Violin I Harpsichord Concerto in D minor

BWV 1052

 
J. S. Bach

                      
Allegro.

   

          

                      
    
4

        

     
                     
 
7

piano


 

              
           
12


    
forte

              
                
16

   
 
    



                          
       
19

 piano

         
        
23

  

                
                 
  
         
28

piano


  
                                  
 
32

 

      
              
36

 piano
forte
             

2

 
         

41

     
                    
forte

     
44

  
    
piano

             
    
47

 
           
         
   
50

 
        
                   
     
53

              
forte

 
               
 

  
57

 
    
                

        
      
60

piano

                            
63

  

       
                              
67

 

                        
forte piano

 
       
72

                   
    
   

76

(piano)
      
3

  
 

   
80


       
piano

 
forte

                    
94

 
piano

        
        

             

98


       
         

  
      
      
103

      
    
 
forte

            
                    

107

      
                     
110

          
forte

            
     
  

115

                   
piano

       
     
119

                        
                  
123

                   
    
        
127


                          

131

piano
forte
    
4

      
                  
135

        
                   
forte

    
  
140

   
piano

         
 

        
 
              
145

      
               
    
149


     
          
154

 
piano

    
   
      
166


forte

           
               
173


  
                
piano

      
176

 
                   
      
179

              
   
        
     
182


              

            
 
186

        
 5

     
   

 
189

    
 
                          
Adagio.


              
       
6

      

            
       

   
11

  
          
piano

   
             
18

                                
  
25

               
     
 
33

          
     

   

        
40

    
                 
46

  

                       
   
52


                             
59


                     
6

 
67

             
               
73

forte


                   
 
  
78

      

 
     

       
   
 
83

   
                   
       
Allegro.


                               
 
5

                        
        
9

         

                   
14

   
       
     
19

forte


            
                 
piano
30


    

                            
34
          
7

      
              
38

           

           
43

    
                
48

piano

                  
            
55

forte

 
              
      
60

         
     
         
 


64

                       
         
68


           
    
73

      
forte

            
piano

    
80

        
piano forte

         
   
100

 

piano forte

            
      
    
115

 
8

           

      
120

              
              
124

 
                   
     
128

    

         
     
piano

          
133

 
      
     
                  
138

          
                 

142

      
    
           
148

                       
forte

         
     
161

                           
      
165

                 
              
170

                
 
174

    
piano
   
9

    
                
180


          
forte (piano)

       
    
185

     
forte piano

                  

193

                                    

201

                
    
  
207

           

forte


            
214

 
piano

   
                   


219

               

forte

        
    
225

                          
     
  
230

piano

     
                      

235


 
                     
242
       
10

            
       
264

piano

               

    
273 Adagio (Tempo primo.)

(forte)

                  

   
278

                          
    
282