Digitalprinting
Digitalprinting
For
Textile (Technology of Textile Printing)
2022
DIGITAL PRINTING
Tanmay Kandpal
19CHE760
DIGITAL TEXTILE PRINTING
INTRODUCTION:
Printing first appeared in our garment sector in the 1980s. Although roller printing was
popular at first, flatbed and rotary screen printing gained popularity later. People's interests,
preferences, and needs evolve with the passage of time. Today's youthful generation, in
particular, is considerably more conscious of their appearance and fashion and as a result,
worldwide demand for all-over printing is booming. There are numerous other products with
all over print, such as t-shirts, shirts, pants, three-piece suits, bed sheets, and so on. However,
there are some drawbacks to all-over screen printing technologies, one of which is that not all
types of designs can be printed using flatbed or rotary screen printing methods. Despite the fact
that various technologies may print 1-20 colours, more than 12 colours are rarely produced for
two reasons, first being high print costs and second, machine complexity. Furthermore, the
photo print and 3D effect cannot be clearly highlighted using screen printing methods. To
address all of these issues, a new chapter in the printing business has been added i.e Digital
Textile Printing.
The whole process of digital printing consists of six major steps namely, Design Development
(1), Fabric Preparation (2), Ink Selection (3), Printing (4), Fixing (5), Washing (6). Each one
of them is explained briefly:
1) Design development: The first step in digital printing is to produce a design that
meets the needs of the buyer. A design developer/artist develops designs using
graphic tools such as Adobe Photoshop (often Adobe Illustrator) and the CYMK
colour model as the primary colour. To maintain the quality of artwork, designers
typically used TIFF files for printing. If the design is unique, the hand-drawn
artwork is scanned and transferred to digital format, in this case the design does not
have firm borders that can be replicated many times. This computer image can now
be transferred to fabric.
2) Fabric preparation: We must pre-treat the fabric using liquid (chemical) solutions
before printing. Cotton and viscose fabrics are commonly ink-jet printed with
reactive dye. Thickener, alkali, and urea are used in this procedure to prepare the
fabric to take the dye/ink and absorb the colour more effectively. The fabric
preparation technique removes fabric crumbles and stiffens the fabric for improved
feeding during printing.
3) Ink selection: The type of ink required is determined on the fabric being used. The
following section discusses some popular varieties of ink:
Pigment Ink: It is commonly used for printing on natural and synthetic
fabrics such as cotton, silk, rayon, cotton/poly mixes, and 100% polyester.
The ink set has eight colours (cyan, magenta, yellow, black, grey, orange,
violet, and red).
Acid & Reactive Ink: These are dye-based inks that are used on natural
fabrics. The hand feel and wash fastness of dye inks are excellent. Although
dye ink penetrates the fabric very well, various steps must be performed
before it can be used, including pre-treating, heat, washing, and steaming.
Sublimation/Disperse Ink: Sublimation ink is used to create banners, soft
signage, and sportswear with high content polyester and spandex fabrics.
This set comes in 15 different colours. Sublimation/disperse inks are applied
directly to the cloth or with the use of a receptive paper roll.
4) Printing: Ink-jet technology and ink cartridges are commonly used in digital textile
printing. The pre-treated cloth is fed into a digital printer, which sprays ink/dye in
small droplets according to the design and software. To avoid miss prints, the fabric
is first laid smoothly and with optimum tension. The printing machine's heads are
then adjusted based on the fabric thickness and width. The more machine heads
there are, the more production there is. There are numerous types of digital printing
machines, such as:
Direct Textile Printing: In this situation, the printer uses ink-jet technology
to transfer ink straight to the fabric or directly to the clothing. This approach
allows you to print the most detailed artwork/design on a range of fabrics
such as cotton, silk, and nylon.
Sublimation printing: This is a contemporary printing process. Dyes are
transformed to gas in this method by applying heat and pressure and then
bonded to the surface of the polymer-based fibre (Polyester). It is ideal for
short runs and allows for extremely detailed design.
Disperse Dye Sublimation: This method eliminates the requirement for
printing transfer paper. For dye fixation, the fabric is run through a heat
press. The fabric is prepared before printing in this case. This printing
method enables two-sided printing.
5) Fixing: The final stage is to fix. Fixing implies the design's durability. It is
determined by the cloth and dyes used. Depending on the cloth and printing method,
fixation is accomplished by a variety of methods:
Pigment Ink: Dry heat (Usually through a roll fixation Calendar or Heat
Press)
Acid Dye: steaming - washing - drying (Usually large Industrial specialised
equipment)
Reactive Dye: Steam - Wash - Dry - (Usually large Industrial specialised
equipment)
Sublimation/Dispersed Dye: Dry Heat (Usually through a roll fixation
Calendar or Heat Press)
6) Washing: The fabric is washed and dried thoroughly after the dye/ink fixation
process.
1) Continuous ink jet printing (CIJ): In continuous jet printing, a constant stream of ink is
used to print onto a rotating drum with the substrate; extra drops of ink pass through
the fabric and are pumped into a reservoir for recycling. The binary ink jet method,
prints multiple substrates using various dyes. Uncharged drops of ink were used for
printing, and charged drops of ink were pumped back into the reservoir; in this printing
method, only one dot location was printed per nozzle. CIJ printing was the first
commercial printing technology.
Digital printing comes with its own advantages and limitations. Some of the advantages
and disadvantages of digital printing are discussed below:
Advantages:
1) There are no colour restrictions. As a result, extremely detailed artwork and improved
crispness are possible.
2) There is no need for a screen when printing digitally.
3) Water and electricity requirements are 90% and 30% lower (respectively) than in
traditional printing process, because there is no need to wash screens when applying
fresh colours.
4) Manpower required is lower than traditional printing.
5) Design of any measurement is possible and there is no need to calculate repeat
measurements.
6) High resolution (300-1200 pixel/inch) designs are possible, as a result, the printing
quality is improved.
7) There is no requirement for screen engraving or colour separation, hence this technique
is less expensive.
8) Less dye/ink and chemical waste than flatbed or rotary screen printing.
9) The primary advantages of digital textile printing include cheaper fixed costs and lower
sample costs.
Disadvantages
1) Blended fabrics can’t be printed using digital printing method.
2) Deep colour fabrics are not printed using digital printing.
3) The design takes longer to develop when the resolution is higher.
4) The cost of digital printing is relatively high; however, it is decreasing day by day.
5) Lower production than traditional printing. It is determined by the machine head. The
higher the machine head, the greater the output. In general, the output rate is 1-3 metres
per minute.
6) Digital printing is not feasible at higher temperature. A temperature of around 20-25
degrees has to be maintained. We must print digitally in an air-conditioned area
otherwise, if the temperature increases, the machine will stop automatically, the ink will
agglomerate, and the print head will be destroyed.
There is little doubt that the global pandemic has contributed to the economic downturn,
but it has also created numerous new commercial prospects in the textile industry. Despite the
global COVID-19 issue and the economic slowdown, the digital textile printing market will
increase to 7.7 billion square metres by 2027, at a CAGR of 3.6% from 2021 to 2027, according
to an article published by the Federation of European Screen Printers Associations (FESPA).
In another research, according to Allied Market Research, the global digital textile printing
market value was $2.2 billion in 2019, and is expected to grow to $8.8 billion by 2027, at a
CAGR of 19.1% from 2020 to 2027. The increased need for digital textile printing technology
and sustainable printing in the garment and advertising industries is predicted to boost
production demand.
CONCLUSION
REFRENCES:
1. https://study.com/academy/lesson/digital-textile-printing-machine-process.html
2. https://www.southerntailors.com/blog/3-digital-fabric-printing-techniques-
advantages-and-disadvantages/
3. https://gotxfabricprinter.com/eu/wp-content/uploads/sites/7/2014/10/How-Digital-
Print-Works_10.14.pdf
4. https://www.onlineclothingstudy.com/2011/06/digital-textile-printing.html
5. https://www.fespa.com/en/news-media/features/market-trends-the-vibrant-future-for-
digital-textile-pinting