Elements & Principles of Design PDF
Elements & Principles of Design PDF
Elements & Principles of Design PDF
Principles of Design
and how it applies to
Visual Communication
1. Design.
2. Communication.
3. Visual.
design
dɪˈzʌɪn/
noun
noun: design; plural noun: designs
1 a plan or drawing produced to show the look and function or workings of a building, garment, or other
object before it is made.
verb
verb: design; 3rd person present: designs; past tense: designed; past participle: designed; gerund or present
participle: designing
1 decide upon the look and functioning of (a building, garment, or other object), by making a detailed
drawing of it.
design = to have function
Communication.
Communication.
COMMUNICATION.
Communication.
Communication.
Communication.
“Everything we see* communicates an emotion to us.”
* see/hear/taste/smell/feel
Visual.
1. Design.
2. Communication.
3. Visual.
The purpose of Visual
Communication Design is
effective communication.
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Describe the Elements and
Principles of Design
and how it applies to
Visual Communication
The Starry Night (Vincent Van Gogh, 1889)
We need rules to code
–or decode a visual design.
Describe the Elements and
Principles of Design
and how it applies to
Visual Communication
* for the purpose of this communication,
the words Art and Design are interchangeable
The elements and principles of design are the
building blocks used to create a work of art.
The 7 Elements of Art
• Line
• Shape
• Direction
• Size
• Texture
• Colour
• Value
• Line: The linear marks made with a pen or brush or the edge created when two shapes meet.
• Shape
• Direction
• Size
• Texture
• Colour
• Value
• Line: The linear marks made with a pen or brush or the edge created when two shapes meet.
• Direction:
• Size
• Texture
• Colour
• Value
• Line: The linear marks made with a pen or brush or the edge created when two shapes meet.
• Size:
• Texture
• Colour
• Value
• Line: The linear marks made with a pen or brush or the edge created when two shapes meet.
• Size: Size is simply the relationship of the area occupied by one shape to that of another.
• Texture
• Colour
• Value
• Line: The linear marks made with a pen or brush or the edge created when two shapes meet.
• Size: Size is simply the relationship of the area occupied by one shape to that of another.
• Texture: Texture is the surface quality of a shape. It can be physical (tactile) or visual.
• Colour
• Value
• Line: The linear marks made with a pen or brush or the edge created when two shapes meet.
• Size: Size is simply the relationship of the area occupied by one shape to that of another.
• Texture: Texture is the surface quality of a shape. It can be physical (tactile) or visual.
• Value
• Line: The linear marks made with a pen or brush or the edge created when two shapes meet.
• Size: Size is simply the relationship of the area occupied by one shape to that of another.
• Texture: Texture is the surface quality of a shape. It can be physical (tactile) or visual.
A large shape close to the center can be balanced by a small shape close to
the edge. A large light toned shape will be balanced by a small dark
toned shape (the darker the shape the heavier it appears to be)
• Gradation
The five squares above are all the same. They can be taken in and
understood with a single glance.
• Repetition
When variation is introduced, the five squares, although similar, are much
more interesting to look at. They can no longer be absorbed properly with a
single glance. The individual character of each square needs to be
considered.
• Contrast
• Harmony
Unity in a painting refers to the visual linking of various elements of the work.
Relating the design elements to the the idea being expressed in a painting
reinforces the principal of unity.eg. a painting with an active aggressive
subject would work better with a dominant oblique direction, course, rough
texture, angular lines etc. whereas a quiet passive subject would benefit from
horizontal lines, soft texture and less tonal contrast.
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