Sense and Non Sense
Sense and Non Sense
the famous French artist Paul Cézanne. Cézanne's doubt centered around the way we
perceive and represent the world through art. Merleau-Ponty discusses how Cézanne
was not satisfied with traditional artistic conventions that aimed for a perfect, realistic
representation of objects. Cézanne questioned whether our ordinary way of perceiving
the world truly captured its essence. He believed that the conventional methods of
representation did not convey the depth and complexity of human perception. Instead,
he sought to convey a more profound understanding of reality in his art. Cézanne's
doubt led him to develop a unique style that involved breaking down objects into basic
geometric forms and exploring the interplay of color, light, and space. He was
concerned with representing the underlying structures and sensations of the world
rather than merely its surface appearance. In summary, Cézanne's doubt, as discussed
by Merleau-Ponty in "Sense and Non-Sense," revolved around the limitations of
conventional artistic representation and his quest to capture a deeper and more
nuanced understanding of reality through his art.
In summary, "The Battle over Existentialism" in "Sense and Non-Sense" explores the
complex and multifaceted nature of existentialism as a philosophical movement. It
emphasizes the diversity of existentialist interpretations, its influence on philosophy, and
its entanglement in political and ideological debates during the mid-20th century.
In "Sense and Non-Sense" by Maurice Merleau-Ponty, the essay titled "Concerning
Marxism" examines the relationship between existentialism, particularly the
existentialism of Jean-Paul Sartre, and Marxism. Here's a summary of the key points
from this essay: