Lord of The Flies - PP - Semir Halilović

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Semir Halilović

A Post-Colonial Analysis of Lord of the Flies: Children as Colonizers in Societal


Context

William Golding's iconic novel, Lord of the Flies, explores the darker aspects of human
nature through the lens of a group of boys stranded on a deserted island. A post-colonial analysis
of the novel unveils a compelling perspective, when viewing the children as inadvertent
colonizers. This essay delves into the parallels between the boys' microcosmic society and the
larger sociological context of the time of the book's publication, shedding light on the colonial
undertones embedded in the narrative.

The boys' gradual descent into savagery mirrors the historical patterns of colonization.
Initially, the boys attempt to establish a semblance of order, reminiscent of the colonizers' initial
efforts to impose structure on foreign territories. However, the fragility of their societal
constructs becomes evident as power dynamics shift, reflecting the inherent instability of
colonial rule. As the boys succumb to primal instincts, their leadership transforms into a
manifestation of colonial exploitation, with the weaker members subjugated by the stronger.

The establishment of a social hierarchy on the island is emblematic of colonial power


structures. The charismatic and domineering figure of Jack Merridew embodies the ruthless
colonizer, exploiting the island's resources without regard for the consequences. This mirrors the
historical exploitation of colonized lands by imperial powers, with resources extracted for the
benefit of the colonizers, often to the detriment of the indigenous population. The boys' descent
into barbarity underscores the dehumanizing impact of unchecked power, echoing the moral
erosion witnessed in many colonial contexts.

The concept of the beast in the novel serves as a metaphor for the fear of the unknown
and the perceived threat posed by the indigenous inhabitants in colonial narratives. The boys'
irrational fear of the beast reflects the way colonizers often demonized and dehumanized the
native populations to justify their actions. This symbolic portrayal resonates with the post-
colonial discourse that critiques the dehumanization of colonized people as a means of justifying
imperialistic endeavors.
Golding's work, published in 1954, emerged in the aftermath of World War II, a period
marked by the decline of colonial empires and the rise of post-colonial consciousness. The
novel's exploration of power dynamics and the disintegration of societal order can be seen as a
reflection of the uncertainty and skepticism prevalent during this transitional phase. The post-
colonial lens allows readers to discern the impact of decolonization on collective psyche, as
nations grappled with newfound independence and the challenges of self-governance.

In conclusion, a post-colonial analysis of Lord of the Flies paints the children as


inadvertent colonizers, mirroring the historical patterns of colonial exploitation. The power
dynamics, social hierarchy, and symbolism within the novel provide a poignant commentary on
the larger sociological context of the time of its publication. Golding's masterpiece serves as a
thought-provoking allegory, inviting readers to reflect on the enduring legacies of colonialism
and the intrinsic darkness that resides within the human spirit.

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