Christian Key - Blog Thing
Christian Key - Blog Thing
Photography Basics
Photography is using the creativity of the human mind and the science of camera
mechanisms to stop time by capturing light in less than a second. You tell stories through your
subject matter and through your compositions. You make art that is pleasing to the eye from your
mastery by knowing how light interacts with objects and how you set your camera to capture the
moment. Your camera uses chemical reactions or digital electronics to capture the light in your
compositions.
motion blur in the image. If the shutter speed is low and the subject is moving, then the subject
will be blurred. A low shutter speed can be used to show movement in your shot. One technique
to show movement is to have your camera’s shutter speed low and take a photo of a car driving
next to you while you keep the car in the frame. Or you use the blur to make your photos more
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dreamlike. If the shutter speed is high and the subject is moving, then the subject will be frozen
in the shot. You can use this to capture a bird mid-flight frozen in time. Or you can capture a
batter hitting a baseball with their bat. The shutter speed also changes how much light will hit the
film or sensor. The faster the shutter speed, the less light will be able to come through; the slower
the shutter speed, the more light will come through. Next is the aperture which controls your
depth of field. The more open your aperture is the shallower your depth of field will be and more
light will be let in. The more you close your aperture the bigger your depth of field will be and
less light will be let in. Depth of field is the range of area that your photo will be in focus. The
lower the lens’s F-Stop is the more open the lens is. While the higher the lens’s F-Stop is the
more closed up the lens is. With a lower F-Stop, you can separate your subject from the
background more effectively. If you are taking a landscape photo you would stop down your lens
to a higher F-Stop number to bring more of your image into focus. Finally, we have ISO which is
how sensitive the film or camera sensor is to light. A low ISO, like 100, will not be very sensitive
to light but will have less noise/film grain. A high ISO, like 1600, will be very sensitive to light
but will have more noise/film grain. “Aperture controls depth of field, shutter speed can blur or
freeze action, and ISO can add or subtract film grain or digital noise from an image”.
(Vorenkamp, 2022, para.2). You now know the three main ways to control the amount of light
that enters the camera. Now how the light is measured is in Stops. Each Stop is increasing the
light by 2x or decreasing the light by 2x. A F-Stop change of F4.0 from F5.6 is a doubling in
light. ISO 100 to ISO 200 is a doubling of light and is one Stop brighter. A shutter speed of
1/2000 to 1/1000 is one Stop brighter. You now know the very basics of controlling the amount
of light entering the camera and the side effects of camera settings.
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Composition
and will come out bland without thinking about the composition.
You want your photos to draw the viewer's eyes to the subject of
image. Shape is just like form but uses two-dimensional objects and lighting to make shadows
and highlights in the image. The rule of thirds cuts the frame into thirds with two lines vertically
and two lines horizontally. Making thirds of the frame left to right and top to bottom. If you align
the vertical and/or horizontal lines with your subject, then you are using the rule of thirds. The
photo on the right shows this by placing the eye of the cat at the intersection of two lines. The
Golden Ratio in photography is like using the rule of thirds at the top or bottom intersection of
the vertical and horizontal lines to place the subject of the image. Frame within a frame is using
objects in the shot to frame the subject in the image. You can use windows or doorways to take a
photo using a frame within a frame. Fill the Frame is a technique of having the subject of the
photo fill the frame completely and have as little background as possible. The center dominant
eye is a technique that has the subject’s eye that is the most dominant in the center of the shot.
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Lighting
and backlighting. Natural light comes from the sun, and you must
know how the angle will affect your shot. The time of the day also
affects the color temperature of the light coming from the sun, like
the golden hour before sunset. The front light is a light source that
You can get a very good silhouette of the subject but lose almost all the detail in your subject.
Soft Lighting gives you soft shadows and hard lighting gives you high contrast shadows. Color
temperature is how white the light is, and the camera must adjust or be adjusted to white balance
the shot. Color temperature is measured in kelvin from 1,000K to 10,000K. In a digital camera,
you can set the white balance to Daylight (5200K), Shade (7000K), Cloudy (6000K), Tungsten
Light (3200K), White Fluorescent light (4000K), or Custom. In film photography, your film
stock dictates the white balance being Daylight or Tungsten. “If an incorrect white balance
setting is used in a camera, images turn out unnatural, with bad skin tones and color shifts” (John
Bosley, 2020, para.6). You also have to think about the dynamic range of the camera and how it
is different from our eyes. “Dynamic range describes the ratio between the brightest and darkest
parts of an image” (Adobe, n.d.). In an SLR or DSLR, you are looking through the lens with
your eye that has a better dynamic range than the film stock or the digital sensor in the camera.
So, the lighting in the picture can have different brightness in the highlights and shadows.
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Conclusion
In all, you have learned the very basics of photography from controlling the amount of
light that enters the camera through the exposure triangle. You also learned how controlling one
part of the exposure triangle can change how your picture looks with depth of field and motion
blur. You have been shown composition and how it is what gives your photo meaning with how
the viewer will look at it and how they will feel. Finally, you have been shown lighting and how
References
Bosley, J. (2020, November 7). What is White Balance in photography?. Photography Life.
https://photographylife.com/definition/white-balance
Vorenkamp, T. (2022, January 26). Understanding exposure, part 1: The exposure triangle |
https://www.bhphotovideo.com/explora/photography/tips-and-solutions/understanding-
exposure-part-1-the-exposure-triangle
https://www.adobe.com/creativecloud/video/discover/dynamic-range.html