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FRsand acinar RAcond Roland efskend ERane ARRON HBF ‘ eaRlons otRoland MRoand Roan Rand SAcand GeRolans HActans Herold Rota cand Rain ikRolans HP Eck tla BEE se Rone Retana BERcans Roland tictana cian HRolend Bolas GSfcand (send MSAcans Mond Melans MaFland RASed RAS Jelena mercane Moana cand Pian MEAnsne iota Rol and RAaind StPolana cand Beane cto oe Ani Slay "SPolond ibRoland PRRtond Solan Roland cand ited kl fsland land Ecard Meck Rola Plea Rane SBPcane A | mRRsend omRoland MRAclnd ERotane cord Ratna Fciand REFtene ERctnd YkPtand fcans Rolin Wain Wiad PLR een ‘re honda olnd a Roland cana tRatane Tekan alana Bote WRSciand ASfnan’ olen eine Rtn PRs EAC ‘Fetond Roand "eaRand afotnd Tend SEAaknd Roland Roland tiene Reka Rand SAoknd Aen Tce etn seed ekeWi The HS-10 is 48 key, 6 voice polyphonic, fully programmable synthesizer. ‘* The Liquid Crystal Display and the a Dial serve to make the editing operation quicker and more securate ‘© The Tone Modify Function ofthe HS-10 allows ‘you to edit the tone color easily to your tate Provided with MIDI Connectors, the HS-10 ean be set up with other MIDI devices. ‘© Dynamics or Aftertouch effect cannot be obtained by playing the HS-10, but using @ foot control or relevant MIDI messages, thos stfacts can be avallable, ws 1068/10 CONTENTS [ PANEL DESCRIPTION .... i CONNECTION i oreranon Power Up 2 Tone coler Siocon 3, Performance Control Functions 2 Piteh Bender/Modulation ». Ponamento © Ocaave Transpose 4. Chord Memory. «. Key Teanspose 1 Hold Pedal Jack @. Pedal Switch Jack h. Foot Control Jack. 4 Tone Mocity 5. Editing Performance Control Function 4 ‘8. How to edt the Performance Control Functions 4 'b, Writing the Performance Cantal Functions e 6. Edit 7. Tone color parameters 4. Synthesizer Structure. b. Parameter 8, Writing a Tone Color 8, Naming the Tone Colors 10, mot 1 Changing MIDI Function Dato ». Writing MIDI Function Data © @JUNO's Sound Range receivable ‘and transmissible with MID. 4. Peds Switch and Foot Control @. Program Change Messages... 11, Data Transfer . a. Tape interface Date Teansfor with BID! TH APPENDIX. ss 1. Parameter Table 2, Error Message Table 3 Mam sn 1 sPeciricaTions ‘reading this owner's manual Copyright © 1986 by ROLAND CORPORATION ‘Ail rights reserved. No part of this publcstion may be reproduced in any form without the written permission af ROLAND CORPORATION,1] PANEL DESCRIPTION ‘@Foot Control Jack ‘®Pedal Switch Jack— ‘@Save Jack @Hold Pedal Jack [—@ Load Jack Headphones Jack | Memory Protect Switch @Output Jacks— | [—©MIDI Connectors | oo Oooo == puejoy @Data Transfer Button— -—@MIDI Button @c Dial —; © Tune/Function Button— | | -—@Tone Modify Button © Key Tanspoce Button wit eter -—@Parameter Selector Button | [—@® Value Button [Group Selector Buttons [—@Name Button | [—®Number Selector Buttons | a a ac 3 Ad SynthPtus 10 [ = rik I f (M1) -;— @ Octave Transpose Buttons with Indicators Volume Knob @Portamento Button with Indicator- Chord Memory Button with Indicator —+ @Pitch Bender/Modulation Lever —| em Cs} Os} es | Fa] Go} As] es | co] Ds] Ex] Fe] Ge] Ae Be | Cs Ds [IMPORTANT NOTES POWER LOCATION CLEANING ‘© The appropriate power supply for this unit is ‘© Operating the HS-10 near a neon or fluorescent Clean the unit with only soft cloth and mild shown on its name plate. Please make sure that the line voltage in your country meets that. ‘© When setting up the HS-10 with an external amplifier, turn both of them off, plug the HS-10 in first, then the amplifier. ‘© This unit might not work properly when turned. ‘on immediately after turned off. f this happens, simply turn itoff, and turn iton again after a few seconds, © This unit might get hot while operating, but there is no need to worry about it lamp may cause noise interference. If so, ‘change the angle or position of the HS-10. ‘© Avoid using the HS-10 in excessive heat or it may be affected by direct humidity or wh sunlight or dust. detergent, © Do not use solvents such as THINNER OTHER NOTES ‘© The HS-10 is a 6 voice synthesizer, therefore if 6 keys are simultaneously pressed, no more key will sound ‘© The HS-10's memory backup system is fully supported by a battery. Normally, the battery replacement is required every five years, but the first replacement may be needed even be- fore that depending how many months had passed before you bought Please ask for your local Roland dealer for replacement, when the Display responds with as shown below.| i | | i Connection Roland _—— so eler to page 25 “MID. a) Usually the shouldbe set tothe ON postion. eter pane 26“De | Expression Pedal Switch Stereo Pedslevs Pa (Optional) (Options) 10 O| [mm LO Heedphones (Options Radio and television interference “Waring — This equipment har bean verified to comply with the lite fora Glass 8 computing deve, pursuant to Subper J, of Par 15, of FCC rules. Ope 1s Ieely to result in inaeforence to radio and TV reception.” lon with noncertfed or noneriied equipment “The souoment sexibel he mara generate and oe osicnarey ety I a tis dd the limi fore Case computen dence arsrcaee nthe specieatons i Sobpan ef Fart 18,0) FCC fc Tne wi a sre to ons renrae ower, tee i ne pura that the ueterene the ar encnosgnd voy fo sere he rience SCcomect omer ones ag ther mpuloutut ales foe mt time. lie nerieance ep ented Oy Ts deve nay nae Rnd ste sie brung one or more te talons mest: ‘Mowe ne enipment fo ow ae oe ther ote TW Soot oy ‘ns bok able am the US. Govermen Pning Oller wamogion, B 2oe02. Sack No. 004000 feast3] OPERATION 1. Power Up © Make sure that the Memory Protec Sake on the rear panel fs set tothe ON postion. ‘Tum the Power Switch @ on. “The Display Window «will respond with: “Tiste shown fora few seconde HI # SunthPlus 16 + a 1 1 _ { “Than the Display changes Tone Name ‘Music Rest: Se{ ! | 2. Tone Color Selection ‘Any of the 128 different tone colors can be called by using the Group Selector Button @®, Bank Selector Button @ and the Number Selector But- ton ®. @ BankSelectr Butont —— SS -SSssss==5 ced cancerbonne bimbeSee bnt ‘The Display @ wil show the tone color currently IN A selected: ==. © BY prossing either of the Group Slector Buttons ®, select Preset or Memory Group. Preset Group ‘The tone color inthis group can be modified, but ‘the modified patch cannot be writen into memory. Moen Memory Group “The tone colors inthis group can be modified and even rewriten, Preset (fom on aa Preset: Bant Number + Memory: Bank2, Numbers @ Select the Bank (1 to 8) by pressing the relevant Bank Selector Button @. @ Select the Number (1 to 8) by pressing the relevant Number Selector Button ©. Now, by using the Volume Knob ®, adjust the volume of the sound, * The above procedures (to @ ean be done in any order you Tike,3. Performance Control Functions a. Pitch Bender/Modutation By bending the Pitch Bender/Moduiation Lever®, ‘guitar's bending like eect can be obtained. At its enter poston, this has no effect on the sound, Vaile the left and right extremes of movernent tchieve the same emount ofthe pitch bend effec. ‘Aso, by pushing the same lever forward, vibrato effect is obtained. MODULATION - es PITCH BENDER “ ‘Toturn Portmenio on: push te Poremanto Button @. ‘The ndator igs uP. ‘Tetum Portamento of: " Push the Poramente Button © “The inceator goes out + The time needed for # sound to move from 8 pitch te another [Portamento time) can be ‘hanged ae shown on page 1é “Editing the Pe formance Contra! Functions"c, Octave Transpose “The emtie keybosrd can be transposed one octave down. To set Octave Down “Tranepostion To return to Normal ‘Puch the Down Button ofthe Posh the Normal Button of he ‘Octave Tranepose Buttons ©. (ctave Transpose Butons @. “Thoingicator tights up “Tae lndlestor tights up d. Chord Memory Chord data can be recorded and later played with fone finger. aa = cine Traps: Normal toe trian 3 «+ vnan ay played the aul chord you esis ey nthe same pen Wine rcrded ona a Bn Cie (my qr \ a pain “Tae incest ght up, ‘Tne naietor goes out© How to record Chord Data used for Chord Memory Function ‘When a chord data is recorded into the HS-10 with the Memory Protect Switch setto the ON position, itis erased by power aff f you wish to retain the fecorded chord data even sfter power off, you Should record ft with the Memory Protect Switch @ set to the OFF postion. © Set the Memory Protect Switch es shown below. Memory Protctsutch 08 Eraredwmen the power ot [HE] Memory Proterswitch @: OFF — Retained even ser the power Is of @ Press the Write Button ® while holding the Chord Memory Button © down, “The Display @ will respond with: @ Play the chord you wish to-record. When all the keys are release the chord data is recorded, and the Display @ will respond with: nae the Memory Protect Sit i ot 0 ON. \Wingn the Memory Protect, Switehie sotto OFF. @ Hf necessary, return the Memory Protect ‘Switch to the ON position. + While a chord data i being rocorded, the Octave ‘Transpose or Key Transpose function does not ‘Work, therefore, the middle C key always works as CA key. * when the recorded chord is being played, the Octave Transpose and Key Transpose functions work. When Octave Transpose is normal and ‘the Key Transpose sO, playing the C4 key wi faithfully recall the recorded chord. + By recording the C4 key, the HS-10 can be played as 2 monophonic keyboard “tf the keyboord is being played extremely fast for too many NOTE ON messages are continu ‘ously sent into the MIDIIN, the chords may not property sound.e. Key Transpose “The keyboard can be transposed to any key you lke within an octave (~12 to +12 value). There- fore, you can play musi in various keys without using different keys. ‘This Key Transpose operation cannot be done unless the Display @ Is showing a tone name ‘and no key is played on the keyboard. How to Transpose 1. Using the « Dial © © Push the Key Transpose Button ©. The value ( E} } shown in the Display repre: sents how mariy semitones (keys) are currently transposed. 2. Using an appropriate key @ Push the Key Transpose Button © The value ( Gf ) shown in the Display repre- sents how many semi-tones (keys) are currently transposed. ® While holding the Key Transpose Button © down, rotate the « Dial to set the desired value. (Refer to the picture shown below.) ‘The Display @ shows the corresponding value, ‘and i tis other than, the indicstor lights up. @® While holding the key Transpose Button © down, push the key to which you wish to transpose. ‘The Display @ shows the corresponding velue, and if iis other than 0, the indicator lights up.4. Hold Pedal Jack “The HS-10 features the Hold effect that can retain the sound even after the key is released. Using the optional Pedal Switch DP-2, the Hold cffectcan be turned on or off. g. Pedal Switch Jack Using the options! Pedal Switch DP-2, the function selected st “Editing Performance Control Func- tions” on page 14 can be controled. Carrer Gee «* Program Shift function is set atthe factory. Pro- Ca Popan cein ec ram v peop srg — ne 3 8g 5 ee & M-14 | a M15, 2 h. Foot Control Jack By using the optional Expression Pedal EV-6, the function selected at “Editing Performance Control Funetions” on page 14 can be controlled.4. Tone Modify TONE MODIFY 8 on ES a STSSacSa-SaeSS ‘Several parameters of atone color can be simul- taneously changed with a simple operation. There ‘are four modes forthe Tone Mody. a Ls Mode Button @ Function Woduinionfate| BIEN) | Tee mode changostherate ofthe vibrate growlorchorsal Tosuisionbenth | Bl) | Tre mode changes depth ofthe vibrato orarwl eet lines _—_ a | Thismade changes thetime needed fore tonecolorto change Envelons FEE [Mommemomentthekeylspleyed © Call the tone color you wish to edit. @ Select one of the four modes by pushing ‘the corresponding Tone Modify Mode Button ©. ‘The Display will respond as shown right: @® Using the a Dial @, modify the tone color to your taste. Rotating the « Dial wil change the Display @® as shown belove Rotating counterclockwise iat ‘Modulation Depth ¥ Envelope Tine ¥ Fotating clockvies <4 E + Original Tone Color + The edited tone color wil be erased by selecting 2a citferent tone color. To retsin the edited patch, take en appropriate writing procedure. (See page 23.) * This Tone Modify operation may have no«flect fon some tone colors. For instance, the tone color without vibrato or grow! effect will not change at all even by changing the depth or rate fof the Modulation effect.5. Editing Performance Control Functions Using the TureFuncion Buon @ Ca range tne setinge st fe Tn ‘teatace or petormonce cowl The aunged are ‘Sieic wraead nen te ute powered of. You : ‘wish to retain the data even after powered off, take ai ee {eeeroprate wing operation Peruano Tene Pet Tm lot 00D Bon koa Fon ont Pel Swich a. How to edit the Performance Control Functions © Press the Tune/Function Button @ until ‘the Display @ shows the function you wish to edit. ’2. Modulation Sensi oD SENS ‘3. Portmento Time PorranenTa = 29] 6. Pedal Switch PEDAL Sim F SHET| 4 reset > BeSibadertange PRESET BEND = 62 ‘As shown in the picture, each time you push the ‘Tune/Function Button @, the funetion shown in the Display changes. @ Using the « Dial, change the value of the function to your teste. 1“1. Tuning honey “The Display @ shows the pitch curently set, and if pe ">" mark is shown on the ltt ofthe Display, the ‘actual pitch of the HS-10 is slightly lower than TUE F 442 the set pitch shown in the Display f"-" mak is ‘Show on the right side ofthe Dla, hep is “Tis fanaion weed To tune with other insu higher, When Both "he" and "-€” marks ere mont ‘The pich of Aa tey can be set 0 €30 fo shown a the both ends ofthe Dsl, tuning is aseHe dene 2. Modulation Sensitivity ——s When the Fitch Bender/Madulation Lever @ con- ‘role the Modulation effect. this function deter- ‘mines the depth of the Modulation effect from Oto 171, al) When the Portamento effect is on, this function Samet set the time needed forthe slide ofthe pitch from * At0,no portamento effect is obtained, and 127 is PORTAMENTO a Smanesueae ‘he longet time. 4, Preset Tone Colors’ DCO Pitch Bender Range Example ¥ PRESET BEND = When the Pitch Bender/Moduiation lever controls the Pitch Bender effect of the whole preset tone Colors (P-1 to 88), this sets the depth ofthe effect, ‘rom 0 to 12 (1 represents semitone). ‘This function selects which ofthe Volume, After- touch or Dynamies function works bythe foot con- 1wol pedal connected to the Foot Control Jack @. Depa e Fanaton Vea VOLUME | Triscortoisthe volume: canenouen | RETER | Thesetingof each Atenouch Sanity if DOO VOForVEA) etermines tha maximum ele ofthe Afteroueh a Winer eschENV Mode ofDCO, VCFor VOATissetto Dynamic, the Dynamics | DYNMCS | volume pds! controle te dynamics etek. ‘Tae Dynamos eet is determined by te positon ofthe pedal when the kay is played: Tis means that We DDynemiae effort i not affected by tho pedal once the ay i lave 6. Pedal Switch — ‘This function selects which of the Program Shit, Portamente, or Chord Memory funetion works by the pedl switch connected to the Pedal Switch ck Mose T Function eee ‘revenge pacal switch enquencily ale theonecolors 1008. itera warn Poramante | FORTH | ThistunsonaraffthePonamento ec. Crordienoy | CRD N | This wns on or ofthe Chord Memory eter, "When the Porsantot Chard Mammary fone ielace. heen eon whlothe DP beng depress. you wish to turn the atfect on ance atrnatay by depressing the peda. ute the optional Foot Switch Fonb. Writing the Performance Control Functions Hf you wish to retain the data of Tune/Function even ster the HS-10 is switched off, you should ‘write It in the back-up memory. © Set the Memory Protect Switch @ to the (OFF position. @ Push the Tune/Function Button’ @ While holding the Write Button ® down, press the Tune/Function Button @. “The Display @ will respond with: ‘hile holding the Write Buton @ down trite TUNE“FUNC. { ‘when the Tuna/Function Buton @ is pushed. Write Complete! @ Return the Memory protect Switch @ to the ON position.| 6. Edit Here, call each parameter of @ tone color and changeit Regarding the details ofthe parameters, ‘see page 18 “7. Tone Color Parameters” © Call the tone color you wish to edit. @ Push the Parameter Selector Button @. ‘The Display wil respond with: ample ¥ © Using the « Dial@, callthe parameter you wish to change. @ Push the Value Button ®. ‘As shown inthe pictur, onthe right ofthe Display @, the current value andthe prospective value are Previously sea New vie © Using the a Dial @, change to the value you like. @ Repeat the steps @ to @ es many times ‘as necessary. W18 7. Tone Color Parameters ‘Atone color consists of various parameters, there- fore, to edit © tone color, chenge the values of those parameters. a, Synthesizer Structure “The HS-10’s synthesize section consists of several blocks as shown inthe picture. Each block ofthe synthesizer eection is controled by relevant tone- color parameters. — husio signal > Contro! Signal © Bo Bock & Vor Block ® 4 Yea Block @ ENV Block Blow Moddlation Ph Lwver Bender lose © DCO (Digitally Controlled Oscillator) 1DCO is the digitally controlled osclator thet con trols the pitch and generates the waveforms that are the sound source of the eynthesizer. @ HPF (High Pass Fitter) ‘Toe HPF (High-Pass Fier) is @fiter that passes high frequency harmonics and cuts off the lower tones. This changes the waveform and controls the tone color. @ VCF (Voltage Controlled Filter) Each VCF lete lower frequency harmonics of the input signal pass and cuts off the higher ones. In other words, fis ® usuel low pass fer. By con trolling the’ cutofh point snd resonance, the ‘wavetorm changet, thereby the tone color aters. a ey @ VCA (Voltage Controlled Amplifier) ‘Ate fitered in the VCF, the signa is fed to the ‘VCA where the valume femplitude) ofthe sound is convalled. @ cHoRUS @ LFO (Low Frequency Oscillator) “his oscillator generstes extremely low frequency, so produces e vinrato of grow! tfect by control. Ting the DCO 0 VCF. © ENV (Envelope Generator) This generates the contra! voltage (Envelope) whieh controls the DCO, VCF and VCA, therefore aiters the piteh, tone color and volume in each note.b. Parameters DCO (Digitally Controlled Oscillator) 13 DCO Range Example ¥ RNG = & ‘Thi le to change the pitch range of the DCO in exact one octave stops from 4’ to 22° (#8, 16, 32/8 ls standard. HS-10' Keyboard ( Gee Tanepse: Norm Koy Transpose: 0 When the LFO is controling the pitch ofthe DCO, DOO LEO = 26 this adjusts the depth of the vibrato effect in the range of Oto 127. When the ENV is controlling the pitch ofthe DCO, this parameter sets the depth of the modulation in ‘the range of the Oto 127 “This slets the poet ofthe Envelope crs that EMU = f ‘onto the DCO. Usually may be used. In \ a mode, ADS pate wl be invented a —— ea io fatonanoane trees Invert with ~ The ENV with Dynamics serves to decrease the DCO's a a res oma 1919 DCO Aftertouch Sensitivity Example ¥ DCO AFTR= 15 “This parameter determines the depth ofthe vibreto effect when itis controled by afterouch. 0 t0 15 ‘are valid for this parameter. 12 DCO Bender Range Example ¥ BOO BEM ‘This sets the maximum effect of the Pitch Bender caused by moving the Pitch Bender/Modulion lever. Oto 12 are valid for this parameter, and ¥ is semitone, therefore, 12 is an octave. 12 DCO Pulse Waveform Brame V, PULSE = Gt Pulse wave is selected. =i ‘Waveform | _ Specrum OFF 1 uw Loa uo +The pulse width of 09 canbe et at DCO PUUPWRE Depth. Waetom [Seem Ge OFF ai [| -71 le Be | an bie: ul au 2012 DCO Sub Oselator Waveform Example ‘This selects the waveform of the Sub Osellstor that generates the pitch 1 or 2 octaves lower than the pulse wave or sawtooth wave. Pheh | Spectrum Toct lower Tox tower “Tor oct fewer oct. Peal Pen cay [ta] ea] Wavetorm _ Lon Lm Luu usr Um HEF 15 DCO Sub Oscillator Level ample ¥ SUB LEUL: This eats the volume ofthe Sub Oscillator from 0 10 3. At 0, there is no osclation. ‘This sets the volume of the Noise which is often used for wind or surf. 0 to 3 are valid, and at 0, there Is no Noise generated. 1 DCO PW/PWM Depth Example ¥ Pui ‘This parameter works only on the Pulse Wave 03 and Saenooth Wave 03. The pulse width of a wave can be determined by the value from 0 to 127, SAWTOOTH Ys eon tna LIKIRIAT\ FerRI 2rameter works only on the Pulse Wave 03, and Savooth Wave 03. The rate of the LFO mod Ulaton that changes the pulse width of the ‘waveform can be set. 0 127 are the values valid {or this parameter. At 0, howaver, the pulse wieth is not modulated by the LFO but set st the PW/ PWM Depth. When this parameter is set to the value other than 0, the pulse width set with the DCO PWIPWM Depth is the widest pulse made by ‘the LFO modulation. HPF (High Pass Filter) (© HPF Cutoft Frequency ample ¥ HPF FR ‘Tis parameter changes the cutoff point of the HPF, Capa © sion Be 1 | wore | | Cutoff point is set at lower frequency. Aaron thant of 2 ‘Gana porn a aa ghar than G2 ‘Ine produced sound i harder end thinner 22\VCF (Voltage Controlled Fitter) © VGF Cutoff Frequency Example ¥ CF Cutt ‘This is for changing the cutoff point ofthe VCF. As ‘you decrease the value, the cutoff frequency wil come down, 12 waveform gradually becomes approximation ofa sine wave, then the sound wil fade out. 0 to 127 are valid for thie parameter. b-S-e-9 (8-8-8 ‘This parameter emphasizes the cutoff point set at ‘the VCF Cutoff Frequency. As you increase the value, the orested sound will become more ‘unusual, more electronic in nature. 0 to 127 are vale fortis parameter. 23‘This parameter controls the cutoff point of the VCF ir ecch note withthe ENV curve se inthe ENV fection. As you increase the value, tone olor sittin one noe changes more rascal, 19127 tre valid for this parameter. © VOF ENV Mode . Example Tis it slecthe polarity ofthe Envelope curve WCF EMU! that contol the cult ptt ofthe VeF Usually, TTS may be use. in “<—" mode, ADSA pater wai be invented ese [apr Fanaion Terma Te [EV aaneic nsanena VF sonata invert T= | enVeevest geressthe VF ciara yom Din | TRetNVwith Dynamic orvestonerensete VCF setpoint This odataramar spol te ENVhna noting todo wn he Dymamie cin | StahaSateds Brome dmcarnonesnonnaers © VCF LFO Denth Example ¥ “This porametor sets the depth of the LEO modula UCE LFO = 60 tion tet chengeo the uta point of the VOF (=grow effect to 127 are valid for this parameter. “Tis parameter can shift the cutoff point depending ‘on the key played (pitch 0 to 15 ae valid, and creasing the value will make the higher pitch softer. When the Aftetouch is controlling the cutoff fre- ‘quency of the VCF, this parameter sets the sen- sitivity ofthe effect to 18 are vals for this parameter.VCA (Voltage Controlled Amplifier) 1 VCA Level Brample ¥ CA LEUL= 64 This is for chenging the volume, and can be effec: tively used when writing a tone color. When the ‘value Ie get too high, sound may be distorted. Esamole¥ “Thies to elect whether to control the VCA by the UCH EN = signal from the ENV or by the Gate signal Key Ont ae Of signs. cat ew amet Gate Sonat, ayn KayORr TM ay ON Kay OFF Tome wom Baer Tanai ew Ta | envchanpesthevalime, oo GT | Gatesignal changes the volume ev DM | eNvwthyamicachanges the vote. Syoamics GT | Getesigat wth dynamierchangesthevolume 1b VCA Aftertouch Sensitivity Example ¥ ‘When the Aftertouch is controling the volume, this parameter determines the. sensitivity of the effect. 0 to 16 ore valid for this parameter. 2826 CHORUS. 13 Chorus On/Of Example ¥ CHORUS ON ‘This tums on oF off the Chorus effect. 12 Chorus Rate Example ¥ CRS RATE ‘This parameter determines the rts ofthe chorus effet from 0 t0 127. LFO (Low Frequency Oscillator) 2 LFO Rate Example ¥ a LFO RATE= 7a ‘This parameter changes the rate of the LFO modulation. 040 127 are valid for this parameter. 15 LFO Delay Time Example ¥ ‘This parameter sets the time needed for the LFO ‘modulation to work from the moment the key is played. 0 t 127 are valid for this parameter.ENV (Envelope Generator) @ Set the Memory Protect Switch to the OFF position. @ To Select the tone number where the ‘edited tone color isto be written, push the relevant Bank Selector Button ® and the Number Selector Button @ while holding the Write Button ® down. @ Return the Memory Protect Switch to the ON position. Example ¥ Eating the Prost 11 and wrteit inthe Memory 11 ‘a noang nee Surom @ coun, ashing creo sear Boron HOLL seittsaet Teeter tame 299. Naming the Tone Colors You cen write @ name (within 10 letters) to each tone colo: or rename it. © Call the tone color which you wish to @ Push the Name Button ®. “The Display @ wil respond with Example curdor Tone Name @ Push the Name Button @ as many times Until the cursor comes under the letter to be changed. ‘The cursor moves one letter rightward each time the Name Bution ie pressed. When the cursor reaches the right end, t goes backto the bepinring. @ Change the name by using the « Dial. The ove le laters for naming are as follows. ‘space phen NF (©) 25 @ Repeat the steps © @ as many times as necessary. 30 @ Set the Memory Protect Switch to the OFF position. © By pushing the appropriate Bank Selector Button @ and the Number Selector Button @, assign the same tone color you called in'the step ©. ‘The Display ® will change to: Example ¥_ Renaming M-11 ‘Wile holding the Write Button @ down Tone cote cote toberenaad uth the Bank Selector Burton CD M1190 1E chor Push the Numbae Selector Buton 6 @ Return the Memory Protect Switch @ to the ON position, ‘+ Taking the operation © will automatically write ‘the tone color selected in the step ©): So if you do not change the tone color but only the tone ‘name, assign the same tone color you called i the step ©:10. MIDI ‘There are three MIDI Connectors @ on the HS-10 as follows. © MIDI IN Connector Use this connector for feeding signal from an ‘external MIDI device to control the HS-10. © MIDI OUT Connector Use thie connector for sending signal from the H5-10 to control the external MIDI device. “The signal fed into the MIDI IN is not sent out ‘through the MIDI OUT. MIDI IN Connector MIDI OUT Connectar MIOITHRU Connector @ MIDI THRU Connector ‘The exact copy ofthe signal fed into the MIDIIN i sent out through this connector. wn yo] [ase a0: E RU i of oyu | a] sro | | onan NOTE Please do not connect more than three MIDI de- vices through the MIDI THRU Connectors. Use the ‘optional MIDI THRU Box MN-. 3132 a. Changing MIDI Function Data “The setting of each MIDI function can be changed and writen as follows. ‘mitFunetion | Facey | ae, Description Tmorowes [1 | ise | Rieseae gene on we Mesa Saal oF UEP | Sihlonenernressgnreeerdeatashol 3a on | cxarr | fojeserd ston ne Soo. “Emipiatencuch | ON | ON/OFF | Aterouch Message Smibibender | ON | ON/OFF | PichBenderMessoge C.abLeccusve | OFF | ON/OFF | Excsivemessage 7D Hols ON | ON-OFF | Hold esse ‘.mibiModision | ON | ON/OFF | Modulation Message eMiies=m | on _| GOFF | Tone CoterSeteton Mesoge ho.mioivoume | ON | ON-OFF | Volumentessage fr.anotrenamene | on | CH/OFF | PonamentoMes © Push the MIDI Button @ es many times Lntithe MIDI function you wish to chan- ‘ge is shown in the Display ®, 11. MIDI Portman 10, MIDI Volume. Buamole ¥ ID ULE wi '. MIDI Program Change IDI FROG C=] toampte &. MIDI Madultion (or neo _= an) 7 Bample 7, MIDI Hold Bamole © Using the « Dial @, change the MIDI func- tion to what you like. 6 MDIExcusive Example ¥ 1. MIDIChanne!| Bample ¥ fwtor oH % mio1 om Example ¥ MIDI oT = ‘MIDI Local Gono xampe[A2DT LOCAL = OH “4 MIDI Afterooeh bt AFTER a 5, Mio! Bence Sa Beampie “The MDI parameter shown in the Display changes teach time the MIDI Burton is pushes.b. Writing MIDI Function Data By writing the data of the MIDI Function setting Ino the back-up memory, It can be retained even when the unit is tumed off. © Set the Memory Protect Switch @ to the OFF position. © Push the MIDI Button @. @ While holding the Write Button @ down, push the MIDI Button @. ‘The Display will change to nite hoising the ‘Write Baton @ down. brite MIDI FUNC. 1 \wmen the tb! Buton @ is pushed iv ite Complete! @ Return the Memory Protect Switch @ to the ON position. 33c. HS-10's Sound Range receivable and transmissible with MIDI (1) Transmissible Sound Range “The HS-10 festures the key Transpose (1 octave upper and lower, the Octave Transpose (1 octave lower) andthe Chord Memory functions, therefore can transmit data from 3 octaves lower to 1 octave higher than the actus! Keyboard. d. Pedal Switch and Foot Control Depending on the function currently in use, the MIDI messages sent by the pedal switch and foot convo iter. + Pedal Switeh Funetion (2) Receivable Sound Range “The HS-10's receivable sound range with MIDI is 8 octaves as shown above. Ifthe transmitted data exceeds this range, it wil be automstically transposed up or down until i fs inthe range. ‘The Key Transpose and the Octave Transpose functions do not work onthe dats received at MIDL N. Messages tranamined th MDI Program Shit “Program Change," Systemexcusive Ponsmente SPorements ChoaMemory | Nomessage Foot Cantrol Funetion ‘Wasaper wanarived with Mi Veume Mainvoure ‘areroush Foot Conroe Dynamics Reyveiocty 34e, Program Change Messages ‘The tne colors of the HS-10 correspond to the Program Change numbers ofthe MIDI Format 1t0 1128 as shown in the table bolow. TE JSROUP Leann 7 2. 3 4 5 6 7 8 7 iii 2] nto | ra ar 8 coe] ms 7 A eae 2 we] [3 | v4 | 8 | 76 3 pe [9 | 0 | [ae 2s |e Naeuone| 425 [a8 [27 [20 |e |e [as | Ss [se] as | | a | 8 | | @ patel «| a> «| «| 7] @ 7 [| 50 | st] 2 | sa | 54) 5 | 56 8 87. 5B 59 60 61 62 | 63 CI 1 | 6 |e | | | | | 72 27 [| 76 [| 7 | | 7 | 3 [| |e | | ss] 6 | e7 | 0 4 [es [90 |e] s2 | 93 | o¢ | o5| 96 — 5 97 EJ ge | 100 | 101 102_| 103 | 106 6} tos [tos | 407 | 108 [308 10 | 11 | 12 7 bas re pais [ie [a7 | ie 18 | 20 arr [ae [ves | va [25 | 128 | 127 | 8 ‘Namber Ot 127 ere used as Program Change Messages inthe seus! NDI Format ‘When external MIDI devices such as keyboard recorders are connected tothe HS-10, the HS-10 ‘may not sound properly because of the MIDI loop junetion. In such a case, ur the MID! Thru Switch on the keyboard recorder off or turn the MIDI Local message off. Example Hs10 3511. Data Transfer “The HS-10 features the tape intrface function that Before taking eny data transfering operation, be can gave the entire data in the Tone Memory sure to turn the HS-10 to the Play mode, in othe {N11 086) onto an ordinary tape recorder. Also it ‘words, the Display @ should be showing 2 tone is possible to transfer the dats into enother HS-10. ame, ToD SAE ERY cog THE Tape Interface CONNECTION seve Load, verity F oo oO Some tape recorders do notallow proper eperaion ) ‘when both Save and Loed ‘the same time. In such @ fase, mate only the ale: fntconnection. 8 | Tren une our O08 | nem (ronson) oom Tepe Recorder Tape Recorder + To cancel the caving, verifying or loading mode, simply push any of the Number Selector But: tons [to + ttmay be a good idea to take the vertying oper- ation each time you have saved data ona tape 261. Saving OPERATION © Set the tape recorder to the recording ‘mode, then start it ® While holding the Data Transfer Button @ down, push the Number Selector Button a ‘The Display @ will react as shown below, and the saving starts. “ranstor Button @ down. During seving, this changes fe ade ® When the saving is completed, the Dis- play @ will change to: @ Stop the tape recorder. 2. Verifying @ Rewind the tape up to the beginning of the saved data. And set the volume of the tape recorder to the medium. ® While holding the Date Transfer Button @ down, push the Number Selector Button a ‘The Display will change to: Wit hotding the Data Wan the Number Selector Button (i pushed. Verify Tare.ens © Setthe tape recorder to the playing mode, then start it ‘When the head ofthe dat is found, the verifying Wan the head of the Cin is found, Ole shown, toni goesto 1-28. @® The Display @ will respond either with: When the seving has bean corel done f END \Wnenthe ening ne been ties When ettor indleation is shown, read "Notes on saving on a tape” on page 38, then carefully ‘epeat the saving procedure, © Stop the tape recorder. a738 3. Loading © Rewind the tape up to the beginning of the saved data. And adjust the volume of the tape recorder to the medium. @ Sat the Memory Protect Switch @ on the HS-10 to'the OFF position. © While holding the Data Transfer Button @ down, push the Number Selector Button a “The Dieplay @ will change to: Whilshotding the Date “Transtor Button @ down. Select Ture. ceas When the Number Selector Button (ie pushed. Load Tareas @ Setthe tape recorderto the playing mode, then start it, \When the head ofthe save datas found, theload- ing stars. ‘whan the hese of the ata ic found, Os ehown, then goes tot 2 3. during loading © The Display @ will respond either with: Wen the loading i correctly done, When error indication is shown, read “Notes on saving on # tape" on page 38, nd carefully repeat the loaing procedure. @ Stop the tape record © Return the Memory Protect Switch @ to the ON position.Notes on saving on a tape \When error indication is shown inthe Display dur- ing veriving or oeding operation, read the follow ing notes then carefully repeat the saving oF load ing procedure. > Tape rewinding “+ Moke sure that you have rewound the tape com pletely upto the beginning of the saved date > Playback Level of the Tape Recorder * The appropriate playback love varies depending ‘on the tape recorder. So change the level to find ‘an appropriate love. Also, if your tape recorder features recording evel control try changing the recording level in saving. "tf the tape recorder festures Tone contra adjust it t00. > Connection * Make sure that connections are made propery “*1f your tape recorder has two kinds of In/Out ‘Jacks (.. MICILINE In, EARILINE Out, etc, try Using diferent ones this time, + Some tape recorders do not allow proper oner- ‘ation when both Save and Load connections are ‘made at the same time. In such a case, make only the relevant connection. > Where to start recording * Ploase do not start recording from the very heed ofthe tape, but after slightly winding it. > Tepe you use * Use a new and high quality tape, if possible. An old tape is liable to have drop-out, therefore Tkely to cause error more often. * Use a cassette tape short than C-60. The one longer then C-80s too thin for proper operation. > Tape Recorder “Try using the same tape recorder in Saving and Loading, so that possibilty of error wil be reduced. ‘Clean and demagnetize the head of the tape recorder. + Herroris stilindicated, use different tape recorder * Preservation of the date tape Please do not keep the date recorded tape In ‘ecreme heat or humidity or near strongly magne ‘tc units such 5 TV, speaker or amplifier. 3940 c, Data Transfer with MIDI “This function is available even when the MIDI Exc: in the MIDI Funetions is tuned off ‘CONNECTION worn) Lut our @ = (Teanemit 5-10) Moin ot our O_ = (Receve HS10) © Tum the Memory Protect Switch @on the receive HS-10 to the OFF position. @® On the receive HS-10, push the Number Selector Button (2) (* Bulk Loed while hold ing the Data Transfer Button @ down. “The Display @ wil react as shown below, and the unit ie ready to receive data ‘White lang the Data ‘Vonster Suton @ down. Select Ture. cers ' han the Numbar Selector Suton [is pushed. Load @ On the transmit HS-10, push the Number Selector Button [7] (% Buk Dump! while holding the Date Transfer Button @ down, “The Display @ wil react as shown below, and the ‘une will begin to transmit data, While hotding the Date “Trantor Suton @ sown senate ecto@® When the data transfer is completed, the Displays @ of the receive and.transmit HS-10's will respond with: Tranemit 5-10 \When error indication is shown in the Display as ‘below, check fthe connections are made correctly ‘and securely. Receive HS-10 Bulk Load ERR ! @ Return the Memory Protect Switch @ on the receive HS-10 to the ON position. +1 Bulle Load means loading the entire dstain the ‘Memory group (=64 tone colors from other 1HS-10 by means of MIDI Exclusive. +2 Bulk Dump means transferring the entire data In the Memory group (=64 tone colors) to ‘other HS-10 by means of MIDI Exclusive. a1. Parameter Table 4] APPENDIX Parameter ace Display @ DCO Range aoa? DCO LFO Depth DCO ENV Depth CO ENV Mode a lever Normalan Synartes FIFTR: | 2co atenoueh Sensitivity DDD) BEML: | 000 ponder Range PULSE DCO Pulse Waveform oe un un Lh C0 Sawtooth Waveform oe 81 a1 wl =a | ul aul 42Parmeter I vas Sirey @ oapeye | iB eo NIE ‘Sub Oscillator Waveform SUE LEUL DCO Sub Oscillator Level DCO Noise Levet DCO PWIPWM Depth DCO PWM Rate HEE HPF Cutoff Frequency CF Cutoff Frequency VCF Resonance OF ENV Depth VCF ENV Mode ona Inver Pah Normal with we Dynamics Dynamics VCF LFO Depth \VCF Keyboard Follower 43Parameter an Display @ cone LICK GF TE: | Anertouch Sensitivity MICE LEML | veatevet ENU | veacwwote == Gate EN Bh. Bynemies Gate with Dynamics WDE) GIF TR | Vea attertouch Sensitivity CHORL Chorus CRS RATE | chorus ame LFO RATE | tro rete LC DEL' | {0 Detey time EM TL ENV Time 1 EMM LI ENV Level 1 EW TZ ENV Time 2 EHU Le ENV Level 2 EMU TS ENV Time 3 EHU LS ENV Level 3 EHL T4 ENV Time 4 EU EVE ENV Keyboard Follower2. Error Message Table Display @ Description Memory Protected ‘You have tried to write into the back-up memory when the Memory Protect Switch @ setto the ON position. ‘The tone color data has not been completely received from the tape. ‘The dete sevedonthe tapeiscitferentfromthe one inthe back-up memory. Bulk Load ERR! The bulk dump date has not been completely received. Bulk Dume ERR! ‘The bulk dump data has not boon completely ‘wansforred. Check Battery! ! "The battery for backup memory leat “When this indication is shown, the date in the back-up memory is lost. Consult with your local Roland dealer 45,3. Memo wea sagen 1: BaWVEDOUd ava su SVN SNOL Ol-SH 465] SPECIFICATIONS 1HS-10 (SynthPlus 10): 6 voice polyphonic and programmable synthesizer Keyboard 49 keys, 4 octaves, C scale ‘Memory Capacity 64 RAM tone colors {86 ROM tone colors Panel Switch Section Group Selector Butons Bank Selector Buttons (1 to 8) ‘Number Selector Buttons (1 to 8) ‘Tune/Funetion Button ‘MIDI Button Key Transpose Button Date Tranefer Button Parameter Selector Button Value Burton Weite Button ‘Tone Modify Mode Buttons (Modulation Rate, Depth, Brlience, Envelope Time) Control Section ‘Dial Volume Knob (Octave Transpose Buttons (Normal, Down} Portamento Button Chord Memory Button Pitch BenderModulation Lever Dimensions 802{W) x 240(0) 7H) mm BT APUW) x SAO) x SHH) Weight Sgt 14.02 ‘Consumption 12 ‘Accessories MusicRest Connection Cable LP.25 (x1) cornions ‘Stereo Headphones RH-10 Expression Pedal EV-5 dal Switch P.2,FS4 ‘Stand ks Carving Case ABS. MIDUSYNC Cable MSC-07, 16, 25,60, 100 Indicators Key Transpose indistor Octave Transpose indicators (Normal, Down) Portamento Indicstor Chord Memory indietor Rear Panet (Output Jacks (Mono, Stored) Headphones Jack (8 10 1500 at Stereo} Hold Peds Jack Pedal Switch Jack Foot Control Jack Save Jack Load Jock Memory Protect Switch MIDI Connectors (IN, OUT, THRU) Power Switeh 47; 6-voice polyphonic synthesizer : Date: Jn27 886 wove. HS-10 MIDI Implementation Chart Versions 13 Trenamited Fecognized Romans Baie eau 1 To weno Grennet Changed [18 1s Deut Moos 8 eae 3 Tmenoraea Mode Messages | POLY: OMNI OFF MONO, POLY. Ont ONDE iow sesasensnweens | MONOimsri/-Made9 Nae 208 one ate Tae voice | sevennsensonse | 12-10 veodty wowon |e © venue Nowor |x ova x ate ere x x Tow or x . Pitch Bender . * 0: som i esousion 1) ® Mod over Mod deph Twoaueton | Footeont in ter touen s| : Portamento Tine conta 7| % rootson. in Se vouma ce | & Peal aw to wats change st 7 Ponmento Swich Pen + om Oa Grange Tue # teseretenssene |” 00 G7 Sren Exe * . | ‘System ‘Song Pos x x | Som oe] x x commen Tone x x Sistem Clock P x Fal Tine Comarcs | x z ax toca nor |x 3 mremented meno oF 1 «25 es 27 we heiwe Sone’ | Se 8 sages |x x | Noes + Gan beset to O or x manvaly, and memoraes The veoty vv canbe changed by FOOT CONTROL volume s+ Volume cen acs the volume o he Sound wihin aise eel bye pre! vue fob Mode 1! OMNI ON. POLY Mode 2: OMNI ON. MONO Mode 8 : OMNI OFF POLY Mode 4 : OMNI OFF MONO.6-voice polyphonic synthesizer Date: Jan, 27 1986 move. HS-10 MIDI Implementation Version :1.2‘nnn cecum tt EC Re ERASE EASl=Roland = 3