Syllabus: Cambridge International AS & A Level Design & Technology 9705
Syllabus: Cambridge International AS & A Level Design & Technology 9705
Syllabus: Cambridge International AS & A Level Design & Technology 9705
Cambridge International
AS & A Level
Design & Technology 9705
Use this syllabus for exams in 2025, 2026 and 2027.
Exams are available in the June and November series.
Version 1
For the purposes of screen readers, any mention in this document of Cambridge IGCSE
refers to Cambridge International General Certificate of Secondary Education.
Why choose Cambridge International?
Cambridge International prepares school students for life, helping them develop an informed curiosity and a
lasting passion for learning. We are part of Cambridge University Press & Assessment, which is a department
of the University of Cambridge.
Our Cambridge Pathway gives students a clear path for educational success from age 5 to 19. Schools can
shape the curriculum around how they want students to learn – with a wide range of subjects and flexible ways
to offer them. It helps students discover new abilities and a wider world, and gives them the skills they need for
life, so they can achieve at school, university and work.
Our programmes and qualifications set the global standard for international education. They are created by
subject experts, rooted in academic rigour and reflect the latest educational research. They provide a strong
platform for students to progress from one stage to the next, and are well supported by teaching and learning
resources.
We review all our syllabuses regularly, so they reflect the latest research evidence and professional teaching
practice – and take account of the different national contexts in which they are taught.
We consult with teachers to help us design each syllabus around the needs of their learners. Consulting with
leading universities has helped us make sure our syllabuses encourage students to master the key concepts in
the subject and develop the skills necessary for success in higher education.
Our mission is to provide educational benefit through provision of international programmes and qualifications
for school education and to be the world leader in this field. Together with schools, we develop Cambridge
learners who are confident, responsible, reflective, innovative and engaged – equipped for success in the
modern world.
Every year, nearly a million Cambridge students from 10 000 schools in 160 countries prepare for their future
with the Cambridge Pathway.
School feedback: ‘We think the Cambridge curriculum is superb preparation for university.’
Feedback from: Christoph Guttentag, Dean of Undergraduate Admissions, Duke University, USA
Quality management
Cambridge International is committed to providing exceptional quality. In line with this commitment, our
quality management system for the provision of international qualifications and education programmes for
students aged 5 to 19 is independently certified as meeting the internationally recognised standard,
ISO 9001:2015. Learn more at www.cambridgeinternational.org/ISO9001
Key benefits
The best motivation for a student is a real passion for the
subject they’re learning. By offering students a variety of
Cambridge International AS & A Levels, you can give them the
greatest chance of finding the path of education they most
want to follow. With over 50 subjects to choose from, students
can select the ones they love and that they’re best at, which
helps motivate them throughout their studies. Cambridge
learner
Following a Cambridge International AS & A Level programme
helps students develop abilities which universities value highly,
including:
• a deep understanding of their subjects
• higher order thinking skills – analysis, critical thinking,
problem solving
• presenting ordered and coherent arguments
• independent learning and research.
Cambridge International AS & A Level Design & Technology provides opportunities for learners to
understand the impact designing and making has on the world we live in. Learners develop and realise
design proposals, considering industrial and business and commercial practices. The syllabus encourages
innovative thinking and the development of a critical, reflective practice, which seeks to continually improve
the design and performance of products.
Our approach in Cambridge International AS & A Level Design & Technology encourages learners to be:
confident, identifying, researching and evaluating design needs and applying technical knowledge and
understanding to develop design proposals
responsible, in using resources for designing and making, and understanding the impact their use has on the
wider world
reflective, critically evaluating their work as they continually review, refine and adapt design proposals
innovative, combining technical knowledge and understanding with creative thinking to solve design problems
in new ways
engaged, enriching their work by exploring the work of different designers, design movements and design
principles to inform their own work.
Key concepts
Key concepts are essential ideas that help students develop a deep understanding of their subject and make
links between different aspects. Key concepts may open up new ways of thinking about, understanding or
interpreting the important things to be learned.
Good teaching and learning will incorporate and reinforce a subject’s key concepts to help students gain:
• a greater depth as well as breadth of subject knowledge
• confidence, especially in applying knowledge and skills in new situations
• the vocabulary to discuss their subject conceptually and show how different aspects link together
• a level of mastery of their subject to help them enter higher education.
The key concepts identified below, carefully introduced and developed, will help to underpin the course you will
teach. You may identify additional key concepts which will also enrich teaching and learning.
The key concepts for Cambridge International AS & A Level Design & Technology are:
• Designing and making in society
Designing and making moves everyday life forward, changing the way we work, shop, live and look. It
develops the ability to think creatively, apply focused research and explore design opportunities arising
from the needs, wants and values of users and clients. Everything man-made that surrounds us has gone
through a design and refinement process and has changed over time. Design is about people, and making
things work better for people.
• Industrial and commercial practices
Designers need to have an insight into manufacturing industries, including stages of production, modern
manufacturing methods and quality assurance and quality control checks. This allows them to develop their
work from the making of a single product to planning to make a marketable product in quantity.
• Design communication
Designers must be able to effectively communicate their design ideas through sketches, notes, models,
drawings and digital design methods. Designers use these universal communication methods to
develop design proposals and produce working drawings with sufficient detail to allow the product to be
manufactured.
• Creative thinking
Creative thinkers ‘think outside the box’, or look at design problems in new ways, allowing them to create
unique and exciting products. This is important because if everyone just accepted things the way they are,
there would never be any innovation or improvement. Sometimes great steps forward are taken because
one aspect is looked at differently, and a new solution is designed.
• Sustainable design
Design and technological activities can have a profound impact on the environment in terms of the
materials used to make products, energy used during manufacture and use and disposal of the product
at the end of its life. Understanding the need for sustainable designs, material reuse and recycling allows
designers to develop products that will have little impact on the environment.
• Emerging technologies
Designers need to be aware of technological developments in digital design and digital manufacture,
including computer-aided design (CAD), computer-aided manufacturing (CAM), modelling and simulation.
This allows designers to understand how technology is evolving and how we can design and manufacture
products differently with the use of technology.
UK NARIC*, the national agency in the UK for the recognition and comparison of international qualifications and
skills, has carried out an independent benchmarking study of Cambridge International AS & A Level and found
it to be comparable to the standard of AS & A Level in the UK. This means students can be confident that their
Cambridge International AS & A Level qualifications are accepted as equivalent, grade for grade, to UK AS & A
Levels by leading universities worldwide.
Cambridge International AS Level Design & Technology makes up the first half of the Cambridge International
A Level course in Design & Technology and provides a foundation for the study of Design & Technology at
Cambridge International A Level. The AS Level can also be delivered as a standalone qualification. Depending
on local university entrance requirements, students may be able to use it to progress directly to university
courses in Design & Technology or some other subjects. It is also suitable as part of a course of general
education.
Cambridge International A Level Design & Technology provides a foundation for the study of Design &
Technology or related courses in higher education. Equally it is suitable as part of a course of general
education.
For more information about the relationship between the Cambridge International AS Level and Cambridge
International A Level see the ‘Assessment overview’ section of the Syllabus overview.
We recommend learners check the Cambridge recognition database and university websites to find the most
up-to-date entry requirements for courses they wish to study.
* Due to the United Kingdom leaving the European Union, the UK NARIC national recognition agency function was re-titled as UK ENIC
on 1 March 2021, operated and managed by Ecctis Limited. From 1 March 2021, international benchmarking findings are published
under the Ecctis name.
Supporting teachers
We provide a wide range of resources, detailed guidance, innovative training and professional development so
that you can give your students the best possible preparation for Cambridge International AS & A Level. To find
out which resources are available for each syllabus go to www.cambridgeinternational.org/support
The School Support Hub is our secure online site for Cambridge teachers where you can find the resources
you need to deliver our programmes. You can also keep up to date with your subject and the global Cambridge
community through our online discussion forums.
Sign up for email notifications about changes to syllabuses, including new and revised products and services at
www.cambridgeinternational.org/syllabusupdates
Professional development
We support teachers through:
• Introductory Training – face-to-face or online
• Extension Training – face-to-face or online
• Enrichment Professional Development – face-to-face or online
Find out more at www.cambridgeinternational.org/events
2 Syllabus overview
Aims
The aims describe the purposes of a course based on this syllabus.
Content overview
Candidates for Cambridge International AS Level study Topics 1–12.
1 The design process
2 Design principles
3 Communication
4 Design and technology in society
5 Sustainable design
6 Health and safety
7 Aesthetics and ergonomics
8 Materials and components
9 Stages in materials processing
10 Materials processing
11 Energy and control systems
12 Technology
AS Level candidates also apply the AS Level content and skills in a practical context in the
Component 2 coursework.
Candidates for Cambridge International A Level study the AS Level topics and the following topics:
13 Industrial practices
14 Business and commercial practices
15 Quantity production
16 Materials processing in industry
17 Quality systems
18 Digital technology.
A Level candidates also apply the AS and A Level content and skills in a practical context in
Component 4 coursework.
School feedback: ‘Cambridge International AS & A Levels prepare students well for university
because they’ve learnt to go into a subject in considerable depth. There’s that ability to really
understand the depth and richness and the detail of a subject. It’s a wonderful preparation for
what they are going to face at university.’
Feedback from: US Higher Education Advisory Council
Assessment overview
AS Level candidates take Paper 1 and Component 2.
Paper 1 Paper 3
AS Level Written Paper 2 hours 15 minutes A Level Written Paper 2 hours 30 minutes
100 marks 100 marks
Candidates answer all questions. Candidates answer all questions.
Questions are based on the AS Level subject Questions are based on the A Level subject
content. content but knowledge of the AS Level subject
Externally assessed content is required.
50% of the AS Level Externally assessed
25% of the A Level 25% of the A Level
Component 2 Component 4
Product analysis and improvement project Design, realisation and manufacturing project
50 marks 50 marks
Candidates complete a Product analysis and Candidates complete a Design, realisation and
improvement coursework project. planning for manufacturing in quantity project.
Knowledge of the AS Level subject content is Knowledge of the AS Level and A Level subject
required. content is required.
Internally assessed and externally moderated Internally assessed and externally moderated
50% of the AS Level 25% of the A Level
25% of the A Level
There are three routes for Cambridge International AS & A Level Design & Technology:
Route Paper 1 Component 2 Paper 3 Component 4
1 AS Level only
(Candidates take all AS yes yes no no
components in the same exam
series)
3 A Level
(Candidates take all components in yes yes yes yes
the same exam series)
* Candidates carry forward their AS Level result subject to the rules and time limits described in the Cambridge
Handbook. See Making entries for more information on carry forward of results and marks.
Candidates following an AS Level route are eligible for grades a–e. Candidates following an A Level route are
eligible for grades A*–E.
Assessment objectives
The assessment objectives (AOs) are:
3 Subject content
This syllabus gives you the flexibility to design a course that will interest, challenge and engage your learners.
Where appropriate you are responsible for selecting subject contexts, resources and examples to support your
learners’ study. These should be appropriate for the learners’ age, cultural background and learning context as
well as complying with your school policies and local legal requirements.
Candidates for Cambridge International AS Level study Topics 1–12. They also complete Component 2.
Candidates for Cambridge International A Level study the AS Level topics and Topics 13–18. They also
complete Components 2 and 4.
The AS Level subject content is required knowledge for A Level Paper 3 and Component 4.
Teachers should ensure that candidates are prepared for the assessment of both the theory and practical
coursework requirements.
Content
Approaches to designing
• Different approaches to designing, including:
– iterative design
– intuitive design.
Analysis of products
• The analysis of products in terms of:
– function
– aesthetics
– ergonomics
– types and properties of materials
– production processes
– target market/customers
– cost
– safety of the user
– quality control (including standards such as use of non-toxic paints or electrical safety)
– sustainability.
2 Design principles
Candidates learn about factors that have a significant influence on the design of a product.
Content
• The concept of good design. A good design:
– always meets the needs, wants or values of the user(s)
– is innovative
– is simple (less is more)
– is aesthetic/visually pleasing
– is long lasting
– is environmentally friendly
– is safe to use
– makes the product useful
– makes the product understandable.
• The influence of the following design movements on the design of products:
– Art Deco
– Arts and Crafts
– Bauhaus
– Scandinavian
– Minimalism
– Modernism
– Postmodernism.
• The impact of the following on the design of new products:
– scale of production (individual (one-off), batch and mass production)
– production processes
– costs (material costs and production costs)
– changing customer requirements
– social and cultural changes
– fashion and trends
– the availability of materials and resources
– new manufacturing technologies
– changing legal and environmental requirements.
3 Communication
Candidates develop the communication skills required for designing and making, including conventions and
specialist vocabulary.
Content
• Presentation techniques:
– freehand sketching, including exploded and sectional views (cut-away) drawings/sketches
– accurate isometric drawings, including the construction of arcs and circles
– estimated one- and two-point perspective drawings
– accurate planometric drawings (45/45).
• Enhancement techniques, including:
– the use of tone and colour
– material representation
– the use of shadows.
• Developments (nets), including glue tabs and mechanical joining methods, required to form:
– prisms
– cones
– cylinders
– pyramids.
• First and third angle orthographic working drawings, including:
– use of scales
– dimensioning
– symbols and conventions, e.g. BS 308 or BS 8888
– part drawings
– sectional views.
• Planning drawings, including:
– flowcharts
– Gantt charts
– materials or cutting lists.
• The use of digital technology to communicate, including:
– common software packages, e.g. Microsoft Word, Microsoft Excel, Microsoft PowerPoint, Adobe®
Acrobat Pro
– email
– collaboration software, e.g. Microsoft Teams and Miro
– video conferencing.
Content
• The impact design and technology activities have on:
– individuals
– groups of people, e.g. by geographic location, religion or ethnicity
– society and culture.
• How products can be inclusive or exclusive in their design and can be used by a wide range of users,
including:
– those with particular needs (such as people who are visually impaired or hearing impaired or who
have physical support needs or neurodiverse requirements)
– those from different age groups (from children to the elderly).
5 Sustainable design
Candidates develop an appreciation of the impact designing and making activities have on the environment.
Content
• The responsibilities of designers and manufacturers in ensuring products and packaging are made from
sustainable materials and components.
• Factors that are considered when designing products to have minimum impact on the environment:
– raw material extraction
– energy consumption
– ease of repair and maintenance
– disposal at the end of life.
• Ways to modify designs to make them more sustainable, including:
– reducing the quantity of materials used
– reducing the number of manufacturing processes
– designing products that can be easily repaired
– using standardised components
– making products easy to disassemble or separate
– reusing components and parts
– using eco-friendly alternative materials
– using recycled materials
– using locally available materials
– reducing the need for transport costs
– finding alternative manufacturing processes
– reducing the amount of waste products produced during manufacturing
– reducing the amount of energy required in manufacturing processes
– improving the efficiency of manufacturing processes
– labelling of materials to aid separation for recycling.
Content
• Standard risk assessment procedures in product design and manufacture.
• Safe working practices, including identifying hazards and making risk assessments.
• Safe working practices in a school workshop or practical area, including:
– wearing appropriate personal protective equipment (PPE) for the relevant machine or process such
as goggles, visor, face mask, gloves, apron or lab coat
– tying long hair back and rolling up sleeves
– using welding goggles for welding and gauntlets and spats for hot metal working
– keeping areas clean
– using the correct tool for the job
– stopping when needed to address hazards
– using the safety guards on machinery when needed
– applying manual handling precautions
– receiving safety training around material properties (e.g. corrosive or toxic materials)
– working under supervision
– receiving safety training in the use of tools, equipment and machinery.
• Action to be taken when hazards are identified or when accidents occur in a school workshop or
practical area.
Content
• How aesthetics is concerned with the visual appearance of a product.
• The use of line, colour, shape, proportion and form to improve visual appearance.
• The appreciation of the effects of light and shade on solid forms and of different surface finishes on visual
and tactile senses.
• The balance of form and function.
• How ergonomics is concerned with understanding how humans interact with environments, products
and systems.
• The common anthropometric measurements, including weight, height, knee height, sitting height, body
mass index (BMI), body circumference (arm, waist, hip and calf) and waist-to-hip ratio (WHR).
• The interpretation and application of anthropometric data to design development.
Candidates should learn the electronic symbols list on page 34 of the syllabus. Questions in the assessment
on electronic components and symbols are based on this list.
Content
Papers and boards
• The working properties, stock forms and sizes, common uses and environmental impact of the following:
– copier paper
– card
– corrugated card
– bleached card
– mount board
– duplex card
– moulded paper pulp.
Modelling materials
• The working properties, stock forms and sizes, common uses and environmental impact of the following:
– extruded polystyrene foam, e.g. Styrofoam™
– balsa wood
– polymorph
– plaster of Paris.
Woods
• The working properties, stock forms and sizes, common uses and environmental impact of the following:
– softwoods
○ pine, cedar, fir, spruce or equivalent local softwood
– hardwoods
○ beech, oak, ash, teak or equivalent local hardwood.
Polymers
• The working properties, stock forms, sizes and extrusions, common uses and environmental impact of
the following:
– thermoplastics
○ acrylic (PMMA)
○ nylon
○ polyvinyl chloride (PVC)
○ polystyrene (PS)
○ polypropylene (PP)
○ high and low density polyethylene (HDPE) (LDPE)
○ high impact polystyrene (HIPS)
○ polycarbonate (PC)
○ acrylonitrile butadiene styrene (ABS)
○ polyethylene terephthalate (PET)
– thermosetting plastics
○ polyester resin
○ melamine formaldehyde (MF)
○ urea formaldehyde (UF)
○ epoxy resin
– elastomers
○ neoprene
○ silicone
○ thermoplastic elastomer (TPE).
A composite material is a material that combines two or more materials with different properties.
Smart materials
• The working properties, common uses and environmental impact of the following:
– pigments
○ phosphorescent
○ photochromic
○ thermochromic
– shape memory alloys (SMA)
○ nickel
○ titanium
– hydrogels
– shape memory polymers.
A smart material is a material that responds, in a reversable way, to a change in environmental conditions.
Modern materials
• The working properties, common uses and environmental impact of the following:
– nanomaterials
○ oleophobic coatings
○ hydrophobic materials
– metal foams
– super alloys
– bioplastics
○ starch-based
○ sugar-based
○ cellulose-based.
A modern material is one that has been engineered to have improved properties.
A biodegradable material is one that will decompose or break down naturally as a result of microbial action.
Components
• Electronic components and symbols used in control systems.
• Electronic symbols list (Please see page 34).
Material properties
• The significance of the following material properties in terms of use as part of a product:
– hardness
– ductility
– toughness
– brittleness
– elasticity
– malleability
– dimensional stability
– electrical conductivity
– thermal conductivity
– corrosion resistance.
Content
• Measuring and/or marking out from working drawings and using tools and methods appropriate to the
materials.
• Cutting, shaping and forming of materials using appropriate tools and methods.
• Joining and assembling materials using a range of temporary and permanent methods.
• Selecting and applying a finish which is appropriate for the material used and the product design.
10 Materials processing
Candidates learn about processing techniques to be used when working with materials specified in Topic 8
Materials and components in a school workshop or practical area.
Content
• The use of the following processing techniques:
– wastage
○ cutting with hand and machine tools, including laser cutter
○ vinyl cutting machine
○ drilling, using hand, powered and press drills
○ turning, using a wood lathe and centre lathe
○ milling and routing
○ use of abrasives
– forming
○ vacuum forming, including the design and construction of formers
○ line bending
– addition
○ fabrication
– finishing
○ paints
○ polymer coatings
○ varnishes, including UV and spot varnishing
– printing
○ digital printing
○ screen printing.
Candidates also need to develop an understanding of why these are used in the manufacturing of products.
Content
• Main sources of energy:
– fossil fuels such as oil, natural gas and coal (finite)
– water, wind and solar (renewable).
• Comparison of the main sources of energy.
• Different forms of energy, including:
– kinetic
– potential
– thermal
– electrical
– chemical.
• Practical and efficient methods of conversion and transmission of energy through simple mechanisms,
machines, engines, turbines and electric motors.
• Basic principles of manual, semi-automatic and automatic control using input, output, feedback and
amplification.
12 Technology
Candidates learn about emerging technologies and how they impact on designing and making products.
Content
• Technological developments and how they can affect the design and manufacture of products.
• The terms invention, innovation and evolution.
• The use of CAD (computer-aided design) for the storage and retrieval of data and the manipulation of
images to aid design, production and management.
• The principal features of CAM (computer-aided manufacture), particularly in the control/operation of
machines.
• The impact of the following emerging technologies on designing and making:
– rapid prototyping, including 3D printing
– rapid manufacture
– robotics
– artificial intelligence (AI)
– virtual reality (VR).
13 Industrial practices
Candidates learn about industrial practices and why they are used in a specific manufacturing industry.
Candidates also need to develop an understanding of why these industrial practices are used in the
manufacturing industry.
Content
• The range of service sectors in design and manufacturing industries, including:
– extraction of raw materials
– design and development
– manufacturing
– marketing and sales
– repair and maintenance.
• The roles of a designer, manufacturer and consumer.
• The roles of different workers within a manufacturing industry.
• The production processes used in a manufacturing industry.
• The advantages/disadvantages of hand and automated production systems used in manufacturing
products.
• How technology-based systems are used by designers, manufacturers, retailers and consumers.
• How digital technology is used in the design and development, manufacturing, marketing and sale of
products.
Content
• The importance of identifying and satisfying consumer needs, to provide a product that customers will
buy.
• The stages in a product’s life cycle:
– research and development
– introduction
– growth
– maturity
– decline.
• The use of a product extension strategy when a product enters its decline stage.
• The advantages and disadvantages of product extension strategies, such as:
– discounting
– updating packaging
– adding more features.
• The types of market research methods, such as:
– surveys/questionnaires
– interviews
– focus groups
– customer observation.
• The purpose of market research relating to:
– demand
– competition
– target market.
• How and why businesses target customers by:
– demographics
– socio-economic background.
• The elements of the marketing mix (4Ps):
– price
– product
– promotion
– place.
• The relationship between the scale of production and unit cost.
15 Quantity production
Candidates learn about the systems used in industry to manufacture products and their suitability for
individual (one-off), batch or mass production.
Content
• The differences between a:
– model
– prototype
– marketable product.
• The preparation of a design brief for a marketable product.
• The preparation of a manufacturing specification used to make a product in quantity.
• The differences between individual (one-off), batch and mass production systems and how each impact
on the:
– product
– people involved
– resources and costs.
• Commercial manufacturing systems, including:
– concurrent engineering
– computer-integrated manufacturing (CIM) and computer-integrated engineering (CIE)
– cell production
– in-line assembly
– just in time (JIT)
– logistics.
• The design of a manufacturing system, including jigs and formers, to be used to make a product in
quantity.
• Strategies to evaluate how well a manufacturing system has worked.
• Improvements to a manufacturing system, including the use of templates to mark out shapes repeatedly
and jigs and formers used to make a product.
• Continuous improvement processes, such as Kaizen™.
Content
• Shaping
– die cutting, creasing and folding
– turning (wood and metal lathes)
– calendering
– plasma cutting.
• Forming
– blow moulding (from a pre-form and extrusion)
– steam bending
– laminating
– press forming
– spinning.
• Redistribution methods
– sand, resin and die casting
– injection moulding
– extrusion
– rotational moulding
– compression moulding
– 3D printing.
• Wasting
– CNC milling
– stamping.
• Fabrication.
• How similar and dissimilar materials are joined:
– permanently
○ with nails and pins
○ by heat (soldering, brazing and welding)
○ with adhesives
– spray mount
– hot melt glue
– polystyrene cement
– PVA (polyvinyl acetate)
– all-purpose glue
– two-part epoxy resin
17 Quality systems
Candidates learn about developing quality systems that could be used in the production of a product.
Content
• Quality assurance (QA) checks to be used in the production of a product. (Quality assurance checks are
made at every stage of the production process to meet the quality standards set.)
• Quality control (QC) checks to be used on a made product. (Quality control checks are made to a
finished product to see if it meets the quality standards set.)
• The benefits of introducing Total Quality Management (TQM) to a production process. (Total Quality
Management involves applying quality assurance procedures at every stage of the production process.)
• The benefits of quality systems to the manufacturer and the consumer.
• Product testing methods that can be used before or during the manufacturing of products, such as:
– material testing
– dimensional checks
– joining/assembly checks
– visual checks.
• The organisations that are responsible for quality standards within the candidate’s country such as the
International Organization for Standardization (ISO).
• The quality standards concerned with testing products, components and materials against external
quality standards, e.g. ISO 9013 (thermal cutting) or ISO 34257 (wood adhesives).
18 Digital technology
Candidates learn about the advantages and disadvantages of the use of digital technology.
Content
Computer-aided design (CAD)
• The different software programs that are available to designers and manufacturers to design and develop
products, including:
– desktop publishing software
– photo manipulation software
– technical drawing software
– 3D modelling software.
• The advantages and disadvantages to a designer or manufacturer of using these types of software
programs and the appropriateness of their use.
Candidates should use a black or dark blue pen for written responses. An HB pencil or coloured pencils may
be used for any sketches, drawings or rough working.
Candidates are also asked to demonstrate their communication skills using sketches and notes and a range of
graphical techniques, including conventions and specialist vocabulary.
The structured questions can also ask candidates to use sketches and notes and to apply the knowledge and
understanding they have acquired to a particular product, scenario or context. Candidates should be able
to apply their knowledge and understanding to an unfamiliar product, scenario or context. Knowledge of the
context is not required.
The structured questions can be divided into part-questions based on the same product, scenario or context.
Candidates must answer all the part-questions for each question.
Candidates should be aware of the marks for each part-question. These are printed on the question paper.
Candidates should use them as a guide to the amount of detail and length of response expected and to help
them manage their time effectively.
The question asks candidates to consider how a product could be modified to suit a specific context or group
of users.
Candidates need to be able to communicate their proposed modification with precision and clarity using
sketches with detailed annotations, including appropriate conventions and specialist vocabulary.
The proposed modification should be based on an analysis and evaluation of the product and include an
analysis of the wider issues (cultural, economic, environmental and social factors) in design and technology.
Extended response question on the wider issues in design and technology (12 marks)
The extended response question is worth 12 marks and is marked with generic levels of response marking
grids testing 6 marks AO1 Knowledge and understanding and 6 marks AO4 Analysis and evaluation of the
wider issues in design and technology. It tests the following assessment objectives:
• Demonstrate knowledge and understanding of the impact of design and technology on society (including
cultural, economic, environmental and social factors) (AO1c)
• Analyse, evaluate and compare products (AO4a)
• Analyse wider issues in design and technology (including cultural, economic, environmental and social
factors) (AO4d).
Candidates should answer in continuous prose and structure their response in paragraphs. The response
should focus on the question and show an understanding of the impact of design and technology on society.
Candidates should support their response with relevant examples and supporting evidence.
The marking grids for Paper 1 are published in the specimen mark scheme for Paper 1 which accompanies
the syllabus. This is available on the syllabus page at www.cambridgeinternational.org/9705 and our School
Support Hub.
Overview
Candidates identify an existing product on which they will base their improvement project. Candidates then
create a coursework portfolio containing detailed research and analysis of the existing product and how that
product could be improved in terms of function, ergonomics, safety or sustainability. They must identify a series
of problems or opportunities for improvement through the analysis and focus on one of these areas to improve
the design of the product. This component has been designed to be flexible so that candidates can choose an
existing product that reflects the area of design and technology that appeals to them.
Candidates have a choice of materials to make their improvement. For example, it could be made from resistant
materials such as wood, metal or plastics, or it could be made from paper, card, thin sheet plastic or modelling
materials, or it could bring in the use of systems and control technology such as electronics where appropriate.
Candidates can go beyond the materials listed in Topic 8 Materials and components.
Candidates select a single, named, specific product that they have some familiarity with.
Candidates are free to choose their own product to improve. However, they must ensure that the chosen
product has scope for the improvement project and that candidates will be able to fulfill the requirements of the
coursework improvement project.
Candidates should then design a suitable proposal for one improvement. The area or element chosen for
improvement will need to give enough scope for it to be redesigned to, for instance, improve the design for
product usage or lifespan or for it to be disposed of in a more sustainable way. Only changing one element of
the product such as the colour or the material it is made from is not sufficient to fully meet the requirements of
the project; there must be sufficient scope for it to be redesigned in a substantive way.
The iterative design process should be clearly documented with annotated sketches, photographs or
screenshots. The model with its improvements should be constructed, tested and evaluated and the
construction, tests and evaluation should be recorded as part of the portfolio.
This is not a complete redesign of a product but an opportunity for the candidate to develop or improve the
product in some way.
Candidates need to submit their project in a portfolio format. This could include freehand sketches on A3 paper
as well as screenshots of computer-aided design (CAD) packages as evidence of the design process.
Candidates are recommended to spend around 45 guided learning hours on their Component 2 Product
analysis and improvement project. Guidance on the recommended time to be spent on each stage is provided.
Please note this is only guidance and there may be variations depending on the chosen project.
Each of these six stages is assessed with a corresponding marking grid which you can find in the section
Assessment criteria for Component 2.
For information on the administration of Component 2 please refer to the Administration of Components 2 and 4
section.
Candidates must support their choice of product with an analysis of the product in terms of the functions,
users, materials used, production processes, safety features and wider issues in design and technology
impacting on the design, manufacture and use of the identified product (cultural, economic, environmental and
social).
Candidates must provide more than a simple description of the above features and consider the strengths and
weaknesses of the chosen product.
Evidence to be submitted
The candidate’s portfolio must provide the following evidence for the chosen product:
(a) Identification of a suitable product to improve, with supporting justified evidence
• description of the product identified, including photographs and/or sketches
• evidence to justify the selection of the product. This evidence could include:
– the product does not work well/function as intended
– additional features can be added to the product identified
– poor sales/not a popular product
– the product is outdated – newer technology would improve the product
Evidence to be submitted
The candidate’s portfolio must provide the following evidence for the chosen product from Stage 1:
(a) Product comparison
• compare the performance of the product to:
– products with similar functions and identify opportunities for improvement
– other similar products with similar functions across the product range in terms of quality (from basic to
high quality products)
Product range is defined as products with similar functions, ranging from high to low quality.
Candidates generate at least three ideas for the improvement using an iterative design process. They evaluate
the ideas before selecting one idea for development.
Evidence to be submitted
The candidate’s portfolio must provide the following evidence for the chosen improvement:
(a) A design brief for one proposed improvement of a product
• a concise design brief that accurately describes a design situation or need
The design specification should cover all the elements of the improvement (not just certain areas). It should be
presented as a short list of bullet points.
We recommend that candidates include at least three ideas for the improvement of the product. Candidates
can submit more than three ideas but they should focus on the quality of the ideas rather than the quantity.
The sketches or CAD models to show the candidates’ ideas can be in rough form. They are used to support
the candidates’ thought process.
(d) Evaluate the ideas for the improvement of the product and select and refine one idea for development
• evaluation of at least three ideas against the design specification
• selection of one idea for development with reasons for choosing the idea
• refinement of the chosen idea for development
• consideration of appropriate materials and production methods for the selected idea for development
Candidates plan the making of the prototype for the improvement. The prototype will only be for the area of
improvement, not for the full product.
Evidence to be submitted
The candidate’s portfolio must provide the following evidence for the chosen idea:
The working drawings can be accurately hand-drawn and/or screenshots from drawings produced using CAD
software programs.
The working drawings should contain sufficient detail for a skilled person to make the design proposal.
(b) Completion of checks to show that the design proposal meets the design specification requirements
• a record of checks to show that the design proposal meets the design specification created in Stage 3
(c) Clear and comprehensive plan for making a prototype to demonstrate an improvement to a product
• working drawings, to a suitable scale, for the making of a prototype of the design proposal
• materials or cutting lists to show the resources needed to make the prototype
• a plan for making the prototype for the proposed improvement (this could include scheduling tools such as
flowcharts or Gantt charts)
• a plan for making the prototype for the improvement that fully recognises the constraints of time, cost and
resources
Candidates plan how they are going to make the improvement by producing a prototype. A prototype is a
functional model built to test an idea.
A clear and comprehensive plan for making a prototype is one that provides sufficient detail for a skilled person
to make the prototype.
Candidates need to physically make the improvement by producing the prototype they have planned in Stage 4.
Evidence to be submitted
The candidate’s portfolio must provide the following evidence in the making of their chosen idea:
(a) Record the stages in the making process
• photographs of each stage in the making process, with annotations that briefly explain the processes
• evidence of the practical skills accomplished in the making of the prototype. This could include
photographs of the candidate while completing a range of skills safely and/or a skill record sheet with a
teacher/supervisor signature
(b) Show evidence of consideration of safe working practices during the making process
• notes and high resolution photographs that refer to consideration of safe working practices during the
making process
• a teacher’s sign-off sheet to show observations made of the candidate performing safe working practices
during the making of the prototype
(c) Present evidence to show they have monitored progress during making
• evidence of monitoring of progress in making against the plan for making the prototype for the improvement
produced in Stage 4, with variations explained
• evidence of checking during the making that the improvement meets the design brief and design
specification produced in Stage 3
Candidates must gather feedback on the improved product from users through observations, questionnaires
and interviews.
Once the results from testing and evaluating the prototype and the feedback from the users have been
analysed, candidates write their conclusions from the testing and propose further improvements to the
prototype.
Evidence to be submitted
The candidate’s portfolio must provide the following evidence of testing and evaluating their chosen idea:
(a) Produce a plan for testing and evaluating the prototype
• a detailed plan to test and evaluate the prototype produced at Stage 5
Stage 5 Producting a 0 0 20 0
prototype to demonstrate the
improvement (10 marks)
Total 60 40
Marking grids
The candidate’s portfolio of work is internally marked and externally moderated using the marking grids below.
These remain the same year-on-year.
Level 4 • Identifies a suitable product with a clear and detailed justification. (AO4a) 7–8
• Clear and detailed analysis of the functions, users, materials used, production
processes and safety features of the product identified. The analysis is supported
with relevant and detailed evidence. (AO4a)
• Analyses more than two wider issues in design and technology impacting on the
design, manufacture and use of the product identified. The analysis is supported with
relevant and detailed evidence. (AO4d)
Level 3 • Makes clear comparisons with similar products across the product range. (AO4a) 4
• Identifies one possible improvement with a clear justification of how the product
could be improved. (AO4b)
Level 2 • Makes some comparisons with other products across the product range. (AO4a) 2–3
• Identifies one possible improvement with some justification of how the product could
be improved. (AO4b)
Level 1 • Limited evidence of comparisons with other products across the product range. 1
(AO4a)
• Identifies one possible improvement with limited justification of how the product
could be improved. (AO4b)
Level 4 • Produces a clear and concise design brief that accurately describes a need. (AO3a) 8–10
• Produces a clear and comprehensive design specification for the improvement of the
product. The design specification is fully justified. (AO3b)
• Generates at least three high quality, feasible ideas for the improvement of the
product. The thought process for the ideas is fully supported by detailed annotations.
(AO3c)
• Coherently incorporates appropriate materials and production methods. (AO3c)
• Selects and refines one idea with a detailed justification for the idea selected. (AO3c)
Level 3 • Produces a concise design brief that describes a need. (AO3a) 5–7
• Produces a comprehensive design specification for the improvement of the product.
The design specification includes some justification. (AO3b)
• Generates at least three feasible ideas for the improvement of the product. The
thought process for the ideas is supported by annotations. (AO3c)
• Considers appropriate materials and production methods. (AO3c)
• Selects and refines one idea with a justification for the idea selected. (AO3c)
Level 1 • Produces a design brief that partially describes a need. (AO3a) 1–2
• Identifies some design specification points. (AO3b)
• Generates fewer than three ideas for the improvement of the product, which may not
be feasible. (AO3c)
• Names some materials or production methods. (AO3c)
• Selects one idea. (AO3c)
Level 4 • Refines and develops the selected idea into a design proposal. The design proposal 8–10
completely meets the design specification. (AO3d)
• Produces a comprehensive, clear and detailed plan for making, fully recognising the
constraints of time, cost and resources. (AO3d)
Level 3 • Refines and develops the selected idea into a design proposal. The design proposal 5–7
meets the majority of the design specification points. (AO3d)
• Produces a comprehensive and clear plan for making, recognising the majority of the
constraints of time, cost and resources. (AO3d)
Level 2 • Refines and develops the selected idea into a design proposal. The design proposal 3–4
meets a few of the design specification points. (AO3d)
• Produces a plan for making, recognising the constraints of time, cost and resources
in a limited way. (AO3d)
Level 1 • Refines and develops the selected idea into a design proposal. The design proposal 1–2
meets the design specification in a limited way. (AO3d)
• Produces an incomplete plan for making. (AO3d)
Level 4 • Produces a high quality prototype that addresses the design brief, fulfils all points of 8–10
the design specification and is fit for purpose. (AO3e)
• Demonstrates meticulous, consistently good attention to accuracy, detail and finish.
(AO3e)
• Consistently demonstrates proficient working practices within a wide range of
practical skills. (AO3e)
• Consistently demonstrates safe working practices. (AO3e)
Level 3 • Produces a good quality prototype that addresses the design brief, meets the 5–7
majority of points of the design specification and is fit for purpose. (AO3e)
• Demonstrates good attention to accuracy, detail and finish. (AO3e)
• Demonstrates proficient working practices within a range of practical skills. (AO3e)
• Demonstrates safe working practices. (AO3e)
Level 2 • Produces a prototype that partially addresses the design brief, meets some points of 3–4
the design specification and is largely fit for purpose. (AO3e)
• Demonstrates some attention to accuracy, detail and finish. (AO3e)
• Usually demonstrates proficient working practices within a range of practical skills.
(AO3e)
• Demonstrates safe working practices with some teacher supervision. (AO3e)
Level 1 • Produces a prototype that partially addresses the design brief and meets the design 1–2
specification in a limited way. (AO3e)
• Demonstrates limited attention to accuracy, detail and finish. (AO3e)
• Demonstrates limited proficient working practices within a limited range of practical
skills. (AO3e)
• Demonstrates safe working practices with significant teacher supervision. (AO3e)
Level 4 • Produces a detailed and appropriate plan to test and evaluate the prototype. (AO4c) 7–8
• Produces an unbiased summary of testing with critical and detailed evaluation of the
prototype, including detailed references to the design specification, user comments
and use of resources. (AO4c)
• Suggests comprehensive, well thought out further developments, including clear and
detailed consideration of production techniques and the wider issues in design and
technology. (AO4b), (AO4d)
Level 3 • Produces an appropriate plan to test and evaluate the prototype. (AO4c) 5–6
• Produces a summary of testing with evaluation of the prototype, including references
to the design specification, user comments and use of resources. (AO4c)
• Suggests feasible further developments, including consideration of production
techniques and the wider issues in design and technology. (AO4b), (AO4d)
Level 2 • Produces a mostly complete plan to test and evaluate the prototype. (AO4c) 3–4
• Produces a summary of testing with evaluation of the prototype, including some
references to either the design specification or user comments or use of resources.
(AO4c)
• Suggests further relevant developments, including some consideration of production
techniques and some consideration of the wider issues in design and technology.
(AO4b), (AO4d)
Level 1 • Produces an incomplete plan to test and evaluate the prototype. (AO4c) 1–2
• Produces a partial summary of testing with evaluation of the prototype, which may
include limited references to either the design specification or user comments or use
of resources. (AO4c)
• Suggests some further developments but with little consideration of production
techniques and limited consideration of the wider issues in design and technology.
(AO4b), (AO4d)
Questions are based on the A Level subject content but knowledge of the AS Level subject content is required.
Candidates should use a black or dark blue pen for written responses. An HB pencil or coloured pencils may
be used for any sketches, drawings or rough working.
Candidates are also asked to demonstrate their communication skills using sketches and notes and a range of
graphical techniques, including conventions and specialist vocabulary.
The structured questions can also ask candidates to use sketches and notes and to apply the knowledge and
understanding they have acquired to a particular product, scenario or context. Candidates should be able
to apply their knowledge and understanding to an unfamiliar product, scenario or context. Knowledge of the
context is not required.
The structured questions can be divided into part-questions based on the same product, scenario or context.
Candidates must answer all the part-questions for each question.
Candidates should be aware of the marks for each part-question. These are printed on the question paper.
Candidate should use them as a guide to the amount of detail and length of response expected and to help
them manage their time effectively.
Extended response questions on the wider issues in design and technology (12 marks)
Paper 3 has two extended response questions on the wider issues in design and technology. Each question is
worth 6 marks. They are marked with the Paper 3 marking grid for AO4d Analysis of the wider issues in design
and technology.
The extended response questions ask candidates to discuss an aspect of the A Level subject content and its
impact on the wider issues in design and technology.
Candidates should answer in continuous prose and structure their response in paragraphs.
A good response to the 6-mark extended response question should contain a detailed discussion of more
than two wider issues in design and technology. The analysis should be well-supported with relevant and
detailed information.
Candidates should use relevant examples, from their experiences in design and technology, to support their
response. The response requires a discussion, not just a description.
(e) Write a detailed manufacturing specification, including at least four different manufacturing specification
points (5 marks)
Marks are awarded for the number and description of the manufacturing specification points.
The marking grids for Paper 3 are published in the specimen mark scheme for Paper 3 which accompanies
the syllabus. This is available on the syllabus page at www.cambridgeinternational.org/9705 and our School
Support Hub.
Overview
Candidates identify a design situation or need from a real-world context of their own choice. This component
has been designed to be flexible so that candidates can choose an area of design and technology that appeals
to them.
Candidates have a choice of materials to make their product. For example, it could be made from resistant
materials such as wood, metal or plastics, or it could be made from paper, card, thin sheet plastic or modelling
materials, or it could bring in the use of systems and control technology such as electronics where appropriate.
Candidates can go beyond the materials listed in Topic 8 Materials and components.
Candidates complete research and generate a range of design ideas to create a design proposal. They develop
and refine the design proposal which they then plan to make. The iterative design process should be clearly
documented with annotated sketches, photographs and screenshots.
The design proposal is developed, tested and evaluated. It must be possible to test and evaluate the finished
product in a meaningful way.
Once candidates have tested and evaluated the product they have made, they propose how the product could
be improved, and evaluate the manufacturing system they have used to consider how the product would be
produced in quantity for a batch of at least ten products.
Candidates should not select design proposals that are too large or complex and therefore cannot be realised
in the time recommended for Stage 4 Realising the product.
Candidates need to submit their project in a portfolio format. This could include freehand sketches on A3 paper
as well as screenshots of computer-aided design (CAD) packages as evidence of the design process.
Candidates are recommended to spend around 55 guided learning hours on their Component 4 Design,
realisation and manufacturing project. Guidance on the recommended time to be spent on each stage is
provided. Please note this is only guidance and that there may be variations depending on the chosen project.
Each of these six stages is assessed with a corresponding marking grid which you can find in the section
Assessment criteria for Component 4.
For information on the administration of Component 4 please refer to the Administration of Components 2 and 4
section.
Candidates use the research data they have gathered to identify a design situation or need in that design focus
area. Candidates choose one design situation or need to take forward, providing a justification for their choice.
Candidates write a design brief to meet the identified design situation or need. They then complete a design
specification for a product that meets the design brief. Each point of the design specification must be fully
justified, with references to their research.
Evidence to be submitted
The candidate’s portfolio must provide the following evidence:
(a) Identify a design focus area for the design project
• description of the chosen design focus area for the design project (for example, storage of toys or
packaging of confectionery)
(c) Write a design brief for a product that will meet the identified design situation or need
• clear and concise design brief for a product that will satisfy the selected design situation or need
(d) Write a design specification for a product that will meet the design brief
• a design specification that defines the product to meet the design brief, considering:
– human factors
– aesthetic factors
– technical factors
– environmental factors
• each point of the design specification should be fully justified against the design brief, with references
where relevant to the completed research
Candidates evaluate the three ideas against the design specification, using an iterative design process, and
produce a design proposal.
Evidence to be submitted
The candidate’s portfolio must provide the following evidence:
(a) Generate at least three ideas
• use of freehand sketches with annotations to communicate a range of innovative ideas
• summary of the research used to inspire the design ideas (for example, design movements or fashion and
trends)
Candidates should produce a range of ideas. A range of ideas is considered to be at least three ideas that are
significantly different. Candidates can submit more than three ideas but they should focus on the quality of the
ideas rather than the quantity.
The ideas should satisfy the design brief and design specification produced in Stage 1.
Freehand sketches are a good way of showing creativity in design thinking. Candidates can use electronic
devices such as sketching directly on to a tablet with a stylus pen. However, formal CAD drawings such as
orthographic views must not be submitted in Stage 2.
Research takes place in both Stages 1 and 2. In Stage 1 candidates use the research to identify a situation or
need. In Stage 2 the research is focused on the information needed to create a design proposal.
Candidates produce a plan for making an individual (one-off) product showing all the stages in the correct order
to make the product.
Evidence to be submitted
The candidate’s portfolio must provide the following evidence:
(a) Refine and develop procedures to finalise the design proposal
• record the procedures used to fully develop the design proposal produced in Stage 2
• recognise the following constraints in the design proposal with detail on how they have been considered:
– time
– cost
– resources (materials, tools, equipment and components)
Candidates can use photographs of physical models or screenshots of computer modelling to record the
procedures used to develop the design proposal.
(b) Produce working drawings, to a suitable scale and with annotations, for the final design solution
• accurate working drawings, CAD or hand-drawn that show:
– the number, size and shape of individual parts
– how the parts fit together
– the materials and components required
– the finish
• appropriate drawing methods for working drawings include:
– orthographic views
– exploded views
– isometric or perspective drawings
The working drawings can be accurately hand-drawn and/or can be screenshots from drawings produced
using CAD software programs.
The working drawings and planning and scheduling tools should contain sufficient detail to allow a skilled third
party to make an individual (one-off) version of the final design solution.
Candidates must demonstrate proficiency in a range of practical skills and consistently demonstrate safe
working practices. The product must be made to a high standard and meet the requirements of the design
specification.
Evidence to be submitted
The candidate’s portfolio must provide the following evidence:
(a) Demonstrate proficiency in a range of practical skills
• high resolution photographs of each stage in the making of the individual (one-off) product proposed in
Stage 3
• annotations that explain the processes used in the making of the individual (one-off) product
(b) Show evidence of the consideration of safe working practices during the making process
• identification of hazards and risk assessments in the making of the individual (one-off) product
• notes and high resolution photographs showing consideration of safe working practices during the making
of the individual (one-off) product
• evidence of appropriate action being taken if hazards occur or accidents happen when making the
individual (one-off) product
• a teacher’s sign-off sheet to show observations made of the candidate performing safe working practices
during the making of the individual (one-off) product
Once the results from the testing and evaluation have been analysed, candidates write their conclusions on the
testing and propose further improvements to their product. They also consider how it needs to be modified to
manufacture it in quantity for a batch of at least ten products.
Candidates need to evaluate the materials, tools or equipment used to produce their product and propose how
they would need to change for the product to be manufactured in quantity.
Evidence to be submitted
The candidate’s portfolio must provide the following evidence in the testing and evaluating of their product:
(a) Produce a plan for testing their product
• a detailed plan to test and evaluate the individual (one-off) product realised in Stage 4
(d) Evaluate the materials, tools or equipment used to make the product
• evaluate the materials, tools or equipment used in the making of the final product in Stage 4, considering
the changes required to produce the product in quantity
An individual (one-off) product is produced in Stage 4 and evaluated in Stage 5. In Stage 6 candidates are
required to plan how to make the individual (one-off) product they have made and evaluated in quantity.
Evidence to be submitted
The candidate’s portfolio must provide the following evidence:
(a) Plan for manufacturing the product in quantity
• select production and manufacturing systems to produce the individual (one-off) product in quantity
• produce a plan for manufacturing the individual (one-off) product in quantity based on the considerations
made in Stage 5
• include quality control procedures such as quality assurance checks made at every stage of the
manufacturing and quality control checks made to the finished product
(b) Evaluate the wider issues of moving to manufacturing the product in quantity
• evaluate the impact of manufacturing the individual (one-off) product in quantity on:
– cultural and social factors where appropriate
– economic factors
– environmental factors
Stage 1 Identifying a 0 0 12 0
situation or need to
produce a design brief
and design specification
(6 marks)
Total 68 32
Marking grids
The candidate’s portfolio of work is internally marked and externally moderated using the marking grids below.
These remain the same year-on-year.
Stage 1 Identifying a situation or need to produce a design brief and design specification
Level 2 • Identifies a situation or need based on an analysis of some relevant research, 3–4
including primary and/or secondary research. (AO3b)
• Produces a clear design brief. (AO3a)
• The design brief meets the identified situation or need. (AO3a)
• Produces a justified design specification. The design specification considers some
human, aesthetic, technical and environmental factors. (AO3b)
Level 4 • Generates at least three feasible and innovative ideas. The thought process for the 7–8
ideas is fully supported by detailed annotations. (AO3c)
• Comprehensively evaluates three ideas against the design specification through
on-going and summative comments. (AO3c)
• Iterative design process used throughout. Clear design development is shown,
leading to the creation of a design proposal. (AO3c)
Level 3 • Generates at least three feasible ideas. The thought process for the ideas is 5–6
supported by annotations. (AO3c)
• Evaluates three ideas against the design specification using some on-going and
summative comments. (AO3c)
• Iterative design process used in most aspects of the design. Shows some evidence
of design development, leading to the creation of a design proposal. (AO3c)
Level 2 • Generates three ideas. Some of the ideas may lack quality or not be feasible. (AO3c) 3–4
• Evaluates three ideas against some points from the design specification. (AO3c)
• Iterative design process used in some aspects of the design. There is limited
evidence of design development, leading to the creation of a design proposal. (AO3c)
Level 1 • Generates fewer than three ideas, which may not be feasible. (AO3c) 1–2
• Little evaluation of ideas against the design specification. (AO3c)
• Limited use of iterative design process, leading to the creation of a design proposal.
(AO3c)
Level 4 • Refined and developed procedures used to finalise a design proposal, recognising 7–8
the constraints of time, cost and resources (materials, tools, equipment and
components). (AO3d)
• Produces detailed and accurate drawing/s of the final proposed design solution
giving all information necessary to manufacture the design proposal. (AO3d)
• Produces a comprehensive and clear plan showing all the relevant stages in the
correct order to make the product. (AO3d)
Level 3 • Mostly refined and developed procedures used to finalise a design proposal, 5–6
recognising most of the constraints of time, cost and resources (materials, tools,
equipment and components). (AO3d)
• Produces detailed and accurate drawing/s of the final proposed design solution
giving most information necessary to manufacture the design proposal. (AO3d)
• Produces a clear plan showing most of the relevant stages in the correct order to
make the product. (AO3d)
Level 2 • Some refined and developed procedures used to finalise a design proposal, 3–4
recognising some of the constraints of time, cost and resources (materials, tools,
equipment and components). (AO3d)
• Produces drawing/s of the final proposed design solution giving some information
necessary to manufacture the design proposal. (AO3d)
• Produces an appropriate plan showing some relevant stages mostly in the correct
order to make the product. (AO3d)
Level 1 • Limited refinement and development of procedures used to finalise a design 1–2
proposal, recognising in a limited way the constraints of time, cost and resources
(materials, tools, equipment and components). (AO3d)
• Produces drawing/s of the final proposed design solution giving limited information
necessary to manufacture the design proposal. (AO3d)
• Produces a plan showing some stages required to make the product. (AO3d)
Level 4 • Consistently demonstrates proficiency in a wide range of practical skills with 10–12
consistent attention to fine detail. (AO3e)
• Consistently demonstrates safe working practices. (AO3e)
• Completes the final product to a high standard, in terms of accuracy and finish. (AO3e)
• The final product meets the requirements of the design specification. (AO3e)
Level 3 • Demonstrates proficiency in a range of practical skills with attention to fine detail. 7–9
(AO3e)
• Demonstrates safe working practices. (AO3e)
• Completes the final product to a good standard, in terms of accuracy and finish. (AO3e)
• The final product meets the majority of requirements of the design specification.
(AO3e)
Level 2 • Demonstrates some proficiency in a range of practical skills showing some attention 4–6
to detail. (AO3e)
• Demonstrates safe working practices with some teacher supervision. (AO3e)
• Completes the final product to a satisfactory standard, in terms of accuracy and
finish. (AO3e)
• The final product meets some of the requirements of the design specification. (AO3e)
Level 1 • Demonstrates a limited range of practical skills with limited attention to detail. (AO3e) 1–3
• Demonstrates safe working practices with significant teacher supervision. (AO3e)
• The final product may be of a low standard or incomplete. (AO3e)
• The final product meets the requirements of the design specification in a limited way.
(AO3e)
Level 4 • Analyses more than three wider issues (including cultural, economic, environmental 7–8
and social factors) of moving to manufacturing in quantity. The analysis is well-
supported with relevant and detailed information. (AO4d)
• Produces a comprehensive and detailed plan for manufacturing the final product in
quantity. (AO4c)
Level 3 • Analyses at least three wider issues (including cultural, economic, environmental and 5–6
social factors) of moving to manufacturing in quantity. The analysis is supported with
relevant information. (AO4d)
• Produces a detailed plan for manufacturing the final product in quantity. (AO4c)
Level 2 • Analyses at least two wider issues (including cultural, economic, environmental and 3–4
social factors) of moving to manufacturing in quantity. The analysis is supported with
some relevant information. (AO4d)
• Produces a plan for manufacturing the final product in quantity. (AO4c)
Level 1 • Describes at least one wider issue (including cultural, economic, environmental and 1–2
social factors) of moving to manufacturing in quantity. The description is supported
with limited relevant information. (AO4d)
• Produces an incomplete plan for manufacturing the final product in quantity. (AO4c)
The database will then take you to the information you need, including dates and methods of submission of
candidates’ marks and work, as well as any forms you may need to complete.
You should record marks on the required form(s) which you should download each year from the samples
database at www.cambridgeinternational.org/samples. Follow the instructions on the form to complete it.
The marks on these forms must be identical to the marks you submit to Cambridge International.
Internal moderation
If more than one teacher in your centre is marking internal assessments, you must make arrangements to
moderate or standardise your teachers’ marking so that all candidates are assessed to a common standard.
(If only one teacher is marking internal assessments, no internal moderation is necessary.) You can find further
information on the process of internal moderation in the Cambridge Handbook and on the samples database
for the relevant year of assessment.
You must record the internally moderated marks for all candidates on the Coursework Assessment Summary
Form for Components 2 and 4 and submit these marks to Cambridge International according to the
instructions on the samples database at www.cambridgeinternational.org/samples
You must record the internally moderated marks for all candidates on the Coursework Assessment Summary
Form for Components 2 and 4 and submit these marks to the Mauritius Examinations Syndicate (MES).
External moderation
Cambridge International will externally moderate all internally assessed components.
The sample you submit to Cambridge International should ideally include examples of the marking of each
teacher. The samples database at www.cambridgeinternational.org/samples explains how the sample will
be selected.
External moderators will produce a short report for each centre with feedback on your marking and
administration of the assessment.
• You must submit the marks of all candidates to MES on the Coursework Assessment Summary Form
available on the samples database at www.cambridgeinternational.org/samples
• You must also submit the marked work of a sample of candidates to MES. The sample you submit should
include examples of the marking of each teacher.
• You can also submit the Individual Candidate Record Cards to MES, to support the marks you have
awarded for each candidate selected for the sample.
After moderation in Mauritius, MES will send a representative sample to Cambridge International.
Supervising coursework
Coursework must be a candidate’s own, unaided work. The teacher must be able to authenticate the work is
the candidate’s own.
A general discussion on the progress of coursework is a natural part of the teacher–candidate relationship, as it
is for other parts of the course. Candidates can revise their work following feedback, but teachers should only
give brief summative comments on progress.
Teachers can support candidates by reviewing their work before it is handed in for final assessment. Teachers
can do this orally or through written feedback. Teachers should not correct or edit draft coursework. Advice
should be kept at a general level so that the candidate leads the discussion and makes the suggestions for any
amendments. Teachers must not give detailed advice to individual candidates or groups of candidates on how
their work can be improved to meet the assessment criteria.
Teachers should not allow students to proceed with practical work in an unsafe way.
For further information about supervising coursework, see the Cambridge Handbook for the relevant year of
assessment at http://www.cambridgeinternational.org/eoguide
A candidate taking someone else’s work or ideas and passing them off as their own is an example of
plagiarism. It is your responsibility as a teacher to prevent plagiarism from happening and to detect it if it does
happen. For more information, search for ‘Preventing plagiarism – guidance for teachers’ on our website at
www.cambridgeinternational.org/teachingandassessment
You will be requested to declare the authenticity of the work at the point of submitting the work. The candidate
must sign a statement confirming that they are submitting their own work. You countersign it to confirm that
you believe the work is theirs. Centres should use the cover sheet on the samples database for this purpose,
and it must be included as part of the portfolio of evidence.
Submission requirements
Centres must not send 3D models or products to Cambridge International for moderation purposes.
Centres should keep all records and supported written work until publication of results.
The design folios submitted to Cambridge should be in paper format no larger than A3.
Command words
Command words and their meanings help candidates know what is expected from them in the exam. The table
below includes command words used in the assessment for this syllabus. The use of the command word will
relate to the subject context.
Analyse examine in detail to show meaning, identify elements and the relationship between them
Explain set out purposes or reasons/make the relationships between things clear/say why
and/or how and support with relevant evidence
Identify name/select/recognise
Sketch make a simple freehand drawing showing the key features, taking care over
proportions
Suggest apply knowledge and understanding to situations where there are a range of valid
responses in order to make proposals/put forward considerations
Phrases such as ‘Use sketches and notes to show/describe …’ may also be seen in the assessment for this
syllabus.
This section is an overview of other information you need to know about this syllabus. It will help to share the
administrative information with your exams officer so they know when you will need their support. Find more
information about our administrative processes at www.cambridgeinternational.org/eoguide
You can view the timetable for your administrative zone at www.cambridgeinternational.org/timetables
You can enter candidates in the June and November exam series.
Check you are using the syllabus for the year the candidate is taking the exam.
Private candidates cannot enter for this syllabus. For more information, please refer to the Cambridge Guide to
Making Entries.
Making entries
Exams officers are responsible for submitting entries to Cambridge International. We encourage them to work
closely with you to make sure they enter the right number of candidates for the right combination of syllabus
components. Entry option codes and instructions for submitting entries are in the Cambridge Guide to Making
Entries. Your exams officer has a copy of this guide.
Exam administration
To keep our exams secure, we produce question papers for different areas of the world, known as
administrative zones. We allocate all Cambridge schools to one administrative zone determined by their
location. Each zone has a specific timetable. Some of our syllabuses offer candidates different assessment
options. An entry option code is used to identify the components the candidate will take relevant to the
administrative zone and the available assessment options.
Candidates can carry forward the result of their Cambridge International AS Level assessment from one series
to complete the Cambridge International A Level in a following series. The rules, time limits and regulations for
carry-forward entries for staged assessment and carrying forward internally assessed marks can be found in
the Cambridge Handbook for the relevant year of assessment at www.cambridgeinternational.org/eoguide
Marks achieved in Component 2 Product analysis and improvement project and Component 4 Design,
realisation and manufacturing project, can be carried forward on their own to future series, subject to the
requirements set out in the Cambridge Handbook.
Coursework marks can be carried forward by making entries for either of the following options:
• AS Level only awarding:
the AS Level entry option, where the marks for Component 2 Product analysis and improvement project are
carried forward and the candidate takes the exam for Paper 1 AS Level Written Paper.
• A Level awarding:
the A Level entry option, where the marks for Component 2 Product analysis and improvement project and
Component 4 Design, realisation and manufacturing project are carried forward and the candidate takes
the exams for Paper 1 AS Level Written Paper and Paper 3 A Level Written Paper.
Candidate coursework marks can only be carried forward to complete the AS Level or the A Level.
Where coursework marks are carried forward and other AS Level component/s in the option are retaken,
the AS Level result cannot itself be carried forward or used later to complete the A Level as part of a
staged route. For information, refer to the Cambridge Handbook for the relevant year of assessment at
www.cambridgeinternational.org/eoguide
To confirm what entry options are available for this syllabus, refer to the Cambridge Guide to Making Entries for
the relevant series.
For assessment in 2025 only, candidates are not able to carry forward their coursework marks for
either Component 2 or 4 from a previous series.
Language
This syllabus and the related assessment materials are available in English only.
Access arrangements
Access arrangements (including modified papers) are the principal way in which Cambridge International
complies with our duty, as guided by the UK Equality Act (2010), to make ‘reasonable adjustments’ for
candidates with special educational needs (SEN), disability, illness or injury. Where a candidate would otherwise
be at a substantial disadvantage in comparison to a candidate with no SEN, disability, illness or injury, we
may be able to agree pre-examination access arrangements. These arrangements help a candidate by
minimising accessibility barriers and maximising their opportunity to demonstrate their knowledge, skills and
understanding in an assessment.
Important:
• Requested access arrangements should be based on evidence of the candidate’s barrier to assessment
and should also reflect their normal way of working at school; this is in line with the Cambridge Handbook
www.cambridgeinternational.org/eoguide
• For Cambridge International to approve an access arrangement, we will need to agree that it constitutes
a reasonable adjustment, involves reasonable cost and timeframe and does not affect the security and
integrity of the assessment.
• Availability of access arrangements should be checked by centres at the start of the course. Details of our
standard access arrangements and modified question papers are available in the Cambridge Handbook
www.cambridgeinternational.org/eoguide
• Please contact us at the start of the course to find out if we are able to approve an arrangement that is not
included in the list of standard access arrangements.
• Candidates who cannot access parts of the assessment may be able to receive an award based on the
parts they have completed.
Grades a, b, c, d or e indicate the standard a candidate achieved at Cambridge International AS Level. ‘a’ is the
highest and ‘e’ is the lowest grade.
‘Ungraded’ means that the candidate’s performance did not meet the standard required for the lowest grade
(E or e). ‘Ungraded’ is reported on the statement of results but not on the certificate. In specific circumstances
your candidates may see one of the following letters on their statement of results:
• Q (PENDING)
• X (NO RESULT).
These letters do not appear on the certificate.
If a candidate takes a Cambridge International A Level and fails to achieve grade E or higher, a Cambridge
International AS Level grade will be awarded if both of the following apply:
• the components taken for the Cambridge International A Level by the candidate in that series included all
the components making up a Cambridge International AS Level
• the candidate’s performance on the AS Level components was sufficient to merit the award of a Cambridge
International AS Level grade.
On the statement of results and certificates, Cambridge International AS & A Levels are shown as General
Certificates of Education, GCE Advanced Subsidiary Level (GCE AS Level) and GCE Advanced Level (GCE A
Level).
School feedback: ‘Cambridge International A Levels are the ‘gold standard’ qualification. They
are based on rigorous, academic syllabuses that are accessible to students from a wide range
of abilities yet have the capacity to stretch our most able.’
Feedback from: Director of Studies, Auckland Grammar School, New Zealand
How students, teachers and higher education can use the grades
Cambridge International A Level
Assessment at Cambridge International A Level has two purposes:
1 to measure learning and achievement
The assessment confirms achievement and performance in relation to the knowledge, understanding and
skills specified in the syllabus, to the levels described in the grade descriptions.
2 to show likely future success
The outcomes help predict which students are well prepared for a particular course or career and/or which
students are more likely to be successful.
The outcomes help students choose the most suitable course or career
Grade descriptions
Grade descriptions are provided to give an indication of the standards of achievement candidates awarded
particular grades are likely to show. Weakness in one aspect of the examination may be balanced by a better
performance in some other aspect.
Grade descriptions for Cambridge International A Level Design & Technology will be published after the first
assessment of the A Level in 2025.
You must read the whole syllabus before planning your teaching programme.
Changes to syllabus • The subject content has been revised and updated. Some content has
content been removed and other content has been added.
• An introductory explanation for each of the topics has been added.
• We have included more detail of what needs to be taught. This includes
guidance, if needed, on what we expect to be covered in each topic.
• The AS Level subject content has been revised and integrated into
12 revised compulsory topics. From assessment in 2025, AS Level
candidates study all the AS Level content.
• The A Level subject content has been revised and integrated into six
revised compulsory topics. From assessment in 2025, the specialist
routes have been removed. The subject content at A Level is compulsory
subject content for all candidates to learn.
• Content on product design, resistant materials and graphics has been
restructured into the new revised compulsory A Level subject content for
all candidates to learn. The specialist content on Practical technology/
electronics has been removed from the A Level subject content.
• The compulsory content has been designed to be generic and accessible
for students and schools that have a background in different specialist
areas. Candidates can develop their preferred specialism in the
coursework components.
• There are now two distinct coursework projects:
– Component 2 Product analysis and improvement project
– Component 4 Design, realisation and manufacturing project.
• Candidates can no longer continue the work in Component 2 to complete
Component 4.
• Overarching key concepts for Cambridge International AS & A Level
Design & Technology have been introduced.
• A glossary of command words has been added.
• The syllabus aims have been updated and key benefits to learners have
been listed.
• A list of electronic symbols to be studied at AS Level has been added to
the subject content on page 34.
continued
Changes to assessment • The assessment objectives have been updated and regrouped into four
(including changes to new assessment objectives:
specimen papers) – AO1 Knowledge and understanding
– AO2 Application and communication
– AO3 Development of design ideas and practical skills
– AO4 Analysis and evaluation.
• The weightings of the assessment objectives in the qualification and
across the components have been updated. The weighting of the
coursework components has been increased. The coursework and the
written components are now equally weighted.
• We have named the papers to reflect the nature of each paper:
– Paper 1 is named AS Level Written Paper
– Component 2 is named Product analysis and improvement project
– Paper 3 is named A Level Written Paper
– Component 4 is named Design, realisation and manufacturing project.
• The number of marks and duration of Papers 1 and 3 have changed:
– In Paper 1 the number of marks has been reduced from 120 to 100
and the duration from 3 hours to 2 hours 15 minutes.
– In Paper 3 the number of marks has been reduced from 120 to 100
and the duration from 3 hours to 2 hours 30 minutes.
• In Paper 1, all questions are mandatory. Optional questions have been
removed.
• In Paper 3, all questions are mandatory. Specialist routes and optional
questions have been removed.
• Papers 1 and 3 have new question types. The design question has been
removed from Paper 1 but it has been retained in Paper 3.
• The syllabus has a new Details of the assessment section to provide
information on the assessment requirements.
• Updated specimen papers have been published to accompany the new
syllabus. These exemplify the changes to the assessment and the subject
content.
• The marking criteria in Papers 1 and 3 have been updated with new
marking grids. These are available in the specimen mark schemes for
Papers 1 and 3 that accompany the syllabus.
• The specimen mark schemes also include indicative content exemplifying
the types of answers that candidates could give to the questions.
• All questions for Papers 1 and 3 will now be answered on the A4 question
paper. Separate A3 sheets will no longer be required.
• We have updated the equipment required in the examination room.
Drawing boards will no longer be required in the examination room.
• The marking criteria for Components 2 and 4 have been updated with
new marking grids. Please see the Assessment criteria for Component 2
and Assessment Criteria for Component 4 sections.
• The administration guidance for the coursework components has been
updated in the Details of the assessment section.
Changes to availability • This syllabus is now offered in the June and November series to all
administrative zones. Please see page 73 for details.
Other changes • The final retake opportunity for the existing version of the qualification is
in November 2024. From assessment in 2025, candidates sit the new
version of the qualification.
• For assessment in 2025 only, candidates are not able to carry forward
their coursework marks for either Component 2 or 4 from a previous
series.
• From assessment in 2026, the normal rules for carry forward apply.
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