Defy DTL 144 Washing Machine
Defy DTL 144 Washing Machine
Defy DTL 144 Washing Machine
Contents
Adjusting the Stereo Feel of the Drum Kit
Let’s Learn About Drums. . . . . . . . . . . . . . . . . . . . . . . . .2 (OVERHEAD) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Drum Set Elements. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 Adjusting the Reverberation of the Drum Kit
The Basics of Playing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 (ROOM). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Applying an Effect to the Drum Kit (MFX) . . . . . . . . . 16
Quick Start . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Renaming the Drum Kit (KIT NAME). . . . . . . . . . . . . . 16
Panel Descriptions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Specifying MIDI Note Numbers (MIDI NOTE). . . . . . . 16
Connect Your Equipment. . . . . . . . . . . . . . . . . . . . . . . . . . .6 Copying a Drum Kit (KIT COPY). . . . . . . . . . . . . . . . . . 17
Turning the Power On/Off. . . . . . . . . . . . . . . . . . . . . . . . . .6 Resetting a Drum Kit's Settings (KIT RESET). . . . . . . . 17
Playing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
Selecting a Drum Kit . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Using the TD-07 with a Computer or
Playing with the Metronome. . . . . . . . . . . . . . . . . . . . . .7 Smartphone App . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Using the TD-07 with Computer Software. . . . . . . . . 18
Practicing in Coach Mode (COACH) . . . . . . . . . . . . . . .8 Using the TD-07 with a Smartphone App . . . . . . . . . 18
Selecting a Practice Menu. . . . . . . . . . . . . . . . . . . . . . . . . .8
Correctly Playing in Time with the Beat (TIME Making Detailed Settings (SETUP). . . . . . . . . . . . . . 19
CHECK). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8 Making Pad Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Developing Internal Timing Sense (QUIET COUNT). . .9 MIDI Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Playing Along with a Changing Tempo (AUTO Making System Settings. . . . . . . . . . . . . . . . . . . . . . . . 24
UP/DOWN). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Viewing Version Information . . . . . . . . . . . . . . . . . . . . 25
Playing Along with a Changing Rhythm Restoring the Factory Settings . . . . . . . . . . . . . . . . . . 25
(CHANGE UP). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Troubleshooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Performing Along with a Song from Your
Smartphone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
USING THE UNIT SAFELY . . . . . . . . . . . . . . . . . . . . . . . 28
Connecting via a Cable to the MIX IN Jack. . . . . . . . . 11
Connecting Wirelessly via Bluetooth . . . . . . . . . . . . . 11 IMPORTANT NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Before using this unit, carefully read “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (the leaflet “USING THE UNIT SAFELY” and the Owner’s
Manual (p. 28). After reading, keep the document(s) where it will be available for immediate reference.
Tom
Hi-hat
Hi-hat Ride
Tom 1 Tom 2
Snare
Floor tom Drum
sound Snare Tom 3
module
Kick
(Bass drum)
2
Let’s Learn About Drums
Rim shot
Strike the head and the rim of the pad simultaneously.
A sound (rim sound) different than the head shot will be
heard.
Rim
Using the kick pedal
The kick pedal can be pressed in either of two ways: “heel Cross stick
up” or “heel down.”
Only strike the rim of the pad.
Heel up Velocity switching “snare rim” sound, played softly produces
a cross stick sound, and when played harder, produces a rim
In this method, your heel floats above the pedal. With your shot sound.
heel off the pedal, lower your entire foot to push down the
pedal. This method applies the full weight of your leg to the
pedal, making it easier for you to produce a stronger sounds
than the heel down method.
This is often used in rock and pop. Rim
Rim
&& When playing cross stick, set XStickSens (p. 19) to anything
Heel down other than “OFF.”
In this method, the entire bottom of your foot from heel to
toe stays in contact with the pedal. Use your ankle joint to * To play the cross stick, be sure that you only strike the rim
make your toes push down the pedal. of the pad. If you're resting your hand on the head, cross
stick playing technique might not be possible.
This method allows more precise control of the volume, and
is often used in jazz and bossa nova. * This is effective only for a pad that is connected to the
“SN” connector of the dedicated connection cable.
* On some snare sounds, it might not be possible to play
separate sounds in this way.
3
Let’s Learn About Drums
Using the cymbals Using the hi-hat
Bow shot In an acoustic drum set, the hi-hat consists of two cymbals
placed facing each other vertically on a hi-hat stand. When
The most common method, playing the middle area of the
you press the pedal, the two cymbals will come together
cymbal.
(closed). When you release the pedal, the two cymbals will
separate (opened).
Closed
With the hi-hat pedal pressed firmly, strike the pad with a
stick. A short “chick” sound will be heard.
Edge shot
Use the shoulder of the stick to hit the edge of the
cymbal pad (Hit the edge sensor position as shown in the
illustration).
Half-open
With the hi-hat pedal pressed gently, strike the pad with a
stick. A slightly longer “swish” sound will be heard.
Open
With the hi-hat pedal completely released, strike the pad
Edge sensor with a stick. An even longer “sound” than the half-open
sound will be heard.
* Bow shots and edge shots can also be played on the
hi-hat.
* Use a pad that supports the ride three-way trigger. Foot closed
* Set the CR2Usage setting (p. 20) to “RDB.” Just press the pedal without using a stick. This sound will be
* Strike the bell somewhat strongly with the shoulder of the softer and shorter than the closed sound played with a stick.
stick. Useful for keeping time with this tight sound.
Foot splash
Press and immediately release the pedal without using a
Choking a cymbal stick. This is equivalent to momentarily clashing the two
Choking (pinching) the cymbal’s edge with the hand cymbals of an acoustic hi-hat. It produces a “splash” sound
immediately after hitting the cymbal will mute or choke the that is softer than the open strike.
sound, just like with a real cymbal.
* The Choke function only works when you grasp in
the area (where the edge sensor is) as shown in the
illustration. If you do otherwise, it will not work.
Edge sensor
4
Quick Start
Panel Descriptions
Display [ ] (Bluetooth) button [ ] (SETUP) button [ ] (POWER) button
This shows various Lets you connect wirelessly Lets you make detailed Turns the power on/off.
information depending on to your smartphone or settings for the TD-07 such
&&“Turning the Power On/
the operation. a similar device, and as adjusting the pad Off” (p. 6)
A short time after you turn play the drums while sensitivity and performing
on the power, the DRUM listening to a song from a factory reset.
KIT screen (basic screen) your smartphone. You can
&&“Making Detailed Settings
appears. also use the TD-07 with a (SETUP)” (p. 19)
smartphone app.
&&“Selecting a Drum Kit”
(p. 7) &&“Performing Along
with a Song from Your
Smartphone” (p. 11)
&&“Using the TD-07 with a
Computer or Smartphone
App” (p. 18)
&&“Practicing in Coach
Mode (COACH)” (p. 8)
[ ] (EXIT) button
Cancels an operation.
Alternatively, returns to the
previous screen. [ ] (METRONOME) button
Allows you to sound the
metronome, or to make
settings for the tempo or
beat.
[ ] (ENTER) button The button will blink in
Confirms an operation time with the metronome.
or value. Alternatively, &&“Playing with the
proceeds to the next Metronome” (p. 7)
screen.
5
Connect Your Equipment
* To prevent malfunction and equipment failure, always turn down the volume, and turn off all the units before making any
connections.
NOTE
To restore power, turn the power on again.
6
Quick Start
Playing
Playing drums is not only fun, but just about anyone can easily start playing — they make sound when you simply hit them!
Let’s start playing drums using the wide variety of built-in sounds.
MEMO
Alternatively, you can hold down the [ ] (ENTER) button
and press the [ ] (METRONOME) button to turn the
metronome on/off without switching screens.
3. Press the [
] (DRUM KIT) button to return to
the DRUM KIT screen.
7
Practicing in Coach Mode (COACH)
The TD-07 provides a “coach mode” that helps you to use your practice time most effectively. It contains four menus: TIME
CHECK, QUIET COUNT, AUTO UP/DOWN, and CHANGE UP. You can use these menus to improve your skills in speed control,
precision, endurance, and timing.
COACH [ENTER]
TIME CHECK À
2. Use the [C][A] buttons to select the practice menu, and press [ ] (ENTER) button.
For details on the contents of the practice menu, refer to the next section.
8
Practicing in Coach Mode (COACH)
Ì=120 4-*
1. In the AUTO UP/DOWN screen, press the [ ]
(ENTER) button.
The strike timing is evaluated following the QUIET A two-measure count-in is played when you start.
interval.
MEMO
Ì=120 1-2 If you decide to stop mid-way through practice, press the
SCORE:100 [ ] (EXIT) button.
3. Press the [ ] (EXIT) button to finish. 2. Strike the pad in time with the metronome.
The remaining time is shown in the lower right of the
screen.
QUIET COUNT settings Ì=121 1-4
You can specify the number of measures in which the ÃMAX260 3
metronome will sound and the number of measures in
which it will not sound. * Auto Up/Down does not let you change the current
tempo.
1. In the QUIET COUNT screen, use the [C][A] * The current tempo value will be the lower tempo limit.
buttons to select the item (parameter) that you
This ends when the specified time has elapsed, and the
want to set. strike timing is evaluated.
2. Use the dial to change the value.
Finished! [EXIT]
Parameter Value Explanation
SCORE:100
Specify the length (measures) of the
2, 4, 8, 16 interval for which the metronome
Measures
(measures) will alternate between “Sounding” 3. Press the [ ] (EXIT) button to finish.
and “Quiet.”
9
Practicing in Coach Mode (COACH)
AUTO UP/DOWN settings Playing Along with a Changing Rhythm
Here you can specify the duration of your practice time, and
set the upper and lower tempo limits.
(CHANGE UP)
The rhythm type will change every two measures. Starting
1. In the AUTO UP/DOWN screen, use the [C][A] from half notes, the note values will gradually become
shorter, and will then return to half notes; this change in
buttons to select the item (parameter) that you rhythms will be repeated.
want to set.
2. Use the dial to change the value. 1. In the CHANGE UP screen, press the [ ]
Parameter Value Explanation (ENTER) button.
Specifies the time. A two-measure count-in is played when you start.
Ì=120 2-1
3. Press the [ ] (DRUM KIT) button to return to
the DRUM KIT screen. Ì 3
This ends when the specified time has elapsed, and the
strike timing is evaluated.
Finished! [EXIT]
SCORE:100
CHANGE UP settings
Here’s how to specify the duration of your practice time and
the tempo.
3. Press the [
] (DRUM KIT) button to return to
the DRUM KIT screen.
10
Performing Along with a Song from Your Smartphone
You can enjoy playing the drums along with songs on your smartphone or other mobile device (subsequently called
“smartphone”).
11
Customizing a Drum Kit (KIT EDIT)
The TD-07 let’s you customize each pad’s sound and adjust the effects to your preferences.
* Since the TD-07 automatically saves the values that you change, there’s no need to perform a specific operation to save your
settings. Settings are also saved when you turn off the power.
12
Customizing a Drum Kit (KIT EDIT)
13
Customizing a Drum Kit (KIT EDIT)
Adjusting the Attack and Release Adjusting the Tonal Character of Each Pad
(TRANSIENT) (PAD EQ)
Here’s how to emphasize or de-emphasize the attack or Here’s how to adjust the tonal character of each pad (pad
release portion of the sound. You can adjust this individually equalizer).
for each pad.
1. Press the [ ] (KIT EDIT) button.
1. Press the [ ] (KIT EDIT) button. 2. Use the [C][A] buttons to select “PAD EQ,” and
2. Use the [C][A] buttons to select “TRANSIENT,” press [ ] (ENTER) button.
and press [ ] (ENTER) button. The PAD EQ screen appears.
The TRANSIENT screen appears.
PAD EQ SN
TRANSIENT SN
ON/OFF ONÀ
ON/OFF ONÀ
3. Strike the pad that you want to make settings.
3. Strike the pad that you want to make settings. 4. Use the [C][A] buttons to select an item
4. Use the [C][A] buttons to select an item (parameter) and use the dial to edit the value.
(parameter) and use the dial to edit the value. Parameter Value Explanation
Parameter Value Explanation ON/OFF ON, OFF Turns the effect on/off.
ON/OFF ON, OFF Turns the effect on/off. Center frequency of the low
LoFrq 20Hz–1kHz
Time over which the sound range
Time 1–10
rises (attack) Amount of boost/cut for the
LoGain -15–+15dB
low range
Attack Attack adjustment
-100–100 Width of the frequency range
Release Release adjustment MidQ 0.5–8.0 A higher Mid Q narrows the
affected area.
Volume after transient is
Gain -12.0–+6.0dB Center frequency of the mid
adjusted MidFrq 20Hz–16kHz
range
Selects whether the head and
rim parameters are edited as Amount of boost/cut for the
H&R Link ON, OFF MidGain -15–+15dB
a set (ON) or independently mid range
(OFF). Center frequency of the high
HiFrq 1kHz–16kHz
range
5. Press the [ ] (DRUM KIT) button to return to Amount of boost/cut for the
HiGain -15–+15dB
the DRUM KIT screen. high range
Selects whether the head and
rim parameters are edited as
H&R Link ON, OFF
a set (ON) or independently
(OFF).
5. Press the [
] (DRUM KIT) button to return to
the DRUM KIT screen.
14
Customizing a Drum Kit (KIT EDIT)
Adjusting the Stereo Feel of the Drum Kit Adjusting the Reverberation of the Drum
(OVERHEAD) Kit (ROOM)
Here’s how to adjust the sound of the overhead mics that Here’s how to simulate the reverberation and resonance of
capture the entire drum kit. the location in which you’re playing the drums.
This adjusts the sound’s spaciousness and sense of stereo. By applying the Room effect you can give the drum sound
You can specify the amount of effect for each pad. a more natural feel and a sense of presence. You can specify
the amount of effect for each pad.
1. Press the [ ] (KIT EDIT) button.
2. Use the [C][A] buttons to select “OVERHEAD,” 1. Press the [ ] (KIT EDIT) button.
and press [ ] (ENTER) button. 2. Use the [C][A] buttons to select “ROOM,” and
The OVERHEAD screen appears. press [ ] (ENTER) button.
The ROOM screen appears.
OVERHEAD
ROOM
ON/OFF ONÀ
ON/OFF ONÀ
3. Use the [C][A] buttons to select an item
(parameter) and use the dial to edit the value. 3. Use the [C][A] buttons to select an item
(parameter) and use the dial to edit the value.
Parameter Value Explanation
ON/OFF ON, OFF Turns the effect on/off. Parameter Value Explanation
When you edit this ON/OFF ON, OFF Turns the effect on/off.
parameter, all settings other STUDIO1-1–4,
STD-1, STD-2,
than the overhead Level STUDIO2-1–4,
WIDE, CLEAR,
are changed to the optimal Type CLUB-1–4, Type of room
WARM, DRY,
Type values. STAGE-1–4,
MILD, BRIGHT,
OTHER-1–4 To quickly obtain the sound HALL-1–4
you want, select the desired Sense of distance for the
*1 Distance 0–6
template and then edit the room’s reverberation
settings.
Reverberation time of the
Time -64–0
Mic TYPE1–10 Type of mic room
Width 1–5 Distance between mics Level -INF–+6.0dB Volume of reverb
4. Press the [
] (DRUM KIT) button to return to
the DRUM KIT screen.
15
Customizing a Drum Kit (KIT EDIT)
Applying an Effect to the Drum Kit (MFX) Renaming the Drum Kit (KIT NAME)
Lets you apply a variety of effects to the overall drum kit. You Here’s how to rename the currently selected drum kit.
can specify the amount of effect for each pad.
1. Press the [ ] (KIT EDIT) button.
1. Press the [ ] (KIT EDIT) button. 2. Use the [C][A] buttons to select “KIT NAME,”
2. Use the [C][A] buttons to select “MFX,” and and press [ ] (ENTER) button.
press [ ] (ENTER) button. The KIT NAME screen appears.
The MFX screen appears.
KIT NAME
MFX
Ä[ D-07 ]À
ON/OFF ONÀ
Controller Explanation
3. Use the [C][A] buttons to select an item Move the cursor to the character that you
(parameter) and use the dial to edit the value. [C][A] buttons
want to change.
Parameter Value Explanation Dial Change the character.
ON/OFF ON, OFF Turns the effect on/off.
Type Type of multi-effect 3. Press the [
] (DRUM KIT) button to return to
Refer to “Data Moves to a screen the DRUM KIT screen.
List” (PDF) where you can edit
MFX PRM
the parameters of the
selected multi-effect.
Level -INF–+6.0dB
Volume of the effect
sound
Specifying MIDI Note Numbers (MIDI NOTE)
Amount of effect applied Here’s how to specify the MIDI note number of each pad in
Send -INF–+6.0dB
to each pad the currently selected drum kit.
Selects whether the head
and rim parameters are
H&R Link ON, OFF
edited as a set (ON) or 1. Press the [ ] (KIT EDIT) button.
independently (OFF).
2. Use the [C][A] buttons to select “MIDI NOTE,”
MEMO and press [ ] (ENTER) button.
For a list of multi-effect parameters, access the following The MIDI NOTE NO. screen appears.
QR code and view the “TD-07 Data List” (PDF).
MIDI NOTE NO.
http://roland.cm/td-07_om
KICK H 36C2À
4. Press the [
] (DRUM KIT) button to return to
the DRUM KIT screen.
MEMO
If you’re playing the TD-07’s internal sound engine from
an external MIDI device, and the received note number is
assigned to more than one pad, the pad that’s shown at
the top in the MIDI NOTE NO. screen will produce sound.
Pads that do not produce sound are indicated by an “*”
symbol at the right of the note number.
16
Customizing a Drum Kit (KIT EDIT)
Copying a Drum Kit (KIT COPY) Resetting a Drum Kit's Settings (KIT RESET)
Here’s how to copy the settings of a drum kit. Here’s how to return the drum kit settings to their factory-
set state.
NOTE
When you execute a copy operation, the contents of the
1. Press the [ ] (KIT EDIT) button.
copy-destination are overwritten. 2. Use the [C][A] buttons to select “KIT RESET,”
and press [ ] (ENTER) button.
1. Press the [ ] (KIT EDIT) button. The KIT RESET screen appears.
KIT COPY 3. Use the dial to select the drum kit that you
want to reset.
From Kit01À
4. Press the [ ] (ENTER) button.
3. Use the dial to select the copy-source drum kit. A confirmation message appears.
5. Use the dial to select the copy-destination 5. Press the [ ] (ENTER) button.
drum kit. The drum kit returns to the factory settings.
6. Press the [A] button.
KIT COPY [ENTER]
ÄKit01 Ã Kit03
Sure? CANCEL/OK
[EXIT] / [ENTER]
If you decide to cancel, press the [ ] (EXIT) button.
17
Using the TD-07 with a Computer or Smartphone App
Using the TD-07 with Computer Software
If the TD-07 is connected to your computer via a USB cable (commercially available), you can transmit and receive MIDI and
audio data.
Reference
TD-07
In “Making System Settings” (p. 24), refer to “USBDrv” and
make the appropriate settings.
18
Making Detailed Settings (SETUP)
Lets you make detailed settings for the TD-07 such as adjusting the pad sensitivity, MIDI settings, and performing a factory
reset.
Setup menu
Indication Explanation Page
Make settings to ensure that the TD-07 correctly processes the signals from the pads. Here you can adjust
PAD p. 19
the balance (sensitivity) between the force of a strike on a pad and the resulting volume.
MIDI Make MIDI-related settings for the TD-07.
p. 24
SYSTEM Make settings for the TD-07’s power supply, volume, display, and USB COMPUTER port input/output.
VERSION Shows the TD-07’s program version.
p. 25
FACTORY RESET Return the TD-07 to its factory settings.
PAD SN
Type PDX8À
19
Making Detailed Settings (SETUP)
Parameter Value Explanation
If you want to expand the drum set, use the CR2 connector of the dedicated connection cable as
CR2 CR2.
* For an example of expanding the drum set, refer to “Expanding your drum set” (p. 21).
CR2Usage
If you want to expand the drum set, use the CR2 connector of the dedicated connection cable as
RDB RIDE BELL.
* For an example of expanding the drum set, refer to “Expanding your drum set” (p. 21).
FootSpSens -10–+10 Adjusts the amount of how easy to make the foot splash.
When using a VH-10 or VH-11 hi-hat, adjust the offset on the TD-07.
VH Set – This is necessary in order to correctly detect open/close operations and pedal movement.
For details of the settings, refer to “Adjusting the Offset of the Hi-Hat (VH-10/VH-11)” (p. 21).
Refer to “Making
ADVANCED detailed settings in Moves to a screen where you can make more detailed adjustments for the pad.
ADVANCED” (p. 22)
5. Press the [ ] (DRUM KIT) button to return to the DRUM KIT screen.
20
Making Detailed Settings (SETUP) Making Detailed Settings (SETUP)
Adjusting the Offset of the Hi-Hat (VH-10/VH-11)
1. With the hi-hat completely separated from the 8. If the screen indicates offset
adjustment
motion sensor unit, power-on the TD-07. “Turn screw L,” turn the screw
clutch screw offset adjustment screw OPEN CLOSE
counter-clockwise. If
Separated the screen indicates “Turn screw R,” turn it
motion sensor unit clockwise.
When the value shown in the lower left of the screen is
2. Loosen the clutch screw and let the hi-hat rest approximately 80 and the “OK!” indication appears, the
naturally on the motion sensor unit. adjustment is complete.
3. Press the [ ] (SETUP) button. Adjust HH offset
4. Use the [C][A] buttons to select “PAD,” and <80> OK![EXIT]
press [ ] (ENTER) button.
5. Strike the hi-hat to select the pad. 9. Fasten the clutch screw so that the hi-hat
opens to the amount you prefer.
6. Use the [C][A] buttons to select “Type,” and
use the dial to select the type of hi-hat you’re 10. Press the [
] (DRUM KIT) button to return to
using (VH-10 or VH-11). the DRUM KIT screen.
PAD HH
Type VH10À
Added CY-8
MDY-Standard
* In this case, the CR 2 pad
cannot be connected.
21
Making Detailed Settings (SETUP)
Making detailed settings in ADVANCED
Parameter Value Explanation
Volume change in response to pad strike strength
Volume
The standard setting. This produces the most natural
LINEAR correspondence between playing dynamics and
volume change.
LINEAR Playing dynamics
Volume Volume
Adjusts the balance between the force of striking the rim or edge and the loudness of the sound.
RimGain 0–3.2 If you increase this value, even soft strikes on the rim are sounded at high volume. If you decrease this
value, even strong strikes on the rim are sounded at low volume.
This setting specifies how easy it is to play a head shot or rim shot.
If the rim sound is heard when you play a head shot, increase this value. If the head sound is heard when
you play an rim shot, decrease this value.
22
Making Detailed Settings (SETUP)
Parameter Value Explanation
Detecting trigger signal attenuation (Retrigger Cancel)
When you strike a snare drum etc. to which a commercially available
drum trigger is attached, there might be cases in which the waveform is
misshapen, causing another trigger to unintendedly occur at point “A” in Time
the following illustration (retriggering).
This occurs in particular at the decaying edge of the waveform.
Retrigger Cancel detects such distortion in and prevents retriggering
from occurring.
While repeatedly striking the pad, raise the “Retrigger Cancel” value until retriggering no longer occurs.
RetrgCancel 1–16 Although setting this to a high value prevents retriggering, it then becomes easy for sounds to be
omitted when the drums played fast (roll etc.). Set this to the lowest value as possible while still
ensuring that there is no retriggering.
MEMO
You can also eliminate this problem of retriggering with the Mask Time setting. Mask Time does not
detect trigger signals if they occur within the specified amount of time after the previous trigger
signal was received. Retrigger Cancel detects the attenuation of the trigger signal level, and triggers
the sound after internally determining which trigger signals were actually generated when the head
was struck, while weeding out the other false trigger signals that need not trigger a sound.
If more than one pad (or acoustic drum to which a drum trigger is attached) is mounted on the same
stand, you can use this setting to prevent the vibrations caused by striking a pad from producing
unintentional triggering (crosstalk) for a different pad (or drum trigger). For example, if pad B
XtlkCancel 1–80
unintendedly sounds when you strike pad A, increase the XtlkCancel value of pad B until crosstalk no
longer occurs. If this value is raised excessively, the sound of pad B will tend to drop out when pad A and
pad B are struck simultaneously.
Trigger signal detection time (Scan Time) Scan Time
Since the rise time of the trigger signal waveform may differ slightly
depending on the characteristics of each pad or acoustic drum trigger
(drum pickup), you may notice that identical hits (velocity) may produce Time
sound at different volumes. If this occurs, you can adjust the “Scan Time” so
ScanTime 0–4.0ms that your way of playing can be detected more precisely.
While repeatedly hitting the pad at a constant force, gradually raise the
Scan Time value from 0 msec, until the resulting volume stabilizes at the loudest level. At this setting, try
both soft and loud strikes, and make sure that the volume changes appropriately.
* As the value is set higher, the time it takes for the sound to be played increases. Set this to the lowest
value as possible.
Double triggering prevention (Mask Time) Mask Time
When playing a kick trigger, the beater can bounce back and hit
the head a second time immediately after the intended note—with
acoustic drums sometimes the beater stays against the head—this Time
causes a single hit to “double trigger” (two sounds instead of one).
The Mask Time setting helps to prevent this. Once a pad has been
hit, any additional trigger signals occurring within the specified Sound not produced
“Mask Time” will be ignored.
MaskTime 0–64ms Adjust the “Mask Time” value while playing the pad. When using a kick trigger, try to let the beater
bounce back and hit the head very quickly, then raise the “Mask Time” value until there are no more
sounds made by the beater rebound.
Increasing this value makes it more likely that a note played in rapid succession will drop out. Set this to
as low a value as possible.
MEMO
If two or more sounds are being produced when you strike the head just once, then adjust Retrig
Cancel.
23
Making Detailed Settings (SETUP)
SysEx Rx OFF, ON
Specifies whether system
exclusive messages are received
4. Press the [
] (DRUM KIT) button to return to
(ON) or not received (OFF). the DRUM KIT screen.
24
Making Detailed Settings (SETUP)
http://www.roland.com/support/
Enter the model name 0 refer to “Updater and Driver”
3. Press the [
] (DRUM KIT) button to return to
the DRUM KIT screen.
NOTE
When you execute this operation, all data and settings in
the TD-07 will be lost.
Sure? CANCEL/OK
[EXIT] / [ENTER]
If you decide to cancel, press the [ ] (ENTER) button.
Completed!
25
Troubleshooting
Troubles Items to check Action Page
Troubles with sound
Connect amplified speakers or headphones to the
p. 6
Is the TD-07 correctly connected to the TD-07’s OUTPUT/PHONES jack.
amplified speaker or headphones? If you’re connecting an amplified speaker, connect to
–
the amplified speaker’s input jack.
Is the dedicated connection cable correctly
“Setup
connected to the TRIGGER INPUT connector Check the connections.
Guide”
located on the bottom of the TD-07?
Could an audio cable of headphones or
Try using a different cable. –
amplified speaker be broken?
No sound /
Insufficient volume If sound is being output, either the connection
If sound is not output from the amplified
cable of the amplified speaker is broken, or there
speaker that’s connected, is sound output –
is a malfunction in the amplified speaker that’s
when you connect headphones?
connected. Check the connected device and cable.
Could the TD-07’s volume be lowered?
Could the volume of the connected amplified
speaker be lowered?
Adjust the volume to an appropriate level –
Could the volume be lowered on the
smartphone etc. that’s connected to the MIX
IN jack or via Bluetooth?
Are the cables correctly connected to each “Setup
Connect the appropriately labeled cable to each pad.
pad and pedal? Guide”
A specific pad does Could the pad sensitivity be lowered? Adjust the pad sensitivity (Sens).
not sound
If you expanded the pads or replaced a pad p. 19
with a different type of pad, is the pad type Adjust the pad type.
specified correctly?
No sound when you Is the cable labeled KIK connected to the kick
press the kick pedal pad? “Setup
Check the connections.
No sound when you Is the cable labeled HHC connected to the Guide”
press the hi-hat pedal hi-hat pedal?
Note the following points, and make changes to the
attached positions.
55 Separate the pads so that they do not touch each
other.
55 Firmly tighten the pad attachment knob when
The sound of another If multiple pads are attached to the same attaching it to the stand.
pad is also heard stand, the vibration of a strike can be
In some cases, sound from a monitor speaker might –
when you strike the transmitted to another pad, causing it to
pad. sound inadvertently. cause unintended triggering.
55 Set up the pads at a distance from the speakers
55 Angle the pads, placing them where they are less
likely to be affected by the sound
55 Increase the pad’s minimum sensitivity value
(Threshold) (p. 19)
Two or more notes Fasten the pad firmly to the stand.
are sounded when Is the pad fastened to the stand? p. 23
you strike once Also set the RetrigCancel parameter.
26
Troubleshooting
Troubles with USB
27
USING THE UNIT SAFELY
WARNING WARNING
Use only the supplied AC adaptor and the correct voltage
Concerning the Auto Off function Be sure to use only the AC adaptor supplied with the
The power to this unit will be turned off automatically unit. Also, make sure the line voltage at the installation
after a predetermined amount of time has passed since matches the input voltage specified on the AC adaptor’s
it was last used for playing music, or its buttons or body. Other AC adaptors may use a different polarity, or
controls were operated (Auto Off function). If you do not be designed for a different voltage, so their use could
want the power to be turned off automatically, disengage the Auto result in damage, malfunction, or electric shock.
Off function (p. 24).
IMPORTANT NOTES
Power Supply Caution Regarding Radio Frequency Emissions
• Place the AC adaptor so that the side with text is downward. • The following actions may subject you to penalty of law.
• Disassembling or modifying this device.
Repairs and Data • Removing the certification label affixed to the back of this
device.
• Before sending the unit away for repairs, be sure to make a • Using this device in a country other than where it was
backup of the data stored within it; or you may prefer to write purchased
down the needed information. Although we will do our utmost to
preserve the data stored in your unit when we carry out repairs,
in some cases, such as when the memory section is physically Intellectual Property Right
damaged, restoration of the stored content may be impossible.
• The copyright of content in this product (the sound waveform
Roland assumes no liability concerning the restoration of any
data, style data, accompaniment patterns, phrase data, audio
stored content that has been lost.
loops and image data) is reserved by Roland Corporation.
• Purchasers of this product are permitted to utilize said content
Additional Precautions (except song data such as Demo Songs) for the creating,
• Any data stored within the unit can be lost as the result of performing, recording and distributing original musical works.
equipment failure, incorrect operation, etc. To protect yourself • Purchasers of this product are NOT permitted to extract
against the irretrievable loss of data, try to make a habit of said content in original or modified form, for the purpose of
creating regular backups of the data you’ve stored in the unit. distributing recorded medium of said content or making them
available on a computer network.
• Roland assumes no liability concerning the restoration of any
stored content that has been lost. • ASIO is a trademark and software of Steinberg Media
Technologies GmbH.
• Never strike or apply strong pressure to the display. • This product contains eParts integrated software platform of
• This instrument is designed to minimize the extraneous sounds eSOL Co.,Ltd. eParts is a trademark of eSOL Co., Ltd. in Japan.
produced when it’s played. However, since sound vibrations
can be transmitted through floors and walls to a greater degree • The Bluetooth® word mark and logos are registered trademarks
than expected, take care not to allow these sounds to become a owned by Bluetooth SIG, Inc. and any use of such marks by
nuisance others nearby. Roland is under license.
• When disposing of the packing carton or cushioning material in • This Product uses the Source Code of μT-Kernel under T-License
which this unit was packed, you must observe the waste disposal 2.0 granted by the T-Engine Forum (www.tron.org).
regulations that apply to your locality.
• Roland and V-Drums are either registered trademarks or
• The rubber portion of the striking surface is treated with a trademarks of Roland Corporation in the United States and/or
preservative to maintain its performance. With the passage of other countries.
time, this preservative may appear on the surface as a white stain, • Company names and product names appearing in this document
or reveal how the pads were struck during product testing. This are registered trademarks or trademarks of their respective
does not affect the performance or functionality of the product, owners.
and you may continue using it with confidence.
28
Main Specifications
Roland TD-07: Drum Sound Module
* This document explains the specifications of the product at the time that the document was issued. For the latest
information, refer to the Roland website.
29