M.narmadha Presentation
M.narmadha Presentation
M.narmadha Presentation
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contents
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landscape Residence Temple
Title Page
Sensory ExperienceWhat gives that sensory experienceArtScience MuseumPhaeno Science CenterVitra Design Museum
The museum's mild scent of freshMild scent of fresh flowers, café No noticeable scent, café on theNo noticeable scent, café on the
flowers, and café on the ground flooron the ground floor serving a ground floor serving a variety ofground floor serving a variety of
Olfactory serving a variety of food and drinksvariety of food and drinks food and drinksfood and drinks
The museum's café on the groundCafé on the ground floor servingCafé on the ground floor servingCafé on the ground floor serving
floor serving a variety of food anda variety of food and drinks,a variety of food and drinks,a variety of food and drinks,
drinks, vending machines throughoutvending machines throughoutvending machines throughoutvending machines throughout
Gustatory the museumthe museumthe museumthe museum
Haptic sensory design
One of the case studies is the Bruder Klaus Field Chapel by Peter
Zumthor, built in Germany in 2007. The chapel's unique construction
involved pouring concrete around stacked tree trunks and then
burning the wooden frame. This process left behind a textured
concrete surface with a distinctive smell. Crystal shafts were inserted
into small holes in the walls, creating a starry night effect in the
interior space. This construction method is integrated with the overall
spatial experience
Peter Zumthor, Serpentine Pavilion, 2011.
The Serpentine Pavilion in 2011, designed by Peter Zumthor, aimed to create
a meditative and spiritually evoking experience. It featured an inner garden
designed by Piet Oudolf at its center. The pavilion emphasized the role of
senses and emotions in architectural experiences.
Visitors were guided through a dark hallway with intermittent natural light
streams, creating a transition from the bustling city to a secluded and
intimate interior space. This interior space allowed people to meditate, sit,
walk, and observe the flowers. The carefully selected flora in the garden
stimulated visitors' senses through colors, fragrances, and textures.
The building's wooden structure resembles the Chidori toy, creating a flexible and
harmonious space defined by light, structure, and material. As people approach the
building, they catch glimpses of the interior space through the interlocking wooden
lattice, which varies depending on the lighting conditions. Upon entering, visitors
experience a cave-like space carved out of the lattice structure, simultaneously
connected to and distanced from the exterior due to the angles and densities of the
Chidori system.
The quality of the spatial experience is enhanced by the interplay of light and
shadow, with sunlight filtering through the lattice and creating ever-changing
patterns of shadows. Kuma describes these patterns as resembling a forest of
deciduous trees with dappled sunlight, providing visitors with a spiritual and
evolving connection to the space throughout the day.
Various aspects, such as the physical and sensory body, materiality, and
emotional connection, were combined
to improve the quality of the interior experience
Analysis of various aspects of spatial experience for
emotional connection.