Gibson Emaza Complaint FINAL 10-2-23 2
Gibson Emaza Complaint FINAL 10-2-23 2
Gibson Emaza Complaint FINAL 10-2-23 2
223819)
[email protected]
Ronald L. Zambrano (State Bar No. 255613)
[email protected]
WEST COAST EMPLOYMENT LAWYERS, APLC
1147 South Hope Street
Los Angeles, California 90015
Telephone: (213) 927-3700
Facsimile: (213) 927-3701
1
COMPLAINT AND DEMAND FOR JURY TRIAL
Plaintiff, EMAZA GIBSON (hereinafter referred to as “Plaintiff” or “GIBSON”), an
INTRODUCTION
1. This is an action brought by the Plaintiff, GIBSON, pursuant to California statutory, decision,
and regulatory laws. Plaintiff was employed by Defendants, ATLANTIC and FUTURE, at all
times herein mentioned. Defendant DERULO is the Co-Founder and Principal of Defendant,
2. Plaintiff alleges that California statutory, decisional, and regulatory laws prohibit the conduct by
Defendants herein alleged, and therefore Plaintiff has an entitlement to monetary relief on the
basis that Defendants violated such statutes, decisional law, and regulations.
2
COMPLAINT AND DEMAND FOR JURY TRIAL
3. Jurisdiction is proper in this court by virtue of the California statutes, decisional law, and
regulations, and the local rules under the Los Angeles County Superior Court Rules.
4. Venue in this Court is also proper in that Defendant DERULO resides in the City of Los Angeles,
State of California.
5. Venue in this Court is proper in that Defendants ATLANTIC, FUTURE, and RCA RECORDS
have a principal business address located in the City of Los Angeles, State of California.
6. Venue in this Court is also proper in that the employment of Plaintiff and transactions at issue
PARTIES
7. Plaintiff GIBSON is, and at all relevant times mentioned herein was, an individual residing in the
8. Plaintiff is informed and believes, and thereon alleges that Defendant DERULO is an individual
9. Plaintiff is informed and believes, and thereon alleges that Defendant HARRIS is an individual
10. Plaintiff is informed and believes, and thereon alleges, that Defendant ATLANTIC is a Delaware
Corporation, with the capacity to sue and to be sued, doing business in the County of Los
3
COMPLAINT AND DEMAND FOR JURY TRIAL
Angeles, California. At all relevant times, ATLANTIC was the employer, and/or joint employer
of Plaintiff within the meaning of Section 2 of the IWC Wage Order(s) with respect to work done
and labor.
11. Plaintiff is informed and believes, and thereon alleges, that Defendant FUTURE is a California
Corporation, with the capacity to sue and to be sued, doing business in the County of Los
California Secretary of State. At all relevant times, FUTRUE was the employer, and/or joint
employer of Plaintiff within the meaning of Section 2 of the IWC Wage Order(s) with respect to
12. Plaintiff is informed and believes, and thereon alleges, that Defendant RCA RECORD is a
California Corporation, with the capacity to sue and to be sued, doing business in the County of
Los Angeles, California. At all relevant times, RCA RECORDS was the employer, and/or joint
employer of Plaintiff within the meaning of Section 2 of the IWC Wage Order(s) with respect to
13. The true names and capacities of the Defendants named herein as Does 1 through 10, inclusive,
who therefore sues these Defendants by such fictitious names. Plaintiff will request leave of
court to amend this Complaint to allege their true names and capacities at such time as they are
ascertained.
FACTUAL ALLEGATIONS
4
COMPLAINT AND DEMAND FOR JURY TRIAL
14. Plaintiff EMAZA GIBSON is a young, female, artist who was maliciously promised the
15. DERULO is currently signed to the major record label, ATLANTIC. DERULO is also the
owner of smaller record labels, FUTURE HISTORY and FH2. In or around August of 2021,
DERULO contacted Plaintiff and informed her he planned to partake in a joint venture between
ATLANTIC and FUTURE HISTORY. In order for the joint venture to be initiated, DERULO
needed to provide ATLANTIC with a new musical artist, and he wanted Plaintiff to be that
artist. Plaintiff, who dreamed of making music, eagerly accepted DERULO’s offer to work for
him. DERULO, in return, promised to make multiple music albums with Plaintiff.
16. Plaintiff entered into agreements with DERULO, ATLANTIC, and FUTURE HISTORY.
Plaintiff was promised a budget of an amount agreed upon between Plaintiff and DERULO. The
intent of the budget was to fund the creation and advertising of Plaintiff’s album. Plaintiff was
to deliver ATLANTIC a “mix tape,” within four (4) months, and an album six (6) months.
Plaintiff was to create a single record that would feature DERULO. Defendant FRANK
HARRIS (hereinafter “HARRIS”), DERULO’s manager, promised Plaintiff she was going to
have access to everything DERULO had access to for purposes of creating and recording music.
DERULO, at this point, was a multi-platinum international artist and social media influencer.
HARRIS and DERULO expressly promised the same result for Plaintiff.
17. In or around November of 2021, Plaintiff began to work with DERULO to create her album
under his label. DERULO acted as Plaintiff’s mentor, supervisor, as well as the agent for
5
COMPLAINT AND DEMAND FOR JURY TRIAL
ATLANTIC and FUTURE HISTORY.
18. While recording music, DERULO informed Plaintiff that if she wanted to be successful in the
“this business” (aka, the music industry), Plaintiff would be required to partake in “goat skin
and fish scales,” which is a Haitian reference referring to conducting sex rituals, sacrificing a
goat, goat blood and doing cocaine. The manner and timing of such a statement meant that
DERULO was demanding sexual acts from Plaintiff in order for DERULO to fulfill his role as
her mentor, supervisor and musical collaborator. This explicit demand for
19. Plaintiff and DERULO regularly communicated through text messages to schedule recording
sessions and meetings. Through text messages, DERULO repeatedly invited Plaintiff to have
drinks and dinner with him at a “members only lounge” on multiple occasions. Plaintiff did not
wish to partake in having drinks or dinner with DERULO, intending to keep their relationship
purely professional. Plaintiff’s priority was to begin recording her music, thus she asked
DERULO when they could meet at the recording studio. In response, DERULO asked Plaintiff
if she was going to have a drink with him during their recording sessions. Plaintiff informed
20. Compounding the sexualized nature of DERULO’s “invitation for drinks,” DERULO would
often schedule recording sessions at late-night hours between 9:00 p.m. to 2:00 a.m. During the
recording sessions, DERULO constantly pressured Plaintiff to drink with him despite Plaintiff
repeatedly expressing she's not a drinker. As a pretext, DERULO would “assure” Plaintiff he
6
COMPLAINT AND DEMAND FOR JURY TRIAL
21. In or around late September of 2021, Plaintiff was in the recording studio with DERULO during
late hours of the night. During their recording session, DERULO, again, directed Plaintiff to
have a drink with him. Plaintiff, seeing no choice but to accept the offer from the person that
was essentially her boss and access to excel in her work, reluctantly took a sip of DERULO’s
drink. Immediately, Plaintiff tasted inappropriately large amounts of alcohol, and told DERULO
that the “drink was too strong.” Seemingly satisfied his persistent pressure and coercion was
baring fruit, DERULO encouraged Plaintiff to take another sip, but Plaintiff refused. After this
session, where Plaintiff declined to drink and have sex with DERULO, the offer to arrange for
22. On or about November 18, 2021, Plaintiff and DERULO had a meeting in New York City with
(hereinafter, “Greenwald”), to discuss Plaintiff’s career. DERULO told Plaintiff the purpose of
the meeting was to showcase Plaintiff herself and her music to the executives. However, only
minutes before the meeting, DERULO informed Plaintiff that another woman, Rosa (Last Name
Unknown) (hereinafter, “Rosa”), would be joining them. Plaintiff and Rosa were placed in a
room alone, where Rosa informed Plaintiff that DERULO invited her along specifically because
DERULO was trying to be "on some fuck shit" with her (aka, sexual intercourse). This
information both reinforced Plaintiff’s own concerns of DERULO’s behavior and devastated her
as she felt DERULO would not do what help Plaintiff write music unless she slept with
DERULO. Needless to say, Plaintiff had to hide her feelings when it was Plaintiff’s turn to meet
7
COMPLAINT AND DEMAND FOR JURY TRIAL
23. Immediately following the meeting, Plaintiff was in the back seat of the SUV while DERULO
and HARRIS were in the row in front of her. HARRIS asked Plaintiff how she felt about the
meeting. Plaintiff responded saying she was thrown off guard because she wasn't aware there
would be another female artist participating in a meeting meant to showcase Plaintiff. DERULO
immediately lost control and began aggressively hitting his arm rests screaming, “What does
she have to do with you!? We weren’t going to tell you anything! We don’t have to tell you
anything!” Being trapped and afraid in the back of the car with an irate DERULO, Plaintiff
merely stayed quiet during the rest of the car ride, mortified of what DERULO would do next.
24. Following the incident in the car, Plaintiff insisted her mother, Sandra Bales (hereinafter,
“Bales”), also Plaintiff’s manager, travel with her to any future meetings or sessions with
25. After the New York trip, DERULO was radio silent to Plaintiff’s inquiries. Plaintiff would
contact DERULO through text message to obtain a time to record music, but DERULO failed to
respond. Plaintiff also contacted DERULO’s manager and co-owner of FUTURE HISTORY,
HARRIS, to discuss when Plaintiff would receive a project manager which is standard for artists
in the music industry. However, after Plaintiff never was assigned a project manager. As a
result of the lack of communication from both DERULO and HARRIS, Plaintiff began to feel
DERULO was not to fulfill his promises to Plaintiff because Plaintiff refused to drink with him
26. On or about June 2, 2022, DERULO finally agreed to meet with Plaintiff in his Malibu,
California residence. During their meeting, Plaintiff inquired about her budget. In response,
8
COMPLAINT AND DEMAND FOR JURY TRIAL
DERULO stated “Why are you worried about the budget? You are worried about the wrong
things.” Anxious of not meeting her obligations, Plaintiff asked if they could have a recording
session soon.
27. Out of due diligence, Plaintiff herself used her own contacts and resources to make records to
fulfill her obligations. Plaintiff played this recorded music for DERULO. Bales was present
with Plaintiff and that annoyed DERULO. DERULO was asked to purchase the records so that
Plaintiff does not lose out on them to other artists; which is currently happening to Plaintiff at
the time of the filing of this complaint. DERULO smugly said “if we lose them, I can always
28. On or about June 7, 2022, after many demands from Plaintiff and Bales to people at
ATLANTIC and FUTURE HISTORY, DERULO finally agreed to have an all-day recording
session with Plaintiff. That morning, DERULO moved the start time from 11:00 a.m. to 1:00
p.m. Plaintiff was on the way to the recording studio with Bales and a videographer hired to
create a behind-the-scenes video. Unfortunately, they were approximately one (1) hour late, due
to traffic from the President visiting Los Angeles. In fact, Los Angeles was host to the Summit
of the Americas, where many heads of state were visiting Los Angeles that affected traffic
29. When Plaintiff arrived at the recording studio, DERULO immediately charged at Plaintiff in
front of Bales, the videographer, Plaintiff’s engineer and DERULO’s all-male staff, and lunged
at her causing her to step back and clutched her chest to brace herself for DERULO to
physically assault her. DERULO screamed within inches of Plaintiff’s face, “I don’t know who
9
COMPLAINT AND DEMAND FOR JURY TRIAL
you think you are! You’re supposed to be here before me! You need to plan better!” Despite
Bales attempts to calm DERULO down, DERULO continued to yell at Plaintiff. Eventually,
after berating Plaintiff in front of others, DERULO realized the aggressive manner in which he
invaded Plaintiff’s personal space and the inappropriate volume of his voice, then attempted to
give her a hug. Understandably, Plaintiff raced to the bathroom, where she proceeded to cry.
One of DERULO's engineers checked in with Plaintiff as she cried and told her to not worry
30. On or about June 8, 2022, Bales contacted HARRIS to inform him about the incident that
occurred the previous day. HARRIS responded to Bales admitted prior knowledge of the
incident and said there was nothing to do. “[DERULO] he is his own man and […]. I’m not his
master.” BALES responded saying "I know you're not his master, you're his manager.... what
would you do if this was your daughter?" Bales attempted to elicit empathy from HARRIS,
asking him if he would like his own daughter to be treated the way DERULO treated Plaintiff.
HARRIS doubled down, saying that DERULO had the right to yell at Plaintiff, even at the New
York meeting, because “that was their meeting.” HARRIS’ indifference devastated Plaintiff, as
she felt this amazing opportunity was going to deteriorate because she refused to have sex with
and have drinks with DERULO, as he’d insisted on since the beginning.
31. On or about July 15, 2022, Plaintiff reached out to DERULO via text message and Instagram to
schedule another recording session and to discuss how he was not delivering on his promise or
32. On or about July 19, 2022, Plaintiff contacted Anton Ben-Horin about the hostility she felt from
10
COMPLAINT AND DEMAND FOR JURY TRIAL
DERULO regarding the incidents in New York and at his home studio and the difficulty
communicating with DERULO. However, nothing was done about Plaintiff’s concerns.
Ben-Horin acknowledged DERULO's behavior and that "the Atlantic team wants you to win but
33. From July to September 2022, Plaintiff recorded songs using her own money for studio
sessions. Plaintiff had to contact and set up her own sessions with producers of which she had
previous connections.
34. On or about September 6th, 2022, Plaintiff was informed her employment with ATLANTIC and
FUTURE was being terminated effective immediately. As a “reason,” Plaintiff was told that
they wanted her to be “happy.” Plaintiff requested to speak with ATLANTIC’s Kallman and
Greenwald, but the response was “they’re not going to have a conversation with you.”
35. After Plaintiff’s termination, Bales made repeated attempts via email to ATLANTIC’s human
Plaintiff to voice any concerns with FUTURE HISTORY. No one has ever reached out to
address Plaintiff’s concerns over DERULO’s sexually, emotionally and physically inappropriate
36. As a result of DERULO’s, ATLANTIC’s, FUTURE HISTORY and HARRIS’ conduct, Plaintiff
required medical intervention for breakdowns, weight loss, insomnia, mood swings,
hopelessness, loss of motivation, betrayal, feelings of betrayal and deception. Plaintiff went on
to seek mental health treatment where she was diagnosed with, including, but not limited to,
11
COMPLAINT AND DEMAND FOR JURY TRIAL
post-traumatic stress disorder.
37. Plaintiff exhausted her administrative remedies by obtaining a Right-to-Sue letter through the
38. Plaintiff incorporates all paragraphs above as though fully set forth herein.
39. At all relevant times herein mentioned, Plaintiff was an employee of Defendants.
40. DERULO made unwanted sexual advances to Plaintiff and/or engaged in unwanted verbal and
41. Plaintiff’s terms of employment, job benefits, and/or working conditions were made contingent
on Plaintiff’s acceptance of DERULO’s sexual advances and/or conduct. After Plaintiff declined
DERULO’s sexual advances, DERULO became difficult to communicate with, refused to work
with Plaintiff, yelled at Plaintiff on two (2) occasions, then subsequently terminated Plaintiff’s
employment.
42. At the time of his conduct, DERULO was an agent of Defendants and served as Plaintiff’s
supervisor.
12
COMPLAINT AND DEMAND FOR JURY TRIAL
43. As a direct and legal result of DERULO’s conduct, and each of them, Plaintiff has suffered and
continues to suffer general, consequential, and special damages, including but not limited to
substantial losses in earnings, other employment benefits, emotional distress, future medical
expenses, and attorneys’ fees, all to her damage, in an amount according to proof.
44. Said actions by Defendant justify the imposition of punitive damages in that the actions were
against public policy. Defendant committed the acts alleged herein maliciously, fraudulently,
and oppressively, with the wrongful intention of injuring Plaintiff, from an improper and evil
45. Plaintiff incorporates all paragraphs above as though fully set forth herein.
46. Plaintiff was subjected to harassment based on her sex and gender by Defendant DERULO as
alleged in more detail above. Such conduct is prohibited by the Fair Employment and Housing
47. Under FEHA, an employer is strictly liable for the harassing conduct of its agents and
supervisors. (Fisher v. San Pedro Peninsula Hospital (1989) 214 Cal.App.3d 590). FEHA also
requires employers to take all reasonable steps necessary to prevent unlawful harassment from
13
COMPLAINT AND DEMAND FOR JURY TRIAL
occurring. (Gov. Code § 12940(j) & (k)).
48. Defendant DERULO is currently signed to the major record label corporation, Defendant
ATLANTIC. DERULO is also the owner of a smaller record corporation, Defendant FUTURE.
In or around August of 2021, DERULO contacted Plaintiff and informed her that he planned to
partake in a joint venture between ATLANTIC and FUTURE. In order for the joint venture to be
initiated, DERULO needed to provide ATLANTIC with a new musical artist, and he wanted
Plaintiff to be that artist. Plaintiff, who dreamed of making music, eagerly accepted DERULO’s
offer.
49. Plaintiff signed a contract with DERULO, ATLANTIC, and FUTURE. The contract provided,
in relevant part, that Plaintiff would be given an advance payment of $150,000.00 but would
later be given a budget in a mutually agreed upon number between Plaintiff and DERULO. The
budget was meant to fund the creating and advertising of Plaintiff’s album. The contract also
contained benchmarks which stated that Plaintiff was to deliver ATLANTIC a “mix tape,”
which is a shorter version of a musical album, within four (4) months of signing the contract,
and an album six (6) months after that. The contract also stated that Plaintiff would create a
50. In or around November of 2021, Plaintiff began to work with DERULO to create her album.
DERULO acted as Plaintiff’s mentor and the supervising agent for ATLANTIC and FUTURE.
51. Prior to recording any music, DERULO informed Plaintiff that if she wanted to be successful in
“this business,” Plaintiff would be required to partake in “goat skin and fish scales,” which is a
14
COMPLAINT AND DEMAND FOR JURY TRIAL
term used to refer to conducting sex rituals and doing cocaine. Plaintiff rejected DERULO’s
advice.
52. Plaintiff and DERULO would communicate through text message to schedule appointments to
record music. Through text message, DERULO invited Plaintiff to have drinks and dinner with
him at a “members only lounge” on multiple occasions. Plaintiff did not partake in having
drinks or dinner with DERULO. Plaintiff’s priority was to begin recording her music, thus she
asked DERULO when they could meet at the recording studio. In response, DERULO asked
Plaintiff if she was going to have a drink with him during their recording sessions. Plaintiff
53. DERULO would often schedule recording sessions at hours that ranged between 9:00 p.m. to
2:00 a.m. During the recording sessions, DERULO pressured Plaintiff to drink with him.
54. In or around late September of 2021, Plaintiff was in the recording studio with DERULO during
late hours. During their recording session, DERULO told Plaintiff to have a drink with him.
Plaintiff refused, stating that she needed to be sober to sing. DERULO persisted that Plaintiff
have a sip of his drink. Plaintiff reluctantly took a sip of DERULO’s drink but immediately
recognized that it contained a large amount of alcohol. Plaintiff informed DERULO that the
“drink was too strong,” and DERULO encouraged Plaintiff to take another sip, but Plaintiff
refused.
55. On or about November 18, 2021, Plaintiff and DERULO had a meeting in New York City with
the Presidents of ATLANTIC, Kallman and Julie Greenwald, to discuss Plaintiff’s career.
15
COMPLAINT AND DEMAND FOR JURY TRIAL
Minutes before the meeting, DERULO informed Plaintiff that another woman, Rosa, would be
joining them. Plaintiff and Rosa were placed in a room alone, where Rosa informed Plaintiff
that DERULO only invited her to the meeting because he was seeking to have a sexual
56. Immediately following the meeting, Plaintiff was in the back seat of a car with DERULO when
she asked DERULO why Rosa was invited to the meeting that was held to discuss Plaintiff’s
career. In response, DERULO lost control and began waving his arms across Plaintiff’s face and
screaming, “What does she have to do with you? We weren’t going to tell you anything! We
don’t have to tell you anything!” Being trapped and afraid in the back of the car, Plaintiff merely
57. Following the incident in the car, Plaintiff insisted that her mother travel with her to any future
58. DERULO became increasingly difficult to get a hold of. Plaintiff would contact DERULO
through text message to obtain a time to record music, but DERULO failed to respond. Plaintiff
also contacted DERULO’s manager, HARRIS, to discuss when Plaintiff would receive a Project
Manager. In response, HARRIS told Plaintiff to wait. As a result of the lack of communication
59. On or about April 15, 2022, Plaintiff’s mother Bales, contacted the Administrator of
ATLANTIC, Joyce. Bales explained that it had been extremely difficult to get a hold of
DERULO, which made it difficult for Plaintiff to record her album. This was especially true
16
COMPLAINT AND DEMAND FOR JURY TRIAL
because of the requirement in Plaintiff’s contract that DERULO record a single with her. Bales
also explained that DERULO has refused to authorize a mutually agreed upon budget, as was
promised to Plaintiff in her contract. All of these factors prevented Plaintiff from creating the
mix tape and the album that was indicated in her contract.
60. On or about May 9, 2022, Bales sent a group text message to Soifer, the Artists and Repertoire
Plaintiff, stating that the benchmarks of Plaintiff’s contract are not being met since, “HARRIS
61. On or about June 2, 2022, DERULO finally agreed to meet with Plaintiff in his malibu
residence. During their meeting, Plaintiff inquired about her budget. In response, DERULO
stated “Why are you worried about the budget? You are worried about the wrong things.” Thus,
62. On or about June 7, 2022, DERULO agreed to have a recording session with Plaintiff.
DERULO changed the meeting from 11:00 a.m. to 1:00 p.m. for that same day. Plaintiff was on
the way to the recording studio with her mother, Bales, but they were approximately one (1)
hour late, for President Joe Biden was visiting Los Angeles City and they were stalled in traffic.
When Plaintiff arrived at the recording studio, DERULO charged at Plaintiff in front Bales and
began yelling, “I don’t know who you think you are. You’re supposed to be here before me. You
need to plan better.” After yelling at Plaintiff, DERULO attempted to give her a hug, but
17
COMPLAINT AND DEMAND FOR JURY TRIAL
63. On or about June 8, 2022, Bales contacted HARRIS to inform him about the incident that
occurred the previous day. HARRIS responded to Bales by stating that he was aware of the
incident and there was nothing that he would do, for “[DERULO] is going to do whatever he’s
64. On or about July 15, 2022, Plaintiff reached out to DERULO via text message to schedule
another recording session and to discuss how the benchmarks of her contract were not being
65. On or about July 19, 2022, Plaintiff contacted Ben-Horin about the hostility she felt from
DERULO and the difficulty she has been having trying to communicate with DERULO.
66. On or about September 6, 2022, Plaintiff was contacted by Ben-Horin and HARRIS, who
informed Plaintiff that they were terminating her from ATLANTIC and FUTURE and refused to
give her a reason for her termination. Plaintiff requested to speak with the Presidents of Atlantic,
Kallman and Greenwald, but HARRIS stated that, “they’re not going to have a conversation
67. As a direct and legal result of Defendants’ conduct, and each of them, Plaintiff has suffered and
continues to suffer general, consequential, and special damages, including but not limited to
substantial losses in earnings, other employment benefits, emotional distress, future medical
expenses, and attorneys’ fees, all to her damage, in an amount according to proof.
18
COMPLAINT AND DEMAND FOR JURY TRIAL
68. Said actions by Defendants justify the imposition of punitive damages in that the actions were
against public policy. Defendant committed the acts alleged herein maliciously, fraudulently,
and oppressively, with the wrongful intention of injuring Plaintiff, from an improper and evil
ATLANTIC and FUTURE had notice and knowledge of DERULO’s actions. Yet, neither
Defendant reached out to Plaintiff or to Plaintiff’s mother regarding the events. Instead, Plaintiff
//
//
//
//
//
69. Plaintiff incorporates all paragraphs above as though fully set forth herein.
70. At all times herein mentioned, California Government Code § 12940 et seq. was in full force
and effect and binding on Defendants and Defendants were subject to its terms. Defendants not
only failed to remedy the harassment about which Plaintiff complained about, but Defendants
ultimately terminated her employment, for reasons and in a manner contrary to FEHA, on a
pre-textual basis, because of her complaints about sexual harassment and because of her refusal
19
COMPLAINT AND DEMAND FOR JURY TRIAL
to engage in sexual relations with Defendant DERULO, as alleged above.
71. Defendant DERULO is currently signed to the major record label corporation, Defendant
ATLANTIC. DERULO is also the owner of a smaller record corporation, Defendant FUTURE.
In or around August of 2021, DERULO contacted Plaintiff and informed her that he planned to
partake in a joint venture between ATLANTIC and FUTURE. In order for the joint venture to be
initiated, DERULO needed to provide ATLANTIC with a new musical artist, and he wanted
Plaintiff to be that artist. Plaintiff, who dreamed of making music, eagerly accepted DERULO’s
offer.
72. Plaintiff signed a contract with DERULO, ATLANTIC, and FUTURE. The contract provided,
in relevant part, that Plaintiff would be given an advance payment of $150,000.00 but would
later be given a budget in a mutually agreed upon number between Plaintiff and DERULO. The
budget was meant to fund the creating and advertising of Plaintiff’s album. The contract also
contained benchmarks which stated that Plaintiff was to deliver ATLANTIC a “mix tape,”
which is a shorter version of a musical album, within four (4) months of signing the contract,
and an album six (6) months after that. The contract also stated that Plaintiff would create a
73. In or around November of 2021, Plaintiff began to work with DERULO to create her album.
DERULO acted as Plaintiff’s mentor and the supervising agent for ATLANTIC and FUTURE.
74. Prior to recording any music, DERULO informed Plaintiff that if she wanted to be successful in
“this business,” Plaintiff would be required to partake in “goat skin and fish scales,” which is a
20
COMPLAINT AND DEMAND FOR JURY TRIAL
term used to refer to conducting sex rituals and doing cocaine. Plaintiff rejected DERULO’s
advice.
75. Plaintiff and DERULO would communicate through text message to schedule appointments to
record music. Through text message, DERULO invited Plaintiff to have drinks and dinner with
him at a “members only lounge” on multiple occasions. Plaintiff did not partake in having
drinks or dinner with DERULO. Plaintiff’s priority was to begin recording her music, thus she
asked DERULO when they could meet at the recording studio. In response, DERULO asked
Plaintiff if she was going to have a drink with him during their recording sessions. Plaintiff
76. DERULO would often schedule recording sessions at hours that ranged between 9:00 p.m. to
2:00 a.m. During the recording sessions, DERULO pressured Plaintiff to drink with him.
77. In or around late September of 2021, Plaintiff was in the recording studio with DERULO during
late hours. During their recording session, DERULO told Plaintiff to have a drink with him.
Plaintiff refused, stating that she needed to be sober to sing. DERULO persisted that Plaintiff
have a sip of his drink. Plaintiff reluctantly took a sip of DERULO’s drink but immediately
recognized that it contained a large amount of alcohol. Plaintiff informed DERULO that the
“drink was too strong,” and DERULO encouraged Plaintiff to take another sip, but Plaintiff
refused.
78. On or about November 18, 2021, Plaintiff and DERULO had a meeting in New York City with
the Presidents of ATLANTIC, Kallman and Greenwald, to discuss Plaintiff’s career. Minutes
21
COMPLAINT AND DEMAND FOR JURY TRIAL
before the meeting, DERULO informed Plaintiff that another woman, Rosa, would be joining
them. Plaintiff and Rosa were placed in a room alone, where Rosa informed Plaintiff that
DERULO only invited her to the meeting because he was seeking to have a sexual relationship
with her.
79. Immediately following the meeting, Plaintiff was in the back seat of a car with DERULO when
she asked DERULO why Rosa was invited to the meeting that was held to discuss Plaintiff’s
career. In response, DERULO lost control and began waving his arms across Plaintiff’s face and
screaming, “What does she have to do with you? We weren’t going to tell you anything! We
don’t have to tell you anything!” Being trapped and afraid in the back of the car, Plaintiff merely
80. Following the incident in the car, Plaintiff insisted that her mother travel with her to any future
81. DERULO became increasingly difficult to get a hold of. Plaintiff would contact DERULO
through text message to obtain a time to record music, but DERULO failed to respond. Plaintiff
also contacted DERULO’s manager, HARRIS, to discuss when Plaintiff would receive a Project
Manager. In response, HARRIS told Plaintiff to wait. As a result of the lack of communication
82. On or about April 15, 2022, Plaintiff’s mother Bales, contacted the Administrator of
ATLANTIC, Joyce. Bales explained that it had been extremely difficult to get a hold of
DERULO, which made it difficult for Plaintiff to record her album. This was especially true
22
COMPLAINT AND DEMAND FOR JURY TRIAL
because of the requirement in Plaintiff’s contract that DERULO record a single with her. Bales
also explained that DERULO has refused to authorize a mutually agreed upon budget, as was
promised to Plaintiff in her contract. All of these factors prevented Plaintiff from creating the
mix tape and the album that was indicated in her contract.
83. On or about May 9, 2022, Bales sent a group text message to Soifer, the Artists and Repertoire
Plaintiff, stating that the benchmarks of Plaintiff’s contract are not being met since, “HARRIS
84. On or about June 2, 2022, DERULO finally agreed to meet with Plaintiff in his malibu
residence. During their meeting, Plaintiff inquired about her budget. In response, DERULO
stated “Why are you worried about the budget? You are worried about the wrong things.” Thus,
85. On or about June 7, 2022, DERULO agreed to have a recording session with Plaintiff.
DERULO changed the meeting from 11:00 a.m. to 1:00 p.m. for that same day. Plaintiff was on
the way to the recording studio with her mother, Bales, but they were approximately one (1)
hour late, for President Joe Biden was visiting Los Angeles City and they were stalled in traffic.
When Plaintiff arrived at the recording studio, DERULO charged at Plaintiff in front Bales and
began yelling, “I don’t know who you think you are. You’re supposed to be here before me. You
need to plan better.” After yelling at Plaintiff, DERULO attempted to give her a hug, but
23
COMPLAINT AND DEMAND FOR JURY TRIAL
86. On or about June 8, 2022, Bales contacted HARRIS to inform him about the incident that
occurred the previous day. HARRIS responded to Bales by stating that he was aware of the
incident and there was nothing that he would do, for “[DERULO] is going to do whatever he’s
87. On or about July 15, 2022, Plaintiff reached out to DERULO via text message to schedule
another recording session and to discuss how the benchmarks of her contract were not being
88. On or about July 19, 2022, Plaintiff contacted Ben-Horin about the hostility she felt from
DERULO and the difficulty she has been having trying to communicate with DERULO.
89. On or about September 6, 2022, Plaintiff was contacted by Ben-Horin and HARRIS, who
informed Plaintiff that they were terminating her from ATLANTIC and FUTURE and refused to
give her a reason for her termination. Plaintiff requested to speak with the Presidents of Atlantic,
Kallman and Greenwald, but HARRIS stated that, “they’re not going to have a conversation
90. Defendants’ conduct, as described above, is in violation of various statutes and state law
decisions, including California Government Code § 12940 et seq., due to Plaintiff’s protected
classification and her protected activity about complaining about harassment based on it.
91. As a direct and legal result of Defendants’ conduct, and each of them, Plaintiff has suffered and
24
COMPLAINT AND DEMAND FOR JURY TRIAL
continues to suffer general, consequential, and special damages, including but not limited to
substantial losses in earnings, other employment benefits, emotional distress, future medical
expenses, and attorneys’ fees, all to her damage, in an amount according to proof.
92. Said retaliation was wrongful and justifies the imposition of punitive damages in that the actions
were against public policy. Defendant committed the acts alleged herein maliciously,
fraudulently, and oppressively, with the wrongful intention of injuring Plaintiff, from an
improper and evil motive amounting to malice, and in conscious disregard of Plaintiff’s rights.
93. Plaintiff incorporates all paragraphs above as though fully set forth herein.
94. California Civil Code § 51.9, also part of the Unruh Act, provides that a defendant is liable for
sexual harassment where there is a professional relationship between the Plaintiff and Defendant
and, “The defendant has made sexual advances, solicitations, sexual requests, demands for
sexual compliance by the plaintiff, or engaged in other verbal, visual, or physical conduct of a
sexual nature or a hostile nature based on gender, that were unwelcome and pervasive or
severe.”
95. Principles of ratification apply to a cause of action under statute imposing liability for sexual
harassment within a business, service or professional relationship, thus supporting liability for a
25
COMPLAINT AND DEMAND FOR JURY TRIAL
principal that ratifies an agent’s originally authorized harassment. (C.R. v. Tenet Healthcare
96. At all times herein, there was a professional relationship between Plaintiff and Defendants.
97. Defendant DERULO made unwanted sexual advances towards Plaintiff, including, but not
98. Plaintiff is informed and believes, and based thereon alleges, that the above described conduct
of Defendants, and each of them, denied, or incited in a denial of, aided, discriminated against
Plaintiff or made an unlawful distinction that denied Plaintiff full and equal advantages,
privileges, and services based solely upon Plaintiff’s complaints regarding sexual harassment
and her refusal to submit to the sexual advances of her supervisor, DERULO, and therefore
99. As a direct and legal result of Defendants’ conduct, and each of them, Plaintiff has suffered and
continues to suffer general, consequential, and special damages, including but not limited to
substantial losses in earnings, other employment benefits, emotional distress, future medical
expenses, and attorneys’ fees, all to her damage, in an amount according to proof.
100. Said actions by Defendants justify the imposition of punitive damages in that the actions were
against public policy. Defendant committed the acts alleged herein maliciously, fraudulently,
and oppressively, with the wrongful intention of injuring Plaintiff, from an improper and evil
26
COMPLAINT AND DEMAND FOR JURY TRIAL
101. As a further result of Defendants’ acts as alleged herein, Plaintiff is entitled to civil penalties
and reasonable attorneys’ fees and costs of suit as provided by Civil Code § 52(b).
102. Plaintiff incorporates all paragraphs above as though fully set forth herein.
103. California Civil Code § 51.7, the Ralph Civil Rights Act of 1976, provides that all persons
within the jurisdiction of the State of California have the right to be free from any violence
and/or intimidation by threat of violence, committed against his or her person or property
104. Whoever denies the right provided by § 51.7, or aids, incites, or conspires in that denial, is liable
for each and every offense for the actual damages suffered by any person denied that right. Cal.
105. The conduct of Defendants, and each of them, as described herein, constituted violence,
intimidation, and/or threat of violence against Plaintiff. A substantial motivating reason for such
27
COMPLAINT AND DEMAND FOR JURY TRIAL
106. As alleged herein, Defendants failed to provide a workplace free from violence and/or
violent, threatening, intimidating, and hostile behavior. Defendants’ refusal to take corrective
action and provide protection from workplace abusive conduct violates Cal. Civil Code § 51.7.
As a direct and legal result of Defendants’ conduct, and each of them, Plaintiff has suffered and
continues to suffer general, consequential, and special damages, including but not limited to
substantial losses in earnings, other employment benefits, emotional distress, future medical
expenses, and attorneys’ fees, all to her damage, in an amount according to proof.
107. Said actions by Defendants justify the imposition of punitive damages in that the actions were
against public policy. Defendant committed the acts alleged herein maliciously, fraudulently,
and oppressively, with the wrongful intention of injuring Plaintiff, from an improper and evil
108. As a further result of Defendants’ acts as alleged herein, Plaintiff is entitled to civil penalties
and reasonable attorneys’ fees and costs of suit as provided by Civil Code § 52(b).
//
//
//
//
//
Breach of Contract
28
COMPLAINT AND DEMAND FOR JURY TRIAL
109. Plaintiff incorporates all paragraphs above as though fully set forth herein.
110. Plaintiff signed a contract with DERULO, ATLANTIC, and FUTURE. The contract provided,
in relevant part, that Plaintiff would be given an advance payment of $150,000.00 but would
later be given a budget in a mutually agreed upon number between Plaintiff and DERULO. The
budget was meant to fund the creating and advertising of Plaintiff’s album. The contract also
contained benchmarks which stated that Plaintiff was to deliver ATLANTIC a “mix tape,”
which is a shorter version of a musical album, within four (4) months of signing the contract,
and an album six (6) months after that. The contract also stated that Plaintiff would create a
111. In or around November of 2021, Plaintiff began to work with DERULO to create her album.
DERULO acted as Plaintiff’s mentor and the supervising agent for ATLANTIC and FUTURE.
112. Prior to recording any music, DERULO informed Plaintiff that if she wanted to be successful in
“this business,” Plaintiff would be required to partake in “goat skin and fish scales,” which is a
term used to refer to conducting sex rituals and doing cocaine. Plaintiff rejected DERULO’s
advice.
113. Plaintiff and DERULO would communicate through text message to schedule appointments to
record music. Through text message, DERULO invited Plaintiff to have drinks and dinner with
him at a “members only lounge” on multiple occasions. Plaintiff did not partake in having
drinks or dinner with DERULO. Plaintiff’s priority was to begin recording her music, thus she
29
COMPLAINT AND DEMAND FOR JURY TRIAL
asked DERULO when they could meet at the recording studio. In response, DERULO asked
Plaintiff if she was going to have a drink with him during their recording sessions. Plaintiff
114. DERULO would often schedule recording sessions at hours that ranged between 9:00 p.m. to
2:00 a.m. During the recording sessions, DERULO pressured Plaintiff to drink with him.
115. In or around late September of 2021, Plaintiff was in the recording studio with DERULO during
late hours. During their recording session, DERULO told Plaintiff to have a drink with him.
Plaintiff refused, stating that she needed to be sober to sing. DERULO persisted that Plaintiff
have a sip of his drink. Plaintiff reluctantly took a sip of DERULO’s drink but immediately
recognized that it contained a large amount of alcohol. Plaintiff informed DERULO that the
“drink was too strong,” and DERULO encouraged Plaintiff to take another sip, but Plaintiff
refused.
116. On or about November 18, 2021, Plaintiff and DERULO had a meeting in New York City with
the Presidents of ATLANTIC, Kallman and Greenwald, to discuss Plaintiff’s career. Minutes
before the meeting, DERULO informed Plaintiff that another woman, Rosa, would be joining
them. Plaintiff and Rosa were placed in a room alone, where Rosa informed Plaintiff that
DERULO only invited her to the meeting because he was seeking to have a sexual relationship
with her.
117. Immediately following the meeting, Plaintiff was in the back seat of a car with DERULO when
she asked DERULO why Rosa was invited to the meeting that was held to discuss Plaintiff’s
30
COMPLAINT AND DEMAND FOR JURY TRIAL
career. In response, DERULO lost control and began waving his arms across Plaintiff’s face and
screaming, “What does she have to do with you? We weren’t going to tell you anything! We
don’t have to tell you anything!” Being trapped and afraid in the back of the car, Plaintiff merely
//
118. Following the incident in the car, Plaintiff insisted that her mother travel with her to any future
119. DERULO became increasingly difficult to get a hold of. Plaintiff would contact DERULO
through text message to obtain a time to record music, but DERULO failed to respond. Plaintiff
also contacted DERULO’s manager, HARRIS, to discuss when Plaintiff would receive a Project
Manager. In response, HARRIS told Plaintiff to wait. As a result of the lack of communication
120. On or about April 15, 2022, Plaintiff’s mother Bales, contacted the Administrator of
ATLANTIC, Joyce. Bales explained that it had been extremely difficult to get a hold of
DERULO, which made it difficult for Plaintiff to record her album. This was especially true
because of the requirement in Plaintiff’s contract that DERULO record a single with her. Bales
also explained that DERULO has refused to authorize a mutually agreed upon budget, as was
promised to Plaintiff in her contract. All of these factors prevented Plaintiff from creating the
mix tape and the album that was indicated in her contract.
121. On or about May 9, 2022, Bales sent a group text message to Soifer, the Artists and Repertoire
31
COMPLAINT AND DEMAND FOR JURY TRIAL
Plaintiff, stating that the benchmarks of Plaintiff’s contract are not being met since, “HARRIS
122. On or about June 2, 2022, DERULO finally agreed to meet with Plaintiff in his malibu
residence. During their meeting, Plaintiff inquired about her budget. In response, DERULO
stated “Why are you worried about the budget? You are worried about the wrong things.” Thus,
//
//
123. On or about June 7, 2022, DERULO agreed to have a recording session with Plaintiff.
DERULO changed the meeting from 11:00 a.m. to 1:00 p.m. for that same day. Plaintiff was on
the way to the recording studio with her mother, Bales, but they were approximately one (1)
hour late, for President Joe Biden was visiting Los Angeles City and they were stalled in traffic.
When Plaintiff arrived at the recording studio, DERULO charged at Plaintiff in front Bales and
began yelling, “I don’t know who you think you are. You’re supposed to be here before me. You
need to plan better.” After yelling at Plaintiff, DERULO attempted to give her a hug, but
124. On or about June 8, 2022, Bales contacted HARRIS to inform him about the incident that
occurred the previous day. HARRIS responded to Bales by stating that he was aware of the
incident and there was nothing that he would do, for “[DERULO] is going to do whatever he’s
125. On or about July 15, 2022, Plaintiff reached out to DERULO via text message to schedule
32
COMPLAINT AND DEMAND FOR JURY TRIAL
another recording session and to discuss how the benchmarks of her contract were not being
126. On or about July 19, 2022, Plaintiff contacted Ben-Horin about the hostility she felt from
DERULO and the difficulty she has been having trying to communicate with DERULO.
127. On or about September 6, 2022, Plaintiff was contacted by Ben-Horin and HARRIS, who
informed Plaintiff that they were terminating her from ATLANTIC and FUTURE and refused to
give her a reason for her termination. Plaintiff requested to speak with the Presidents of Atlantic,
Kallman and Greenwald, but HARRIS stated that, “they’re not going to have a conversation
128. As a direct result of the breaches by Defendants, Plaintiff sustained significant financial harm in
not being paid for work performed and over-paying for legal services performed.
129. Plaintiff incorporates all paragraphs above as though fully set forth herein.
130. As set forth above, Defendants and Plaintiff entered into a contract.
33
COMPLAINT AND DEMAND FOR JURY TRIAL
131. An implied term of the contract between Defendants and Plaintiff was a covenant of good faith
and fair dealing by each party to not do anything which would deprive the other of the benefit of
the contract. The implied covenant means that Defendants were duty bound from doing
132. Defendants breached the implied covenant of good faith and fair dealing when they failed to
meet the benchmarks of Plaintiff’s contract and ultimately prevented her from receiving the
133. As a direct result of the breached by Defendants, Plaintiff sustained significant financial harm in
not being paid for work performed and over-paying for legal services performed.
PRAYER
1. For damages according to proof, including unpaid wages, loss of earnings, deferred
2. For general damages, including but not limited to emotional distress, according to proof;
3. For other special damages according to proof, including but not limited to reasonable medical
expenses
34
COMPLAINT AND DEMAND FOR JURY TRIAL
5. For prejudgment interest on lost wages and benefits;
6. For costs incurred by Plaintiff, including reasonable attorneys’ fees and costs of suit, in
obtaining the benefits due to Plaintiff and for violations of Plaintiff’s civil rights through the
Fair Employment & Housing Act, the Civil Code and the Labor Code, as set forth above; and
7. For such other further relief as the court deems just and proper.
By:
Ronald L. Zambrano, Esq.
Attorney for Plaintiff,
EMAZA GIBSON
35
COMPLAINT AND DEMAND FOR JURY TRIAL
Plaintiff hereby demands trial by jury.
By:
Ronald L. Zambrano, Esq.
Attorney for Plaintiff,
EMAZA GIBSON
36
COMPLAINT AND DEMAND FOR JURY TRIAL