Ek Liste_

Greve, Martin. 2016. “Writing against Europe: On the Necessary Decline of

Ethnomusicology”. Translated by Férdia J. Stone-Davis. Ethnomusicology Translations, no.
3. Bloomington, IN: Society for Ethnomusicology.
Originally published in German as “‘Writing against Europe’: Vom notwendigen
Verschwinden der Musikethnologie,” Musikforschung 55 (2002): 239-250.

Seeger, Anthony. 2006. „Lost Lineages and Neglected Peers: Ethnomusicologist outside
Academia” In: Ethnomusicology, Vol. 50, No. 2, 50th Anniversary Commemorative Issue
(Spring/Summer), 214-235.

Titon, Todd. 2022. “Ethical Considerations for Ethnomusicologists in the Midst of

Environmental Crisis” In: The Routledge Companion to Ethics and Research in
Ethnomusicology, Ed. Jonathan P. J. Stock and Beverley Diamond, chapter 18. (This is the
copyedited, pre-publication version)

Literatür listesi 06.11.2021

Hande Sağlam
Etnomüzikoloji Genel:
Barz, Gregory &., Timothy J. Cooley (ed). 2008. Shadows in the Field: New Perspectives for
Fieldwork in Ethnomusicology. New York: Oxford University Press.

Bates, Eliot. 2012. “The Social Life of Musical Instruments”. In: Ethnomusicology, 56(3),
363-395. doi:10.5406/ethnomusicology.56.3.0363

Bohlman, Philip. 2020 World Music: A Very Short Introduction. 2nd ed. Oxford: Oxford
University Press

Carvalho, Jose Jorge. 2019.Transculturality and the Meeting of Knowledges. In:

Transkulturelle Erkundungen. Wissenschaftliche-künstlerische Perspektiven, ed. U.
Hemetek, M. Kölbl & H. Sağlam. Wien: Böhlau Verlag,79-94.

Doubleday, Veronica. 2008. “Sounds of Power: An Overview of Musical Instruments and

Gender”. In: Ethnomusicology Forum, 17(1), 3-39.

Kunst, Jaap. 1959. Ethnomusicology. A Study of Its Nature, Its Problems, Methods and
Representative Personalities to Which Is Added a Bibliography. The Hague: Nijhoff.

Merriam, Alan. P. 1977. “Definitions of ‘comparative musicology’ and ‘ethnomusicology’ an

historical-theoretical perspective”. In: Ethnomusicology, 21(2), 189-204.

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Myers, Helen (ed.). 1992. Ethnomusicology (Vol. 1). An Introduction. New York: Norton.

Nettl, Bruno. 2010. Nettl’s Elephant. On the History of Ethnomusicology. Urbana, Springfield
and Chicago: University of Illinois Press.

Nettl, Bruno. 2005. The Study of Ethnomusicology: Thirty-One Issues and Concepts.
Chicago: University of Illinois Press (ya da 3rd ed. 2015)

Öğüt, Evrim Hikmet. 2021. “The Short History of Syrian Street Music in Istanbul: Challenges
and Potentials”. Music and Minorities 1 (December). Vienna, Austria.
https://doi.org/10.52411/mm.2021.

Reyes, Adelaida. 2007. “Urban Ethnomusicology Revisited: An Assessment of its Role in

the Development of its Parent Discipline.” In: Cultural Diversity in Urban Area, edited by
Adelaida Reyes and Ursula Hemetek, Wien: Klanglese 4

Rice, Timothy. 2014. Ethnomusicology: a very short introduction. Oxford & New York:
Oxford University Press.

Rice, Timothy. 2014. “Ethnomusicology in Times of Trouble.” In: Yearbook for

Traditional Music 46:191–209.

Seeger, Anthony. 2019. “How Does Ethnomusicology Matter? The Socio-Political

Relevance of Ethnomusicology in the 21st Century”. In: Ethnomusicology Matters –
Influencing Social and Political Realities, eds. U. Hemetek, M. Kölbl and H. Sağlam.
Wien: Böhlau Verlag, 15-32

Schippers, Huib and Catherine Grant. 2016. Sustainable Futures for Music Cultures, An
Ecological Perspective. New York: Oxford University Press.

Stokes, Martin. 1994. “Introduction: Ethnicity, Identity and Music.” In: Ethnicity,
identity, and music: the musical construction of place, ed. M. Stokes. Oxford, UK;
Providence, RI: Berg, 1-27.

Uygulamalı Etnomüzikoloji (Applied ethnomusicology)

Jeff Todd Titon. 1992. "Music, the Public Interest, and the Practice of Ethnomusicology.” In:
Ethnomusicology, special issue on music, the public interest, and the practice of
ethnomusicology. Vol. 36, no. 3 (1992): 315-322.

John Fenn. 2003. "A Conversation with Jeff Todd Titon,” Folklore Forum, special issue on
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Klisala Harrison and Svanibor Pettan. 2010. "Introduction.” In: Applied

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Ethnomusicology: Historical and Contemporary Approaches (Newcastle-Upon-Tyne:
Cambridge Scholars Publishing), (2010):1-20.

Klisala Harrison. 2012. "Epistemologies of Applied Ethnomusicology.” In:

Ethnomusicology, Vol. 56, no. 3 (2012): 505-529.

Svanibor Pettan and Jeff Todd Titon (eds.). 2015. The Oxford Handbook of Applied
Ethnomusicology. New York: Oxford University Press.

Svanibor Pettan. 2008. "Applied Ethnomusicology and Empowerment Strategies: Views from
Across the Atlantic,” In: Musicological Annual, special issue on applied ethnomusicology.
Vol. 44, no. 1 (2008): 85-99.

Saha Derlemesi (Fieldwork)

Genel:
Gilman, Lisa and Fenn, John. 2019. “Defining Fieldwork”. In: Handbook of Folklore and
Ethnomusicology - Fieldwork., Bloomington: Indiana University Press, 7-22.

Myers, Helen. 1992. “Fieldwork.” In: Ethnomusicology. An Introduction. Helen Myers (Ed.).
New York, London: W. W. Norton, 21-49.

Nettl, Bruno. 2015. "Come Back and See Me Next Tuesday. Essentials of the Fieldwork
Tradition." In: The Study of Ethnomusicology: Thirty-Three Discussions. Bruno Nettl,
(Ed). Champaign, Urbana: University of Illinois Press, 141-156. (Chapter 10)

Nettl, Bruno. 2015. “You Will Never Understand This Music: Insiders and Outsiders.”
In: The Study of Ethnomusicology: Thirty-Three Discussions. Bruno Nettl, Champaign,
Urbana: University of Illinois Press, 157-168. (Chapter 11)

Nettl, Bruno. 2015. “Citadels of the Profession. Archives, Preservation, and the Study of
Recordings.” In: The Study of Ethnomusicology: Thirty-Three Discussions. Bruno Nettl
(Ed.). Champaign, Urbana: University of Illinois Press. 169-187 (Chapter 12)

Nettl, Bruno. 2015. “You Call That Fieldwork? Redefining the “Field”.” In: The Study
of Ethnomusicology: Thirty-Three Discussions. Bruno Nettl (Ed.). Champaign, Urbana,
Chicago, and Springfield: University of Illinois Press, 199-210. (Chapter 14)

Rice, Timothy. 2014. “Conducting Research.” In: Ethnomusicology. A Very Short

Introduction. Oxford, New York: Oxford University Press, 27-43.

Shelemay, Kay Kaufman. 2013. “The Ethics of Ethnomusicology in a Cosmopolitan Age.” In:
The Cambridge History of World Music. Philip V. Bohlman (ed.). Cambridge University

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Slobin, Mark. 1992. “Ethical Issues.” In: Ethnomusicology: An Introduction, Helen Myers
(ed.). New York: W.W. Norton, 329-336.

Titon, Jeff T. 2008. “Knowing Fieldwork.” In: Shadows in the field. New Perspectives for
Fieldwork in Ethnomusicology. Barz, Gregory, Timothy J Cooley (Eds.). Oxford, New York:
Oxford University Press, 25-41.
Saha Derlemesi Hakkında Kaynaklar (Konulara ayrılmış olarak)
Saha Hakkında
Cooley Timothy J., Katherine Meizl, and Nasir Syed. 2008. “Virtual Fieldwork.” In: Shadows
in the field. New Perspectives for Fieldwork in Ethnomusicology. Barz, Gregory, Timothy J
Cooley (Eds.). Oxford, New York: Oxford University Press, 90-107.

Stock, Jonatan p. J and Chou Chiener. 2008. “Fieldwork at Home: European and Asian
Perspectives.” In: Shadows in the field. New Perspectives for Fieldwork in Ethnomusicology.
Barz, Gregory, Timothy J Cooley (Eds.). Oxford, New York: Oxford University Press, 108-
124.

Nettl, Bruno. 2015. “You Call That Fieldwork? Redefining the “Field”.” In: The Study
of Ethnomusicology: Thirty-Three Discussions. Bruno Nettl (Ed.). Champaign, Urbana,
Chicago, and Springfield: University of Illinois Press, 199-210.

Rice, Timothy. 2014 “Conducting Research.” In: Ethnomusicology. A Very Short

Introduction. Oxford, New York: Oxford University Press, 27-43.

Wood, Abigail. 2008. “E-Fieldwork: A Paradigm for the Twenty-first Century?” In: The New
(Ethno)musicologies. Henry Stobart (ed.). Lanham, Md Toronto Plymouth, UK: Scarecrow
Press.

Sahadan Arşive
Garcia, Miguel A. 2017. „Sound Archives under Suspicion.” In: Historical Sources of
Ethnomusicology in Contemporary Debate. Susanne Ziegler, Ingrid Akesson, Gerda
Lechleitner, and Susana Sardo (Eds.). Cambridge: Cambridge Scholars, 10-20.

Nettl, Bruno. 2015. “Citadels of the Profession. Archives, Preservation, and the Study of
Recordings.” In: The Study of Ethnomusicology: Thirty-Three Discussions. Bruno Nettl
(Ed.). Champaign, Urbana: University of Illinois Press. 169-187 (Chapter 12).

Røssaak, Eivind. 2010. The Archive in Motion. New Conceptions of the Archive in
Contemporary Thought and New Media Practices. Oslo: Novus Press.

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Winick, Stephen and Peter Bartis. 2016 (Fourth Edition). Folklife and Fieldwork: An
Introduction to Cultural Documentation. The Library of Congress, The American Folklife
Center.

Sahada Iletişim
Nettl, Bruno. 2015. "Come Back and See Me Next Tuesday. Essentials of the Fieldwork
Tradition." In: The Study of Ethnomusicology: Thirty-Three Discussions. Bruno Nettl,
(Ed). Champaign, Urbana: University of Illinois Press, 141-156. (Chapter 10)

Araştırmacının Sahadaki Rolü

Nettl, Bruno. 2015. “You Will Never Understand This Music: Insiders and Outsiders.”
In: The Study of Ethnomusicology: Thirty-Three Discussions. Bruno Nettl, 157-168.
Champaign, Urbana: University of Illinois Press. (Chapter 11)

Rice, Timothy. 1995. “Understanding and Producing the Variability of Oral Tradition:
Learning from a Bulgarian Bagpiper.” In: Journal of American Folklore, 108 (429), 266-
276.

Rice, Timothy. 2008. „Toward a Mediation of Field Methods and Field Experience in
Ethnomusicology.” In: Shadows in the field. New Perspectives for Fieldwork in
Ethnomusicology. Barz, Gregory, Timothy J Cooley (Eds.). Oxford, New York: Oxford
University Press, 42-61.

Wong, Deborah. 2008 “Moving: from Performance to Performative Ethnography and Back
Again.” In: Shadows in the field. New Perspectives for Fieldwork in Ethnomusicology. Barz,
Gregory, Timothy J Cooley (Eds.). Oxford, New York: Oxford University Press, 76-89.

Etik:

Shelemay, Kay Kaufman. 2013. “The Ethics of Ethnomusicology in a Cosmopolitan

Age.” In: The Cambridge History of World Music. Philip V. Bohlman (ed.). Cambridge
University Press, 786-806.

Slobin, Mark. 1992. “Ethical Issues.” In: Ethnomusicology: An Introduction, Helen

Myers (ed.). New York: W.W. Norton, 329-336.

Kartomi, Margat J. 1999. “Ethnomusicological Education for a Humane Society: Ethical

Issues in the Post-Colonial, Post-Apartheid Era.” In: African Music, Vol. 7, No. 4 (1999),
166-174.

5
Sahada Cinsiyet:

Appert, Catherine M., Sidra Lawrence. 2020. “Ethnomusicology beyond #MeToo: Listening
for the Violences of the Field.” In: Ethnomusicology, Vol. 64., No. 2 (Summer 2020), 225-
253.

Babiracki, Carol. 2008. „What ist he Difference? Reflections on Gender and Research in
Village India“. In: Shadows in the field. New Perspectives for Fieldwork in
Ethnomusicology. Barz, Gregory, Timothy J Cooley (Eds). Oxford University Press, 167-
82.

Roy, Jeff. 2017. „From Jalsah to Jalsā: Music, Identity, and (Gender) Transitioning at a Hījŗā
Rite of Initiation.” In: Ethnomusicology, Vol. 61, No. 3 (Fall 2017), 389-418.

Yöntem:
Qualitative and quantitative interview methods, documentation, field notes
Emerson, Robert M., Fretz, Rachel I. und Shaw, Linda L. 1995. Writing Ethnographic
Fieldnotes. Chicago, London: University of Chicago Press

Güç İlişkileri (Power Relationship)

Appert, Catherine M., Sidra Lawrence. 2020. “Ethnomusicology beyond #MeToo: Listening
for the Violences of the Field.” In: Ethnomusicology, Vol. 64., No. 2 (Summer 2020), 225-
253.

Brown, Danielle. 2020. An Open Letter on Racism in Music Studies-Especially

Ethnomusicology and Music Education. Jun 12 2020.
https://www.mypeopletellstories.com/blog/open-letter

Cooley Timothy J., and Gregory Barz. 2008. “Casting Shadows: Fieldwork is Dead!
Long Live Fieldwork! Introduction.” In: Shadows in the field. New Perspectives for
Fieldwork in Ethnomusicology. Barz, Gregory, Timothy J Cooley (Eds.). Oxford, New
York: Oxford University Press, 3-24.

Solomon, Thomas. 2012. “Where is the postcolonial in Ethnomusicology?” In:

Ethnomusicology in East Africa – Perspectives from Uganda and Beyond. Tamusuza,
Nannyonga S und Thomas Solomon (Eds.). Kampala: Fountain Publishers, 216-251.

E-Fieldwork

Caliandro, Alessandro. 2017. “Digital Methods for Ethnography: Analytical Concepts for
Ethnographers Exploring Social Media Environments.” In: Journal of Contemporary
Ethnography, 1-28.
6
Fielding, Nigel, Raymond M. Lee und Grant Blank (Hg.). 2017. Online Research Methods.
London: Sage Reference.

Hine, Christine. 2015. Ethnography for the Internet – Embedded, Embodied, and Everyday.
London and New York: Routledge

Hine Christine. 2016. “From Virtual Ethnography to the Embedded, Embodied, Everyday
Internet.” In: The Routledge Companion to Digital Ethnography, Routledge, Accessed on:
11.10.2020.
https://www.routledgehandbooks.com/doi/10.4324/9781315673974.ch2

Hine, Christine. 2017. “Ethnographies of Online Communities and Social Media: Modes,
Varieties, Affordances.” In: Online Research Methods. Ed. Fielding, Nigel, Raymond M. Lee
und Grant Blank. London: Sage Reference, 401-415.

O’Connor, Henrietta und Clare Magde. 2017. “Online Interviewing.” In: Online Research
Methods. Ed. Fielding, Nigel, Raymond M. Lee und Grant Blank. London: Sage Reference,
416-434.

Przybylski, Liz. 2021. Hybrid Ethnography. Online, Offline, and in Between. Qualitative
Research Methods Vol. 58. Los Angles, London, New Delhi, Singapore, Washington
DC, Melbourne: Sage, 1-16.

Crystal Abidin and Gabriele de Seta Ed. 2020. Private Messages from the Field. Journal of
Digital Social Research Vol. 2: No. 1: 2020. https://jdsr.se/ojs/index.php/jdsr/issue/view/3

Katılımcı Gözlem (Participatory Fieldwork)

Baily, John. 2008. “Ethnomusicology, Intermusability, and Performance Practice.” In The
New (Ethno)musicologies, ed. Henry Stobart, 117–134. Chicago: Scarecrow Press.

Wong, Deborah. 2008. “Moving: From Performance to Performative Ethnography and Back
Again.” In Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, ed.
Gregory F. Barz and Timothy J. Cooley, New York: Oxford University Press. 76–89.

Transkripsiyon
Genel Kaynaklar
Abraham, O., & von Hornbostel, E. M. 1994. „Suggested Methods for the Transcription of
Exotic Music“. Ethnomusicology 38(3). S.425-456.

Kanno, Mieko. 2007. “Prescriptive Notation: Limits and Challenges.” In: Contemporary
Music Review, Vol. 26. London and New York: Routledge. S.231-254.

7
Kubik, Gerhard. 1996. „Emics and Etics Re-Examined, Part 1: Emics and Etics: Theoretical
Considerations.” In: African Music, 7(3). S.3-10.

Marian-Balasa, Marin. 2005. “Who Actually Needs Transcription? Notes on the Modern
Rise of Method and the Postmodern Fall of an Ideology.” In: The World of Music, vol.
42(2), 5-29.

Nettl, Bruno. 2005. „I Can’t Say a Thing Until I See the Score: Transcription.“ In: The Study
of Ethnomusicology: Thirty-one Issues and Concepts. Champaign: University of Illinois
Press. S.74-91.

Symposium on Transcription and Analysis: A Hukwe Song with Musical Bow

Audiolink
https://www.ethnomusicology.org/page/Pub_JournalMA?
fbclid=IwAR2Rvb2fXu43pQNeGt3NvfiGp54262z5HyltYh1ywGYzC_u7QweomEBizxo

1. England, N. 1964. Introduction. Ethnomusicology, 8(3), 223-233. Retrieved from

www.jstor.org/stable/850124
2. Garfias, R. 1964. Transcription I. Ethnomusicology, 8(3), 233-240. doi:10.2307/850125
3. Kolinski, M. 1964. Transcription II. Ethnomusicology, 8(3), 241-251.
doi:10.2307/850126
4. List, G. 1964. Transcription III. Ethnomusicology, 8(3), 252-265. doi:10.2307/850127
5. Rhodes, W. 1964. Transcription IV. Ethnomusicology, 8(3), 265-272.
doi:10.2307/850128
6. Seeger, Charles. 1964. "Report of the Chairman-Moderator." Ethnomusicology 8, no.
3, 272-77. JSTOR, www.jstor.org/stable/850129.

Agawu, Kofi. 2003. Representing African Music. Postcolonial Notes, Queries, Positions.
London and New York: Routledge.

Allgayer-Kaufmann, Regine. 2005. “From the Innocent to the Exploring Eye:

Transcription on the Defensive.” The World of Music, 47(2), 71-86. Retrieved from
http://www.jstor.org/stable/41699646

Ciantar, Philip. 1996. Styles of Transcription in Ethnomusicology. Durham theses, Durham

University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2024/

Euba, Akin. 2008 (2003). "Naught for Your Comfort: reflections on Kofi Agawu’s
Representing African Music: Postcolonial Notes, Queries, Positions (2003)." In: Transition,
vol. 99, 154-161. Project MUSE muse.jhu.edu/article/251546.

Holzapfel, Andre und Emmanouil Benetos. 2019. „ Automatic music transcription in

ethnomusicology: a user study“, 20th International Society for Music Information Retrieval
8
Conference, Delft, The Netherlands. http://archives.ismir.net/ismir2019/paper/000082.pdf

Jairazbhoy, Nazir. 1997. „The ‚Objective’ and Subjective View in Music Transcription.“ In:
Ethnomusicology 21, 263-73.

Marian-Balasa, Marin. 2005. World of Music: Notation, Transcription, Visual Representation.

Vol. 47(2). Göttingen: Verlag für Wissenschaft und Bildung.

Markoff, Irene. 2016. „Deconstructing Haydar: Lineage, Ownership, and Innovation in the
Creation of Alevi ‘Classic’.“ In T. Rice (Hg.) In: Ethnomusicological Encounters with Music
and Musicians. London and New York: Routledge. S.195-214.

Nettl, Bruno. 2005. „I Can’t Say a Thing Until I See the Score: Transcription.“ In The Study
of Ethnomusicology: Thirty-one Issues and Concepts. Champaign: University of Illinois
Press. S.74-91.

Schuiling, Floris. 2019. “Notation Cultures: Towards an Ethnomusicology of Notation”,

Journal of the Royal Musical Association 144(3): 429-458,
https://doi.org/10.1080/02690403.2019.1651508

Seeger, Charles. 1958. Prescriptive and Descriptive Music-Writing. The Musical

Quarterly, 44(2), 184-195. Retrieved from www.jstor.org/stable/740450.

Stanyek, Jason. 2014. „Forum on Transcription.“ In: Twentieth-Century Music 11(1): 101-
161. https://doi.org/10.1017/S1478572214000024
Qia, Shen (Translated by Catherine Ingram). 2014. “Facing the Predicament of Wordlessness:
When We Speak of Certain Musical Sounds.” In: Yearbook for Traditional Music, 46, 22-42.
JSTOR, www.jstor.org/stable/10.5921/yeartradmusi.46.2014.0022.

Titon, Jeff Todd. 2003. “Textual Analysis or Thick Description?” In: Eds. Clayton Martin,
Trevor Herbert und Richard Middleton, Cultural Study of Music. New York: Routledge,
S. ??? 175-184

Genel / Diğer Disiplinler

Judith Butler. 2012. Can One Lead a Good Life in a Bad Life?: Adorno Prize Lecture',
Radical Philosophy 176, Nov/Dec 2012, pp. 9–18. (pdf:
https://www.radicalphilosophy.com/article/can-one-lead-a-good-life-in-a-bad-life)
Türkçe: http://www.felsefecilerdernegi.org.tr/kotu-bir-hayatta-iyi-bir-hayat-surmek-
mumkun-mudur-adorno-odulu-konusmasi-judith-butler/

Said, Edward. 1978. Oryantalizm.

9
Spivak, Gayatri Chakravorty. 1983. Can the Subaltern Speak?

10