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    Mapeh Arts

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    Kimberlyn Avance
    The painting FULL MOON RISING uses a limited blue, gray, and white color palette. Diagonal lines like the horizon and trees guide the eye upward towards the bright moon, which is the focal point balanced in the center of the frame. Variety is created through the contrast between the moon and landscape below.

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    © All Rights Reserved
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    Mapeh Arts

    Uploaded by

    Kimberlyn Avance
    39 views4 pages
    The painting FULL MOON RISING uses a limited blue, gray, and white color palette. Diagonal lines like the horizon and trees guide the eye upward towards the bright moon, which is the focal point balanced in the center of the frame. Variety is created through the contrast between the moon and landscape below.

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    MAPEH_ARTS

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    The painting FULL MOON RISING uses a limited blue, gray, and white color palette. Diagonal lines like the horizon and trees guide the eye upward towards the bright moon, which is the focal point balanced in the center of the frame. Variety is created through the contrast between the moon and landscape below.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    39 views4 pages

    Mapeh Arts

    Uploaded by

    Kimberlyn Avance
    The painting FULL MOON RISING uses a limited blue, gray, and white color palette. Diagonal lines like the horizon and trees guide the eye upward towards the bright moon, which is the focal point balanced in the center of the frame. Variety is created through the contrast between the moon and landscape below.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    of 4

    FULL MOON RISING

    by: George Grie

    RHYTHM AND MOVEMENT

    Grie uses a limited color palette of blues, grays, and whites. The shapes in the painting are organic and flowing. He also
    uses a balanced and symmetrical composition and the use of diagonal lines in the painting, such as the horizon line and the
    lines created by the trees and grass, guide the viewer's gaze upward towards the moon.

    BALANCE
    The visual weight of objects, colors, texture, and space is distributed in a way that draws the viewer's eye to the moon and
    its ascent. The moon itself carries the greatest visual weight in the scene. The colors and textures of the scene are also
    carefully balanced
    EMPHASIS
    The part of the design that catches the viewer's attention in the scene of the moon itself. Its size and brightness command
    attention, drawing the viewer's eye upward
    HARMONY, UNITY AND VARIETY
    Harmony is achieved through the careful arrangement of elements. The moon is positioned high in the frame, with plenty of
    negative space around it. Unity is achieved through the use of contrast and difference. The moon and the landscape below
    it are connected by a sense of unity. Variety is achieved through the use of contrast and difference. The moon is positioned
    high in the frame, creating a sense of contrast and difference between the moon and the landscape below it
    PROPORTION
    Variety is achieved through the use of contrast and difference. The moon is positioned high in the frame, creating a sense of
    contrast and difference between the moon and the landscape below it.
    Prater and Wheel Painting
    by: John Lansdown
    RHYTHM AND MOVEMENT

    The painting is full of rhythmic elements, from the curving lines of the Ferris wheel to the repetition of the trees and buildings
    in the background. These elements create a sense of movement and flow, drawing the viewer's eye around the canvas. The
    Ferris wheel is the centerpiece of the painting, and its movement is captured in the way the cars sway and the spokes of the
    wheel spin.

    BALANCE
    The painting is carefully balanced, with a sense of weight that creates a sense of harmony. The Ferris wheel is positioned in
    the center of the canvas, with the Prater grounds spreading out around it.
    EMPHASIS
    The Ferris wheel is the focal point of the painting, with its bright colors. The viewer's eye is naturally drawn to this element,
    which is emphasized by the use of bold, contrasting colors.
    HARMONY, UNITY AND VARIETY
    The colors in the painting are harmonious, with a mix of warm and cool tones. The brushstrokes are bold and expressive,
    creating a sense of energy and movement. The use of perspective and depth adds to the overall unity of the painting. The
    rough texture of the Ferris wheel contrasts with the smooth texture of the sky.
    PROPORTION
    The proportion of the Ferris wheel and the Prater grounds is carefully balanced, with a sense of depth and perspective that
    draws the viewer's eye around the canvas. The horizon line is low in the frame, creating a sense of vastness and openness.
    BEFORE

    AFTER
    BEFORE

    AFTER

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