Plato's Republic
Plato's Republic
Plato's Republic
The Republic
By Nickolas Pappas, City College of New York
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Learning objectives
1. To gain a sense of how the disparate parts of the Republic constitute an argument.
2. To grasp how the overall argument answers the threat of immorality or nihilism.
3. To appreciate the Republic as a portrayal of philosophy, as philosophy seeks to inform
governance, and as it differs from general rationality.
4. To understand the parallel approaches to justice in the Republic, as a characteristic of
constitutions and as a virtue grounded in a person’s psychic balance.
5. To attain an overview of Platonic metaphysics and the dualism of ‘Plato’s two worlds.’
Commentary
Introduction
Philosophy, famously impractical, brought to the cynical practicalities of politics: Plato’s Republic
assigns itself this task in a bid to reimagine philosophy so that it engages with politics, and also to
reimagine politics in a way that opens it to such engagement.
The dialogue’s ambition, together with its capacious inclusivity of topics, have made it
always one of Plato’s central works. (Books on the Republic include Annas 1981, Blackburn 2006,
Brown 2017, Cross and Woozley 1964, Ferrari 2007, McPherran 2010a, Reeve 1988, Santas 2006,
2010.)
As most Platonic works do the Republic takes the form of a conversation (Hyland 1968,
Patterson 1982). Socrates dominates. But readers should distinguish this character from the
historical figure who lived in ancient Athens (Kahn 1981). There was such a person, from all the
evidence a provocative thinker and personally an eccentric, who cross-examined expertly, focusing
on what words meant (Benson 1992, Vlastos 1991). Did he teach, though? – and what, and to
whom? The consensus is that he offered no lessons, although he set an example that inspired others
to philosophize (Blank 1985, Nehamas 1992). He showed little interest in theories about nature, but
as the sophists did he addressed matters of politics and value.
Unlike Socrates, the sophists offered formal instruction. They taught many subjects, but
came to be identified with persuasive speaking. Sometimes mistaken for a sophist, Socrates
investigated questions of value as if they had answers. He asked about courage, friendship, and
justice, trusting that inquiry could lead to precise accounts. The sophists hid in thickets of ambiguous
language; Socrates cleared thickets away.
A jury sentenced Socrates to death in 399 BCE, partly because he had made enemies by
interrogating prominent Athenians, but mainly because he was suspected of having undermined
democracy. Some of his associates aided Sparta, enemy of Athens, during the war between the
cities. Others overthrew the democracy and ruled in a Spartan puppet regime. It did not help that
Socrates sympathized with Sparta and challenged the wisdom of collective decision-making.
Plato was young when he met Socrates, probably through relatives who had conspired
against democracy. Plato kept himself aloof from politics, in this respect emulating Socrates, who
despite his sympathies remained uninvolved with public life. Probably after Socrates’ death, Plato
joined the numerous associates who had written dialogues portraying Socratic conversations (Boys-
Stones and Rowe 2013). Some scholars believe that the short, inconclusive pieces he wrote –
Psychology
Socrates finds analogues of ruler, army, and productive labourer in the soul, mainly through
examples of inner conflict. The examples reveal two impulses distinguishable from reason: desire
(Lorenz 2006), which includes hunger and sexual appetite (437b-e); and ‘spiritedness,’ the thumos
(Brennan 2012), source of non-rational emotions associated with shame and anger (439e-440a).
Advancing beyond dualistic psychodynamics – reason contra unreason – this account distinguishes
an impulsive non-rational element from one susceptible to guidance. Now the drives of appetite can
be contained by the non-rational power of shame and indignation. Justice consists in this internal
harmony, rather than in any particular actions.
Some commentators debate whether Plato can produce a workable theory of soul without
reifying the three motive-types into independent subjects (Bobonich 2002, Price 2009, Shields 2010).
But on any interpretation, the soul contains a governance and hierarchy. In a just soul every motive
stays within its bounds, reason governing (Cooper 1984, Vasiliou 2012).
Book 10. Book 10 enlarges and reinforces earlier points, beginning with poetry and painting (595a-
608a; Burnyeat 1999, Halliwell 2002). Continuing the theme of souls that take in likenesses, Socrates
argues that mimetic poetry consists in such likenesses (see Mimêsis).
Poetry that represents human beings resembles painting in presenting appearance without
reality (596e, 600e). Born from ignorance (598d-600c), it is show alone. It evidently appeals to the
worst part of the soul (602c-603b; Moss 2007, Nehamas 1982).
Socrates does not explain why tragedy’s apparitions have a pernicious effect not found in
shadows. Poetry must contain some entrancement (598d, 607c, 608a) that makes its audience
prefer artistic ignorance over philosophical insight. Book 10 explores that charm, diagnosing the
emotional experience of tragedy. Spectators sympathize with the sight of a hero overcome by
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