READY. ACTION.

Agility that enables confidence

To be truly ready means moving fast, With the Z 8, you are ready
light, and agile. To step into new terrain,
Confident to push further, for longer, To face any challenge, big or small,
Even in difficult conditions, To push your creativity further,
To meet new challenges. To take action.

It means ready for action. Z8

For every once-in-a-lifetime moment, READY. ACTION.
No matter how fast it comes,
How unexpected.

It means the freedom and flow,

To tell your story from any vantage point.
Confident yet unobtrusive.

It means capturing more:

More than the eye can see,
Stacked CMOS sensor with minimal rolling Exquisite image-processing —
More than the moment lets you fully appreciate, shutter distortion
In rich detail with the scope to take it further, The Z 8 incorporates the same stacked CMOS The Z 8 is equipped with Nikon’s most advanced
For astonishing works that inspire. sensor featuring 45.7 effective megapixels as the image-processing engine, EXPEED 7. It processes a
Z 9. The world’s fastest* scanning speed makes it vast amount of data and enables next-generation
possible to minimise rolling-shutter distortion while features like the Real-Live Viewfinder, powerful AF,
eliminating the need for 120fps Pre-Release
a mechanical shutter. Capture, High Efficiency
* As of May 10, 2023,
RAW, in-camera
among mirrorless cameras 8.3K/60p N-RAW, 4K
incorporating an image UHD/120p, and more.
sensor with 30 megapixels
or larger, based on Nikon
research.
 We work together to capture Indian
weddings in both stills and video. We are
on our feet all day shooting handheld, and
the Z 8’s compact form factor, reliable VR,
and powerful AF revolutionised our shooting
experience. The constant vibrant movement
at Indian weddings creates a sense of
The agility and
chaos, and the Z 8 gives us the confidence AF performance
to find and capture all the once-in-a-
lifetime moments that happen in that chaos of the Z 8 let
— even in challenging lighting conditions.
Seamless and effortless to use, the Z 8 is
us capture raw
like an extension of our bodies. emotion from the
Technical tips

By applying a custom wide-area AF to

chaos at f/1.2
the faces of a couple running towards the
camera, we can shoot continuously — even
wide open — and the focus stays on the
couple, not jumping to the flower petals or
celebrating friends around them.

Wedding Photographer & Videographer

ANKITA ASTHANA &

© ANKITA ASTHANA
AKASH AGARWAL
 The Z 8 is an incredible camera for
independent filmmakers like me. ProRes
422 HQ 4K UHD in-camera in such a
compact form factor puts power, freedom,
and a level of intimacy into the hands of
videographers. On a gimbal, free from
external cables, the camera allowed me
to tell my story through brand-new angles,
perspectives, and vantage points. Because
this camera is ready for the game out of

The compact form the gate, setup time is also significantly cut.
Go out there and be you; this camera has
factor lets this got your back.

camera become Technical tips

With the Z 8, I can quickly capture my talent

part of me and with the AF and don’t need an extra person

racking focus for me. The internal ProRes 422

how I flow as
recording not only minimises my setup but
lets me start editing and grading the footage
on my laptop immediately after the shoot.

a filmmaker

Video Director

RODNEY LUCAS

© GUI MARTINEZ
 Climbing a mountain is a big physical
challenge, which makes the view from the
top even more valuable. The lightweight Z 8
helps me enjoy climbing more in situations
that would leave me exhausted otherwise.
The camera remains reliable even in harsh
weather conditions. With the 10-bit HLG,
I have no
I can capture the brightness and warm compromise
colours of a sunrise as I see it with my eyes
and then share it with my followers, which
creatively, even
ignites my fundamental creative motivation.
at the top of a
Technical tips

The histogram is such an important guide

mountain in
severely cold
for getting the ideal exposure when shooting
high-contrast scenes in HLG tone mode.
Even if the EVF or LCD monitor shows over-
exposed images, as long as the exposure
isn’t clipping on the histogram, you’ll get conditions
breathtakingly impressive pictures with no
blown-out highlights.

Landscape Photographer & Videographer

© LINKSPHOTOGRAPH
LINKSPHOTOGRAPH
 With the Z 8, I have the top-level
functionality of a full-frame camera but in
a lighter body — something very important
for bird photographers, especially when
using large telephoto lenses handheld for
long periods of time. I can do a lot of fast
sweeping pans without the strain on my
arms that I get with other cameras.

Technical tips

The Z 8’s Pre-Release Capture means you

can capture the exact moment a kingfisher
I can capture takes off from a branch — a moment
usually too fast to respond to in time. The

split-second powerful AF subject detection [Animal]

also helps me capture birds at the fleeting
instance they take flight — full wingspan,

moments beyond creating beautiful shapes.

the limits of human

reaction time

© GEORGINA STEYTLER
Bird Photographer

GEORGINA STEY TLER

 When I capture an airplane flying very fast
from a close distance, I only have a fraction
of a second to place the moving subject
against other visual elements into a nice
composition — it’s a real challenge. I have
to follow the movement as I compose. The
Z 8’s autofocus lets me concentrate on All the difficult
getting better framing. What was once
extremely difficult has become immensely components
enjoyable. It’s amazing to see the airplane
come out tack-sharp in every single frame,
of airplane
even in low light at dusk. photography
Technical tips

You need completely different camera settings

distilled into
to capture an airplane’s landing and take-
off. I have the necessary settings for each pure joy
scenario saved in separate shooting menu
banks, A for “landing” and B for “take-
off.” Using an Fn button, I can easily switch
between the two banks without having to
access the camera menu. This means I can
photograph multiple airplanes landing and
taking off in rapid succession.

Landscape/Airplane Photographer

© TAKAHIRO BESSHO
TAKAH IRO BESSHO
 Agile Operation
Stills
&
Outstanding balance in your hands for more agile operation Video
Stills
&
Video Video

The sheer joy of agile operation Agile shooting with 12-bit RAW and 10-bit Stable handheld shooting with VR functions
The Z 8 is designed to let you go further and faster with your creativity. With the first- ProRes 422 HQ in-camera video recording The compact yet well-balanced body of the Z 8 gives
rate performance and functionality of the Z 9 condensed into a well-balanced, compact The Z 8 can record high-quality 12-bit and 10-bit you the confidence and freedom to shoot video, as
body, this is an agile camera allowing for a more flexible shooting experience and more video in-camera — without an external recorder. well as stills, handheld. It supports not only in-camera
space in your camera bag. With less weight yet assuring durability, you can tackle even This allows you to hold the camera more comfortably VR but also Synchro VR, a function in which in-camera
the toughest mountain climbs, lengthy bird shoots, or demanding all-day weddings. The and move around more smoothly. It also means that VR and the VR of compatible NIKKOR Z lenses*1 work
sturdy grip and the robust, well-balanced body are engineered to be comfortable in your videographers can take advantage of a lighter camera together to enhance the stabilization, giving you a VR
hands with a wide range of NIKKOR Z lenses, from ultrawide-angle to super-telephoto, system when shooting on a gimbal, with fewer cables effect equivalent to a shutter speed of 6.0 stops*2 faster.
making the camera more stable in various different still and video shooting conditions. and less setup time. Whatever your required video In addition, you can apply the powerful electronic VR*3
output or shooting and editing workflow, the Z 8 gives to facilitate recording while walking. It also helps correct
you the freedom to expand new possibilities across trapezoid distortion, something usually common with
various styles of video production. wide-angle lenses.
*1 As of May 10, 2023, the following lenses are compatible with Synchro VR :
NIKKOR Z 70-200mm f/2.8 VR S, NIKKOR Z 100-400mm f/4.5-5.6 VR S,
Size Size NIKKOR Z 400mm f/2.8 TC VR S, NIKKOR Z 400mm f/4.5 VR S, NIKKOR
Down Down Z 600mm f/4 TC VR S, NIKKOR Z 800mm f/6.3 VR S, and NIKKOR Z MC
-30% -15% Minimise gear and setup time with a wireless transmitter 105mm f/2.8 VR S.
Nikon’s partnered brands also help to minimise the gear you need for a shoot. In cases where you want to show what *2 Based on CIPA Standards. When using the telephoto end of the NIKKOR Z
70-200mm f/2.8 VR S with NORMAL mode.
1340 g/2 lb 15.3 oz*1 910 g/2 lb 0.1 oz*1 1005 g/2 lb 3.5 oz*2 you are capturing to your client or your team, in the past, you may have needed to set up HDMI monitors with long HDMI
Z9 Z8 D850 *3 With electronic VR, the angle of view becomes equivalent to 1.25× the focal
cables cluttering up your set. With the Hollyland MARS 400S PRO on the hot shoe of the Z 8, you can wirelessly transfer length of the lens in use. Not compatible with 120p/100p, 8K UHD, or RAW.
*1 With battery and two memory cards but without body cap and accessory shoe cover.
*2 With battery and memory card but without body cap.
what you are recording in real time to tablets or receivers of your choice. A simple, fast, and effective way to reduce your
gear and setup time, making shoots smoother and faster.

Conventional items needed for 12-bit RAW Items needed for 12-bit RAW
4-axis tilting monitor video recording with client confirmation video recording with client confirmation
Enhanced vertical-orientation playback when shooting with Z 8
expands flexibility in Stills 1. 3. 8.
camera angles The Z 8 makes vertical shooting more comfortable by 5.
2. 7.
The Z 8’s 4-axis letting you check what you’ve shot in 3.

horizontally and vertically vertical orientation playback, including 1.

9.
tilting image monitor thumbnails. The i menu for playback 4.
6.

gives you the confidence also appears in vertical orientation, giving 5.

to shoot from more you access to settings on the go without 4.
2.
perspectives that would be having to change to horizontal orientation.
otherwise difficult, letting This is especially useful for wedding
you try new, creative photographers, enabling smoother
operation in situations like shooting in 1 Battery 4 Hot shoe mount 8 HDMI monitor/recorder 1 Wireless transmitter 3 HDMI cable 5 Tablet
camera angles intuitively 2 SSD 5 Camera 9 Battery 2 Battery 4 Z8
— whether it’s still or vertical orientation on a tripod. 3 HDMI monitor/recorder 6, 7 HDMI cable 14
15
video shooting. When using Nikon recommended accessories.
 Agile Operation
Video
Intuitive and refined operation. Like a dedicated cinema camera.

Waveform monitor for intuitive exposure confirmation Red REC frame indicator to avoid mistakes Magnified focus check during recording MC-N10 Remote Grip for more efficient, creative video production
The MC-N10 Remote Grip (sold separately) is an optional
accessory that redefines what’s possible when shooting
video solo. This versatile remote grip can be attached to
equipment like a gimbal or tripod pan bar* and allows
you to control the Z 8 via a USB connection. You can
adjust the camera settings, such as focus position, focus
speed, and ISO, without touching the camera body, while
you apply smooth camera movement. Even if you are
working on your own, you can now have the creative
Quickly confirm and monitor your exposure with waveforms The Z 8 lets you display a red frame around the live view For a portrait session or product shoot, whether your possibilities of a larger production team.
on the LCD monitor or EVF — available in two viewing image on the camera monitor or viewfinder when you subject is in tack-sharp focus or not can make or break * Requires an ARRI standard-compliant rosette adapter to attach to equipment
from other brands.
sizes. You can see exactly where in the frame you might be press the video-record button, so you know exactly, with your footage, particularly in 4K or 8K UHD. With the Z 8,
white clipping — anytime while recording. This is especially just a glance, when you are — or more importantly, aren’t you can magnify the frame by 50%, 100%, and 200% —
helpful if filming in N-Log or RAW in flat colour profile — recording, to prevent mistakes. while recording* — to confirm that your point of focus has MC-N10 Remote Grip
when judging exposure can be difficult. the sharpness and precision you need.
* Not available in RAW video recording.
Attached to a gimbal Attached to a tripod pan bar

Video setting info display for at-a-glance confirmation Fine-tune ISO with 1/6-step adjustments Faster focus speed and workflow — Fast AF-ON A wide variety of compatible accessories from Nikon-partnered brands
lets you expand your video shooting possibilities
Nikon is proud to collaborate with essential
video accessory brands such as camera
cage brand SmallRig; gimbal brands DJI and
ZHIYUN; audio equipment brands Deity, Rode,
Sennheiser, and TASCAM; wireless video
transmitter brand Hollyland; and V-mount
battery brands FXLION and IDX. The Z 8 also
supports the Atomos UltraSync BLUE, which
Recording settings such as the codec, on/off of electronic With the Z 8, you can make smooth and gradual ISO To speed up your workflow when repeatedly shooting allows you to sync the timecode of multiple
VR, audio, and HDMI output settings can be displayed on adjustments in 1/6-step increments when shooting video different takes of the same scene, Fast AF-ON lets you compatible devices via Bluetooth®. With the
a single screen via the i menu. The top-deck control panel — useful, for example, when following a subject moving quickly move the focus back to where you had it at the tested and reliable accessories produced by
also displays the resolution size and frame rate along with from a bright outdoor setting to a dark indoor location, start of the shot when resetting, simply by pressing the these brands, the Z 8 lets you expand your
the remaining possible recording time, so you can check and you don’t want to increase the ISO more than custom buttons you have assigned for this function. You creativity further.
that information when the camera monitor is blocked by absolutely necessary. can also choose the speed at which the camera shifts 16
17
accessories. focus in a range from -5 to +5.
 Confidence to Capture Moments
Stills
The confidence to capture decisive moments in stills and video Stills
&
Video

Capture moments you couldn’t before — Pre-Release Capture Dedicated airplane detection mode
A perching kingfisher suddenly takes flight — some action happens too quickly to react in time. The Z 8 offers a dedicated airplane detection
The Z 8’s Pre-Release Capture lets you nail such a fleeting millisecond that you would have mode, a new AF option that exerts more
missed before. Simply hold the shutter-release button half down to start buffering, and the powerful detection and tracking performance
camera captures images up to 1 second before — as well as up to 4 seconds after — the button when shooting airplanes — whether near or
is fully pressed. At 60 fps (C60), the image area is in DX format, which brings your subject larger far, in low light, or against busy backgrounds. Airplane mode
into the frame with a 1.5× crop factor. In combination with the Z 8’s powerful AF performance, The wide range of NIKKOR Z telephoto lenses
Pre-Release Capture* helps turn fast-moving instants into stunning tack-sharp images. also helps you capture the airplanes impressively.
* JPEG normal image quality only; selectable between 30 fps, 60 fps, and 120 fps. At 60 fps, the image area becomes approx.
19 megapixels only in DX format; at 120fps, approx. 11 megapixels only in FX format. Use of a recommended card is advised.
Subject detection detects the world’s smallest* size of a face in the frame
— approx. 3% of the frame
Groundbreaking subject detection and AF performance — even better than before The powerful EXPEED 7 engine allows the Z 8 to detect faces even as
The powerful AF algorithm automatically detects and tracks nine subject types — people (eye, face, small as 3% of the frame’s long edge. This is very useful for wedding
head, upper body), dogs, cats, birds, cars, motorcycles, bicycles, trains, and planes. The detection scenes when you want to shoot the couple in an expansive landscape
performance in dimly lit situations, such as indoors and at sunsets, has also been enhanced. Together and keep them in sharp focus. The function also allows videographers to
with fast AF calculation and constant, rapid communication between the camera body and the NIKKOR Z capture a person approaching from a distance, keeping the AF on them
Up to 1 sec. prior can be recorded Fully pressing the shutter-release button lenses, the Z 8 offers high AF performance in a variety of shooting scenes. as they run toward the camera from a starting point.
* As of May 10, 2023, among mirrorless cameras, based on Nikon research.

A truly blackout-free EVF: Real-Live Viewfinder

Sharp focus for Set the focus
A constant, seamless connection to More reliable, advanced AF on
erratically moving area to meet your Stills
your subject through the viewfinder silhouettes in backlit scenes
subjects — 3D-tracking compositional needs —
is key to capturing decisive
Start of continuous shooting End of continuous shooting and subject-tracking AF Custom wide-area AF The exposure for the Z 8’s AF is controlled
moments you would otherwise
have missed. The Z 8’s Real-Live The Z 8’s powerful In addition to the powerful independently from the live-view exposure, which
Viewfinder prevents blackout or Z 8’s combination of subject subject detection and enables accurate autofocus on human subjects even
Real-Live Viewfinder when they are dark, such as backlit silhouettes in
repeats of certain frames, even detection and 3D-tracking tracking performance, you
during intermittent continuous allows you to easily capture fast, erratically moving can more fully accomplish your compositional intent with outdoor wedding
shooting, ensuring you see every subjects — such as birds, planes, and people —and flexible focus area options. Wide-area AF offers 20 custom settings — situations
single moment. A 120-fps refresh Some mirrorless’ EVF keeps them in sharp focus, so you can concentrate on options that let you define your focus area — 12 of which where conventional
rate can be selected when you capturing the dramatic shot of the decisive moment. are also available for video. This is useful, for example, cameras are likely to
want to follow fast-moving subjects Subject-tracking AF also works in conjunction with subject when you want to ensure that the bride and groom in the lose focus.
Conventional detection during video recording. middle of the wedding hall are in sharp focus, even when
even more smoothly. Loss of view Loss of view Loss of view
mirrorless’ EVF 18
and D-SLR’s OVF
there are wedding guests in the foreground.
© ANKITA ASTHANA 19
 Confidence to Capture Moments
Stills
&
Effortless reliability in challenging situations
Video

A robust body that can withstand sub-zero conditions — shoot in more locations Shooting in the dark made effortless
The Z 8 allows you to shoot in more locations. Its body and the EN-EL15c Rechargeable Li-ion The Z 8 has many features that help you shoot in the dark, allowing for smoother operation
Batteries are designed to work in freezing conditions down to -10°C/14°F. The front cover of the when shooting at night or in low-light spaces. Essential buttons for the camera settings
Z 8’s body is made from magnesium alloy to ensure mount rigidity when using super-telephoto and image playback can be illuminated. The starlight view option brightens the EVF display
lenses, to secure the image sensor with high precision, and to ensure heat dissipation. The and image monitor, letting you confirm
back and top covers are made of a Sereebo® P series material, a new material from Teijin, a your composition of extremely dark
world-renowned Japanese material manufacturer. By using the lightweight Sereebo® P series scenes. The warm display colour options
material, the Z 8 realises as strong a body as with magnesium alloy, providing high impact allow you to check the view in red.
resistance for the entire camera. With Alternatively, you can set the brightness
its excellent dust- and drip-resistant of the EVF down to Lo2 to confirm your
performance achieved with thorough image in full colours. These are also
sealing applied across the entire system, valuable options when you don’t want
including lenses, the Z 8 can withstand to disturb other shooters around you.
a wide range of extreme conditions. On top of this, the image frame can be
displayed with a white border, letting you
know the framing area.

Multiple sensor protection measures from dust and accidental shock External power sources to extend your hours of shooting Dual card slots give you the options to suit your needs Extended recording up to 125 min. in 4K UHD/60p*1 and
up to 90 min. in 8K UHD/30p*2 Video
The Z 8 features thorough sensor protection to minimise the risk of foreign matter The dust- and drip-resistant MB-N12 Power Battery Pack increases the battery life by The Z 8 has two card slots, which give you a choice according to your shooting
collecting on the image sensor. The camera incorporates the same cutting-edge double- approx. 1.8 times compared to the included EN-EL15c batteries. The MB-N12 enables hot needs. One slot takes industry-leading CFexpress Type B cards, excellent for fast The Z 8 enables extended recording up to 125 min. in 4K UHD/60p and
coating process as the Z 9 on the optical filter in front of its image sensor. The first layer swapping, so you can continue shooting when one of the two batteries is removed. In reading/writing of heavy stills or video data. This slot also accepts XQD memory up to 90 min. in 8K UHD/30p without overheating. With its smaller and
is an electro-conductive coating that repels dust, and the second is a fluorine coating addition, because the Z 8 offers two USB terminals cards. The second slot takes the more widely available SD (UHS-II) cards, which lighter body than the Z 9, it is
that makes it easy to wipe off more stubborn dust. Furthermore, the camera is equipped — one for communication and the other for power USB data connector have a great balance of writing speed and cost. suitable for demanding all-day
with a sensor shield that is closed when the camera is turned off, which blocks out dust, charge/supply — this enables power supply via a USB power delivery connector weddings and long, fly-on-the-
and accidental touches when you change lenses. When the camera is turned off, the mobile battery or V-mount battery while the camera is wall documentaries.
in-camera VR lock mechanism holds the sensor securely in place. This prevents it from communicating with other devices. *1 H.265 8-bit (MOV), [Extended oversampling]:
being damaged if the Z 8 is accidentally jolted or shaken during transportation. [OFF], [Auto temperature cutout]: [Standard],
at 25°C/77°F, using a Nikon MC- CF660G
MB-N12 memory card and external power source.
Fluorine coating *2 H.265 8-bit (MOV), [Auto temperature
allows for easy wipe of persistent dirt.
Power Battery Pack
cutout]: [High], at 25°C/77°F, using a Nikon
Electro-conductive coating MC-CF660G memory card and external
keeps the surface clean from dust. power source.
Optical filter 20
21
Image sensor
 Pinnacle of Expression
Stills
Depict the world in riveting ways Stills
&
Video

Rich tones with increased luminance captured in HEIF, Skin softening function — smooth skin in stills and video
both for stills and time-lapse videos The Z 8’s skin softening can detect human faces and smooth your subject’s skin while Stills
Landscape/cityscape photographers can now take full advantage keeping the sharpness of their eyes and hair intact. This is useful when you want to save
of capturing the rich tones of sunset and high luminance of city time in post for a quick turnaround, either for stills or video. You can even utilise this
illumination by shooting in HEIF (High Efficiency Image File). The function for live streaming.
HEIF format can retain rich tonal gradation with HLG gamma in
10-bit. You can also get an idea of how the HEIF images that you A combination of 1/32000 sec.
shoot will look on an HDR (HLG)-compatible monitor with the shutter speed and ISO 64 to
Z 8’s 3000cd/m2 compatible EVF and 900cd/m2 high-luminance expand shooting scenarios with the
image monitor on location. It is also possible to create 8K UHD maximum aperture
HLG time-lapse videos in-camera. You can enjoy viewing the
One of the most attractive points of the
HEIF images and footage by connecting the Z 8 to an HDR
NIKKOR Z lenses is the beautiful bokeh you
(HLG)-compatible monitor or television via an HDMI 2.1 cable.
can create without aberration, even with
the aperture wide open. Combined with
its ISO 64 and 1/32000 sec. shutter speed,
the Z 8 allows the use of the maximum
aperture of fast NIKKOR Z lenses such as
the NIKKOR Z ’s f/1.2 S and f/1.8 S prime
Simulated HEIF look lens series, even in bright locations like on
a beach or a snowy mountain.
On Off © ANKITA ASTHANA
Viewing and editing HEIF and RAW images shot in HLG
tone mode in NX Studio
NX Studio*, Nikon’s free software designed for viewing,
processing, and editing images, now allows you to view HEIF and More natural-looking AWB for portraits Enhanced portrait Intuitive colour temperature
edit rich RAW images captured in HLG tone mode on the impression balance adjustment for white
The Z 8 AWB has been refined from that
Z 8, in addition to RAW and JPEG images in SDR tone mode. The customisation balance
of the Z 9. When capturing people in stills
software offers a variety of editing features, and when exporting
or video, the Z 8’s AWB delivers pleasing You can now more easily adjust The Z 8 allows you to fine-tune
RAW files in HLG tone mode, you can convert them into HEIF (HLG,
colour rendering, both for people and their portrait impression balance. white balance not only in the
PQ) depending on the viewing conditions and usage.
backgrounds, without any unwanted color With the Z 8, you can make G-M (green-magenta) axis but
* Use monitors, computers, and monitor cables compatible with HLG when confirming cast, by utilising the face information of intuitive tweaks by confirming also in the A-B (amber-blue)
the accurate tone of HEIF and RAW images in HLG mode. Imaging Codec 01 must be
installed from the Nikon website when opening HEIF files and RAW files in HLG mode human subjects — even in high-brightness changes in how the subject axis. You can make intuitive
with Windows. and low-colour-temperature conditions. The looks on live view. This is adjustments while checking the
Z 8’s AWB also delivers stable colour accuracy particularly useful for weddings changes in real time via live view.
when Nikon or Nikon-partnered-brand and portrait stills or videos.
speedlights are used. 22
23

© ANKITA ASTHANA
 Pinnacle of Expression
Video
Versatile in-camera video formats for your preferred grading process

12-bit or 10-bit professional-level video options — all in-camera High-definition 4K UHD/60p, 50p, 30p, 25p, 24p
Whatever you are shooting, you can achieve maximum creative potential with high-quality which makes editing the footage a smoother process. Furthermore, you can shoot in N-Log oversampled from 8K
grading possibilities. The Z 8 records pristine 12-bit ProRes RAW HQ, Nikon’s proprietary for any of the 12-bit and 10-bit in-camera codecs to get more control over the look of your Sharpness matters, especially on larger monitors. With the Z 8,
N-RAW video, or 10-bit ProRes 422 HQ internally — no external device required. Full HD final footage. you can record high-definition 4K UHD/60p, 50p*1 30p, 25p, and
proxy files are simultaneously created in-camera when shooting in ProRes RAW and N-RAW, 24p oversampled*2 from 8K in 10-bit and 8-bit. Combining this
with high-resolution NIKKOR Z lenses creates overwhelmingly
12-bit N-RAW & ProRes RAW 10-bit ProRes 422 HQ & H.265 8-bit H.265 & H.264 immersive 4K videos.
*1 Oversampling expansion is available when the FX-based video format is selected.
*2 For 60p and 50p, [ON] must be selected for [Extended oversampling].

On Off

12-bit N-RAW for 8.3K 60p 12-bit ProRes RAW HQ optimises editing workflow ProRes 422 HQ and H.265 available in 10-bit More control over your look with N-Log*1 Zoom in on your subjects even when using Crystal clear 24-bit/
streamlines high-end video
production The Z 8 lets you record 4.1K/60p in 12-bit ProRes RAW The Z 8 lets you shoot in 10-bit video files that pack rich You can select the tone mode when recording video prime lenses — Hi-Res Zoom* 48 kHz linear PCM audio
HQ, also in-camera. ProRes RAW HQ is a go-to codec depth and detail but are easy to grade and edit on your from SDR, N-Log, and HLG. Nikon’s original N-Log With the Z 8’s Hi-Res Zoom, you can enjoy an extra recording
Nikon’s groundbreaking N-RAW* video format packs all the laptop on the go. ProRes 422 HQ, regarded as an industry utilises extensive colour depth and 12-stop 1,300%
for professionals, so it’s practical to use when you are reach of up to 2× zoom during 4K UHD and Full HD The Z 8 lets you record high-
depth and detail of 12-bit RAW into a file that is half the standard, is a video format that is compatible with a dynamic range to record rich tones in both the
editing videos with footage taken by multiple different video recording with the touch of a button, even when quality audio in 24-bit/48 kHz linear
size of ProRes RAW HQ files. You can work with 8.3K/60p, wide variety of editing software. You can shoot up to 4K highlights and shadows. You can also take advantage
cameras and recorders which support the format. You using prime lenses. Unlike an ordinary digital zoom, PCM* when shooting video. With
5.4K/60p (DX format), 4.1K/120p, or 4K UHD/120p (2.3x crop) UHD/60p and Full HD/120p in 4:2:2 colour sampling with of Nikon’s 3D LUT*2 to help speed up your grading
can take advantage of the flexibility in post, including it preserves high resolution when zooming in, as it uncompressed linear audio, you can
footage in compatible editing software to create 8K or 4K ALL-I intraframe compression to in post.
for green-screen chroma key compositing and other utilises up to 8K resolution in real time. You can also record sound clearly with a wider
video outputs in both DCI and UHD formats. Furthermore, 8K achieve high image quality. You
digital effects. *1 N-Log is not supported in 8-bit. select a zooming speed from three options. dynamic range.
footage gives you the freedom to crop, zoom, and track in also have the option to shoot in *2 Can be downloaded from the Nikon website.
post, while still being able to output your finished video in 4K. H.265, which supports up to 4K * Available in 10-bit ProRes 422 HQ or H.265 4K UHD/30p/25p/24p, and * H.264 only supports 16-bit AAC 48kHz.
8-bit H.265/H.264 Full HD with FX format in all frame rates. AF-area mode 24
* Compatible with Blackmagic Design DaVinci Resolve ver.17.4.6 or later, and Grass UHD/120p without cropping. is fixed at wide-area AF (L), and the focus point will not be indicated. 25
Valley EDIUS X ver.10.32 or later.
 System Chart
Stills
&
The growing range of NIKKOR Z lenses SPEEDLIGHTS NIKKOR LENSES MICROPHONES

Video SD-9 High-Performance

Battery Pack
XLR microphone adapter*2
XLR microphone*2
SB-5000 Speedlight (TASCAM* 3)

SB-5000 Speedlight
Microphone*2
SB-700 Speedlight (DEITY*3 /RODE*3 /SENNHEISER*3)
SB-700 Speedlight
NIKKOR Z lenses
Unlimited imaging possibilities NIKKOR Z
SB-500 Speedlight
Lenses are the decisive factor in image creation. NIKKOR Z offers a diverse lineup of
14-24mm f/2.8 S SB-500 Speedlight HEADPHONE DOT SIGHT

prime and zoom lenses, now covering the focal range from 14 mm to 1600 mm*, with While delivering extraordinary rendering, the SB-5000 Speedlight SC-29 TTL Remote Cord
Headphone* 2 DF-M1 Dot Sight

clear and tack-sharp rendering performance NIKKOR Z 14-24mm f/2.8 S boasts the short
NIKKOR F lenses
SB-700 Speedlight
at the maximum aperture. The NIKKOR and light body at 650 g/1 lb 7 oz. Its advanced
lens design achieves near-perfect point-light SU-800 Wireless Speedlight Commander
Z lenses also allow for silent operation SB-500 Speedlight VIEWFINDER
image reproduction across the entire frame as MOUNT ADAPTER ACCESSORY
and minimise focus breathing. well as minimum flaring and ghosting thanks to Mount Adapter DK-33* Rubber Eyecup
1

Nikon’s advanced lens coat. This makes the lens Studio flash*2 FTZ II
* When using the teleconverter. (Nissin Digital*3 /Profoto*3)
ideal for shooting starscapes or night cityscapes R1C1 Close-up Speedlight Commander Kit
with lots of illumination. SC-15
Coiled Sync Cord
AS-15 Sync Terminal Adapter
REMOTE CONTROL
© LINKSPHOTOGRAPH
ML-3 ACCESSORIES
WR-R11a Wireless Modulite Remote
Remote Controller Control Set
SB-5000 Speedlight

MC-36A HDMI/USB WR-R11a Wireless

Remote Cord Cable Clip*1 Remote Controller
AC ADAPTERS, BATTERIES AND CHARGERS
NIKKOR Z MC-30A
EH-7P
24-120mm f/4 S Charging AC Adapter*6
EN-EL15c*1/EN-EL15b/EN-EL15a
Rechargeable Li-ion Battery*5
Remote Cord WR-T10 Wireless
Remote Controller
SMART HDMI/USB MC-22A
EH-8P AC Adapter*6 DEVICE APPLICATION
This easy-to-carry, versatile 5x standard zoom MH-25a*1 Cable Clip*1 Remote Cord
Battery Charger UC-E25 USB Cable
lens covers a wide variety of scenes, including (Type-C connector 
USB cable*7
landscapes, candid street shots, portraits, UC-E25 MC-23A Type-C connector)
MB-N12 Connecting Cord
and situations where you want to apply a USB Cable Smart device*2 (iOS/Android OS)
Power Battery Pack
compression effect. Thanks to its maximum
Personal computer* *2 6
MC-25A
reproduction ratio of 0.39x, a minimum focus (with Type-C USB port only) Adapter Cord
EP-5B
distance of 0.35 m/1.15 ft, and a multi-focusing Power Connector
system, the NIKKOR Z 24-120mm f/4 S lets you Portable USB charger*2*6
(Requires a USB cable with SnapBridge*9 NX Field*8*11 NX MobileAir*8*9 2-pin remote accessories MC-N10 Remote Grip
enjoy impressive close-up shots of the finer two Type-C connectors)
EH-5d/EH-5c/EH-5b
details in nature. AC Adapter
© LINKSPHOTOGRAPH
V-Mount battery*2 COMPUTER-RELATED ACCESSORIES
(FXLION*3 /IDX*3)
HDMI/USB USB-to-Ethernet CFexpress memory card
Cable Clip*1 adapter*2 CFexpress memory card reader*2
(Type B)

TV AND VIDEO ACCESSORIES LAN cable*2

XQD memory card XQD memory card reader*2
NIKKOR Z NIKKOR Z
800mm f/6.3 VR S 85mm f/1.2 S HDMI/USB
Cable Clip*1
UC-E25 USB Cable SD memory card*2 SD memory card reader*2
Camera cage*2 (Type-C connector  Type-C connector)
(SmallRig*3) Timecode sync
This 800-mm lens achieves the longest focal accessory*2
HDMI cable*2
length of the Z series, and by utilising a Phase A stunning combination of an immersive sharp (Type A connector  (Atomos*3) NX Studio*10
focal plane and smooth, beautiful bokeh Gimbal* 2
Type A connector) Personal
Fresnel lens element, it offers extremely high (DJI*3*4 /ZHIYUN*3*4) FTP server*2
computer*2 Webcam Utility*10
optical performance in a size and weight that gradation creates a breathtakingly three-
dimensional feel with minimum colour fringing. UC-E24 USB Cable*1 Wireless Transmitter Utility*10
lets you shoot tack-sharp images of birds and (Type-C connector  Type-A connector)
Wireless NX Tether*10
airplanes handheld. Together with the Z 8, The multi-focusing system, which uses two video transmitter*2 HDMI external monitor/recorder* 2
LAN cable* 2

Synchro VR, a function in which in-camera VR stepping motors, achieves tack-sharp focus (Hollyland*3) (Atomos*3 /Blackmagic Design*3) Camera Control Pro 2
TV monitor*2 USB-to-Ethernet adapter*2
and NIKKOR Z’s VR work together, delivers an even at its shallow depth of field of f/1.2.
A perfect partner for a wedding shoot. 26
excellent vibration-reduction effect.
*1 Supplied accessories *2 Non-Nikon products *3 Collaborating accessory manufacturers *4 Will be compatible soon. *5 Only EN-EL15c/EN-EL15b batteries support USB charging. *6 Cannot be used to charge EN-EL15a battery. 27
*7 When connecting with iPhones, use the Anker’s USB-C to Lightning Accessory Cable. When connecting with Android devices, use the UC-E25 or a USB cable with the appropriate connectors for the camera and your smartphone on the market. *8 Available regions and languages are limited.
*9 Can be downloaded from the application store of each smart device (free). Full functions of the NX MobileAir are available with charge. *10 Can be downloaded from Nikon website (free). *11 Only available for iOS.
© GEORGINA STEYTLER © ANDREW GOLDIE
Z 8 S P E C I F I C AT I O N S
Type of camera Digital camera with support for interchangeable lenses Metering range -3 to +17 EV Video exposure compensation -3 to +3 EV in steps of 1/3 or 1/2 EV
Lens mount Nikon Z mount (ISO 100, f/2.0 lens, Video ISO sensitivity • M mode: ISO 64 to 25600 in steps of 1/6, 1/3 or 1 EV;
20°C/68°F) (Recommended with additional options available equivalent to approx.
Compatible lenses • Z mount NIKKOR lenses
• F mount NIKKOR lenses (mount adapter required; restrictions ISO sensitivity ISO 64 to 25600 in steps of 1/3 or 1 EV; can also be set to Exposure Index) 0.3, 0.7, 1 or 2 EV (ISO 102400 equivalent) above ISO 25600; auto
may apply) (Recommended Exposure approx. 0.3, 0.7 or 1 EV (ISO 32 equivalent) below ISO 64 or ISO sensitivity control (ISO 64 to Hi 2.0) available with selectable
Index) to approx. 0.3, 0.7, 1 or 2 EV (ISO 102400 equivalent) above ISO upper limit
Effective pixels 45.7 million 25600; auto ISO sensitivity control available; ISO 400 to 25600 • P, S or A mode: Auto ISO sensitivity control (ISO 64 to Hi 2.0)
Image sensor 35.9 × 23.9 mm CMOS sensor (full-frame/FX-format) for HLG tone mode with selectable upper limit; ISO 400 to 25600 for HLG tone
Active D-Lighting Can be selected from auto, extra high 2, extra high 1, high, mode
Total pixels 52.37 million
normal, low, or off Other video options Time-lapse video recording, electronic vibration reduction, time
File format • NEF (RAW): 14 bit with lossless compression, high efficiency codes, N-Log and HDR (HLG) video, wave-form display, red REC
or high efficiency Autofocus type Hybrid phase-detection/contrast AF with AF assist
frame indicator, video recording display zoom (50%, 100%, and
• JPEG (JPEG-Baseline compliant) or HEIF: fine (approx. 1:4), normal AF detection range -7 to +19 EV (-9 to +19 EV with starlight view) 200%), extended shutter speeds (M mode), and dual-format
(approx. 1:8), or basic (approx. 1:16) compression; size-priority and (in photo mode, AF-S, ISO 100, (proxy video) recording for RAW video; extended oversampling
optimal-quality compression available f/1.2 lens, 20°C/68°F) available; option to view video recording info available via i
• NEF (RAW)+JPEG or NEF (RAW)+HEIF: Single photograph menu; Hi-Res Zoom
recorded in both NEF (RAW) and JPEG or HEIF formats Focus points (in photo mode, 493 points
FX format, single-point AF) USB Type-C USB connectors
Picture Control System Auto, Standard, Neutral, Vivid, Monochrome, Portrait, Landscape, • USB data connector (SuperSpeed USB) ×1
Flat, 20 Creative Picture Controls; selected Picture Control can AF-area modes Pinpoint AF, single-point AF, dynamic-area AF (S, M and L), wide-
area AF (S, L, C1 and C2), auto-area AF, 3D-tracking and subject- • USB Power Delivery connector ×1
be modified; storage for custom Picture Controls; Standard,
Monochrome, and Flat are available for HLG tone mode during tracking AF (available in video mode only); Pinpoint AF, dynamic- HDMI output Type-A HDMI connector
still photography area AF and 3D-tracking are available in photo mode only
Audio input Stereo mini-pin jack (3.5-mm diameter; plug-in power supported)
Storage media CFexpress (Type B), XQD, SD (Secure Digital), and UHS‑II Camera on-board VR 5-axis image sensor shift
Audio output Stereo mini-pin jack (3.5-mm diameter)
compliant SDHC and SDXC memory cards Lens on-board VR Lens shift (available with VR lenses)
Ten-pin remote terminal Built-in; can be used with MC-30A/MC-36A remote cords and
Dual card slots Either card can be used for overflow or backup storage, for Flash control TTL: i-TTL flash control; i-TTL balanced fill-flash is used with other optional accessories
separate storage of NEF (RAW) and JPEG or HEIF pictures, or for matrix, center-weighted, and highlight-weighted metering,
storage of duplicate JPEG or HEIF pictures at different sizes and standard i-TTL fill-flash with spot metering Wi-Fi Available
image qualities; pictures can be copied between cards Flash modes Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, Bluetooth Available
1.27-cm/0.5-in. approx. 3690k-dot (Quad VGA) OLED electronic
Viewfinder red-eye reduction with slow sync, off Battery One EN-EL15c Rechargeable Li-ion Battery; EN‑EL15b and
viewfinder with colour balance, auto and 18-level manual Nikon Creative i-TTL flash control, radio-controlled Advanced Wireless EN‑EL15a batteries can be used in place of the EN‑EL15c; Note
brightness controls, and support for high frame rates Lighting System (CLS) Lighting, optical Advanced Wireless Lighting, modeling that fewer pictures can be taken on a single charge than with
Viewfinder frame coverage Approx. 100% horizontal and 100% vertical illumination, FV lock, colour information communication, auto FP the EN‑EL15c and that EH‑7P Charging AC Adapter and EH‑8P
high-speed sync, unified flash control AC Adapter can be used to charge EN‑EL15c and EN‑EL15b
Viewfinder magnification Approx. 0.8× (50 mm lens at infinity, −1.0 m−1) batteries only
8-cm/3.2-in., approx. 2100k-dot vertically and horizontally tilting
Monitor White balance Auto (3 types), natural light auto, direct sunlight, cloudy,
shade, incandescent, fluorescent (3 types), flash, choose color Battery pack MB-N12 Power Battery Pack (available separately) taking two EN-
TFT touch-sensitive LCD with 170° viewing angle, approx. 100% EL15c batteries; EN-EL15b and EN-EL15a batteries can be used in
frame coverage, and colour balance and 15-level manual temperature (2500 to 10000 K), preset manual (up to 6 values
can be stored), all with fine-tuning place of the EN-EL15c
brightness controls
Bracketing types Exposure and/or flash, white balance, and ADL AC adapter • EH‑7P Charging AC Adapter
Shutter type Electronic shutter with shutter sound and sensor shield (available separately) • EH‑8P AC Adapter; requires UC‑E25 USB Cable
Shutter speed 1/32000 to 30 s in steps of 1/3, 1/2 and 1 EV, extendable to 900 Video metering modes Matrix, center-weighted or highlight-weighted • EH‑5d, EH‑5c, and EH‑5b AC Adapters; requires EP‑5B Power
s in mode M, bulb, time Frame size (pixels) and • 7680 × 4320 (8K UHD); 30p (progressive), 25p, 24p Connector
Release modes Single frame, continuous L, continuous H, High-Speed Frame frame rate • 3840 × 2160 (4K UHD); 120p, 100p, 60p, 50p, 30p, 25p, 24p Tripod socket 0.635 cm; 1/4 in., ISO 1222
Capture+ with Pre-Release Capture, self-timer • 1920 × 1080; 120p, 100p, 60p, 50p, 30p, 25p, 24p
Dimensions (W × H × D) Approx. 144 × 118.5 × 83 mm/5.7 × 4.7 × 3.3 in.
Approximate frame • Continuous L: 1 to 10 fps Frame size (pixels) and • 8256 × 4644; 60p, 50p, 30p, 25p, 24p
frame rate (RAW video) • 5392 × 3032; 60p, 50p, 30p, 25p, 24p Weight Approx. 910 g/2 lb 0.1 oz with battery and memory card but
advance rate • Continuous H: 10 to 20 fps without body cap and accessory shoe cover; approx. 820 g/1 lb
(measured by in-house tests) • High-Speed Frame Capture+ (C30): 30 fps • 4128 × 2322; 120p, 100p, 60p, 50p, 30p, 25p, 24p
• 3840 × 2160; 120p, 100p, 60p, 50p 13 oz (camera body only)
• High-Speed Frame Capture+ (C60): 60 fps
• High-Speed Frame Capture+ (C120): 120 fps File format NEV, MOV, MP4 Operating environment Temperature: -10 to 40°C/+14 to 104°F; Humidity: 85% or less (no
condensation)
Exposure metering system TTL metering using camera image sensor Video compression N-RAW (12 bit), Apple ProRes RAW HQ (12 bit), Apple ProRes 422
HQ (10 bit), H.265/HEVC (8/10 bit), H.264/AVC (8 bit) Supplied accessories BF-N1 Body Cap, EN‑EL15c Rechargeable Li-ion Battery,
Exposure metering modes • Matrix metering (may differ by country or area) MH‑25a Battery Charger, DK-33 Rubber Eyecup, HDMI/USB Cable
• Center-weighted metering: Weight of 75% given to 12- or 8-mm Audio recording format Linear PCM (48 KHz, 24 bit, for videos recorded in NEV or MOV Clip, AN-DC26 Strap, UC-E24 USB Cable, BS-1 Accessory Shoe
circle in center of frame or weighting can be based on average format) or AAC (48 KHz, 16 bit, for videos recorded in MP4 Cover
of entire frame format)
• Spot metering: Meters circle with a diameter of approx. 4-mm Audio recording device Built-in stereo or external microphone with attenuator option;
centered on selected focus point sensitivity adjustable • XQD is a trademark of Sony Corporation. • CFexpress is a trademark of the CompactFlash
• Highlight-weighted metering Association
• The SD, SDHC, and SDXC logos are trademarks of SD-3C, LLC. • HDMI, the HDMI logo and High-
Specifications and equipment are subject to change without any Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC.
TO ENSURE CORRECT USAGE, READ MANUALS CAREFULLY BEFORE USING YOUR EQUIPMENT. • Wi-Fi® and the Wi-Fi logo are trademarks or registered trademarks of the Wi-Fi Alliance®. • The
WARNING notice or obligation on the part of the manufacturer. May 2023
SOME DOCUMENTS CAN BE DOWNLOADED FROM downloadcenter.nikonimglib.com. ©︎ 2023 Nikon Corporation Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any
use of such marks by Nikon Corporation is under license. • Powered by intoPIX technology. • Apple
is a trademark of Apple Inc. registered in the U.S. and/or other countries. • Other products and
Nikon Singapore Pte. Ltd. 18 Tai Seng Street, #04-08, 18 Tai Seng, Singapore 539775 www.nikon.com.sg brand names are trademarks or registered trademarks of their respective companies. • Images in
Nikon Hong Kong Ltd. Unit 2001, Level 20, Tower II, Grand Century Place, 193 Prince Edward Road West, Mongkok, Kowloon, Hong Kong www.nikon.com.hk viewfinders, on LCDs and monitors shown in this material are simulated. • Nikon reserves the right
Nikon Australia Pty Ltd. Suite 501, Level 5, 5 Rider Boulevard, Rhodes, NSW 2138, Australia www.nikon.com.au to change the appearance and specifications of the hardware and software described in this
Nikon India Private Limited Plot No. 71, Sector 32, Institutional Area, Gurgaon 122001, Haryana, India (CIN-U74999HR2007FTC036820) www.nikon.co.in material at any time and without prior notice.
Nikon Sales (Thailand) Co., Ltd. 1 Empire Tower, 45th Floor, River Wing East, South Sathorn Rd, Yannawa, Sathorn, Bangkok 10120, Thailand www.nikon.co.th
Nikon Middle East FZE Level 14, Jafza Views 19, P.O. Box 261908, Dubai, UAE www.nikon-me.com
NIKON CORPORATION Shinagawa Intercity Tower C, 2-15-3, Konan, Minato-ku, Tokyo 108-6290, Japan www.nikon.com

@nikonasia @nikonasia