Illinois Priority Learning Standards 2020 21 Fine Arts Learning
Illinois Priority Learning Standards 2020 21 Fine Arts Learning
Illinois Priority Learning Standards 2020 21 Fine Arts Learning
Introduction
In light of the ways students have been, and continue to be, impacted by the global pandemic,
remote learning in Spring 2020, and racial and social injustices that are being brought to light
during this time, the following document lists suggested prioritization for the “The Arts” section
of the Illinois Early Learning and Development Standards and the Illinois Fine Arts Learning
Standards for the 2020-2021 academic year and beyond.
Process
The committee used the following questions in determining the prioritization of the standards
within each art form:
1. Which Illinois Learning Standards represent the most foundational knowledge, skills,
and competencies for all students?
2. Which Illinois Learning Standards are the most critical for continued learning success at
subsequent grade levels?
3. Which Illinois Learning Standards are best suited for interdisciplinary and/or project-
based learning?
4. Which Illinois Learning Standards depict the knowledge, skills, and dispositions we
want all students to possess to successfully complete a given grade level or stage of their
education?
5. What Illinois Learning Standards best support our students’ social-emotional learning at
this time?
The final guiding question was added by this committee. We see the social-emotional learning
of students as being the responsibility of all educators and believe that the arts provide a crucial
catalyst for all components of student social-emotional growth. We find that in this time of
trauma, on a national scale that has not been experienced for decades, our current
students need the arts as a means of self-expression and a way to process any emotions they
are experiencing at this time. Further, though it looks different now during a pandemic than it
did before, we believe students need the opportunity to use the arts to communicate who they
are, what they believe, and the experiences they are having to their peers and teachers. Beyond
self-expression, we find that the arts provide students a means for social connection. This is
desperately needed by our students in a world that is physically distanced for their own safety.
As an emphasis is rightly put on our students' social-emotional learning in the 2020-2021
academic year, it is our hope that the virtual role the arts play in this will not be forgotten. Our
students need the arts in their lives to not only survive the ways in which many of their lives
have been upended, but to thrive.
Creating
Anchor 1: Generate and conceptualize artistic ideas and work.
Anchor 2: Organize and develop artistic ideas and work.
Anchor 3: Revise, refine, and complete artistic work.
Performing / Presenting
Anchor 4: Select, analyze, and interpret artistic work for presentation.
Anchor 5: Develop and refine artistic techniques and work for presentation
Anchor 6: Convey meaning through the presentation of artistic work.
Responding
Anchor 7: Perceive and analyze artistic work.
Anchor 8: Construct meaningful interpretations of artistic work.
Anchor 9: Apply criteria to evaluate artistic work.
Connecting
Anchor 10: Synthesize and relate knowledge and personal experiences to make art.
Anchor 11: Relate artistic ideas and works with societal, cultural, and historical context to
deepen understanding.
Page Break
A Note About Supplies Specific to Arts Education
The committee would like to highlight that the ability to meet many of these standards in
meaningful ways is dependent upon students having access to learning materials that they have
regularly had access to in the classroom. As educators, we are relieved to see that issues of
access to the internet and devices have largely been addressed. However, we are concerned
that access to learning materials for the arts will be impacted in the 2020-2021 academic year
and beyond significantly hindering student learning.
We see access to learning materials potentially being impacted by remote learning outside of
the school building, as well as social distancing in school learning situations and the restrictions
on sharing supplies between students. Below is a list of examples of instructional materials we
have concerns about in the coming year. Please note that this list is NOT exhaustive.
Elementary Visual Art: Priority in group setting: In order to facilitate learning outcomes and
meet students’ SEL needs, set new safety procedures along with cleaning guidelines for shared
supplies including art materials, tools, and classroom items such as sinks, chairs, or desks. It
may be advisable for students to wear masks/gloves and equipment should be cleaned
routinely. Priority supplies for hybrid/remote learning: #2 Pencils, crayons, markers, colored
pencils, drawing paper, construction paper, scissors, glue, watercolors, paint brushes, and 3D
medium. Highly recommended: Providing art kits (supply check-out), software, means to
photograph for digital submission of artwork, and/or art supplies pick-up/drop off days for
remote learning or hybrid models.
Elementary General Music: Small percussion instruments that are typically shared between
students in many classes throughout the day, rhythm and melody manipulatives used for
composition are typically shared between students in many classes throughout the day
Middle School Art: Priority in a group setting: Shared supplies such as pencils, markers, paint
brushes, printmaking supplies, clay tools, supply drawers and sink handles may need to be
touched only when wearing protective gloves. Wearing masks when accessing shared supplies
that are wet or moist such as paints, inks, various glues and pastes, polymer and natural clays
may reduce the potential spread of the virus. Highly recommended: Providing art kits or art
supplies that remain at home for remote learning or hybrid models.
Middle School Instrumental Music: Priority: reeds, valve oil, slide oil, sheet music, instruments,
rosins, bows. Highly recommended: method books, internet access and a device (for remote
lessons and making/sending recordings), a musical assessment program (ex. Smart
Music, Essential Elements Interactive), headphones.
Middle School Vocal Music: Priority: sheet music. Highly recommended: internet access and a
device (for remote lessons and making/sending recordings), headphones.
High School Art: Priority to group settings: provide art materials and supplies in order
to facilitate learning outcomes and new safety procedures and cleaning guidelines for art
classrooms. For example, shared supplies such as pencils, markers, painting supplies,
printmaking supplies, clay tools, photography equipment, and digital lab equipment should be
routinely cleaned. It may be advisable to wear masks or goggles in certain situations. Highly
recommended: Providing art kits, cameras, software, or art supplies pick-up/drop off days for
remote learning or hybrid models.
High School Instrumental Music: Priority: reeds, valve oil, slide oil, sheet music, instruments,
rosins, bows. Highly recommended: method books, internet access and a device (for remote
lessons and making/sending recordings), a musical assessment program (ex. Smart
Music, Priority Elements Interactive), headphones
High School Vocal Music: Priority: sheet music. Highly recommended: internet access and a
device (for remote lessons and making/sending recordings), headphones.
Page Break
Visual Arts
Illinois Visual Art Educators have utilized the Illinois Learning Standards to provide a rich
curriculum for students in our state. With these recommendations, we are not eliminating any
standard that art educators can utilize, but, rather focusing on what is most foundational in
these unprecedented times.
Our decisions were guided by our goals of increasing student engagement and growth, no
matter the learning context. We also acknowledged that the social-emotional aspects of the
student/teacher relationship is more relevant and of highest priority for student motivation
during the disruption caused by COVID-19.
Highest Priority Visual Arts Standards K-12 (Anchor Standards 1, 2, 7, 9, 10) and rationale.
We selected key anchor standards to:
• Support meaningful student engagement and student growth in the Visual Arts
• Meet the social-emotional needs of students
• Successfully instruct in a variety of settings (on-line, hybrid, or in-person) and with
available art supplies
These Visual Arts Standards that may be more difficult during remote learning and rationale :
Anchor Standard 3: Revise, refine, and complete artistic work. Rationale: Though teachers will
continue to stress revising, refining and completion of all artwork, teachers are not able to
intervene at critical moments while students are working remotely. Feedback is often used as a
springboard for growth in the next assignment. However, as students work remotely, it is more
challenging to provide real time feedback or model how artists revise in most remote settings.
Anchor Standard 5: Develop and refine artistic techniques and work for
presentation. Rationale: Timely and critical feedback could prove difficult in a remote learning
environment. In person instruction is more effective for refining techniques. Most art shows
and gallery presentations have moved into a digital format and rely on teacher facilitation
rather than student decision-making.
Anchor Standard 8: Construct meaningful interpretations of artistic work. Rationale: Less
opportunity or an inability to facilitate a group setting for an open and constructive dialogue
about specific artists and works of art. Students and teachers will need to find new ways to
manage discussions in an on-line setting that is safe, constructive, and sophisticated.
Page Break
Elementary General Music
Introduction
This prioritization is suggested with the knowledge that each teaching situation is unique and
the resources available to each teacher and student can vary greatly. From technology to
individual music kits - no two teaching and learning situations will be the same. Teachers should
take this as guidance only and use their professional judgement and district guidance as they
plan instruction.
Standards are currently prioritized so that the highest tier includes elements of Creating,
Performing, Responding, and Connecting. The second tier of prioritization also includes
elements of Creating, Performing, Responding, and Connecting. The lowest tier of prioritization
includes elements of Creating, Performing, and Responding. Even if teachers focus solely on the
first tier of prioritization they will provide learning experiences for students in all four areas.
Please look at the Music Standards portion of the Illinois Arts Learning Standards for more
detailed descriptions of what meeting these standards may look like in practice at each grade
level.
Page Break
Middle School and High School Instrumental Music
For instrumental music students, anchor standards 5, 6, 8, 10 are the most important. (5)
Develop and refine artistic techniques for presentation, (6) Convey meaning through the
presentation of artistic work, (8) Construct meaningful interpretations of artistic work, (10)
Synthesize and relate knowledge and personal experiences to make art.
Rationale: At a baseline level, it is important that students first learn HOW to produce sound
and read notation to direct that sound. Those skills are covered under
the performance category (Anchor Standards 4, 5, 6). Students must first know how to produce
the art form before they can begin to make other connections with their art, and it is the most
fundamental skill that is needed for continuation into high school. Standards 8 and 10 are
important emotionally for students, and provide the means for musicians to experience an
emotional outlet through their art.
There are also different types of music classes at the 6th-12th grade levels. Some classes are
ensemble based (Band, jazz band, pep band, choir, show choir, acapella choir, orchestra,
marching band, rock band, etc.), and some are not ensemble based. Ensemble based classes
typically are required to put on concerts, and the bare minimum, these classes must naturally
cover the performance domain and focus on the fundamentals of music notation reading and
tone production both individually and within an ensemble. The performance domain in the
absolute basic requirement for successfully putting on a presentation to an audience. All
ensembles should dig deeper than simply performing, and ensemble directors are encouraged
to dig deeper into the art form to unlock emotion, feeding the social/emotional needs of the
students. Therefore, Standards 8 and 10 are also vital to classroom ensembles.
Music ensemble participation is a spiraling and scaffolded process, and students are typically in
the classes for multiple years. It is encouraged that, in subsequent years in the ensembles,
students once again participate in learning activities from the other standards.
For vocal music students, anchor standards 5, 6, 8, 10 are the most important. (5) Develop and
refine artistic techniques for presentation, (6) Convey meaning through the presentation of
artistic work, (8) Construct meaningful interpretations of artistic work, (10) Synthesize and
relate knowledge and personal experiences to make art.
Rationale: At the Middle School level the techniques of music production are covered with the
standards in the performance category (4, 5, 6). Students must learn the basic techniques of
how to produce the art form before they can begin to make other connections with their art,
and10 are important emotionally for students, and provide the means for musicians to
experience an emotional outlet through their art.
There are also different types of music classes at the 6th-12th grade levels. Some classes are
ensemble based (Band, jazz band, pep band, choir, show choir, acapella choir, jazz choir,
madrigals, orchestra, marching band, rock band, etc.), and some are not ensemble
based. Ensemble based classes typically are required to put on concerts, and the bare
minimum, these classes must naturally cover the performance domain and focus on the
fundamentals of music notation reading and tone production both individually and within an
ensemble. The performance domain in the absolute basic requirement for successfully putting
on a presentation to an audience. All ensembles should dig deeper than simply performing,
and ensemble directors are encouraged to dig deeper into the art form to unlock emotion,
feeding the social/emotional needs of the students. Therefore, Standards 8 and 10 are also
vital to classroom ensembles.
Music ensemble participation is a spiraling and scaffolded process, and students are typically in
the classes for multiple years. It is encouraged that, in subsequent years in the ensembles,
students once again participate in learning activities from the other standards.
There are many music classes in middle school and high school that aren’t ensemble based. For
instance, music theory, music history, music appreciation, general music, history of jazz, history
of rock, and careers in music. These courses require different core standards than the
traditional ensemble classes.
Music Theory
In a music theory class, the primary focus is on the structure and design of musical
compositions.
The most fundamental standard are anchor standards 1, 2 (composing), and at higher levels, 3
At a secondary level, we should include anchor Standard 11.
Theater
Guiding Questions:
1. Which Illinois Learning Standards represent the most foundational knowledge, skills,
and competencies for all students?
Creating:
Anchor 1: Generate and conceptualize artistic ideas and work.
Anchor 2: Organize and develop artistic ideas and work.
2. Which Illinois Learning Standards are the most critical for continued learning success at
subsequent grade levels?
Performing:
Anchor 6: Convey meaning through the presentation of artistic work.
Responding:
Anchor 7: Perceive and analyze artistic work.
Anchor 9: Apply criteria to evaluate artistic work.
3. Which Illinois Learning Standards are best suited for interdisciplinary and/or project-
based learning?
Connecting:
Anchor 10: Synthesize and relate knowledge and personal experiences to make art.
4. Which Illinois Learning Standards depict the knowledge, skills, and dispositions we
want all students to possess to successfully complete a given grade level or stage of their
education?
Creating:
Anchor 1: Generate and conceptualize artistic ideas and work.
Anchor 2: Organize and develop artistic ideas and work.
Performing:
Anchor 6: Convey meaning through the presentation of artistic work.
Theater
Creating:
Anchor 1: Generate and conceptualize artistic ideas and work.
Anchor 2: Organize and develop artistic ideas and work
Performing:
Anchor 6: Convey meaning through the presentation of artistic work.
Responding:
Anchor 7: Perceive and analyze artistic work.
Anchor 9: Apply criteria to evaluate artistic work.
Connecting:
Anchor 10: Synthesize and relate knowledge and personal experiences to make art.
In theater, before students can perform a piece, they must first go through the process of
learning and examining the skills of theater. Therefore, the skills of Creating and Connecting
should be emphasized before Performing. During remote learning or social distance learning,
creativity is an important skill for both foundation knowledge and social/emotional learning.
For the Standard of Creating, Anchor 1: Generate and conceptualize artistic ideas and work,
and Anchor 2: Organize and develop artistic ideas and work, should have more emphasis.
These skills are the building blocks of performance. Students must have time to be creative.
This allows students to gain the basics of theater while using imagination and creativity drawn
from their own lives to create art. This goes hand in hand with the standard, Connecting,
Anchor 10: Synthesize and relate knowledge and personal experiences to make art. Due to
COVID and other issues, these may be troubling times for students, and creating in theater is
one outlet for a student to come to terms with his/her feelings.
While Performing and sharing one’s art is an ultimate goal of Theater, during remote learning
or social distance learning, Anchor 6: Convey meaning through the presentation of artistic
work, may prove difficult. Due to lack of ability to collaborate in large groups, it will be difficult
to perform major pieces, thus small works should be considered.
During remote learning or social distance learning, the standard, Responding, Anchor
7: Perceive and analyze artistic work, and Anchor 9: Apply criteria to evaluate artistic work
should take an active role. There are many great pieces that students can observe to gain
insight to the art of theater, including their own classmates. By observing these works, and
analyzing the works, students can begin to formulate how to create their own work of art.
.
Media Arts
Preface
It is critical that districts which include Media Arts as regularly-offered curriculum in course
catalogs survey all enrolled pupils as soon as practical regarding off-campus access to
hardware, software & supplies necessary for replicating the classroom/lab experiences in the
off-campus (home) setting.
Pupils/districts who are unable to provide this off-campus replication must heavily prioritize on-
campus attendance days and supportive scheduling to fulfill lab assignments.
CREATING
PK-5
Tools, Methods, Results.
Brainstorm, Goal-set.
Traditional Execution.
Instructor & Peer Critiques.
6-8
Review previous Tools, Methods, Results.
Brainstorm, Goal-set.
Experimental Execution.
Instructor & Peer Critiques.
9-12
Review previous Tools, Methods, Results.
Problem-solving & Aesthetics.
Brainstorm, Goal-set.
Traditional Execution.
Instructor & Peer Critiques.
PK-5
Best Ideas to Plans, Models.
Goal-set & Audience-target.
Traditional & Experimental Incorporation.
6-8
Pre-production Targeting Multi-level Intent.
Impact of Toolset on Intent.
9-12
Public & Personal Aesthetics.
PK-5
Expression & Meaning.
Pattern & Repetition.
Goal-setting.
Demo. Elements.
Alter & Clarify Elements as needed.
6-8
Identify Various Principles.
Tie Principles to Target Audiences.
9-12
Define Various Principles.
Tie Principles to Target Audiences.
PRODUCING
PK-5
Experiment w/Multimedia Combos.
Tie Multimedia Combos to Target Audiences.
6-8
(Increase PK-5 Complexity.)
9-12
Target Audiences through Multimedia Combos.
PK-5
Skillsets & Tools.
Explore Roles.
Experimentation.
6-8
Demo. Solo & Collaborative Skills.
Standard & Experimental Tools.
9-12
Mastery of Skills, Tool Combos.
Address Inquiry & Solution.
PK-5
Presentation Formats, Roles & Reactions.
Critique Presentations.
6-8
Critique Formats.
9-12
Curate, Improve, Promote Formats.
RESPONDING
PK-5
Guided discussions of components, messages & experiences.
Style's impact & differentiation on messaging.
6-8
Style's effect on experience, personal preferences & meaning.
9-12
Analyze components, meaning, persuasion, multimodal models, feedback & persuasion.
PK-5
(Same as previous 6-8.)
6-8
Apply relevant criteria for constructive feedback.
9-12
Evaluate through context, goals & stages.
apply defensible critiques.
CONNECT
PK-5
Use experience & external resources to distill meaning & purpose.
6-8
Use internal & external resources and exemplary works to explore cultural experiences.
9-12
Gain new connections through the internet, local & global networks.
AS11 (Relate Ideas & Works with Societal, Cultural, Historical Context to Deepen
Understanding)
RELATE
PK-5
Works reflecting everyday values, family, friends & community.
6-8
Works distributed through social media & virtual worlds.
9-12
Works reflecting social trends, power, equality & social identity.
Works representing copyright, ethics, fair use & media literacy.