Notices: Reality. (Papersfrom The Norwegian Institute at Athens3.) Pp. 178
Notices: Reality. (Papersfrom The Norwegian Institute at Athens3.) Pp. 178
Notices: Reality. (Papersfrom The Norwegian Institute at Athens3.) Pp. 178
7 > νε Λ ξψξ βµε,εξ "ξ Aσι υ.ξ Βεσεξ#λθΚ 7 Conone vide in cielo me, di Berenice
idem me ille Conon caelesti in lumine uidit quello stesso Conone nella volta celeste mi vide
The usual apparatus criticus is appended to both Greek and Latin texts: again, each is dealt
with separately. But a list of more serious discrepancies between M.’s respective texts and other
versions, Vitelli, Pfei¶er, Lobel, Mynors, Bardon, and Thomson, is given elsewhere (p. 61).
A criticism which may be levelled at the book is the amount of tautology. Like most modern
commentaries, however, the book will be used encyclopedically and in this respect the enforcing
of an important point in a rhetorical way is not necessarily a bad thing. The commentary itself
(pp. 77–233), 156 pages on a ninety-four-line poem, is comprehensive though. It begins the
way it means to go on with the remarks on verse one stretching over almost three pages
(pp. 77–9), including a discussion of a lectio varia in the Catullus text (dispexit of Calphurnius
and despexit of MSS O and G) which runs to a page-length. And this is the pattern for each entry:
catalogue of sources, summary of sources (very much in the style of L’Année Philologique),
quotations from sources, and discussion on variant and disparate readings. A prime example
of the latter appears at v. 59 (pp. 166–70), where the phrase sidere uti vario is examined with
forty-nine variant and disparate readings catalogued in detail from Calphurnius in 1481 through
to Luck in 1966; something similar occurs at v. 93 (pp. 221–7). After a useful section on tipologia
metrica (pp. 235–43) following on the commentary, M. elucidates the details of the constellation
into which the Coma Berenices was placed (pp. 247–59). This exposition includes M.’s own
constellation-graphs and star-maps, the example on p. 256 being particularly clear and
impressive. M.’s apparently customary devotion to statistics again shows itself in the tables he
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N. S : Exile and the Poetics of Loss in Greek Tradition. Pp. xiii +
136. Lanham, Boulder, New York, and Oxford: Rowman & Littleµeld,
1999. Paper, £21.95. ISBN: 0-8476-8752-X.
The wandering hero is one of the most common µgures in Greek literary tradition. Sultan’s
book is a very suggestive and stimulating reading of this µgure as he appears from Homeric to
Byzantine times. The focus of comparison lies within the Odyssey, since Odysseus is, of course,
the wandering hero par excellence in the Greek world. The book includes passages of the Iliad,
archaic lyric, and tragedy, complemented appropriately with several Byzantine and modern
folksongs gathered throughout Greece. S. stresses continuity of motifs and culture from
Homeric times until the present through well-chosen parallels between ancient and modern
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Following Buberian principles, however, I would modify Barthes’ formula and suggest that
the reader’s ‘willingness’ . . . must be a granting of permission to be moved (passive) by the
text’s message. The author’s voice is active, for the author in the text speaks through time . . .
S. elsewhere remarks (p. 7) that ‘there is also a sense in which the terms text and author can be
used interchangeably’. We are thus in a critical discourse which emphasizes the rôle of the
author; S. sees his Buberian approach as a counterbalance to more resisting modes of reading in
recent scholarship. It is perhaps not surprising to µnd such comments as the following, on the
shield of Aeneas, where S. suggests that an accepting mode of reading of the shield is called for
(p. 184):
Now Virgil’s text beckons the reader to don the mantle of a ‘model’ or ‘sensitive’ reader and to
employ principles of readership appropriate to a passage of such national pride and pathos.
The reader is expected to agree with the text about certain general ideals. . . .
J. I : Tradition et critique des textes grecs. Pp. viii + 304. Paris:
Les Belles Lettres, 1997. frs. 155. ISBN: 2-251-44116-6.
In this remarkable book Jean Irigoin reports on two series of lecture and seminar courses in
Paris: from 1965 to 1979 at the École pratique des hautes études, and from 1986 to 1992 at the
Collège de France. These accounts had previously been published in the respective Annuaires of
the two institutions, and there would have been further reports for courses given at the École
pratique between 1979 and 1992 if the practice of issuing lengthy summaries had not been
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M. G : The Living Goddesses. Pp. xx + 286, 130 ills. Berkeley,
Los Angeles, and London: University of California Press, 1999. Cased,
$35. ISBN: 0-520-21393-9.
Few scholars have generated such disparate reactions as Marija Gimbutas, whose work has been
embraced by adherents of the ‘Goddess Movement’, but criticized and even dismissed by
archaeologists and ancient historians. This, her last book (nearly µnished at the time of her
death in 1994, and completed by Miriam Robbins Dexter), should continue to polarize opinion.
There are notable departures from others of her works, but essential aspects remain.
The book consists of two parts. The µrst restates the theory set out in G.’s earlier works,
namely that the peoples of pre-Indo-European ‘Old Europe’ worshipped a goddess of birth,
death, and regeneration. G. µnds evidence for this goddess in a wide range of contexts and
images: female µgurines, animal images, and other symbols (Chapter I), language (Chapter II),
and places of worship (Chapters III–V). A µnal chapter argues that, because religion was gyno-
centric, society must have been too. The second part (Chapters VII–XIII) explores a topic which
had long fascinated G., but on which she had previously published little, namely post-Neolithic
survivals of the goddess from the Bronze Age to the mid-twentieth century.
Criticisms levelled at others of her books hold good here. In particular, she ascribes a universal
pattern of worship to the whole of ‘Old Europe’, and often presents conjecture as certainty.
For example, she almost invariably identiµes female µgurines as manifestations of the goddess,
without addressing what it is that marks these µgures as divinities, rather than priestesses
or ordinary women (or, indeed, monsters in the case of those µgurines which combine human
and animal forms). Similarly, frogs, hedgehogs, butter·ies, bulls, etc. are consistently identiµed as
manifestations of ‘the goddess’. Thus, of bucrania she writes ‘the key to understanding Neolithic
renditions of the bull’s head and horns . . . comes through their resemblance to the female uterus
and fallopian tubes’ (p. 35). Surely this is not the only possible explanation of this intriguing, and
possibly disturbing, image? We could as well be faced with µgures with masculine and feminine
characteristics (or cows, as D. allows [p. 218 n. 21]).
Part 2 consists largely of a broad sweep of numerous goddesses and traditions rather than
a developed analysis. A rather old-fashioned picture emerges, whereby the apparent origins of
numerous goddesses are used to explain their subsequent identity and characteristics. No account
is taken of the crucially important developments in approaches to goddesses as diverse, volatile,
and constantly evolving. Even if particular goddesses do indeed originate in ‘Old Europe’, they
will have evolved beyond their origins, and become integrated into later religious systems. Sadly,
the ‘Living Goddesses’ of the title lack vibrancy and vigour.
The book has been well edited by D., who has supplied a useful introduction and afterword,
and a comprehensive glossary, as well as some informative notes. Some unavoidable unevenness
remains. In particular, the early chapters are richly illustrated, and beautifully presented,
although this is not true of the second part: as D. informs us, G. had planned extensive
illustrations for later chapters, but had not actually chosen any at the time of her death.
Like G.’s previous books, this is certain to µnd an audience among the ‘Goddess Movement’, in
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628
explaining what precisely they are in the history and philosophy of science and what are their
critiques. In fact, both contain the implicit notion that scientiµc knowledge is based on unifying
and systematic concepts. However, as S.’s survey for instance shows, scholars still disagree on
whether Aristotle’s diverse researches and accounts conform to one unifying and systematic way
of thinking. As we have him, Aristotle aims at clariµcations of natural things as they are, and
is uncomfortable with a revisionist, worldview type of philosophy. In this sense Aristotle may
not be judged alongside known uniµers and systematizers, such as several of the Hellenistic
philosophers, including later Peripatetics, and especially the (Neo)Platonists, who, for their own
reasons, did assert the polarity of active causes vs. passive matter, the existence of one universal
Nature, and connate pneuma. Regrettably, Theophrastus (pp. 93, 148), the Stoics, Alexander of
Aphrodisias, and the Neoplatonists (pp. 192–200) are treated superµcially, and the latter two, it
seems, through studies on medieval thinkers. Thus the ‘blindspot’ (p. 6) could be the creature of
intentional or anachronistic interpretation. More generously, heat–pneuma could be the creature
of an Aristotle close to his earlier, Platonist phase. However, F. is more interested in linking the
vital heat concept with the Presocratics—without discussing how far their reportage in Aristotle
and the Neoplatonist Simplicius is unambiguous or unbiased. There is a useful insertion of
relevant pseudo-Pythagorean sources (pp. 93–4), but no tracing of the Pythagorean ingredients in
Plato. A proximate link with Plato’s Timaeus is summarily dismissed as ‘wrong’ (p. 22), while the
continuity with Plato is ·eetingly accepted (p. 134). On balance, the Timaeus is surely the chief,
reliable source for the merger of cosmology with theology, physics, and biology, including the
notions of one world-soul, of universal heat, and that the shape and position of bodily organs are
determined by their relation to cosmological elements. Aristotle’s De Philosophia betrays Platonic
in·uence (e.g. the Timaeus doctrine that the celestial bodies move volitionally with their souls).
This in·uence would also account for the ambitious revisionism that (perhaps) fuelled the theory
of pneuma and vital heat, at least as F. presents it. At any rate, the two books point to the proµt
that can be gained by bringing together the di¶erent areas of ancient thought.
Kings College London LUCAS SIORVANES
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Eponymous Heroes at Athens and Delphi, seeing them as variations on a small number of basic
types. This is technically credible, and sensible in speeding the work—here one sees why M. is
keen to establish the quantity of bronze production in the Classical period. The method has the
virtue of being e¶ectively invisible, since the changes made to the basic types would be su¸cient
to disguise their shared origin. M. argues that the Riace bronzes are based on the same model
(p. 64); she notes Rolley’s ‘di¶ering opinion’ (n. 63), but does not explain or respond to it (nor
does she mention dissenting voices on the identity of ‘Kleobis and Biton’, pp. 4–5, 149).
Chapter III, ‘Portraits’, mainly concerns Lysippos, his contemporaries, and his in·uence.
Chapter IV, ‘Bronzes of Uncertain Date’, uses a fourth-century stele listing bronzes on the
Athenian Acropolis to begin an intriguing, but brief, discussion of issues such as the lifetime of
statues, and whether they were allowed to deteriorate, moving to problems caused by restoration
methods, such as the di¸culty of accurate dating. This leads to discussion of pieces from the
Agora and of the Piraeus bronzes. The latter have recently been thoroughly treated by Olga
Palagia (ed.), Greek O¶erings (Oxford, 1997), pp. 177–95, but M. comes to some of the same
conclusions, notably that the Apollo may be second century .. It is worth adding that the study
of the Riace cores mentioned above also revealed that the technique of the cores of their chests
and legs is also used on the Piraeus Apollo (and, incidentally, the Getty bronze); it is not clear,
however, that this is a chronological pointer. Chapter V, as mentioned, argues for more careful use
of ‘original’ and ‘copy’, stressing that di¶erent styles were used in one period, a point made also
in Chapter VI about the Foundry cup and the Vani torso. Chapter VII reiterates the central points
of the book and deals more with the art market than even the µrst chapter, which, despite its title
(‘Art, Market and Product’), does not tackle issues such as the relationship between producer and
consumer, the process and importance of commissioning, and the relative ease of acquiring
bronze or marble statuary. The client appears (e.g. pp. ix–x, 100, 160, 190), but retains a low
proµle. This is, perhaps, for a future book; if so, it is to be hoped that M. will write it.
King’s College London K. W. ARAFAT
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