playing The
Harmonious Blacksmith to Alexander Pope, the Duchess of
Queensbury, Colley Cibber and other famous folk. Yet he stormed at
everyone and even royalty “quaked in their boots” and were forced to
behave themselves at rehearsals and concerts which Handel directed.
Accused of using someone’s melody, he answered, “That pig
couldn’t use such a melody as well as I could!” He helped himself to
so many that he was called the “Great Plagiarist.”
His latter life was spent quietly, with a few intimate friends,
drinking his beer and smoking his beloved pipe. He was always
generous and as he grew older seemed to become kindlier and softer.
He contributed largely to the Foundling Asylum and even played the
organ there.
He wanted to die on Good Friday, “in hopes,” he said, “of meeting
his good God, his sweet Lord and Saviour on the day of his
resurrection,” and on Good Friday, April 6th, 1759, he died.
Christoph Willibald Gluck—Father of Modern Opera
1714–1787
Another thing that gave him a push forward and shows how great
people can make a success of failure: he was asked to write a
pasticcio (Italian word meaning a meat-pie), or a string of melodies,
very fashionable in his day. He strung together his best airs from his
Italian operas, and called it Pyramus and Thisbe, but it was a dismal
failure. “Ah, ha!” he must have thought, “why shouldn’t this musical
drivel fail, for it is naught but trash, and with nothing that is needed
to make a good literary drama.” So this was one of the experiences
that led him to reform opera, making the words fit the music and not
stopping a performance, so that a popular soloist could sing a
meaningless trill and then start again with the other part of the word,
—the way that opera was being written at that time.
After his London ups and downs he went to Paris and heard the
operas of Rameau. He realized now the value of musical declamation
and recitative to the meaning and action of opera if used with
thought, and he was not slow in taking suggestions.
Gluck was probably the most all round man of his day, for he knew
literature and science as did few musicians. He knew all the
influential people in the arts, sciences, and music in London,
Hamburg, Dresden and Vienna, and his home was a center of
learned and delightful people. When in Vienna but a short time, he
was commissioned to write an opera and he produced, with success,
La Semiramide, after which he went to Copenhagen. His next opera
Telemacco in which he began to work out his new ideas was well
received, in Rome and Naples.
In 1750 after many disappointments, he was married to a lady he
had long adored. They lived happily together, for Marriane Pergin
not only brought him money which was a great joy, but was always
his devoted and understanding help-mate. She was an accomplished
woman, and a companion that many might envy. But, sad to say,
they had no children, so they adopted a niece of Christoph’s, a lovely
little girl with great musical talent. The three lived lovingly together
until the poor little child sickened and died, making the Glucks most
unhappy, for they adored her, as is often the case, even more than if
she had been their own child.
In 1751 Gluck journeyed to Naples. Didn’t he travel a lot in the
days of the stage coach and brigands! In the same year he became
conductor to Prince Frederick at Vienna and in 1754 was officially
attached to the opera, and Maria Theresa made him court chapel
master.
Soon after, the Pope, pleased with what he had done in Rome,
made him Chevalier of the Golden Spur and from that time he always
styled himself Ritter (Chevalier) von Gluck.
In Il re pastore (The Shepherd King), we see the dawning of
Gluck’s best period of writing (1756). The overture is better music
than he had written before, and from this time on, Gluck became the
genius in the opera world for which he is known. From 1756 to 1760
he lived apart from the world studying and after this he began to
broadcast his ideas in writing and composing.
When the Archduke Joseph of Austria, afterwards the Emperor,
married Isabella of Bourbon, Gluck wrote Tetede which was
performed with great pomp. After this he wrote the ballet Don
Giovanni, or The Libertine, particularly interesting, for it certainly
gave Mozart an idea for his own great work Don Giovanni.
Again our “wandering minstrel” moved, this time to Bologna
where he conducted a new opera which, strange to say, showed not a
sign of his new ideas!
“Orpheus and Euridice” is Born
It is very hard to realize that time was when there were no public
concerts. Music was confined for so many centuries to the churches,
to the public squares, to the King’s Chamber, or to the ball rooms of
wealthy nobles, that it had not become the democratic art that it is
now. Of course the first opera houses in Italy had been steps in the
direction of bringing music to the people. The concerts begun by the
Danish organist, Buxtehude, in Lübeck about 1673, and the
Tonkünstler-societät in Vienna of the same period were the first
public concerts. In England, John Banister started concerts at about
the same time, which were the first to admit an audience by payment
of a fee. Handel’s friend, Thomas Britton, the coal-heaver, gave
concerts at his home for 10 shillings the series!
The 18th century saw a great development in giving public
concerts. In France, the Concerts Spirituels were begun in 1725. The
object of these were to give music to the people on the days of
religious festivals when the opera house was closed. There were
about 24 concerts a year; the political events of 1791 put an end to
the society but it had already given the people a taste for concerts,
and many new societies grew out of it. The festivals of Three Choirs
in West England (see page 190) were founded in 1724, and the
Academy of Ancient Music in 1710. The Musikverein in Leipsic was
founded in 1743 and was later turned into the famous Gewandhaus
concerts in 1781.
This movement for public concerts went hand in hand with the
development of instruments and the perfecting of performers. In fact
the word concert came from “consort—the union or symphony of
various instruments playing in concert to one tune.”
The Mannheim School
About the time in history when Franz Joseph Haydn was born, the
world was very much upset. No one knew what to think or how. It
was a time of battle and struggle as he was born in the midst of the
Seven Years’ War and lived during the French Revolution. Everyone
except for a few great persons felt bitter and discontented and doubt
was everywhere. This seems to be the way wars and conflicts affect
all peoples and it is why wars are so damaging.
Yet out of this mixture of feeling and thinking, the great classic
period of music was created by such men as Bach and Haydn and
Mozart and the finishing touches were put on it by Beethoven, the
colossus.
Franz Joseph Haydn was born in Rohrau (1732), a little town in
Austria near Vienna. His father was a wheelwright and his mother
was a very good cook. Beethoven’s mother, too, was a professional
cook.
These simple parents, his brothers and sisters, measuring not a
baker’s, but a wheelwright’s dozen, had an hour or two of music
every evening after the hard day’s work, and Mathias, the father,
played the harp and sang. It was during these evenings that little
Joseph’s father noticed that at the age of six he was passionately fond
of music.
One time at a festival the drummer failed to appear and there was
no one who could play for the choristers who were to march through
the town. His teacher, Frankh, called Joseph and showed him how to
make the drum stroke and told him to practice it. When he was left
by himself he found a meal tub, over which he stretched a cloth, put
it on a stool and drummed with such vigor that the whole thing
toppled over and he and his drum were covered with meal! But he
learned to drum! And the people laughed when in this solemn church
festival, the little six year old Joseph was seen drumming the big
drum carried by a hunchback in front of him. The drums on which he
played are still at Hainburg. But, we forget, we have not brought him
from Rohrau!
Not long before J. M. Frankh, a relative, came to visit the Haydns,
and it was decided that he should take Joseph to Hainburg to teach
him. The excitement, of course, was great and little Joseph felt very
important with all the hustle and bustle preparing for his departure.
Little did Saperle (his nickname) realize what a hard master he was
getting in Frankh, who only cared for the pay he received from
Joseph’s father. Nevertheless he learned much and showed great
talent while at Hainburg and one day a great thing happened.
Reutter, the organist of St. Stephen’s in Vienna, visited Frankh and
as they talked of music the conversation turned to the choir school
which Reutter directed. Frankh sent for Joseph, a slight, dark haired,
dark eyed little boy, and Reutter asked him to read a piece of music
at sight. Joseph looked at it and said: “How can I, when my teacher
couldn’t?” Yet, Joseph did sing it sweetly and he entered the choir
school. Here his life was a misery, for Reutter was harsh and
unsympathetic, but soon Joseph’s hard life in the choir school was
over, for one very cold winter night, he felt a little frisky, as many a
healthy lad does, and pulled off the wig of a man in the choir.
Reutter, who had wanted an excuse to rid himself of Joseph, because
his voice had begun to break, threw him out into the cold. Poor
Saperle had no other place to go and wandered about all night, until
he met his acquaintance Spangler, a tenor who was very poor and so
had sympathy with Haydn. He took him home to live with him and
his wife and child in his attic,—one small room with no comfort and
no privacy. All this time young Haydn was forced to earn his daily
bread by teaching as much as he could, playing for weddings,
baptisms, funerals, festivals, dances and street serenadings. This
street serenading was a sweet and pretty custom of the time.
One night Haydn and some other youths serenaded Kurz, a
prominent comedian. Kurz, pleased by the music below his window,
called to the lads: “Whose music is that?” “Joseph Haydn’s,” called
back Haydn. “Who is he and where?” asked Kurz. “Down here, I am
Haydn,” said Joseph. Kurz invited him upstairs and Haydn, at the
age of seventeen, received a commission for a comic opera, which
had two special performances.
All this time he mixed with the poor and laboring people, and their
songs became his songs, and his heart was full of their frolics and
their pains. He was of the people and was so filled with their humor
that later he was called the father of humor in music.
Soon, in order to be alone, and to work in peace, he took a room in
another attic, and bade good-bye to his very good friends. His room
was cold in winter and let in the rains and snows, but it did have a
spinet on which Haydn was allowed to play, and fortunately
Metastasio the librettist lived in this house. Here Haydn studied the
works of Karl Philip Emanuel Bach, Fuchs’ Gradus ad Parnassum
(Steps to Parnassus, Parnassus meaning the mountain upon which
the Greek Muses lived and so comes to mean the home of learning).
He practised too, during this time, on any instrument he could find
and learned so much that he became the founder of the modern
orchestra.
When Metastasio discovered that there was a hard working
musician in his house he met him and then introduced him to
Porpora the greatest Italian singing teacher in Vienna. Not long after
meeting him, Porpora entrusted to his care Marianne Van Martines,
his ten year old pupil, the future musical celebrity. At seventeen
Marianne wrote a mass which was used at St. Michael’s Church and
she became the favorite singer and player of Empress Maria Theresa.
You see women even in those days composed and performed!
So began Haydn’s successes. Porpora engaged him as accompanist,
and treated him half way between a valet and a musician, but
Haydn’s sweet nature carried him through all unpleasantnesses and
he was so anxious to learn and to earn his six ducats that he did not
care if he did have to eat with the servants.
In 1751–2, he wrote his first mass, his first string quartet, and his
first comic opera for Kurz, The Crooked Devil, the music of which
has been lost. Soon after he met Gluck at the concerts of the Prince of
Hildburghausen, where Haydn acted as accompanist; at the prince’s
house too, he met Ditter von Dittersdorf, the violinist. The princes
and nobles of these days did much for music for it was usually at
their homes and under their guidance that the composers received
opportunities to work.
Nevertheless, we see Haydn during these days slaving to make his
daily bread, but with the money he made he bought books on music
theory and held himself sternly down to hard work, morning, noon,
and night.
In 1755 Baron von Fürnburg, a music amateur, who gave concerts
at his home, asked him to compose for him, and he wrote eighteen
quartets, six scherzandi for wind instruments (the ancestors of his
own symphonies), four string quartets, to be played by the village
priest, himself, the steward, and the ’cellist Albrechtsberger.
All these pieces show how much happier he was since becoming
part of the Baron’s staff, for they are merry and jolly, and filled with
that humor which Haydn was the first to put into music.
Here, too, he met the cultivated Countess Thun, who was so
interested in his struggle for success, and in the youth himself that
she became his pupil. From this time on he began to earn more and
to live more comfortably.
Everything seemed to be clearing up for him now. The Countess
introduced him to Count Morzin, a Bohemian nobleman of great
wealth, and in 1759 he became his musical director. His orchestra
had eighteen members and here he wrote his first Symphony (the
first of one hundred and twenty-five!)
All this time he kept up his teaching and very soon married the
daughter of a wig-maker, who did not understand him and with
whom he was very unhappy, but he lived with her like the good man
he was until within a few years of his death.