Grammar Rules
Grammar Rules
The following guidelines are based on what we have actually seen in manuscripts.
Many are common errors; some are a tad more technical, and a frighteningly large
amount are simply attributed to the bad use of the English language!
We have started with the most popular area of mistakes – how to punctuate
dialogue correctly – the rules are pretty black and white, and this
guideline/checklist (call it what you will) should help clarify.
The other areas of regular mishaps are dealt with individually, and we do hope that
all of this is of use to anyone writing, whether or not they choose to submit to
HellBound Books Publishing or not.
***
WRONG:
“It is indeed, Phil.” Melissa said
“It is indeed, Phil.” Said Melissa
Melissa said. “It is indeed, Phil.”
CORRECT:
“It is indeed, Phil,” Melissa said
“It is indeed, Phil,” said Melissa
Melissa said, “It is indeed, Phil.”
“He loved you,” she said.
She said, “He loved you.”
“This fable,” our teacher said, “is a twist of an old tale.
“He loved you,” she whispered, hoping Sue didn’t hear.
Leaning away, she said, “He loved you.”
“He loved you,” she said, hoping to provoke a reaction, “but you didn’t care.”
“He loved you” – she pounded the wall with her fist – “but you never cared.”
“Call me tomorrow,” Mary said and then thought, Because I’m too tired to listen to
you now.
It MUST be a comma before the quote if the words after the quote directly
relate to it. But, if the words after the quote don’t relate to it, then the quote should
end in a full stop (‘period’ for the Yankees!), the words after constituting or
beginning a new sentence. For Example:
“Thank you, Phil.” Melissa flashed her fake, toothy smile out to the audience.
Harry said, “Come on, Ray. It’ll be fun.”
“Let’s go.” Gilda said.
He said, “We’ll discuss the fable in one hour.”
“I’m not sure,” said Ray, “that I feel like it.”
“When will we be back? Ray asked.
“When will we be back?” asked Ray (note the lower case ‘asked’)
Ray was getting sick of walking, his feet hurt. “How much farther?” he moaned. (note
the lower case ‘he’ – your word processor may pick up on this and try to make it
upper case, so beware!)
“Oh, quit your whining, Ray,” Iris admonished.
AND SO…
“The usual way of punctuating dialogue,” he said, “is to start the speech with
quotation marks and to close the marks when the character stops speaking a
sentence or two later.
“However, if it is a long speech then you will want to break it up into paragraphs.
“Like this. Notice that there are NO QUOTATION MARKS at the end of the previous
paragraph! But they do appear at the start of this new one. It’s only when you reach
the end of the final paragraph of the speech that you close the quotation marks. Like
this.”
It is ok to be creative – although the general rule dictates a comma and lower case
when relating to the dialogue directly (said, shouted, whispered etc.), we can get
away with ‘smiled’, ‘grimaced’, ‘giggled’, etc.
TECHNICAL NOTE: If you are ending a line of dialogue with a ‘-‘ or ‘…’ and are using
the 66/99 quotation marks, you will often find that the end marks are ‘66’. Make
sure you fix these! (It’s an easy fix – you can insert a letter, add the speech mark, and
then delete the letter).
Adverbs!!!
A few here and there are ok – but for heaven’s sakes don’t just stick ‘ly’ on a word
and think it reads well – think how better to phrase your sentence!
POOR: “I think I really ought to leave,” Sarah said hesitatingly.
BETTER: “I think I really ought to leave.” Sarah’s voice was somewhat hesitant.
Tenses
Never – and we mean NEVER - switch tenses partway through a sentence, paragraph
or chapter (yep, we’ve seen it!). If your story does dot between past, present or
future, make the change a new chapter, or at the very least stick some ‘***’ in and
leave a gap!
Basic punctuation!?;.,
This really is basic stuff – but equally critical that all writers know how to punctuate
their work properly!
Do not overuse the ‘!’, and make sure it is used in proper context:
WRONG: “It’s going to explode!” she whispered.
CORRECT: “It’s going to explode,” she whispered.
ALSO CORRECT: “It’s going to explode!” she yelled.
Use a period (full stop) at the end of every sentence (unless you use another
punctuation point, of course).
On this point – don’t EVER feel the need to add a comma or period after a
punctuation point! We see this a lot in dialogue…
WRONG: “Where are you?,” asked Gertrude.
CORRECT: “Where are you?” asked Gertrude.
ALSO CORRECT: “Where are you?!” screamed Gertrude. As writers, we can get
away with this, if someone is screaming/shouting a question – but don’t abuse the
privilege!
Commas – these should be used to make a sentence flow (plus used correctly in
dialogue – see above!), and to break up a sentence so that it reads naturally.
WRONG: “Ya can’t kill a guy for admiring the view!” He exclaimed shrugging his
shoulders.
CORRECT: “Ya can’t kill a guy for admiring the view!” he exclaimed, shrugging his
shoulders.
Commas are also used in dialogue when a name is mentioned…
In dialogue, ALWAYS place a comma before a name:
WRONG: “You want this Dave?”
CORRECT: “You want this, Dave?”
(see how the placing of the comma alters the context of the sentence?!)
Semicolon: We see far too much semicolon abuse, the most common is where they
are over used in place of commas, and used multiple times in the same sentence –
use commas or periods, people!!
Reasons to Use
1. To separate clauses
2. To create variety
3. To emphasize relatedness
4. To separate items in a complex list
Let's talk more about each of these techniques and how to use other grammar tools
at your disposal to enhance your writing when it comes to semicolons.
Semicolons separate things. Most commonly, they separate two main clauses that
are closely related to each other but could stand on their own as sentences if you
wanted them to.
Here's an example:
The two clauses in that sentence are separated by a semicolon and could be
sentences on their own if you put a period between them instead:
One reason you might choose to use a semicolon instead of a period is if you wanted
to add variety to your sentence structure; for example, you might use a semicolon if
you thought you had too many short, choppy sentences in a row
More often than not, your word processor will suggest where to use a semicolon
instead of a comma or nothing – it would certainly behoove you to pay attention to
that green line!
If the green line suggests a semicolon (;) there’s a good chance you need one!
Quotation Marks: These are different to speech marks – and are used to emphasize
something crucial.
E.g. The guy liked to go by the moniker ‘The Pastor’.
NOT: The guy liked to go by the moniker “The Pastor”.
See the difference? The correct version has just the one quote mark at either end! To
put two makes it – technically speaking – dialogue, and causes confusion (in
addition to being grammatically incorrect).
‘To’ is used when indicating direction/travel: We’re going back to the future,
Marty!
‘Too’ is another way of saying ‘also’ or ‘in addition’: I’m coming along too.
It should be:
… VS –
“How do we do th-?”
“It’s easy as pie,” Dave butted in.
NOTE: be consistent with your dashes!!! If you prefer to have a space between the
dash and the word, thusly:
It was – in Fred’s opinion – a big one.
OR
It was-in Fred’s opinion-a big one.
NOT
It was-in Fred’s opinion – a big one.
And, while we are on the subject of dashes, we really ought to mention HYPHENS.
If words are to be hyphenated, DO NOT give in to the inexplicable urge to add a
space:
Cross- legged. WRONG!
Yep – us too, but you’d be surprised! Of course, it should be:
Cross-legged. CORRECT!
NOTE: If you are going to use an ellipsis – remember that it is THREE dots, not two,
or four!!!
SPELLING; this really does go without saying – but check your spelling! If your word
processor puts a red line beneath a word – check it out!!! (Yes, we do get
submissions in which the author has clearly seen fit to ignore his Word program!)
WRONG: “Yes Sir!” Dave said with a salute, but thought to himself, “Not on your
bloody life, I won’t.”
CORRECT: “Yes Sir!” Dave said with a salute, but thought to himself, Not on your
bloody life, I won’t.
If your word processor puts a green line or a red line under ANYTHING – pay
attention and see if it needs fixing! If what you have written is justified creatively,
then leave it – if not, FIX IT!
These rules may vary from publisher to publisher, so ALWAYS read the
requirements before submitting. The rules are laid out not only to help with the
publication process, but also to ensure each manuscript is professionally presented.
Failure to adhere to the requested rules will more than likely lead to rejection – it is
a means by which a writer can show their professionalism and attention to detail
and ability to follow simple instructions.
Here are the most used basic rules for formatting, and the ones HellBound Books
Publishing insists upon.
12pt-sized text
Times New Roman font
Double spaced
Only one space between words, please and…
Use your PAGE BREAK key for page breaks, not dozens of line breaks.
No extra line between paragraphs!
For paragraphs - use indent, not tab and certainly NOT spaces! don’t use tab – set
the indent in settings (Format/Paragraph/Indents & Spacing in Word).
Italics – don’t underline!! We appreciate that some publisher’s ask you to do this in
lieu of italics (heaven only knows why!) – but don’t!!! If a word(s) is meant to be
italicized, then hit the italics button!
Manuscript saved in .doc or .docx format.
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