The Tradition of Anti-Aristocratic Thought in Early Greek Poetry

Author(s): Walter Donlan

Source: Historia: Zeitschrift für Alte Geschichte, Bd. 22, H. 2 (2nd Qtr., 1973), pp. 145-154
Published by: Franz Steiner Verlag
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 THE TRADITION OF ANTI-ARISTOCRATIC THOUGHT
IN EARLY GREEK POETRY

One of the more stubbornly held historical assumptions concerning the

period from the eighth through the sixth centuries B. C. in Greece is that it
was, preeminently, an aristocratic age: in the nascent Greek city-states small
groups of hereditary nobles dominated political, social and economic life,
while the common people had little say in their governance, were often ex-
ploited economically and were regarded as socially inferior. As the many, the
demos,they counted for little, suffered much, enduring their lot, for the most
part, in passive silence. On the other hand, the major political changes that
took place during this period are usually seen as the result of class struggle in
which the masses, protesting against the excesses of their noble lords, fought
to obtain basic legal rights, economic relief and political equality. In general,
modern historians emphasize the revolutionary aspect of the archaic age -
the attempts by a depressed populace to wrest concessions from an en-
trenched and obdurate oligarchy.'
But to concentrate thus on notions of protest, struggle, reaction, incurs
the risk of presenting a one-sided picture of social conditions. For example,
the aristocratic ideal, elaborately and splendidly spelled out in the Homeric
epics, is usually viewed as the normative system of values for the whole cul-
ture,2 and the few voices acknowledged as being in disagreement (e. g., He-
siod, Archilochus) appear as unique and idiosyncratic, or else as tokens of
social unrest.3 Either point of view assumes an aristocratic hegemony in the
I E. g.: G. Busolt, Cr. Gescb.,1' (Gotha 1893) 627-628; id. 2', 254; J. Beloch, Gr.
Gesch.,1, 1'
(Strasbourg 1912) 214, 306-308, 347-378; Glotz-Cohen, Hist. Grecque,1 (Paris 1925) 218-222,
237-238, 410411; E. Meyer, Gesch.des Alter/ums, 3' (Stuttgart 1936) 280-283, 321-323, 510-512;
G. de Sanctis, Storia dci Greci, 18 (Firenze 1967) 282-284; U. Wilcken, Gr. Gscbh.'(Munich 1962)
97; J. B. Bury, Hist. of Greece'(London 1955) 118.
2 N. G. L. Hammond, A History of Grece (Oxford 1959), can say, "Different as the poets of the
Greek states were in temperament and outlook, they had one point in common. They were all aris-
tocrats" (p.173). Cf. F. Schachermeyer, Cr. Gecbh.2 (Stuttgart 1969) 84-85: ,,So formte die Adelskul-
tur nicht nur den Ritter, an ihr formte sich auch der kleine Mann. Sie wurde dadurch zur gemein-
hellenischen Gesittung." This is a dominant theme of W. Jaeger's Paideia, which is even stated as
a universal truth: "Culture is simply the aristocratic ideal of a nation, increasingly intellectualized"
(Vol. I, 2nd Eng. ed., tr. by G. Highet [New York 19651 4).
3 Thus W. G. Forrest, TheEmergence of GreekDemocracy(New York and Toronto 1956), speak-
ing of Hesiod, says that the demos"in whatever sense the word had from time to time, failed to
produce a voice that has survived, with this one exception" (p. 58). Some, e. g., Jaeger (above,

10 Historia XXII/2

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146 WALTER DONLAN

intellectualas well as the political sphere,leaving no room for an alternative

possibility - that during the archaicperiod in Greece there existed a deep-
rooted and self-consciousliteraryexpressionof andi-aristocratic opinion.
Scholarshave, to be sure, been long awareof certainanti-aristocraticbias-
es in statementsby lyric-agepoets, criticalof the noble or heroic ideal; but
there has been little systematicanalysisof the extentand exactnatureof such
utterancesor of the precisebasis for their rejectionof the aristocraticsystem
of values.Collected below, in summaryform, are the well-known passages
from the lyric poets which may be consideredas counter to the aristocratic
view. These have been divided into threegroups: criticismof traditionalval-
ues that are associatedwith the epic or heroic ideal, criticismof the aristo-
cratic way of life or of qualitiesassociatedwith aristocrats,statementsthat
reflect a nonaristocraticor lower class outlook. There is, of course, some
overlappingin this schematization,but in generalthe categoriesindicateade-
quatelythe particularaspectsof the anti-aristocraticbias.

1. Criticismof epic-heroicvalues.
Archilochus6D: Ripsaspis:the heroic code of valor is rejectedin favor of
personal safety.
Archilochus
13D: Heroic ideal of friendshipreducedto usefulness.
Archilochus
60D: Epic stresson externalappearanceas an index of worth re-
jectedin favor of the realand the useful.
Archilochus
61D: Glory of combat reducedto grim reality.
Archilochus
64D: Epic idea of posthumous fame rejectedin favor of reward
now (Cf. Stesich.245 Page).
Tyrtaeus
9. 1-12D: Epic and aristocraticaretai rejectedin favor of ability to
stand firmin ranks.
Tyrtaeus
9. 13.-22D: Aret6 restatedin terms of what is useful to the whole com-
munity (xunon esthlon); the epic qualities of aneragathosare
reducedto steadfastnessin ranks.(Cf. 6. 7. 1-2).

note 2) 69 if., emphasize the originality of Hesiod in formulating the peasant ideal: "the prophet
of a new age." Others, like A. A. Trever, "The Age of Hesiod: A Study in Economic History,"
CP 19 (1924) 157-168, make him an early spokesman of class conflict. Cf. the common view which
regards Archilochus' antiheroic stance as the result of his personal condition; so A. Lesky, A Hi:-
tory of Greek Literature,tr. by J. Willis and C. de Heer (London 1966) 110: ". . . the explanation
lies in his origins. Archilochus was a bastard."

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 The Tradition of Anti-Aristocratic Thought in Early Greek Poetry 147

Tyrtaeus
9. 23-44D;
Callinus
1.6-21D: Individualfame and glory seen in terms of approbationby
the whole communityfor service to the community.4
Xenophanes2D: Rejection of traditionalphysical aretaiand success which
comes from these in favor of his own sophia.The basis for
rejectionis that these skills are not useful to the polis.
Phocylides lOD: Identificationof aretdwith justice.
Phocylides 1 D: Criticism of the mere appearanceof soundness based on
outward appearance.

2. Criticismof aristocraticvalues and of aristocrats.

Archilochus 22;
70D: Common man's suspicionand mockeryof the success-stan-
dard of wealth, power and influence.
Archilochus
94D: Appeal to Zeus as the overseer of right and wrong, and as
judge of bybrisand dike.(Cf. Solon 1. 16-25; 3. 15-16).
Archilochus
97D: Ironic referenceto noble birth.
Solon
1. 11-13D: Rejectionof wealth gained through violence and injustice.
Solon
1. 71-73D: Criticismof the greed of the wealthy.
Solon 3. 5-13D: Criticism of those in power, whose greed, injustice and
violence lead to antisocialacts.
Solon
3. 14-26D: Criticismof the powerful: they do not heed justice; their
actions are harmfulto the whole polis, internallyand exter-
nally; aristocraticclubs bring ruin to the community. The
powerful are equatedwith the unjust throughout.
Solon 4. 4-8D: Warns the wealthy to restraintheir arroganceand greed,
and to be moderatein their desires.
Solon 4. 9-12D: Criticismof the wealthy in the strongest terms; he identi-
fies himself with the agathoipoor against the kakoi rich,
and opposes ploutosto aret6.
4 Cf. Simonides' "encomium" on those who fell at Thermopylae (531 Page), where the andre:

agaihoiwin the "glory of Greece" as the reward for their service. Here the community is expanded,
but the sentiment is the same.

10*

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148 WALTERDONLAN

Xenophanes
1. 21-24D: Rejectionof ancientand modernthemes of violent stasisas
fit subjects for feasts, on the grounds that these are not
cbresta.
Xenophanes3D: Criticism of the useless display, luxury and arroganceof
the Samianaristocrats.The implicationis that these led to
Lydiantyranny.5
Phocylides 3D: Cridicismof noble birth as inferior to skills helpful to the
community.

3. Non-aristocraticvalues.
Semonides 7D: Presents a peasant view of womankind - the defects of
women are qualitiescontraryto the peasantvalues of use-
fulness and practicality:neglect of household duties (2-6,
57-62); intellectualpretensionand curiosity (7-9, 12-20);
lack of common sense (21-26); instability(10-11, 2742),
gluttony (24, 46-47, 56); promiscuity(48-49); love of lux-
ury (63-70).6
Semonides 7D: The good wife exhibits qualities which conform to the
peasant value of usefulness: increase of livelihood (85);
sobriety (90-91).
Alcman 17. 6-8
Page: Preferencefor food that the damoseats over food luxu-
riouslyprepared.
Alcman 123
Page: Praiseof cooperation(,iSya yelTovtyElTrcov).
Solon 14D: Praiseof the simplest materialgoods as equal to the high-
est wealth.7
Anacreon 361
Page: Rejection of wealth and power (in favor of simpler
things ?).8
6 See C. M. Bowra, "Xenophanes, Fragment 3," CQ 35 (1941) 119-126. Douris of Samos cites
some lines of the poet Asius as proof of the ostentatious luxury of the Samians in this period
(FGrHisi 76 F60).
6 The picture of the mare's daughter is especially revealing (lines 57-70): she shuns menial

work (6otAL' t'pya), will not grind, sift or carry out the filth; she refuses to sit in front of the oven
because of the soot, washes herself two or three times a day, annoints herself with perfume, keeps
her hair combed and wreathed with flowers. In short, the wife of an aristocrat, not of a peasant.
The peasant distinction between outward appearanceand usefulness is seen most clearly in 67-70:
she is xakov #bdpa to others, but a xaxdv to her mate, unless he is a rvpavvoc or aX JnTro6Xog, "the
kind that takes delight in things like that."
7 Fr. 13, on the other hand, expresses just the opposite, aristocratic, idea.
8 See B. Snell, The Discoveryof the Mind, tr. by T. G. Rosenmeyer (Cambridge, Mass. 1953) 48

and 312, n. 5, who equates the tone of this fragment with Archil. 22.

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 The Tradition of Anti-Aristocratic Thought in Early Greek Poetry 149

Phocylides
2. 6-8D: The good wife is industrious.
Phocylides 4D: A small polis, well-ordered, is preferred over luxurious Ni-
nevah.
Phocylides 7D: Wealth consists of a piece of good farmland.
Phocylides 9D: Gaining a livelihood takes precedence over areti.
Phocylides 12D: To be zmesosin the polis is best.
Ananius 2D: Simple food is preferable to gold.
Hipponax 16,17,
24A, 24B, 25, 29,
39, 42D: Total preoccupation with food and the simple necessities
of life; mocks his own poverty."
Taken together these passages reveal a remarkable consistency of outlook.
It is evident, first of all, that some "virtues" which are important in the epic-
aristocratic system (e. g., courage, skill, fame) are seldom criticized for
themselves, but the focal point for these is now the community not the indi-
vidual.10 On the other hand, certain manifestations of the aristocratic ethos
are criticized: arrogance, acquisitiveness at the expense of others, luxury,
outward display, mere appearance. More important to note is that explicitly
and implicitly the basis for approval or disapproval of values is usefulness.
The aristocratic-heroic ideal, in short, is subjected to a test of utile, and where it
fails it is rejected. This concept of usefulness is often stated in terms of the com-
monalty, and then, the criticism is essentially that the aristocraticvalues are an-
tisocial. Additional social themes, consistently stated throughout the period,
are a strong dislike of the improper exercise of authority, a distaste for violence
and civil strife, the primacy of justice and fair-dealing, and the idea that so-
cial injustice is punishable by divine retribution. Also notable are attempts
to restate the idea of arete in a communal rather than an individual context.
Seldom, however, do these statements appear in the form of outright pro-
test; there is little obvious sense either of serious discontent or of impotent
oppression. We note, rather, the well-defined expression of a point of view
that has its foundation in a solid sense of worth. This sense of worth is seen
in the positive aspect of the tradition which reveals a set of counter values as
solidly established as the aristocratic values. These also focus primarily on
usefulness and practicality, often stated in terms of the larger community. In
9 The significance of Hipponax must not be understated. The savage realism, the street slang,
and the humorous personal references to his own life place him firmly in the tradition. More impor-
tant is that, when a poet reproduces vividly detailed scenes from daily low life, we must presume
both an audience used to such themes and a literary tradition accustomed to handling topics that
had lower class appeal.
10 The new communal ideal expressed by Tyrtaeus and Callinus is treated by Jaeger (abovc,
note 2) 87-97. See also Snell (above, note 8) 171-174.

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150 WALTER DONLAN

this aspect of the tradition what may be called "peasant"virtues are com-
mended: hardwork, thrift, simplicity,cooperation,common sense, utility.
It is reasonableto conclude that such consistency of attitudeover a leng-
thy period is expressive of a literaryconvention that was critical of upper
class values and that professed the merits of the peasant class. If the lyric
poets of the seventh and sixth centurieswere writing within the context of
such a traditionthese same themes should be reflectedin the literatureof an
earlierperiod. Certainlythe WorksandDays and Theogony display these atti-
tudes in abundance,and it is hardlynecessaryto dwell at length on the He-
siodic bias against aristocraticvalues in favor of a peasantsystem of values.
In fact, the close similarityin content and tone between the statementsof the
lyric poets and Hesiod demonstratesthat there was a frameof conventional
attitudeswhich goes back at least to the beginning of the seventh century."
The obvious question at this point is whetherthe traditionoriginatedwith
the Hesiodic school or whether Hesiod was himself a continuatorof a tradi-
tion of anti-aristocratic,pro-peasantexpression. It can be shown, I believe,
that the traditionwas operativeearlierthanHesiod, that despitetheirdedica-
tion to the value-system of the warrior-nobility,the Homeric epics reveal
significanttraces of an anti-aristocratictradition.
The Thersitesincidentin Iliad2 is the firstrecordedinstanceof anti-aristo-
cratic,anti-heroicsentiment.Despite much controversyconcerningthe role
and position of Thersites in the book, certainfacts pertinentto this discus-
sion are clear. As he is presentedin this episode, Thersites was no novice at
public speakingor at expressinghis discontent.He is called ad4evpoeiu k, and
had a vast fund of disorderlyinsults, which he used, with apparentregulari-
ty, in his role as a crowd-pleaser, against the basileis,especially against
Achilles and Odysseus (lines 212-221). Even Odysseus calls him Avyk
dyopqT4j(246). Thersites'speech is short, eighteen lines, but in it are clearly
expressedsome of the themes familiarin the tradition:the king's greed and
selfishness, his violent disregard of fair-dealing. Another theme, also ob-
served in the later expressionof the tradition,is that the leader (archos,line
234) has a responsibilityto the largercommunityon whom he ultimatelyde-
pends. For unmistakablein Thersites'speech is the implicationthat the rank
and file are the basis of the king's power and wealth.12
11 E. g., WorksandDays. Zeus as protector of the weak and humbler of the proud: 5-8; distaste
for violence and strife: 12-16, 161-166, 182-194, 213-216, 320-322; violence, greed and injustice
of those in power: 38-39, 202-212; divine retribution for injustice: 217-224, 238-273, 333-334.
primacy of justice: 225-235; appreciation of simple things: 40-41; common sense: 293-297; indus-
triousness: 298-309, 381-382, 398413, 493-503; social cooperation: 342-351; thrift: 361-371;
peasant view of women: 60-105, 373-375, 695-705.
19 Booty is gotten by "us," "me" (lines 228, 231); "we" help him (238). In addition, there is the
strongly expressed assertion of the potential of the common soldiery for taking independent
collective action (lines 235-238).

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 The Tradition of Anti-Aristocratic Thought in Early Greek Poetry 151

Not only is Thersites presented as a frequent critic of the leadership, he

also expresses in a pungent and effective style a point of view antithetical to
the heroic ideal. Implicit in his description of the Trojan campaign, which
for him was nothing more than an expedition to win booty and ransom, is a
denial of the heroic code that motivated the aristocratic warriors. In Books 1
(121 ff.) and 9 (307 if.) Achilles also reviles Agamemnon, but his speeches are
full of the heroic ethic wholly lacking in Thersites' broadside. Thersites' re-
alistic, pragmatic, common soldier's view of warfare is in all essentials the
same as Archilochus'.13
There is one other trace in the Iliad of a major theme of the tradition. Only
once, but most emphatically and dramatically, does the Iliad link the idea of
justice to an avenging deity. This is the famous simile of the flood that an an-
gry Zeus sends down on men (16. 387-88):
oi Pt'?elv dyopfl axoAta&xptpvwao' tawraT',
6x 6
bt'xrpv
Raaoa, OeEv O67voViXdAyore5.
The giving of "crooked decrees" violently and without regard to the
gods, is, as Lesky points out, "entirely in the manner of Hesiod."14 But,
more importantly, this commentary on ethical-political right and wrong, la-
ter observed not only in Hesiod but in other statements of the anti-aristocra-
tic tradition, is here presented in complete form, all the elements worked
out. Already in the eighth century it has the feel of a traditional concept. Fur-
ther, if public business during the Homeric period was entirely in the hands
of the aristocrats, as some historians maintain, then these lines constitute no
less a statement than that Zeus himself punishes nobles who are guilty of
poltical injustice!
A similar concern with this kind of social justice is even more evident in
the Odyssey. Thus in 18. 138-142 Odysseus obliquely warns the suitors
against violence and lawlessness, hinting that these will bring punishment
1' The fact that Thersites is described in odious terms by the poet, and is ignominiously silenced
by Odysseus does not lessen the impact of his outburst. On the contrary, the savage caricature, the
beating with the sceptre, and the acquiescence of the rank and file to his silencing serve to under-
score the seriousness of the conservative reaction to that kind of anti-aristocratic display. The fact
remains that for the poet and his audience it was possible for a man to step out of ranks and berate
his betters. To argue that what Thersites did was highly unusual is not sufficient - if what he did
was unthinkablc, then neither poet nor audience could have contemplated it. In a provocative
book, Hesiods Erga in ibremVerhdliniszur Ilias (Frankfurt 1959), H. Munding maintains that M. 2
is a post-Hesiodic addition, composed as a travesty of the peaceful, unwarlike peasant ethic of He-
siod. In this "Hesiodreaktion" Thersites is an epic caricature of Hesiod himself (pp. 110-150).
Munding's views seem to have found little acceptance, but his companion thesis that Work: and
Days self-consciously opposes a peasant morality to Homer's aristocratic ethic (pp. 12-96) is in the
right direction. Munding wants to believe that the legendary contest between Homer and Hesiod
may actually havc occurred; it is simpler, as I have tried to show, to believe that Hesiod expressed
themes that were in a conscious tradition of anti-aristocratic thought, and that this tradition was
not wholly lacking in the epic poems. " Abovc, note 3, 69.

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152 WALTER DONLAN

from the gods. And, in lines which recall a fragment of Archilochus (94 D),
the gods are said to wander in disguise (17. 487):
&vO9pLnwOv i'fptv Txate em'o
jvu' eopwvrer.15
In another arresting simile, Odysseus likens Penelope to a "blameless
king" who, because he is god-fearing, just and a good leader, prospers along
with his people (19. 109-14). This combination of social virtues which pro-
duce prosperity for the whole community is also important in Hesiod and in
the lyric poets.16
Of even greater significance than these manifestations of the tradition are
the incidents in the Odysseythat concern Odysseus, in his disguise as a beg-
gar, the swineherd Eumaeus, and the cowherd Philoetius. A very large por-
tion of Books 14-22 is devoted to the curious friendship that develops be-
tween the returning king and his loyal slaves. Eumaeus especially personifies
the virtues of the peasant ethic: cooperation, thrift, hard work, piety, com-
mon sense. He, above all, is scandalized by the behavior of the suitors, and
the qualities of character he exhibits are set off against the violence, greed, ar-
rogance and impiety of the aristocratic suitors.17Their actions are not only in
contrast to Eumaeus' peasant soundness but also do violence to the heroic
code, which they, as the "best men of the community," the aristoi, are sup-
posed to embody.18
Eumaeus is much more than a good servant - Homer explicitly states that
he was a trusted friend to Penelope, Telemachus and Laertes.19He becomes
a close friend of the beggar Odysseus, and when Telemachus arrives at the
swineherd's hut Eumaeus functions as the courteous host, observing all the
rules of heroic etiquette (16. 46 ff.). A further, important, implication of
these episodes is that men in lowly positions, by their own good qualities, can
excel in an aristocratic society. This is done pointedly in Book 22, where
Odysseus, Telemachus, the swineherd and the cowherd fight shoulder to
shoulder (all four, incidentally, equally armed as heroic warriors) against
a superior force of suitors. Twice Eumaeus and Philoetius get their man
with accurate spear casts; Eumaeus, like Telemachus, receives an ho-
norable wound, and Philoetius is allowed an heroic vaunt over a fallen

Cf. 14. 83-84.

80-92; WorksandDays 225-237. In 238-247 (Cf. 260-262) where the "whole polis"
16 Theogony
suffers for the violence and injustice of its leaders the point is made strongly that such behavior is
antisocial - a prominent theme in Solon (fr. 3. 14 ff.).
17 E. g., his industriousness, skill and success as a peasant: 14. 3. ff., 524 ff.; his piety:

14. 388 ff.; his indignation with the suitors: 14. 80 ff.
18 See Jaeger (above, note 2) 20-21. Jaeger is forced by his assumptions to maintain that al-

though "the shameless behaviour of the suitors is constantly stigmatized as a disgrace to them and
to their class" the poet's admiration for the nobility is not diminished.
19 Od. 15. 353-379; 16. 11-29, 135-145; 17. 505-552, 589-597.

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 The Tradition of Anti-Aristocratic Thought in Early Greek Poetry 153

suitor.20 By emphasizing the bonds of comradeship between men of royal

blood and slaves, and by showing men of no rank in heroic postures the poet
appears to have made a clear statement that excellence and achievement result
not from birth and breeding only but from intrinsic worth. It is most tempt-
ing, indeed, to see social commentary in the fact that the real heroes of the
second half of the Odysseyare men of the lower class and not aristocrats.21
One noteworthy aspect of the episodes of Book 22 is the assumption by
Odysseus that Eumaeus and Philoetius would acquit themselves well in the
battle with the suitors, despite a total lack of soldierly training. This may
well reflect a folk motif - because they were good peasants they would be
good warriors.22 A further implication that these scenes fall within the con-
text of a tradition favorable to the lower classes is Odysseus' promise that
their loyalty and courage will be materially rewarded. In 21. 213-216 he
promises that if the suitors are defeated he will give the slaves wives and pos-
sessions and houses near his own; he promises further that they will be hetai-
roi and kasignitoi of Telemachus - a startling upgrading of their material and
social positions.
A somewhat analogous situation is found in the story told by Odysseus,
the "Cretan" (14. 199-359). The fictional Odysseus began at a disadvantage,
as the son of a wealthy Cretan and a slave woman; at his father's death he was
given only a tiny allotment by his brothers (line 210). But, because of his
prowess (dVE,' Eu4g dfpETr, line 212) he was able to marrywell, and to be-
come eminent among the Cretans, even attaining international prominence
20 Lines 108-115, 265-268, 277-291. Homer's favorable depiction of Eumaeus has often been
explained by the fact that he was of royal blood, and, therefore, "noble" by birth. But the qualities
most in evidence are those of a good servant, not of a high-souled aristocrat. In any case, Philoe-
tius, whose character is the same as Eumaeus', and who also proves capable of competing as a war-
rior, has no claim to gentle birth.
21 In addition, Eurycleia is presented as a paragon of common sense and loyalty. Penelope ex-

emplifies in all respects the peasant view of a good wife. It is also worthy of note that Laertes is es-
sentially a small farmer, not a royal person (1. 189-193; 24. 226 ff.). Is it entirely coincidence that
two demiourgoi,Phemius and Medon, alone of the group in the hall, are considered guiltless and
spared (22. 330-377)? The children of Dolius, Melanthius the goatherd, and Melantho, Penelope's
serving girl, are wicked, and suffer grim deaths (22. 465477). Both are closely allied to the
suitors. Eumaeus rebukes Melanthius for his violence (iiflptCwV),pride and wastefulness
(17. 244-246); Melantho is the type of the "bad" peasant woman: insolent, faithless, promiscuous
(18. 321 if.). Dolius, on the other hand, is a faithful servant to Penelope (4. 735), and retainer to
Laertes (24. 222). Originally, perhaps, there were two - one, the father of the bad servants (who
lived up to his name) was superseded by Dolius of the (probably later) final book, who, with his
six sons displayed the same courage and loyalty as the good servants Eumacus and Philoetius. The
rag-tag "army" of Odysseus, Telemachus, Eumaeus, Philoetius, Laertes, Dolius and his sons,
which confronts the relatives of the suitors fits very neatly into a propeasant tradition (24. 496 ff.).
22 Cf. 18. 351-386, the exchange between Odysseus and Eurymachus. The suitor taunts Odys-

seus with being a beggar and not wanting honest work; Odysseus retorts that he is a good farmer
and a good warrior as well.

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154 WALTER The Traditionof Anti-AristocraticThought
DONLAN,

as a hero in the Trojanwar. Both Odysseus'fictionalaccountand the narra-

tive of Eumaeusand Philoetius show that even in a "closed society," com-
monly assumed as the normal situation in the epics, socio-economic ad-
vancementon the basis of personalmeritalone was a literarymotif.
Whilenone of the examplescited constitutesby itselfdefiniteproof thatthe
epics were influencedby a tradition of anti-aristocraticsentiment,taken to-
gether they form a clearand coherentpatternof awarenessof such attitudes.
Certainlytheir existencein the Iliadand Odyssey demonstratesthat duringthe
eighth century the chief themes of anti-aristocraticexpression had already
been formulatedand were sufficientlypowerful to intrude even the aristo-
craticepics.23
In conclusion, the fact that there was an early, sustained,and well-articu-
lated anti-aristocratictradition, coupled with a conscious emphasison the
values of the common man, is significantto any historicalassessmentof the
so-called "socialrevolution"of the archaicperiod. The existenceof this dual
traditionimplies that the basis for social change was deeply rooted in a firm
sense of identityand self-esteemof the peasantclass,and, further,that a feel-
ing for justice,equalityand common dignity formeda stratumof democratic
orientationwhich found constant public expressionduring the seventh and
sixth centuries. The social historian may well caution himself against em-
phasizing the weakness and discontent of the "masses"during the archaic
period, and should stressmore the positive forces which producedso much
important social, economic and political change.24

The Pennsylvania Walter Donlan

State University

' It has been well-established that peasant views and attitudes permeate both epics. Sec H.
Strasburger, ,,Der soziologische Aspckt der homerischen Epen," Gymnasium60 (1953) 97-114,
who gives many examples. For further examples see also H. Levy, "Odyssean Suitors," TAPA
94 (1963) 145-153 and P. Walcot, Greek Peasants, Ancient and Modern(Manchester, Eng. 1970)
16-20. These agree generally that the economic and social background of the Homeric epics and
of the Hesiodic poems is essentially the same, but the evidence they give shows mainly that the
cconomic-cultural milieu of the poems is simple and rural, and that the upper layer of society had
many values in common with the peasants.
24 Contrast the view of Forrest (above, note 3) 65-66, for whom the task of the archaic period

was "to create, virtually ab initio,the idea of a state composed of citizens who by virtue of their citi-
zenship alone had certain unquestionable rights ... In a word, to invent the notion of an auto-
nomous human being and to apply it rigorously throughout all levels of society."

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