Portugal Ie2006s Richard Sidaway
Portugal Ie2006s Richard Sidaway
Portugal Ie2006s Richard Sidaway
Richard Sidaway
Have you ever been marking students compositions and found that the organisation of ideas is all over the place and you dont really know where to start? Have you ever wanted to be able to show your students where they are going wrong, not just in terms of grammar or lexis, but in how they string things together at sentence and clause level?
The genre-based approach claims to do all of this and it has proved so successful that much of mainstream English teaching in Australia is based on its principles. Its influence reaches across the world into the teaching of English in the UK and the sort of tasks that native speakers are asked to do at General Secondary Certificate in Education (GCSE) level.
This article aims to be a basic introduction to the genre-based approach and to give examples that I and others have used in our teaching. It arises from project work currently being undertaken at the British Council, Lisbon amongst advanced learners of English, although I believe familiarisation with genres can and should start at much lower levels.
consult the table below (Fig 1). How does this analysis work in practice? Take the example of the typical film review, a common task at intermediate level and above. The key to finding out what makes it a successful piece of text is to discover what purpose is served by writing one in the first place. Is the reviewer merely giving us information about the film - the plot, the characters, and the use of special effects - or are we being persuaded either to go and see the film or not waste our money? A film review can usually be classified as an exposition, because the writer is following the convention of presenting some kind of argument (this is a must see) at the beginning, followed by various points, which are elaborated on, and
What is a genre?
It may be worth clarifying what is meant by genre first of all. Genre for most people is associated with the world of fiction writing, and categories such as thriller, science fiction or gothic horror spring immediately to mind. What most of our students need to produce when they need to function in English, however, are things like a letter to a prospective employer, a business report or the write-up of a scientific experiment.
Fig 1
Recount Purpose - to retell events in order to inform 1. orientation/ scene-setting 2. retelling of events 3. (reorientation) 4. (closing statement)
Narrative Purpose - to retell events in order to entertain 1. orientation 2. initiation 3. complication 4. resolution
Explanation Purpose - explain natural or social processes, or how something works 1. general statement of introduction 2. series of logical steps
Information report Purpose - to describe the way things are 1. opening general classification 2. (more technical classification) 3. description: - qualities - parts & their function - habits, behaviour, uses
Procedure Purpose - to explain how to do something 1. statement of what is to be achieved 2. list of materials/ tools needed 3. sequence of instructions 4. (diagram, illustration)
Discussion Purpose - to present arguments from different viewpoints 1. statement of the issue 2. argument(s) for + evidence 3. argument(s) against + evidence 4. (recommendation-summary/ conclusion)
Exposition Purpose - to promote a particular point of view 1. opening statement of position (thesis) 2. arguments - point +elaboration 3. restatement of opening position
ending up with a summary and restatement of the original argument. It may contain elements of narrative, for example, but these will always be at the service of exemplifying the point that the writer is trying to make, not merely retelling the story for your entertainment.
speakers who are fully aware of the rules they have to conform to and are deliberately subverting them. Or students may produce a text which seems to be of a recognisable genre, but doesnt include all the necessary components. How many narratives have you read which somehow fall a bit flat? They include an orientation, an initiation and even something resembling a resolution of the events, but there is no complication - nothing dramatic or unexpected happens in the story for it to have been worth telling in the first place.
Fig 2
- an opening general classification - arguments for, plus supporting evidence - a statement of what is to be achieved, such as how to make a pudding
- a description often including parts and their function - the arguments, often in the form of point plus elaboration - complication
Recount
Procedure
Narrative
Etc
The key to making this activity work is to get students to first decide what the purpose of the writing is going to be. Once they have decided what the Statement of what is to be achieved should be - for example, how to get drunk, the rest of the text will follow more easily. Here is a sample answer. Equipment: One pint glass, a series of intoxicating beverages, a comfortable chair and a coaster (to prevent unnecessary spillage and staining of surfaces) To reproduce as closely as possible the effects of a hangover, the following steps are advised: fill the glass with the aforementioned alcoholic liquids, take the glass in your right or left hand and empty the contents down your throat, making sure none of the beverage is spilt on the floor or on other drinkers. Repeat this procedure at least five times. You will know that the desired effect is being reached when the walls of the room begin to gentle pulsate. You may also need to visit the toilet on several occasions to relieve the pressure building up on your bladder. On waking the following morning, you should experience dryness of the tongue, a severe tightening of the skin around your skull and an irrepressible urge to imbibe large quantities of water. Having each produced a text, students can then exchange them to see if they can guess what genre was being attempted, and identify the elements of the text that tell them why.
I hope I have convinced you that a genre-based approach can provide a useful framework for the teaching of writing to non-native speakers. This article presents, of course, merely one layer of such an approach; there are whole other levels of functional linguistics which examine genre at clause level for example. That, however, must remain the subject of another article. Sources Genre Examples 1. Healey and Glanvills Urban Myths (1992) Virgin 2. Chemistry in the Laboratory (1997) WH Freeman & Company, New York p.202 3. http://www.findaproperty.co.uk 4. http://health.howstuffworks.com/hangover2.htm