Fuchs 2018
Fuchs 2018
Fuchs 2018
1. Introduction
(2) advertising as the primary income source of the mass media; (3) the
reliance of the media on information provided by government, busi-
ness, and ‘experts’ funded and approved by these primary sources and
agents of power; (4) ‘flak’ as a means of disciplining the media; and (5)
‘anticommunism’ as a national religion and control mechanism. These
elements interact with and reinforce one another. The raw material of
news must pass through successive filters, leaving only the cleansed
residue fit to print. They fix the premises of discourse and interpreta-
tion, and the definition of what is newsworthy in the first place, and
they explain the basis and operations of what amount to propaganda
campaigns.2
The key aspect is that wealth and power inequalities shape what is consid-
ered newsworthy, what gets reported, and what is heard, read and watched.
It should be noted that the propaganda model is not a theory. A theory of
propaganda and ideology requires a systematic theory of society and capital-
ism, in which the role of culture, ideology and propaganda is clearly defined.
It is for example unclear why exactly there are five elements and how they
are theoretically justified. Moreover, entertainment and the spectacle as a fil-
ter that displaces and colonises political communication is missing from the
model. Jürgen Habermas argues that entertainment is part of the process of
the feudalisation and de-politicisation of the public sphere: ‘Reporting facts
as human-interest stories, mixing information with entertainment, arranging
material episodically, and breaking down complex relationships into smaller
fragments – all of this comes together to form a syndrome that works to depo-
liticize public communication.’3 It is therefore best to view the Propaganda
Model (PM) as a not necessarily complete list of elements that are ideologi-
cally influencing factors on the agenda of the news media. The fifth element
of anti-communism should probably best be generalised in terms of dominant
ideologies that influence the media.4 Also Joan Pedro suggests to term the fifth
dimension ‘dominant ideology’.5 In the thirty years since the publication of the
book, especially the neoliberal ‘belief in the “miracle of the market” (Reagan)’6
has become dominant.
In respect to criticisms arguing that the model is functionalist and does not
take resistance and contradictions into account, Herman argues that ‘the sys-
tem is not all-powerful,’7 that there are ‘uncertain and variable effects’ and ‘con-
testing forces.’8
One often hears that social media and the decentralised character of the internet
overcome hierarchies and foster a participatory culture and democratic commu-
Propaganda 2.0 73
nication. Edward Herman has voiced scepticism about this assumption: ‘Some
argue that the internet and the new communication technologies are breaking
the corporate stranglehold on journalism and opening an unprecedented era of
interactive democratic media.’9 He argues that new technologies ‘permit media
firms to shrink staff even as they achieve greater outputs, and they make possible
global distribution systems that reduce the number of media entities.’10
to your web page, then this link is likely to have a higher weight than the link
your best friend posts on her/his site. Also, on Google is it possible to purchase
sponsored links that are boosted to prominent screen positions.
The discussion shows that social media’s ownership matters in several
respects. Firstly, social media markets tend to be highly concentrated. Private
ownership locks users out from the control of algorithms that determine the
priorities of how search results and news are presented. The specifics of the
algorithms are secret because of the secret nature of intellectual property and
because capitalism’s laws of competition foster secrecy.
Online advertising is, however, contradictory. On average, users only click
on one out of one thousand advertisements.16 And even then, it is uncertain if
they really stay on a linked page and if they buy something there. The effects of
targeted online advertising may therefore be overstated. Because of the fetish-
istic idea that algorithms and Big Data allow perfect interest-based targeting,
advertisers gain the impression that they can sell commodities via social media.
If it turns out that this is a misconception, then targeted advertising may lose
credibility and social media capitalism’s financial bubble may burst and cause
the next dot-com crisis.
2.2 Advertising
Figure 6.1 shows statistics about the development of the distribution of global
advertising spending.
The data shows that the share of online advertising has increased from 17.9%
to 28.3% in the years from 2010 until 2015. During the same time, newspaper
advertising revenue has dropped significantly and its share has decreased from
20.5% to 14.8%. Online advertising has globally become the second most
FPO
FPO
The discussion shows that online advertising acts as a filter in several ways:
(i) It allows large transnational corporations with large ad budgets to confront
a large targeted audience with content and ads; (ii) Regular content becomes
ever more difficult to discern from advertising. There is no clear temporal or
spatial differentiation. Corporations are interested in native online advertising
and branded online content as it allows them to deceive users and to almost act
like news media, effectively undermining the independence of reporting. Com-
panies can increase reach via social media; (iii) The online advertising-user-spiral
increases social media’s power in advertising and news-making and advances
monopoly tendencies in the online economy; (iv) An important fourth dimen-
sion that needs to be added which Herman and Chomsky do not discuss is that
advertising means exploitation of audience labour.24 On social media, users’ digi-
tal labour produces a data commodity and is exploited by the platforms for sell-
ing targeted ad spaces.25
2.3 Sourcing
Des Freedman27 discusses the example of the British tabloid the Daily Mirror
that during the 2003 Iraq war substituted its usual focus on celebrities and
scandals with an anti-war campaign. The example shows that also mainstream
media, especially in situations of crisis, can take alternative positions, and that
such exceptions matter. Freedman argues for giving attention to ‘both structure
and agency, contradiction and action, consensus and conflict.’28 Herman and
Chomsky acknowledged the possibility for diversity: ‘The mass media are not a
solid monolith on all issues.’29
Sourcing as a filter is different online than in broadcasting because the inter-
net has a decentralised and global architecture. Manuel Castells30 argues that
the internet allows mass-self-communication, which means that a larger num-
ber of producers online as compared to the broadcast model can reach a larger
audience. The basic difference between computer networks and broadcasting
is that the network is a universal machine, at once a technology or production,
distribution and consumption. Combined with its global reach and significant
bandwidth rates, this allows the phenomenon of user-generated content. User-
generated content does however not automatically imply political plurality and
diversity. The key question about communication power shifts from the control
of production towards the control of attention and visibility. Attention and vis-
ibility, however, also need to be produced and are thus aspects of production.
Gaining online attention and visibility requires money, time and labour-force.
Everyone can in principle produce content online, but in a capitalist society
only a minority attracts online visibility and attention.31
A first online asymmetry concerns the fact that ‘the traditional media them-
selves have occupied the internet and are dominant news providers there; […]
they have the resources and pre-existing audiences to give them a huge advan-
tage over alternative media potential rivals.’32 In November 2016, the most
popular online news site was CNN.com. While CNN was on 11 November,
2016, the 72nd most accessed website in the world, the independent news sites
alternet.org and democracynow.org were only ranked in positions 5,967 and
9,493 respectively on the list of the world’s most accessed websites.33 Notwith-
standing, alternative online media certainly attract significant audiences. At the
same time, they tend to face resource problems because they are not organised
as capitalist businesses.
Propaganda 2.0 79
Fig. 6.5: An example for online attention as commodity. Data source: http://
www.followersandlikes4u.com.
Table 6.1: The most popular pages on Facebook. Data source: https://www.
socialbakers.com, http://www.facebook.com, accessed on 12 November, 2016.
80 The Propaganda Model Today
olitics is less visible and more marginalised. Bernie Sanders and Karl Marx,
P
two symbols of left-wing politics, have significantly fewer fans. In an interview,
Herman and Chomsky point out this development: ‘[M]uch of the new media on
the internet is oriented toward facilitating social connections, with politics sec-
ondary at best, and the best of the new alternative media have limited resources
and outreach and specialize in critical analysis rather than news-making.’35
The tabloidisation of social media is, however, just a tendency, not a deter-
minism or totality. Social movements often use social media because they are
not adequately represented in the mainstream media. They tend to understand
how to use online communication as a tool for political organisation well. The
capitalist online public sphere is not totally, but predominantly, an entertain-
ment sphere, and only to a lesser extent is it a political public sphere.
Fourth, political bots play a role in online political communication. A bot is
a piece of software code that performs certain online behaviour based on an
algorithm. Examples are automatic tweets or re-tweets or the posting of images
and texts from a database at particular times. The problem of bots in politi-
cal communication is that they can appear human-like, can distort attention,
harass and scare people, etc. They are an expression of the online automation
of human action, the replacement of humans by machines. There are concrete
humans who own, control, and programme bots. So, whereas the political bot
does not have political attitudes, morals and interests, its behaviour is shaped
by human beings who have particular political interests.
Kollanyi, Howard and Woolley have analysed around 10 million tweets men-
tioning Hillary Clinton and Donald Trump around the time of the third US
presidential election debate.36 They found that political bots posted 36.1% of the
pro-Trump tweets and 23.5% of the pro-Clinton tweets. Given that political opin-
ion and sentiment analysis is increasingly conducted on Twitter and with the
help of Big Data analytics, political bots can manipulate the public perception of
public opinion. Considering that a certain degree of online politics is automated,
political attitudes should probably not at all be measured with the help of Big
Data analytics. Political bots, Big Data analytics and computational social science
methods can colonise, distort, instrumentalise and manipulate the public sphere.
Herman and Chomsky do not properly explain the name of the fourth dimen-
sion: Flak. This German term stems from military jargon. The Nazis used Flak
as an abbreviation for Fliegerabwehrkanone. In a comprehensive overview, Joan
Pedro suggests to speak of ‘countermeasures to discipline the media’37 instead
of flak. We could also simply speak of mediated lobbying attempts.
Herman and Chomsky define flak the following way: ‘‘‘Flak” refers to nega-
tive responses to a media statement or program. It may take the form of letters,
Propaganda 2.0 81
telegrams, phone calls, petitions, lawsuits, speeches and bills before Congress,
and other modes of complaint, threat, and punitive action. It may be organized
centrally or locally, or it may consist of the entirely independent actions of indi-
viduals.’38 In the digital age, lobbying for certain interests has been extended to
social media and is no longer simply aimed at centralised media organisations,
but now aims to directly transmit political messages to as many internet users
as possible.
At the time of the 2011 Arab Spring and the subsequent Occupy movements,
there was much euphoria about protest and revolutionary movements’ use
of social media for public engagement and political organisation.39 After the
world economic crisis had started in 2008, it seemed like revolution was pos-
sible. The role of social media in revolutions and protests was often overstated.
Empirical analysis shows that in protests, social media communication tends
to interact with other forms of political communication, especially face-to-
face-communication.40 Revolutions and protests are not virtual, but take place
offline and online simultaneously.
Political groups and movements from all parts of the political spectrum uti-
lise the internet and social media for political communication. The example
of political bots mentioned in the previous section shows that both support-
ers of Donald Trump and Hillary Clinton used bots for trying to boost their
candidate’s popularity. Automated lobbying is a particular form of flak in the
digital age.
In the early days of the internet, sometimes the impression was conveyed that
left-wing and green movements such as the Zapatista solidarity campaigns were
very skilled at utilising the internet for political communication because they
are grassroots organisations and that far-right groups were very bad at it due
to their hierarchical leadership ideology. The basic argument was that grass-
roots movements as well as the internet have a flat and decentralised structure
and therefore are suited for each other. This assumption underestimates the
internet’s social hierarchies and power structures that are not technically deter-
mined. Today right wing lobbying is a large-scale affair on the internet.
In November 2016, Hillary Clinton had 10.9 million Twitter followers, while
Donald Trump had 14.6 million. French President François Hollande had 1.78
million followers, the National Front leader Marine Le Pen 1.18 million. In the
UK, left-wing Labour Party leader Jeremy Corbyn had 662k followers, Nigel
Farage 516k.41 The data indicate that right-wing groups and individuals are at
least just as active and popular on social media as left-wing activists and groups.
Figure 6.6 shows a typical tweet by Donald Trump. It achieved a high number
of likes and re-tweets: More than 7,500 likes and 20,000 re-tweets. The example
shows that right-wing politics today to a significant extent takes place online
and on social media.
Right-wing lobbying is not limited to established parties and politicians, but is
to a significant degree carried by right-wing social movements. The alt-right
82 The Propaganda Model Today
gathered more than 9,000 friends on Facebook, and spread propaganda videos
with the help of YouTube and Vimeo.44
Even if we do not like it, fascism and right-wing extremism on social media
are to a significant degree public forms of communication. They constitute
a reactionary public sphere that is mediated by the internet, social media,
mobile communication, etc. The point is to create a political climate in soci-
ety that advances democratic and civil public spheres, which is however not
just an issue that concerns how we communicate. It is also a political task
that needs to aim at overcoming inequality, discrimination exploitation and
domination in society. Online fascism is online communication that aims to
advance creating a fascist society by spreading hatred, prejudices, authori-
tarian populism, friend/enemy propaganda, and fetishist political ideology.
Right-wing extremism online appropriates certain elements of fascism (e.g.
hatred against immigrants and refugees, anti-Semitism, anti-socialism, etc.)
in online speech.
In an interview Herman and Chomsky argued that right-wing media,
including Fox News, right-wing talk radio and blogs, form ‘a right-wing attack
machine and echo-chamber.’45 In the current political climate of nationalism,
racism, xenophobia and elements of fascism, social media is certainly a right-
wing attack machine. It must, however, also be seen that the political left is
skilled at using social media, which maintains online politics as a contradictory
space.
2.5 Ideologies
Ideology is a complex term with many meanings that range from individual
or collective meanings or worldviews to the notion of false consciousness.46
The advantage of a critical notion of ideology over a general one is that it
allows normative judgements about how a good society looks like. Her-
man and Chomsky speak of neoliberal ideology,47 Western ideology,48 anti-
Communist ideology,49 the national-security ideology,50 right-wing ideol-
ogy,51 and the ideology of national security.52 But they never define the term.
Ideology can in a critical manner be understood as a semiotic process in
which humans practice the production and spreading of information, mean-
ings, ideas, belief, systems, artefacts, systems, and institutions that justify or
naturalise domination and exploitation.53 Ideology is the semiotic level of
domination and exploitation.
In times of crisis, it is highly likely that all sorts of ideologies are expressed
and challenged in public communication. There are both ideologies of the
internet and ideologies on the internet. Ideologies of the internet are a form of
public communication that fetishises instrumental control of online communi-
cation. It is instrumental communication about instrumental communications,
a meta-form of communication that justifies and defends the application of
84 The Propaganda Model Today
3. Assessment
and domination. On the other hand, the model also needs to be adapted
and extended because of particular features of digital capitalism and digital
media.
Above we have discussed the role of algorithms that partly automate propa-
ganda in the form of intransparent search and ranking algorithms as well as
political blogs. Native advertising and branded content enhance the power of
corporations and enable them to displace journalism’s autonomy and to present
product propaganda as editorial content. A further differentiation that must be
taken into account is that in computer networks and on networked computers,
the production, diffusion and consumption of information converges. Audi-
ences become users and prosumers (productive consumers). This model is dif-
ferent from the broadcast model of communication. Power asymmetries are,
however, not automatically sublated, but further complicated. Another impor-
Dimension Internet
Size, Ownership, Concentrated social media markets, concentrated ownership,
Profit Orientation intransparent and secret algorithms that determine the
priorities of how results and news are presented
Advertising Transnational corporations are able to confront users with
targeted ads and content;
Native online advertising and branded online content threaten
news-media’s-independence;
The online advertising-user-spiral increases social media’s
power in advertising and as news media and advances
monopoly tendencies in the online economy;
On social media, users’ digital labour produces a data
commodity and is exploited by the platforms in order to sell
targeted ad spaces
Sourcing Traditional news organisations are powerful actors in online
news;
Online attention as commodity manipulates political
communication;
Corporations and entertainment dominate social media
attention;
Political bots distort the political public sphere
Flak, Mediated Bots and other tools for automated lobbying;
Lobbying Social media use by politicians, parties, movements;
Online hate speech
Ideologies Ideologies of the internet;
Ideologies on the internet and user-generated ideologies;
Algorithmic amplification of online ideologies
tant aspect is that we should always think of potentials for resistance and study
actual oppositional developments.
I find the PM a useful model for the analysis of power structures in media
systems, as this chapter demonstrates. But we also need a further refinement
and extension that brings us beyond the PM and takes critiques of capitalism,
anti-democratic elements of state power, acceleration, etc. into account when
analysing media systems. There is a range of topics, such as the exploitation of
labour and surveillance, that relates to (digital) media that need to be critically
analysed.59 Wherever there are communications systems in capitalism, there
are also workers. And a specific share of them is exploited in class relations.
In the production of digital media, there is an international division of digital
labour in which we find diverse workers, such as African slave-miners, Chi-
nese hardware-assemblers working at Foxconn, highly paid and highly stressed
software engineers, precarious clickworkers and call centre agents, online free-
lancers, precarious creative workers, social media user-workers, etc.60 Edward
Snowden unveiled the existence of a surveillance-industrial internet complex,
through which secret services bulk-monitor users’ online activities, which has
resulted in concerns about the violation of basic rights. Social media are accel-
erated, high-speed media. Nobody can read all tweets posted about an impor-
tant topic. Tweets and online information flow at such a speed that there is no
time for real debate and controversy. Postings tend to be short, entertaining,
and superficial. Online brevity provokes superficiality and the negation of the
world’s complexity. Online communication tends to take place in fragmented
and isolated publics, filter bubbles, and echo chambers that lack constructive
controversy.
All of these problems are not problems of propaganda but of power in gen-
eral. We therefore need a model of power on social media. It needs to stress
various dimensions, conflicts, and lines of potential struggle. For doing so, we
also need a model of society. Society is the totality of communicative, social
relations that take place in the context of dialectics of structure and agency.
An understanding commonly used in sociology is that society and all social
systems have three dimensions: the economy, politics, and culture. These are
realms for the production of use-values (economy), collective decisions (poli-
tics), and meanings (culture). Any particular social system has an economic, a
political and a cultural dimension. One of these dimensions may be dominant,
which situates this social system in a particular subsystem of society. Table 6.3
shows the role of power structures in society in general and modern society in
particular.
The internet and social media platforms are social systems. Power should there-
fore be analysed in the context of the economic, political and cultural d
imensions.
Modern society has a capitalist economy that is based on the accumulation
of monetary capital. It is, however, according to Pierre Bourdieu, also based
on the accumulation of political (influence) and cultural power (reputation).
88 The Propaganda Model Today
14
PEW Research Center, ‘The 2016 Presidential Campaign – a News Event That’s
Hard to Miss,’ accessed 6 August , 2017, http://www.journalism.org/2016/02/04/
the-2016-presidential-campaign-a-news-event-thats-hard-to-miss.
15
Victor Luckerson, ‘Here’s How Facebook’s News Feed Actually Works,’ Time
Online, 9 July, 2015.
16
Christian Fuchs (2017), Social Media: A Critical Introduction (London:
Sage) 2nd edition.
17
Source: Ofcom, International Communications Market Report 2015. Avail-
able from: https://www.ofcom.org.uk, 26.
18
Fuchs, Social Media.
19
Edward S. Herman and Noam Chomsky, ‘The Propaganda Model After
20 Years: Interview conducted by Andrew Mullen,’ Westminster Papers in
Communication and Culture 6 (2) (2009): 20.
20
Herman and Chomsky, Manufacturing Consent, 17.
21
Lars Furhoff (1973), Some Reflections on Newspaper Concentration. Scan-
dinavian Economic History Review 21 (1): 1–27.
22
http://www.sekkeistudio.com/blog/2015/08/who-are-adwords-biggest-ads-
spenders/
23
http://www.businessinsider.com/top-advertisers-on-facebook-2013-11?IR=T
24
Dallas W. Smythe (1977), ‘Communications: Blindspot of Western Marx-
ism,’ Canadian Journal of Political and Social Theory 1 (3): 1–27.
25
Christian Fuchs (2015), Culture and Economy in the Age of Social Media
(New York: Routledge); Christian Fuchs (2014), Digital Labour and Karl
Marx (New York: Routledge).
26
Colin Sparks (2007), ‘Extending and Refining the Propaganda Model,’ West-
minster Papers in Communication and Culture 4 (2): 68–84, 81.
27
Des Freedman (2009), ‘“Smooth Operator?” The Propaganda Model and
Moments of Crisis,’ Westminster Papers in Communication and Culture 6
(2): 59–72.
28
Ibid, 71.
29
Herman and Chomsky, Manufacturing Consent, xii.
30
Manuel Castells (2009), Communication Power (Oxford: Oxford University
Press.
31
Fuchs, Social Media.
32
Herman and Chomsky, ‘The Propaganda Model After 20 Years’: 12–22, 20.
33
Data source: alexa.com, accessed on November 11, 2016.
34
Fuchs, Social Media.
35
Herman and Chomsky, ‘The Propaganda Model after 20 Years’, 20.
36
Bence, Kollanyi, Philip N. Howard, and Samuel C. Woolley, ‘Bots and Auto-
mation over Twitter during the Third U.S. Presidential Debate,’ accessed
6 August 2017, http://politicalbots.org/wp-content/uploads/2016/10/Data-
Memo-Third-Presidential-Debate.pdf
37
Pedro, The Propaganda Model in the Early 21st Century, 1871.
38
Herman and Chomsky, Manufacturing Consent, 26.
Propaganda 2.0 91
39
Fuchs, Social Media.
40
Christian Fuchs (2014), OccupyMedia! The Occupy Movement and Social
Media in Crisis Capitalism (Winchester: Zero Books).
41
Data source: twitter.com. Accessed on 12 November 2016.
42
‘Facebook’s failure: did fake news and polarized politics get Trump elected?’
The Guardian Online, 10 November 2016.
43
Anikó Félix (2015), ‘‘‘Migrant Invasion” as a Trojan Horseshoe,’ In Trust
Within Europe, (Budapest: Political Capital), 63–79.
44
Jacob Aasland Ravndal (2013), ‘Anders Behring Breivik’s Use of the Internet
and Social Media,’ Journal EXIT-Deutschland 1 (2): 172–185.
45
Herman and Chomsky, The Propaganda Model after 20 Years, 14.
46
Fuchs, Culture and Economy in the Age of Social Media.
47
Herman and Chomsky, Manufacturing Consent, xiv.
48
Ibid, 29.
49
Ibid, 35.
50
Ibid, 99.
51
Ibid, 145.
52
Ibid, 113.
53
Fuchs, Culture and Economy in the Age of Social Media, chapter 3.
54
https://www.theyworkforyou.com/debates/?id=2014-07-15a.704.0&s=iain
+wright
55
Christian Fuchs, ‘Racism, Nationalism and Right-Wing Extremism
Online: The Austrian Presidential Election 2016 on Facebook,’ Momentum
Quarterly – Zeitschrift für sozialen Fortschritt (Journal for Societal Pro-
gress) 5 (3) (2016): 172–196.
56
Bart Cammaerts, Brooks DeCillia, João Carlos Magalhães, and César Jime-
nez-Martínez, (2016), Journalistic Representations of Jeremy Corbyn in the
British Press: From Watchdog to Attackdog (London: LSE), 12.
57
Christian Fuchs (2016), Red Scare 2.0: User-Generated Ideology in the Age
of Jeremy Corbyn and Social Media. Journal of Language and Politics 15 (4):
369–398.
58
Ibid, 393.
59
Fuchs, Social Media.
60
Christian Fuchs, ‘Digital Labor and Imperialism,’ Monthly Review 67 (8)
(2016): 14–24.
61
Source: Christian Fuchs, Social Media, chapter 2.
62
Christian Fuchs (2008), Internet and Society: Social Theory in the Informa-
tion Age (New York: Routledge); Christian Fuchs, Social Media.