Listening Skill For Inclusive
Listening Skill For Inclusive
magine that you are teaching a reading lesson on lis- 2001). Indeed, oral skills (spoken language) and their re-
I
tening to the sounds that letters make. The lesson is ceptive counterpart, listening, are essential for literacy
going well, and you are complimenting yourself on a development. Despite its importance, listening has been
great plan—active learning and all. The students labeled the forgotten language art for more than 50 years
seem to be catching on to the concepts when Jesse because it is rarely taught in elementary classrooms (Tomp-
raises her hand in response to your question. You call on kins, 2002). Not surprisingly, Funk and Funk (1989)
her; she hesitates and then responds, “What did you pointed out that many teachers consider listening to be
say?” Around this time, the student behind Jesse has an area that can be neither taught nor evaluated.
fallen out of his seat, so you know it isn’t likely that Max Many students in primary grades have difficulty bene-
was listening, but he appeared to be. fiting from a traditional teaching approach that is heavily
How do you address these concerns within the con- dependent on spoken language and listening (Foorman
text of an inclusive classroom? We present an overview of & Torgesen, 2001). Some students are developmentally
the relationship between listening and language arts and delayed or immature in this area due to a history of re-
of how listening strategies can successfully be incorpo- current ear infections (Feagans, Sanyal, Henderson, Col-
rated into an already full school day. lier, & Appelbaum, 1987) or lack of appropriate models for
An estimated 80% of what we know is acquired through listening and learning. Other students demonstrate sig-
listening (Hunsaker, 1990). Listening is the first of the lan- nificant listening challenges due to hearing loss, central
guage skills that most children develop and serves as the auditory processing problems, learning disabilities, atten-
foundation for subsequent language arts skills (Linebarger, tion deficits, behavior disorders, and specific language im-
48 I NTERVENTION IN S CHOOL AND C LINIC VOL . 40, N O. 1, S EPTEMBER 2004 ( PP. 48–54)
Listening Strategies:
Literacy Curriculum Infusion
Activities can be designed to address the skills necessary
for listening and learning. Strategies designed to train the
body and brain in attention and information processing
are appropriate starting points. They are strategies that
can complement the existing reading curriculum, themes,
vocabulary, and stories (see sidebar). Students are more
likely to show more improvement when the listening
strategies are integrated into other parts of the curricu-
lum throughout the school day. Added benefit also may
be realized if parents receive information on the impor-
tance of listening strategies, along with supplemental
practice activities for home.
Next, we discuss strategies that foster and reinforce
listening skills at the attention and integration stages of
learning. They are designed to improve both the speech-
to-sound noise aspect of the learning environment and
the listening skills necessary to improve reading perfor-
mance.
Figure 1. Give Me Five strategy used to increase listening
Give Me Five skills. From Language Strategies for Children, by Vicki Prouty
and Michele Fagan, 1997, Eau Claire, Wisconsin: Thinking
The Give Me Five strategy (see Figure 1) focuses on five Publications (1-800-225-4769; www.ThinkingPublications.com).
body parts to improve attending behaviors (Prouty & Copyright 1997 by Thinking Publications. Reprinted with
Fagan, 1997). Initially, the strategy is explicitly introduced, permission.
Once the body parts are assisting with attention to the task,
TALS (see Figure 2) is introduced. In this strategy the
acronym TALS is used to focus on the metacognitive as- TALS
pect of getting the brain ready to listen by describing the
brain’s role as it analyzes and processes the most impor- Think
tant elements of the lesson that a student hears.
Ask Why
• Think
• Ask why
Listen for What
• Listen for what Say to Self
• Say to self
This strategy incorporates metacognitive awareness of
preparing for the material to come and provides external
motivation for the task. It facilitates critical thinking neces-
sary for sifting through all that is heard to locate the most
important information. TALS and other similar strate-
gies explicitly direct students to become more active lis-
teners and learners. An example of a classroom activity
with TALS involved the discussion of a story map that
Figure 2. TALS strategy used to reinforce the metacognitive
was being introduced to reinforce the basic story compo-
aspects of listening.
nents. Prior to introducing the story map, students re-
viewed the TALS strategy. The teacher incorporated the
strategy while going through the lesson. The following is ferent because the throat vibrates for the noisy /b/ but
an example of what this would sound like: “Think about not for the quiet /p/. Visual cues in the form of illustra-
the story parts, Ask why a story map is important, Listen tions of the sensory aspects of sounds also facilitate the
for the different parts of a story map, and Say to yourself ability to associate the printed symbols with the sounds
the parts of the story.” (see Figure 3). For /p/ and /b/, the air pops out. The
For many students, learning Give Me Five and TALS LiPS program attachment of a name, such as "Lip Pop-
strategies may be the first time they have been given di- pers," that reflects the auditory, motor, and sensory char-
rect instruction on how to listen for learning. It also may acteristics for the sound pair is a cognitive peg for the
be the first time they have been asked to think about their sounds. It facilitates remembering the pair of sounds and
roles as active participants in the learning process. their alphabet symbols and makes an abstract concept fit
with the student's experience base.
Phonemic Awareness In summary, the three sets of strategies outlined here
facilitate the teaching of listening skills and reinforce the
In conjunction with the two listening strategies just de- value of listening for literacy. The first two strategies
scribed, listening can be reinforced with reading strategies focus on preparing the body and brain for learning. The
that are designed to stimulate phonemic awareness and third strategy addresses the importance of listening to
its application for independent self-correcting behavior sounds as a way to begin reading and spelling.
in reading and spelling. A multisensory strategy for ana-
lyzing sounds and integrating correspondence to letters
is useful because it integrates hearing, feeling, and seeing Implications for Teachers
sound/letter relationships (Lindamood & Lindamood,
1998). Using The Lindamood Phoneme Sequencing Program To be effective, teaching listening strategies requires con-
for Reading, Spelling, and Speech (LiPS; Lindamood & Lin- centrated time at the beginning of a school year or when
damood, 1998), students go through a series of steps that the strategies are first introduced. Later on, much of the
focus on phonemic awareness. In Step 1, students dis- instruction can be incorporated into the existing curricu-
cover they can identify and label eight pairs of "brother" lum, allowing for expanded instruction in listening to read.
sounds. The sounds are "brothers" because the mouth What if teachers had to repeat directions one less
looks and feels the same while producing the sounds. time during each subject throughout the day because
Step 2 requires students to further compare how distinc- early in the year students developed a strong foundation
tive the two sounds are. For example, the sounds in the in listening? How many minutes would that provide to
/p b/ pair feel and look similar because the lips pop open other areas of learning? How many more minutes would
as air comes out, but the sounds also feel and sound dif- be spent on other areas of literacy instruction? How could
Summary
Strategy instruction for listening to learn can be incorpo-
rated with minimal effort. The payoff will be worth the
time invested. Small additions to an existing curriculum
may be all that is needed, along with infusing the strate-
Figure 3. Lip Popper visual cue. From The Lindamood
gies throughout the day. In this way, listening strategies
Phoneme Sequencing Program for Reading, Spelling, and become part of the daily listening-to-learn routine. This
Speech, by Patricia Lindamood and Phyllis Lindamood, 1998, provides a positive focus on listening as teachers take
Austin, TX: PRO-ED. Copyright 1998 by Patricia Lindamood more pleasure in saying, “I like how you used your lis-
and Phyllis Lindamood. Reprinted with permission. tening strategies” instead of “Were you listening to me?”