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The Chartres Labryinth (51895)

The document discusses the labyrinth located in Chartres Cathedral in France. It was built in the 12th century by the Knights Templar as a pilgrimage path for those unable to travel to the Holy Land. The labyrinth symbolically guides one from physical to spiritual existence. The author analyzes the labyrinth's design and significance, noting its alignment with the earth's magnetic poles rather than the astrological zodiac. He overlays diagrams of the periodic table and spiritual bodies onto the labyrinth pattern to interpret the symbolic meaning and energetic qualities represented at different points along the path.

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yahya
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227 views3 pages

The Chartres Labryinth (51895)

The document discusses the labyrinth located in Chartres Cathedral in France. It was built in the 12th century by the Knights Templar as a pilgrimage path for those unable to travel to the Holy Land. The labyrinth symbolically guides one from physical to spiritual existence. The author analyzes the labyrinth's design and significance, noting its alignment with the earth's magnetic poles rather than the astrological zodiac. He overlays diagrams of the periodic table and spiritual bodies onto the labyrinth pattern to interpret the symbolic meaning and energetic qualities represented at different points along the path.

Uploaded by

yahya
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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The Chartres Labyrinth

In Chartres Cathedral, one hour South of Paris, there is a most sophisticated Labyrinth path, which has
gained renewed popularity over recent times, amoungst ‘new age’ers and some christians. The Chartres
Cathedral was built during the 12th century by the Christian order of the Knights Templar. These knights
had tremendous power during their time, and from their involvement in the crusades they had access to
old wisdom, from both the European and more notably the Persian traditions.

The Labyrinth was developed as a replacement for pilgrims to walk, instead of making the journey to the
holy land, which in the 13th century was no longer possible. It is a symbolic walk, from the physical life
to the spiritual center of ones being. The walk begins from the South West end of the church and ends in
the middle of the Labyrinth. One leaves the Labyrinth by walking directly up the Cathedral towards the
alter and the Holy of Holies.

While many of the cathedrals where built on the North, South, East,
West axis, with the main hall focused on the East West axis, Chartres is
directed to the North East, rather than East like Wells Cathedral in the
UK.

There are many books, interpreting the architectural significance of the


Chartres Cathedral, and I will leave it to them to provide the details,
however there are few points of significance I would like to highlight.

In his book, “Chartres, Sacred Geometry, Sacred Space” Gordon


Strachan, outlines many of the features of the Cathedral. There is one
feature which provides a indication of the significance the Labyrinth may
play in the Cathedral. Strachan showed that the Christian symbol of the
Viscsi Pisces was at the seat of the buildings design. He provided the
adjoining picture, which shows the five Visci Pisces layers, he sees in the
cathedrals design. It will be seen from this picture, that on the middle
green ring, at top end is the Holy of Holies. It was upon this focus, that
all five of the previous churches built on this site, have been centered.

This area is the spiritual focus of


the whole cathedral. At the oppo-
site or polar end of this green area
is the position of the Labyrinth. If
the Holy of Holies is the spiritual
center, and a place of inner
experience of God, then the
Labyrinth can represent, an
exteriorised patterning of the
archetypal form of creation. This
being an inverted expression of the
inner spiritual center.

Follow the path of the Labyrinth


with your finger.

The Labyrinth conforms exactly to


the criteria I have identified in my
other writings, regarding the
structure of the Astronomical
gyroscopic form, standing behind
creation. Namely it is a cross form
with twelve ( 2 x 6) internal layers.

www.garudabd.org © The Garuda Trust — 25 .6.2010


However upon closer inspection there is one very significant difference that opens up a whole can of
worms. Initially I overlayed my pattern over the labyrinth, and this was published in my earlier edition of
‘Biodynamic Chemistry’, however I have since come to see a significant difference between the path I have
been following , from the Astrological orientation, based upon the Zodiac and thus the Sun’s ecliptic, and
the orientation of many of our ‘Earth monuments’. These are based upon the Earths North South electro
magnetic field. Like many of the other cathedrals I must note that Chartres is aligned to the Earth and not
the ecliptic. Thus the Labyrinth is focused upon this Earth orientation as well. Thus it is quite wrong to just
superimpose my ecliptic based ‘Astrological’ diagrams upon Earth based structures.

Several very interesting issues arise from this question. What is the difference between the Astrological
orientation of the world, and what we might call the ‘natural’ orientation of the world. When did these two
orientations alter, and what does it mean that western culture takes the astrological orientation so
seriously, yet so much for granted. These are all questions of far greater reach than the Chartres Labyrinth
and so I will present the new, image of the Labyrinth with the Periodic Table organised first, according to
the Earth’s North magnetic pole, and then along the directional line of the cathedral ( NE / SW).

Even while doing this, there is still the question of whether the Periodic Table should be placed like this or
whether we should go strictly by the North pole orientation, and move the Periodic table 45 degrees anti
clock wise to reflect the true orientation of the Earth North South magnetic field. The best solution is to
suggest both, however I have provided the one I am working with. While both will have their ‘truth’ they
will be different truths, and therefore have different applications. This will have its relevance within the
energetic structure of the cathedral .

I will deal with all the philosophic issues is other chapters.

Inside the Labrynith


The Labyrinth is gyroscopic in form, having and strong emphasis on the vertical and horizontal planes. It
has four quadrants and has 12 rings. These 12 internal rings, are identified in my ‘Apple of Life” picture,
and are formed by the 2 fold nature of the 6 major dimensional rings, I describe in ‘Biodynamics
Decoded”. It is therefore possible to (a) color code for the Labyrinth, (b) place my interpretation of the
spiritual bodies interactions order onto it , and (c) place my periodic table placement, onto the Labyrinth,
to achieve the following diagram.

One further piece of information that is added to the overall collection of references, coming from the
Labyrinth, is the relationship of the planets to each of the 12 internal layers. I have used my various
sources of astrological reference to place the planets. This has the Earth at the center, with the other
planets listed according to the order of their length of astronomical cycle, as experienced from the Earth.
The last planet in the series is Persephone. I have talked of its influence in my earlier writings. This plane-
tary order was confirmed as being ’correct’, from documents cited from a Chartres lecturer, in Europe. This
provides one more significant reference point to investigate all other accumulated information.

This pattern and form of spiritual antiquity, can be expected to have an archetypal power associated with
it. With the addition of the Periodic table of elements to the Labyrinth, it could be possible that this has
identified the quality of various stages of the journey, around the Labyrinths ‘Journey of Life’. It may also
be possible to ‘attract’ any particular element, by standing on the appropriate place on the Labyrinth.
Test this out by placing your fingers on particular elements and see if you can define their influence.

see over the page

www.garudabd.org © The Garuda Trust — 25 .6.2010


www.garudabd.org © The Garuda Trust — 25 .6.2010

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