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    Aimer Est Plus Fort Que D Etre Aime

    Uploaded by

    Ida Moretti
    The document is a poem written by Daniel Balavoine in 1985 that uses symbols in place of words. It discusses themes of love and relationships through the use of symbolic imagery rather than traditional language. The poem expresses ideas about loving and being loved through abstract and unconventional means rather than direct statements.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Aimer Est Plus Fort Que D Etre Aime

    Uploaded by

    Ida Moretti
    11 views4 pages
    The document is a poem written by Daniel Balavoine in 1985 that uses symbols in place of words. It discusses themes of love and relationships through the use of symbolic imagery rather than traditional language. The poem expresses ideas about loving and being loved through abstract and unconventional means rather than direct statements.

    Original Title

    Aimer est plus fort que d etre aime

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

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    The document is a poem written by Daniel Balavoine in 1985 that uses symbols in place of words. It discusses themes of love and relationships through the use of symbolic imagery rather than traditional language. The poem expresses ideas about loving and being loved through abstract and unconventional means rather than direct statements.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    11 views4 pages

    Aimer Est Plus Fort Que D Etre Aime

    Uploaded by

    Ida Moretti
    The document is a poem written by Daniel Balavoine in 1985 that uses symbols in place of words. It discusses themes of love and relationships through the use of symbolic imagery rather than traditional language. The poem expresses ideas about loving and being loved through abstract and unconventional means rather than direct statements.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 4

    AIMER EST PLUS FORT QUE D'ETRE AIME

    Daniel Balavoine, 1985

         
    
     = 118

              
      
              

              



    6

        
         
               

             



    11

                
        

              


     
    16

             
                

             


    21

             
        
             
          
    26

                        


       

      
                      
    31

            
                   

              

           
       

    36

                 
        
              

        
     
                 

    41


                    

       
                  
       

    46


                  
         
                 
     
    51

       
                            

    2
              
    56

      
             
           

                


    61

              


           

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                    
    67

           


                    

                       


     
    73

           
               


                          

    78

       
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            

                
                
    83

                           


                 
    3
      

                    

    89


                        
                 

               
                 

    94

        
                        

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               
    99

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           
    105


                        
                 

              
     
    110

         
        

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