Philippine folk dances by francisca reyes aquino pdf

Tavu pieprasījumu nevarēja apstrādātIr radusies problēma saistībā ar šo pieprasījumu. Mēs strādājam, lai to pēc iespējas ātrāk atrisinātu.Lai turpinātu, ienāc vai reģistrējies Facebook.PieslēgtiesPievienoties Each of the three regions of the Philippines has their own unique languages, history, and traditions. One type of folk dance that comes from the
Luzon region is the Idaw dance, which depicts hunting rituals that were performed before tribal wars. Francisca Reyes Aquino is known to be the mother of Philippines folk dance. She wrote several books on the folk dances and also taught people dances. Francisca Reyes-Aquino is widely considered as the mother of Philippine folk dance MANILA,
Philippines – Google on Saturday, March 9 paid tribute to National Artist for Dance Francisca Reyes-Aquino, who celebrated her 120th birth anniversary. The doodle showed the country’s famous folk dances such as the Pandanggo sa Ilaw, Tinikling, Cariñosa and Singkil, all which Reyes-Aquino documented in her time. Born on March 9, 1899, Reyes-
Aquino, a Bulakeña traveled to parts of the country where she began to record the dances in barrios in Central and Northern Luzon. A thesis entitled “Philippine Folk Dances and Games,” in 1926 would later be adapted as an instructional material for teachers to be used in private and publics schools. Reyes-Aquino also became a supervisor for
Phyiscal Education under the Department of Education, wherein she also pushed for the teaching of folk dances as part of the Filipino identity and culture. She also wrote books on dances, including the Philippine National Dances and Philippine Folk Dances, Volumes I to VI. She received the Republic Award Merit in 1954 for her contribution to dance
from President Ramon Magsaysay and was later bestowed as a National Artist in 1973. Reyes-Aquino is the latest Filipina to be honored by Google. Josefa Llanes Escoda and Dr Fel del Mundo were previously honored with their respective doodles by the portal. – Rappler.com As a student assistant in physical education at the University of the
Philippines in 1921, FRANCISCA REYES began her pioneer work of recording the native songs and dances handed down through generations by the numerous ethnic groups that today compose the citizenry of the Philippine Republic. It was a time when these forms of ritual and entertainment were threatened with extinction by the introduction of
mass communications. Pursuing graduate studies in her chosen field, she traveled to remote mountain barrios and outlying islands, befriending the people and learning their unrecorded lore. Her meticulous research was published first in a thesis on Philippine folk dances and games for use in schools. With encouragement from the University this
work was expanded after 1927 when President Jorge Bocobo gave his official support. After serving 18 years on the faculty of the University and rising to become Physical Director for Women, she transferred to the Department of Education. There, since 1955, she has been Superintendent of Physical Education. As work permitted, she also has taught
in several private colleges and universities and shared her knowledge of traditional Filipino performing arts with others at numerous international conferences.Her sustained and enthusiastic efforts of 40 years have encouraged others to seek inspiration at home and facilitated a creative national expression of Filipino culture. Founder of the
Philippine Folk Dance Society and author of widely circulated books and articles, her research has been drawn upon by physical education and dance instructors throughout the Republic. Legions of children and adults have known the joy of benefiting from her works. The several Filipino dance troupes that are winning critical and popular acclaim
abroad have built upon a foundation to which she made an initial and vital contribution. Now 63 and a grandmother, Mrs. FRANCISCA AQUINO continues active in her professional specialty to the fullest of her time and energy. Working to give her people a sense of confidence, pleasure and pride in the artistic expression that is uniquely theirs, she
has shown what one person can do who is moved by a patient, determined concern for discovering the value in much that lies unused, yet readily at hand. In electing FRANCISCA REYES AQUINO to receive the 1962 Ramon Magsaysay Award for Government Service, the Board of Trustees recognizes her original research on Filipino folk dance and
music, preserving this rich heritage for future generations. © 2022 Primo Esteria Frances Reyes Aquino Status: Specialty: Range: Deceased Filipino Filipino CLICK TO ENLARGE Frances Reyes Aquino, the legendary "Mother of Philippine Dancing," was born in Lolomboy, Bocaue, in the Philippine Province of Bulacan, on March 9, 1899. She was
the eldest of three children of Filipe Reyes and Juliana Santos Reyes of Manila. She obtained her High School Teacher's Certificate in 1923 and her Bachelor of Science in Education degree in 1924 from the University of the Philippines. As early as 1921 to 1923, Francisca began her search for folk dances to use in classes while a Student Assistant in
Physical Educatiion. She traveled to remote barrios (rural communities) in Central and Northern Luzon. In 1924, she became an Assistant Instructor. She quickly saw that, with further impact of Western culture, many dances would be lost or extensively modified. She continued gathering folk dances, songs, and games for her master's thesis at the
University of the Philippines in 1926. She revised her work in 1927, and published it as Philippine Folk Dances and Games. In this and later collections, the great diversity of dance type, tempo, and music reflected a many-faceted Filipino character. She was asked to chair a committee at the university that would go to the most remote areas of the
Philippines to gather material directly from the old people who used to dance them in their younger days. The hundreds of dances were collected and transcribed with close attention to their authenticity and local color, then presented to the Manila public at various dance recitals. The university offered dance classes in the physical education
department and a folk dance troupe was formed that toured the provinces to acquaint the people with the various folk dances of the country. From 1929 to 1931, Francisca's teaching and research were interrupted by two years of study at Boston University as a University of the Philippines Fellow. Receiving a Certificate in Physical Education, the
experience broadened her professional interest in the dance as an art form and also equipped her for more intensive field research upon her return. In 1934, Francisca married Professor Ramon P. Tolentino, Jr., then Assistant Director of the Department of Physical Education, who shared her dream of promoting Philippine folk dances in the physical
education curriculum of Philippine schools. In that same year, university president Jorge Bocobo gave tangible support to Frances Reyes Tolentino's research proposal, enabling her, her husband and a university colleague, Antonio Buenaventura, to study native dances in Mindanao, Leyte, and Mountain Province and record songs with the aid of a
Victor recording machine. The expedition gathered material on 38 folk dances and 33 songs and airs. This research inspired compositions by Mr. Buenaventura and other members of the music faculty and a number of public performances which President Bocobo enthusiastically endorsed. In Leyte, they found the Tinikling, danced between rapidly
clapped, bamboo poles and named after a long-legged bird, the tikling, seen in rice paddies. Tinikling has since become a national favorite of both children and adults. In 1935, they made complete notes on 33 folk songs and dances in Mountain Province, 8 in Ilocos Norte, 14 in Ilocos Sur, and 4 in Abra. Typical of her willingness to make an extra
effort so that others might know her country better, Mrs. Reyes Tolentino organized the Filipiniana Folk Dance Troupe which performed for servicemen as a part of the United States Army Special Services for seven months in 1945. The death of her husband, in 1939, after four and half years of a close personal and professional partnership, tested
Mrs. Reyes Tolentino's devotion to her self-imposed mission to enrich Philippine culture by the propagation of performing folk arts. Her faith, her daughter, and her deep interest in her lifework, however, carried her through this personal loss to greater achievements. In 1947, she married Serafin Aquino, secretary-treasurer of the Philippine Amateur
Athletic Federation, an enthusiastic collaborator in presentation of his wife's work. That same year, Frances Reyes Aquino became the superintendant of Physical Education, Bureau of Public Schools, Philippine Republic. She was awarded a Doctor of Sciences degree in Physical Education, Honoris Causa, from Boston University and, in 1959, a Doctor
of Humanities, Honoris Causa, from Far Eastern University in Manila, Philippines. She is the author of seven books and numerous articles. In 1949, Dr. Reyes Aquino founded the Philippine Folk Dance Society to bring together physical education students, teachers, administrators, and individuals interested in folk dancing. Dr. Reyes Aquino received
the "Philippine Republic Award of Merit" for her untiring efforts in collecting, compiling, and propagating folk dances, and for her outstanding contribution to the advancement of Filipino culture in the field of dance. Other awards include the Cultural Award, UNESCO of the Philippines; the Rizal Pro-Patria Award; certificate of merit Bulacan Teachers
Association; the Ramón Magsaysay Award, and an award for outstanding alumna, College of Education, University of the Philippines. In 1961, Dr. Reyes Aquino was invited by the International Recreation Association on the Cultural Exchange Program to lecture, teach, and demonstrate Philippine folk dances in the United States. That same year, she
was given the Rizal Pro-Patria Award, conferred on individuals (Filipino or foreigner), societies, institutions, and other organizations. She taught at major folk dance camps and conducted workshops at many universities and colleges; and she presented Philippine dances and folklore at the Fourth International Congress on Physical Education and
Sports for Girls and Women, Washington, D.C. In 1973, President Marcos gave Dr. Reyes Aquino the National Artist for Dance Award for her contribution to the preservation and propagation of the folk dances of the Philippines. For many years, Dr. Reyes Aquino was consultant to the world famous Bayanihan Folk Dance Troupe, which continues to
perform in the major capitols of the world. The University of the Philippines Dance Troupe, founded in 1988 by Dr. Reyes Aquino, continues to perform for local audiences. The Cultural Center of the Philippines has namamed one of their lower basement rehersal halls "Bulwagang Francisca Reyes Aquino in her honor." The hall is for theater, dance,
music arts, and occasionally for lecture-demonstrations, artists' interactions, master classses, and workshops. Active in organizations whose programs related to her work, Dr. Reyes Aquino was a member of the Women's Athletic Committee of the Philippine Amateur Athletic Federation from 1940 to 1954 and again in 1955 to 1956. She also served on
the Curriculum Committee of the National College of Physical Education, the National YMCA Board in 1945 and 1946, the Entertainment Committee of the International Society for Education in 1960, and as a member of the United Nations Association of the Philippines from 1956 until her death in 1984. A Memorial Fund was established in her name
and "Lola Kikay," a musical based on her life, has been staged. Among Dr. Reyes Aquino's publications are Fundamental Dance Steps and Music, Manila, 1957. Philippine Folk Dances, Manila, Vol. I, 1953. Philippine National Dances, New York, 1946. Philippine Folk Dance and Games, with Petron Ramos, New York, 1927. Dances Dr. Reyes Aquino
taught include Alahoy, Apat Apat, Ba-Ingles, Basulto, Binadyong, Himig Sa Nayon, Kalapati, Lubi-Lubi, Maglalatik, Manang Biday, Polka sa Nayon, Tiklos, and Tinikling.

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