Conservation Studio 2023 - B.Arch
Conservation Studio 2023 - B.Arch
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ACKNOWLEDGEMENT
We want to express our deep and sincere gratitude to Assoc. Prof. Dr. Sanjaya Upreti and Asst.
Prof. Dr. Inu Pradhan Salike for guiding us through every step of our academic project, "The
Conservation Project on Seto Machindranath Route." Their expertise, advice, and support have
been incredibly valuable and have played a huge role in making our project successful.
We also want to thank the local communities, residents, and organizations that worked closely
with us. Their willingness to share their knowledge, experiences, and cultural insights has been
crucial in making our research meaningful and rich. They have added diverse perspectives that
have enriched our study.
We extend our heartfelt appreciation to Ar. Bipul Rawol for his invaluable contribution to our
project. His dedicated efforts in conducting the photogrammetry class significantly aided us during
the critical phases of site measurement and documentation.
As we conclude this chapter, we want to recognize and thank each and every person who has been
a part of this academic journey. Together, we have created a story that not only honors and protects
our cultural heritage but also showcases the strength of working together in scholarly exploration.
With heartfelt appreciation,
075 Batch
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PREFACE
This initiative encapsulates the collaborative endeavors of the 075-batch, as we immersed
ourselves deeply in the intricate narratives woven along the expanse of the Seto Machindranath
Route, stretching from Jaisideval to Lagantole. This report serves as the culmination of a semester-
long Conservation Studio project that unfolded over the course of dedicated exploration.
Throughout this voyage, we actively engaged with the diverse array of voices resonating within
the locale – from the intrinsic essence of the surroundings to the insights shared by our esteemed
professors, seniors, juniors, and ultimately, our own introspections.
This comprehensive documentation underscores the unequivocal significance of safeguarding sites
permeated with cultural, political, social, and religious import, particularly within the densely
intertwined urban matrix of Kathmandu. In this venerable city, where every step carries with it
echoes of history spanning, at the very least, a century, and often reaching even further back, the
imperative of preserving these sites becomes vividly evident. Our journey commenced with a
sincere endeavor to fathom the intricate weave and underlying principles that define the core of
the locale. This was followed by an expedition into imaginative re-envisioning.
This semester-long odyssey has proven to be a profoundly enlightening experience for each
participant. With every exploration of landmarks such as the Jaisideval Temple, Lagantole,
Krishna Mandir, and the bustling streets linking Jaisideval to Lagantole, our perspectives have
been revitalized. As a harmonious collective, our aspiration is to provide our readers with a
revitalized perspective on this area.
In unity,
075 Batch
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TABLE OF CONTENTS
TABLE OF CONTENTS ................................................................................................................ 5
TABLE OF FIGURES .................................................................................................................. 10
1 ABOUT THE REPORT ........................................................................................................ 16
1.1 BRIEF INTRODUCTION TO THE CONSERVATION STUDIO PROJECT ............ 16
1.2 OBJECTIVES OF THE PROJECT................................................................................ 16
1.2.1 GENERAL OBJECTIVE........................................................................................ 16
1.2.2 SPECIFIC OBJECTIVES ....................................................................................... 16
1.3 SCOPE AND LIMIITAION .......................................................................................... 17
1.3.1 SCOPE OF THE PROJECT ................................................................................... 17
1.3.2 LIMITATION OF THE PROJECT ........................................................................ 17
1.4 IMPORTANCE OF HERITAGE CONSERVATION ................................................... 18
2 OVERVIEW OF THE HISTORICAL SIGNIFICANCE OF THE SITE ............................. 19
2.1 Historical Significance of Lagan Tole ........................................................................... 20
3 Introduction ........................................................................................................................... 22
3.1 Jaisidewal Chowk ........................................................................................................... 22
3.2 Jaisideval to Lagal Tol ................................................................................................... 23
3.3 Lagan Tol ....................................................................................................................... 24
4 STATEMENT OF THE PROBLEM..................................................................................... 25
4.1 Jaisideval ........................................................................................................................ 25
4.1.1 Lack of Public Awareness about Cultural Significance ......................................... 25
4.1.2 Underutilization of Chowk's Potential .................................................................... 25
4.1.3 Traffic Congestion and Loss of Community Space ................................................ 25
4.1.4 Inadequate Maintenance of Public Spaces:............................................................. 26
4.1.5 Negligence in Temple Conservation and Redesign:........................................... 27
4.2 Jaisideval to Lagan Street............................................................................................... 27
4.3 Lagan Tol ....................................................................................................................... 28
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5 METHODOLOGY AND APPROACH ................................................................................ 29
5.1 Jaisideval ........................................................................................................................ 30
5.1.1 Existing Sites Structure ........................................................................................... 30
5.1.2 ASSESSMENT OF ARCHITECTURAL ELEMENTS AND MATERIALS ....... 33
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5.1.3 INFRASTRUCTURES ........................................................................................... 34
5.2 Jaisideval to Lagan Street............................................................................................... 37
5.2.1 HERITAGE............................................................................................................. 37
1.1.1 INTANGIBLE HERITAGES ................................................................................. 38
1.1.2 HISTORICAL EVOLUTION OF THE SITE ................................................... 39
5.2.2 ARCHITECTURAL AND INFRASTRUCTURAL INVENTORY ...................... 42
5.2.3 VALUE ASSESTMENT ........................................................................................ 43
5.2.4 FACADE INVENTORY ........................................................................................ 45
5.2.5 SIGNIFICANCE TO THE LOCAL COMMUNITY ............................................. 46
5.2.6 ARCHITECTURAL AND CULTURAL IMPORTANCE .................................... 47
5.2.7 DETAILED DESCRIPTION OF EXISTING STRUCTURES.............................. 50
5.2.8 ASSESSEMENT OF ARCHITECTURAL ELEMENTS AND MATERIALS ..... 53
5.2.9 OVERVIEW OF INFRASTRUCTURE SYSTEMS .............................................. 56
5.3 Lagan Tol ....................................................................................................................... 58
5.3.1 Heritage ................................................................................................................... 58
5.3.2 Historical evolution of the site ................................................................................ 59
5.3.3 Architectural and Cultural Importance of Lagan tole ............................................. 62
5.3.4 Significance to the Local Community .................................................................... 63
5.3.5 Architectural and Infrastructural Inventory ............................................................ 64
5.3.6 DETAILED DESCRIPTION OF EXISTING STRUCTURE ................................ 70
i. Lukeko Mahadev : A Beacon of Spiritual Fulfillment ................................................... 77
5.3.7 Dabali: Where Traditions Unfold ........................................................................... 78
• Conclusion: N4............................................................................................................... 81
A Triad of Values: Culture, Community, and Space ............................................................. 82
5.3.8 Assessment of Architectural Elements and Materials ............................................ 89
5.3.9 Overview of infrastructure system .......................................................................... 91
• Water supply .................................................................................................................. 91
• Sewerage management .................................................................................................. 91
• Waste management ........................................................................................................ 91
5.3.10 Site & surroundings ................................................................................................ 92
5.3.11 Space & planning .................................................................................................... 92
............................................................................................................................................... 95
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5.3.12 Behaviour mapping ................................................................................................. 99
5.3.13 Factors leading to Urban space multifunctionality/vibrancy: ............................... 116
6 ANALYSIS (JAISI DEVAL) .............................................................................................. 119
6.1 Examination of Deterioration and Decay................................................................. 120
6.2 Identification of Threats and Risks .......................................................................... 122
6.3 Structural and Material Analysis ............................................................................. 122
6.4 BEHAVIOUR MAPPING ........................................................................................... 125
6.4.1 TRAFFIC FLOW .................................................................................................. 125
6.4.2 INFRASTRUCTURES NEARBY........................................................................ 125
6.4.3 COMMERCIALY VIBRANT AREA .................................................................. 126
6.4.4 SOCIALLY VIBRANT SPACES ........................................................................ 127
6.4.5 CULTURALLY VIBRANT SPACES ................................................................. 128
6.4.6 VISUAL ANALYSIS ........................................................................................... 128
7 ANALYIS (JAISIDEVAL TO LAGAN STREET) ............................................................ 129
7.1 EXAMINATION OF DETERIORATION AND DECAY .......................................... 129
7.1.1 CAUSES ............................................................................................................... 129
7.1.2 EXTENTS ............................................................................................................. 131
7.1.3 TYPE OF DECAY ................................................................................................ 132
7.1.4 MODERN EXTENTION...................................................................................... 134
7.2 IDENTIFICATION OF THREATS AND RISKS ....................................................... 135
7.2.1 Local community opposition ................................................................................ 135
7.3 STRUCTURAL AND MATERIAL ANALYSIS........................................................ 136
7.3.1 Material board Analysis ........................................................................................ 136
7.3.2 Structure Systems.................................................................................................. 138
8 ANALYSIS (LAGAN TOLE)............................................................................................. 140
8.1 Examination of Deterioration and Decay ..................................................................... 141
8.2 Identification of Threats and Risks .............................................................................. 144
8.3 Structural and Material Analysis .................................................................................. 144
9 CONSERVATION PROPOSALS ...................................................................................... 147
9.1 PRESERVATION STRATEGIES AND APPROACHES (JaisiDeval) ...................... 147
9.1.1 Need for conservation in Jaisidewal ..................................................................... 147
9.1.2 Proposals on Physical Aspect ............................................................................... 148
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2. Haku Mahadev ........................................................................................................... 152
3. Seto Mahadev.............................................................................................................. 152
i. Balkumari Mandir ..................................................................................................... 152
ii. Bal Hanuman .............................................................................................................. 152
iii. Dii Pyakha Dabu ..................................................................................................... 152
iv. Nhu Ghah: ............................................................................................................... 153
v. Ganesh Temple ........................................................................................................... 153
vi. Krishna Mandir ...................................................................................................... 154
vii. Falcha ....................................................................................................................... 154
viii. Nasaman Dabu ........................................................................................................ 155
9.1.3 PROPOSAL ON SOCIO CULTURAL ASPECTS .............................................. 155
9.2 PRESERVATION STRATEGIES AND APPROACHES (Jaisideval to Lagan Tol) 157
9.2.1 RECOMMENDATIONS FOR RESTORATION AND REHABILITATION .... 159
9.2.2 GUIDELINES FOR SUSTAINABLE CONSERVATION.................................. 161
9.3 PRESERVATION STRATEGIES AND APPROACHES (Lagan Tol) ...................... 163
9.3.1 RECOMMENDATIONS FOR RESTORATION AND REHABILITATION .... 165
10 DEVELOPMENT PROPOSALS (Jaisideval)..................................................................... 170
Heritage Conservation and Restoration: ............................................................................ 170
Adaptive Reuse and Mixed-Use Development: .................................................................. 170
Public Spaces and Placemaking:.......................................................................................... 170
Infrastructure and Connectivity: ......................................................................................... 170
Cultural and Educational Initiatives:.................................................................................. 171
Sustainable Practices: ........................................................................................................... 171
Tourism and Economic Growth: ......................................................................................... 171
10.1 Integration of Modern Needs with Heritage Conservation: Balancing Progress and
Preservation ............................................................................................................................. 171
10.2 CONSERVATION PROPOSAL ................................................................................. 172
10.3 Tourism data................................................................................................................. 173
10.4 Adaptive Reuse ............................................................................................................ 177
10.5 ADAPTIVE REUSE FOR DIFFERENT ZONE OF THE SITE ................................. 178
10.5.1 Entrance Zone ....................................................................................................... 178
10.5.2 Market Zone .......................................................................................................... 179
10.5.3 Traditional Zone.................................................................................................... 182
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10.6 Alternative and Additional Proposed Strategies .......................................................... 183
10.7 ENTRANCE ZONE ..................................................................................................... 185
11 DEVELOPMENT PROPOSALS (Jaisideval to Lagan Street) ........................................... 192
11.1 INTEGRATION OF MODERN NEEDS WITH HERITAGE CONSERVATION .... 192
11.1.1 MODERN NEEDS ............................................................................................... 192
11.1.2 URBAN RENEWAL ............................................................................................ 193
11.2 ADAPTIVE REUSE CONCEPTS ............................................................................... 194
11.3 PROPOSED ADDITIONS AND ALTERATIONS .................................................... 200
11.3.1 NARRATIVE: AN ARCHITECTURE THAT MOVES GODS.......................... 200
11.3.2 MODULAR ARCHITECTURAL ELEMENTS .................................................. 205
11.3.3 ZONING ............................................................................................................... 206
PLACE MAKING- FEEL OF SPACES.......................................................................... 214
PUBLIC SPACES .............................................................................................................. 214
11.3.4 INFRASTRUCTURE & AMENITIES................................................................. 214
11.3.5 GUIDELINES & POLICIES ................................................................................ 216
12 DEVELOPMENT PROPOSALS (Lagan) .......................................................................... 218
12.1 Integration of modern needs with Heritage .................................................................. 218
12.2 Adaptive Reuse Concepts............................................................................................. 219
Design consideration for open space .......................................................................................... 220
12.3 Proposed Additions and Alterations ............................................................................. 228
13 Timeline ............................................................................................................................... 229
14 Conclusion ........................................................................................................................... 235
15 References ........................................................................................................................... 236
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TABLE OF FIGURES
Figure 1:Rath being taken around karunamaya temple (mother of seto machindranath) ............. 20
Figure 2Chautari for casual relaxation, socializing space ............................................................ 20
Figure 3: lagan courtyard view ..................................................................................................... 21
Figure 4:Informal market for vendors........................................................................................... 21
Figure 5Lagan to Jaisedewal road................................................................................................. 21
Figure 6 Masterplan of Jaisidewal chowk .................................................................................... 22
Figure 7 Location map of Jaisidewal ........................................................................................... 22
Figure 8 Street from Jaisedewal to Lagan..................................................................................... 23
Figure 9 Lagan tole ....................................................................................................................... 24
Figure 10 Old picture of Jaisidewal chowk .................................................................................. 26
Figure 11 Old picture of Jaisidewal chowk .................................................................................. 26
Figure 12 Dried well ..................................................................................................................... 26
Figure 13 Unmanaged wires hanging infront of abandoned pati .................................................. 26
Figure 14 Unmanaged wires hanging infront of abandoned pati .................................................. 26
Figure 15 Dried well ..................................................................................................................... 26
Figure 16 Current use of falcha .................................................................................................... 27
Figure 17 Old falcha ..................................................................................................................... 27
Figure 18 Jaisidewal temple.......................................................................................................... 30
Figure 19 Haku mahadev .............................................................................................................. 31
Figure 20 Krishna Mandir ............................................................................................................. 31
Figure 21 Nhu Gha........................................................................................................................ 31
Figure 22 Balkumari Temple ........................................................................................................ 31
Figure 23 Bal hanuman ................................................................................................................. 31
Figure 24 Dii Pyakka Dabu........................................................................................................... 32
Figure 25 Ganesh Temple ............................................................................................................. 32
Figure 26 Jhalpwa Dya ................................................................................................................. 32
Figure 27 Falcha ........................................................................................................................... 32
Figure 28 Courtyard ...................................................................................................................... 33
Figure 29 Modern Building .......................................................................................................... 33
Figure 30 Traditional Building ..................................................................................................... 33
Figure 31 Newari window ............................................................................................................ 33
Figure 32 Zinc Sheet as roofing .................................................................................................... 33
Figure 33 Well .............................................................................................................................. 34
Figure 34 Unmanaged electric pole wires .................................................................................... 34
Figure 35 Street lamp .................................................................................................................... 35
Figure 36 Waste disposal route ..................................................................................................... 36
Figure 37 Tangible Heritages in & around the Street ................................................................... 38
Figure 38 Intangible Heritages of the Street ................................................................................. 39
Figure 39 Traditional Medeival Facade ........................................................................................ 40
Figure 40 European Influence in the Facade ................................................................................ 40
Figure 41 Changing Urban Dynamics .......................................................................................... 41
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Figure 42 Value Assessment ......................................................................................................... 43
Figure 43 Value Assessment ......................................................................................................... 44
Figure 44 Facade Inventory Left Side .......................................................................................... 45
Figure 45 Facade Inventory Right Side ........................................................................................ 45
Figure 46 Krishna Chowk ............................................................................................................. 47
Figure 47 Open Space in the Street .............................................................................................. 48
Figure 48 Courtyard where the Indra Rests .................................................................................. 49
Figure 49 100 Year Old Building in the Street ............................................................................. 49
Figure 50 Right Side Street Elevation from Lagan to Jaisedewal ................................................ 50
Figure 51 Left Side Street Elevation from Lagan to Jaisedewal .................................................. 50
Figure 52 No. of floors (Left Side from Lagan to Jaisedewal) ..................................................... 51
Figure 53 No. of floors (Right Side from Lagan to Jaisedewal) ................................................... 51
Figure 54 Residents Status............................................................................................................ 52
Figure 55 Colors of the Street ....................................................................................................... 54
Figure 56 Materials in the Facade ............................................................................................... 54
Figure 57 Existing Windows ......................................................................................................... 55
Figure 58 Existing Windows ......................................................................................................... 55
Figure 59 Existing Doors.............................................................................................................. 56
Figure 60 Drainage System ........................................................................................................... 56
Figure 61 Mapping of Wells ......................................................................................................... 57
Figure 62 Asphalt Road ................................................................................................................ 57
Figure 63 Infrastructures of the Street .......................................................................................... 58
Figure 64 South building showing wooden windows and door .................................................... 89
Figure 69 Major Landmarks of site .............................................................................................. 92
Figure 70: Circulation of Rath ...................................................................................................... 93
Figure 71 Namobuddha................................................................................................................. 95
Figure 72 Kritipunya Bajradhatu Mahabihar ................................................................................ 95
Figure 73 Lukeko Mahadev .......................................................................................................... 95
Figure 74 Shrimati mandir ............................................................................................................ 95
Figure 75 Panchabuddha mandir .................................................................................................. 95
Figure 76 Nasal mandir ................................................................................................................. 95
Figure 77 Karunamaya mandir ..................................................................................................... 95
Figure 78 Silkhana present state ................................................................................................... 95
Figure 79 Silkhana building before earthquake. ........................................................................... 95
Figure 80 Alignment of Chariot wheels........................................................................................ 96
Figure 81 Chautara ........................................................................................................................ 97
Figure 82 Courtyard ...................................................................................................................... 98
Figure 83 Dabali, courtyard & inner routes .................................................................................. 99
Figure 84 Courtyard space ............................................................................................................ 99
Figure 85 Dabali area .................................................................................................................. 100
Figure 86 Inner routes ................................................................................................................. 100
Figure 87 Different routes ........................................................................................................... 101
Figure 88 Pedestrian movement mapping................................................................................... 103
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Figure 89 Different forms of market ........................................................................................... 105
Figure 90 Activities of devotees ................................................................................................. 106
Figure 91 Socializing spaces. ...................................................................................................... 107
Figure 92 Parking and taxi stand ................................................................................................ 108
Figure 93 Overshadowed. ........................................................................................................... 109
Figure 94 A morning in Te Bahal ............................................................................................... 109
Figure 95 Recite- "Bhagawansharan" ......................................................................................... 109
Figure 96 Vendor sits idle waiting for customers. ...................................................................... 109
Figure 97 "दिदि फलफुल एकिम ताजा छ l” ................................................................................. 109
Figure 98 A house struck by earthquake and an abandoned plant. ............................................. 109
Figure 99 Different economic activities ..................................................................................... 110
Figure 100 Play area for kids. ..................................................................................................... 111
Figure 101 Different social activities .......................................................................................... 111
Figure 102 Religious activities ................................................................................................... 112
Figure 103 Zoning of buildings .................................................................................................. 114
Figure 104 space user of Lagan tole ........................................................................................... 117
Figure 105 Anjay Kumar Basnet selling fresh vegetables. ......................................................... 118
Figure 106 Jaisidewal Temple (focal Point) ............................................................................... 119
Figure 107 Old Police Station ..................................................................................................... 120
Figure 108 Weathering of brick & plaster .................................................................................. 120
Figure 109 Decayed Wooden beam and column ....................................................................... 120
Figure 110 E.Q damage in structure ........................................................................................... 120
Figure 111 Decay in the facade face ........................................................................................... 120
Figure 112 Overgrown plants ..................................................................................................... 121
Figure 113 Plants on the walls .................................................................................................... 121
Figure 114 Dust infested window panel ..................................................................................... 121
Figure 115 Damaged by E.Q ...................................................................................................... 121
Figure 116 addition of upper floor for residential purpose ......................................................... 121
Figure 117 Floor section (source: Nhess.com) ........................................................................... 122
Figure 118 Joist and Plank detail on floor .................................................................................. 122
Figure 119 Staircase section ....................................................................................................... 123
Figure 120 Bricks type used in the wall...................................................................................... 123
Figure 121 Behavious Mapping- Traffic Flow ........................................................................... 125
Figure 122 Behaviour Mapping - Site surrounding ................................................................... 126
Figure 123 Behavior Mapping: Commercial Vibrancy .............................................................. 126
Figure 124 Behaviour Mapping- Socially Vibrant Spaces ......................................................... 127
Figure 125 Behaviour Mapping- Possible Socially Vibrant Spaces ........................................... 127
Figure 126 Spaces Used by Street Vendors ................................................................................ 127
Figure 127 Figure 5 Behaviour Mapping- Culturally Vibrant Spaces ........................................ 128
Figure 128 Behaviour Mapping- Visual Analysis ...................................................................... 128
Figure 129 No proper maintenance of courtyards ...................................................................... 130
Figure 130 Theft and Vandalism ................................................................................................ 131
Figure 131 Corrosion .................................................................................................................. 132
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Figure 132 Decay in facades ....................................................................................................... 132
Figure 133 Deterioration and Decay in Buildings ...................................................................... 133
Figure 134 Inappropriate blending of structure & usage ............................................................ 134
Figure 135 Materials in building facades.................................................................................... 137
Figure 136 Existing Openings .................................................................................................... 137
Figure 137 Old building plans .................................................................................................... 139
Figure 138 New Building Frame Structure ................................................................................. 139
Figure 139 South corner building, towards road to Teku ........................................................... 141
Figure 140 Weathering of bricks ................................................................................................ 142
Figure 141 Earthquake cracks ..................................................................................................... 142
Figure 142 Moss formation on Wooden struts and rafters ......................................................... 142
Figure 143 Decaying wooden beams .......................................................................................... 142
Figure 144 Termite infestation in window panels ...................................................................... 142
Figure 145 Exposed bricks, peeling off plasters in facade ......................................................... 143
Figure 146 Unmaintained Light well .......................................................................................... 143
Figure 147 Damaged beam ......................................................................................................... 143
Figure 148 Dhalin resting on newly built column ...................................................................... 143
Figure 149 Floor support ............................................................................................................ 144
Figure 150 Joist and plank detail on floor .................................................................................. 145
Figure 151 Floor Plan of Southern Building............................................................................... 145
Figure 152 Pedestrianization of Jaisidewal-Lagan Tol ............................................................. 149
Figure 153 One Way Proposition ............................................................................................... 150
Figure 154 Volume of Haku Mahadev and seto Mahadev ......................................................... 152
Figure 155Dii Pyakha Dabu ....................................................................................................... 153
Figure 156 Ganesh Mandir ........................................................................................................ 153
Figure 157 Krishna Mandir Premises ........................................................................................ 154
Figure 158Falcha ....................................................................................................................... 154
Figure 159 Nasaman Dabu ......................................................................................................... 155
Figure 160 Pedestrianization....................................................................................................... 157
Figure 161 Permeable Stone Pavements .................................................................................... 158
Figure 162 Wood Carving .......................................................................................................... 159
Figure 163 Pottery....................................................................................................................... 159
Figure 164 Public Amenities ...................................................................................................... 160
Figure 165 Retrofitting building structures....................................Error! Bookmark not defined.
Figure 166 Culturally important building's restoration..................Error! Bookmark not defined.
Figure 167 Greeneries throughout the street ..................................Error! Bookmark not defined.
Figure 168 Soft pavements ............................................................Error! Bookmark not defined.
Figure 169 Local crafts ............................................................................................................... 163
Figure 170 Conceptual Diagram for division of zones .............................................................. 173
Figure 171 The proposed circulation route map for tourists ..................................................... 174
Figure 66 Shades of bricks .......................................................................................................... 175
Figure 173 Street Elevation Proposed ........................................................................................ 175
Figure 66 Lighting in street ideas ............................................................................................... 175
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Figure 67 Visual Axis sketch ...................................................................................................... 176
Figure 68 CASE: Pimbahal , Pulchowk ...................................................................................... 176
Figure 177 Cycle of Adaptive Reuse .......................................................................................... 177
Figure 178 Proposed Street fcaade of entrance zone .................................................................. 179
Figure 179 Existing street facade of entrance zone .................................................................... 179
Figure 180 Overall street elevation of entrance zone ................................................................. 179
Figure 182 Proposed building facade ......................................................................................... 180
Figure 181 Existing Rana-style building .................................................................................... 180
Figure 183 Proposed street facade .............................................................................................. 180
Figure 184 Mix-use Residence Existing Building ....................................................................... 180
Figure 185 Southern Street facade of market zone ..................................................................... 181
Figure 186 Western Street facade of market zone ...................................................................... 181
Figure 187 Overall Street facade of market zone ....................................................................... 182
Figure 188 Existing right side street of traditional zone ............................................................. 182
Figure 189 Proposed right side street of traditional zone ........................................................... 182
Figure 190 Existing left street facade of traditional zone ........................................................... 183
Figure 191 Proposed left street facade of traditional zone ......................................................... 183
Figure 192 Zone of entrance ....................................................................................................... 185
Figure 193 Pathway from kasthmandap to Jaisidewal ................................................................ 185
Figure 194 Value assessment of the building ............................................................................. 186
Figure 195 Building plan ............................................................................................................ 186
Figure 196 N-W Elevation .......................................................................................................... 187
Figure 197 Existing Plan ............................................................................................................. 187
Figure 198 Damanges dur to E.Q ............................................................................................... 187
Figure 199 Existing condition of building .................................................................................. 187
Figure 200 Conceptual Use of old police station ........................................................................ 188
Figure 201 Conceptual use of dabali and building .................................................................... 188
Figure 202 Courtyard spaces to be used ..................................................................................... 188
Figure 203 Conceptual use of dabali .......................................................................................... 188
Figure 204 Proposed 3d .............................................................................................................. 189
Figure 205 proposed elevation .................................................................................................... 189
Figure 206 Proposed 3d .............................................................................................................. 189
Figure 207 Proposed elevation.................................................................................................... 189
Figure 208 Vibrancy in café interior to be maintained ............................................................... 189
Figure 209 Visual axis from the dabali ani proposed cafe zone to the monument ..................... 189
Figure 210 Food culture establishment ....................................................................................... 191
Figure 211 Existing Elevation .................................................................................................... 196
Figure 212 Proposed Elevation .................................................................................................. 196
Figure 213 Existing Elevation .................................................................................................... 197
Figure 214 Proposed Elevation .................................................................................................. 197
Figure 215 Ground Floor Plan................................................................................................... 197
Figure 216 Ground Floor Plan................................................................................................... 197
Figure 217 First Floor Plan ....................................................................................................... 198
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Figure 218 First Floor Plan ....................................................................................................... 198
Figure 219 Second Floor Plan ................................................................................................... 198
Figure 220 Second Floor Plan ................................................................................................... 198
Figure 221 Existing Elevation .................................................................................................... 199
Figure 222 Proposed Elevation .................................................................................................. 199
Figure 223 Right Side Street Elevation ...................................................................................... 200
Figure 224 Street through which the Gods travel ...................................................................... 201
Figure 225 Street Section with Rath, demonstrating Vibrancy at Street Levels ......................... 202
Figure 226 Transparency of Activities ....................................................................................... 202
Figure 227 Opening Ground Floors and Balconies for Transparency of Activities .................. 203
Figure 228 Reinterpretation of Traditional Elements ................................................................ 204
Figure 229 Reinterpretation of Newari Elements ....................................................................... 204
Figure 230 Proposed Pedestrian Street and Streetscape ........................................................... 205
Figure 231 Proposed Left Side Street Elevation......................................................................... 205
Figure 232 Modular Architectural Elements Reimagined from Traditional Elements .............. 206
Figure 233 Proposed Zoning along the Street ............................................................................ 206
Figure 234 Zone of Youth ........................................................................................................... 207
Figure 235 Major Buildings and Activity Zones......................................................................... 207
Figure 236 Section through Street of Zone of Youth .................................................................. 208
Figure 237 Proposed Street Facade (Left, Right) ...................................................................... 208
Figure 238 Street Facade (Left, Right) ....................................................................................... 209
Figure 239 Street Section through Zone of Learning ................................................................. 209
Figure 240 Blow-up Figure ........................................................................................................ 209
Figure 241 Existing Activities ..................................................................................................... 210
Figure 242 Proposed Activities .................................................................................................. 210
Figure 243 Section through the Street and Urban Park in Proposed Design ............................ 211
Figure 244 Street Facade (Left, Right) ....................................................................................... 211
Figure 245 Existing Building Types and Activities..................................................................... 212
Figure 246 Proposed Building and Activities ............................................................................. 212
Figure 247 Section through Street, Zone of Heritage................................................................. 213
Figure 248 Street Facade Zone of Heritage ............................................................................... 214
Figure 249 Urban Parks and Open Spaces ................................................................................ 214
Figure 250 Street Amenities/ Utilities......................................................................................... 215
Figure 251 Permeable Street Pavement Details ......................................................................... 215
Figure 252 Drainage Plan .......................................................................................................... 215
Figure 253 Street lighting plan ................................................................................................... 216
Figure 254 Place making guideline............................................................................................. 220
Figure 255 Present South Elevation of Lagantole ...................................................................... 225
Figure 256 Proposed South Elevation of Lagantole indicating adaptive reuse .......................... 225
Figure 257Adaptive Reuse of Silkhana ...................................................................................... 227
Figure 258 Reference Concept generated for courtyard revitalization ...................................... 227
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1 ABOUT THE REPORT
1.1 BRIEF INTRODUCTION TO THE CONSERVATION STUDIO PROJECT
The "Rethinking Seto Machindranath Route" Conservation Project is a forward-looking endeavor
aimed at revitalizing and preserving the cultural and historical significance of the Seto
Machindranath Route, which stretches from Jaisideval to Lagan Tole within the vibrant tapestry
of Kathmandu Valley, Nepal. Rooted in an innovative approach to urban renewal, the project seeks
to harmonize the rich heritage of the route with contemporary urban development, ensuring its
enduring legacy for generations to come. By merging traditional architectural conservation with
sustainable urban planning and community engagement, the project aspires to create a living
testament to the past while nurturing a vibrant future.
The core objectives of the project encompass multifaceted aspects of heritage preservation, urban
revitalization, and community empowerment. Through meticulous historical research,
architectural restoration, and urban design, the project aims to resurrect the grandeur of historical
landmarks and structures along the route. Concurrently, the endeavor strives to reimagine public
spaces and streetscapes, creating inviting environments that reflect the needs and aspirations of
modern society. Community involvement forms a cornerstone, fostering a sense of ownership,
pride, and cultural identity among local residents. As a result, the reinvigorated Seto
Machindranath Route is anticipated to evolve into a dynamic cultural hub, drawing in visitors and
locals alike, while serving as a paradigm for sustainable heritage conservation and urban
development on a broader scale.
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• To integrate modern urban planning with heritage preservation to create a sustainable and
vibrant urban corridor.
• To develop and enhance the urban fabric to meet the contemporary needs of the local
community.
In tandem with the restoration endeavors, the project's scope encompasses robust community
engagement initiatives. Local communities residing within the Jaisideval to Lagantal section will
be the focal point of various workshops, educational programs, and interactive events. Through
these engagements, a sense of pride, ownership, and responsibility for the route's cultural heritage
will be nurtured, with the goal of fostering a lasting connection between the community and their
shared historical legacy.
Additionally, the project ambitiously integrates modern urban planning principles into the
restoration efforts, harmonizing heritage preservation with sustainable development. By
strategically aligning modern urban needs with the preservation of historical charm, the project
envisions creating a vibrant and sustainable urban corridor that aptly caters to contemporary
requirements while celebrating the Seto Machindranath Route's cultural richness.
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constraint may necessitate prioritization and careful allocation of resources to achieve impactful
outcomes.
Furthermore, the scope of the project's activities, while focused and purposeful, remains
constrained by available resources, including funding, human capital, and specialized expertise.
The concentrated efforts within the Jaisideval to Lagantal segment might inadvertently result in
the partial coverage of the entire Seto Machindranath Route, potentially omitting other noteworthy
heritage elements located beyond this specific area.
The significance of heritage conservation extends beyond the immediate context. It radiates
economic benefits through cultural tourism, attracting visitors who seek an authentic experience
and invigorating local businesses. Simultaneously, the integration of heritage preservation with
modern urban planning principles lays the foundation for a sustainable and vibrant urban corridor.
As a testament to cultural stewardship, heritage conservation within this project bestows a lasting
legacy upon future generations, anchoring a bridge between history and progress that is both
dynamic and enduring.
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2 OVERVIEW OF THE HISTORICAL SIGNIFICANCE OF THE SITE
The Seto Machindranath Route, stretching from Jaisideval to Lagantal, holds profound historical
significance within the cultural tapestry of Kathmandu Valley. This corridor is imbued with
centuries of heritage, serving as a living testament to Nepal's rich history, architectural brilliance,
and spiritual traditions.
Dating back to ancient times, the route has been a thoroughfare of cultural exchange, connecting
diverse communities and echoing the footsteps of pilgrims, traders, and artists. Along this path,
historical structures bear witness to the evolution of architectural styles, reflecting the artistic
prowess of different eras. The intricate carvings, sculptures, and artworks adorning these structures
not only signify the region's artistic legacy but also encapsulate the spiritual beliefs and cultural
expressions of its inhabitants.
The Seto Machindranath Route also plays a central role in religious festivals and rituals, with the
revered Seto Machindranath deity being ceremoniously paraded through these streets. This annual
event is a vibrant display of communal unity, spirituality, and traditional practices that have been
upheld for generations.
Moreover, the route's geographical location has made it a hub of cultural crossroads, where diverse
influences from Tibetan, Indian, and Newar cultures converge, shaping its distinct identity. As
such, this corridor stands as a testament to the resilience of Nepal's heritage, reflecting its ability
to adapt and flourish amidst changing times.
In essence, the Seto Machindranath Route is not merely a physical pathway; it is a repository of
stories, art, spirituality, and human connection. Its historical significance radiates through its
architecture, rituals, and the very essence of the communities that have thrived along its course.
The conservation and revitalization of this route represent a profound commitment to honoring
and preserving this legacy for generations yet to come.
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2.1 Historical Significance of Lagan Tole
Lagan Tole is located in the region of Central Region. Central Region's capital Kathmandu) is
approximately 1.3 km / 0.8 mi away from Lagan Tole. Lagan is a historic and cultural site located
in the heart of Kathmandu, the capital city of Nepal. It holds immense historical, cultural, and
architectural significance. The square has important historical events, such as route of seto
machindranath. These events have shaped the course of Nepal's history. On the third and final day
of the festival, the rath is pulled from Hanumandhoka to Lagantole via Maruhity and Jaisideval.
After the rath reaches Lagantole, it is taken around a big tree known as Maan Sewa and the deity’s
mother’s temple three times. The pujas and lighting of lamps is done on this day as well. The
festival can be longer than three days if there occur any unavoidable breaks and the need to stop
at any point. If during any of the festival days, the chariot has to stop at a location that is not the
designated location, the musket is not fired by the platoon. The tole is home to numerous temples
and shrines dedicated to various deities, including karunamaya temple, lukeko mahadev,
Namobuddha, Kritipunya mahabihar, Bajradhatu Mahabihar and Ganesh temple which made the
tole of religious and cultural practices for centuries.
Lagan Tole has been a hub of cultural activities, festivals, rituals, and ceremonies. It was a place
where various cultural and social events, including religious processions and royal ceremonies,
took place and important historical events, such as royal coronations, royal weddings, and political
gatherings.
The tole is renowned for its stunning architecture, showcasing a blend of Newari and neo-classical
architectural styles. The buildings, courtyards, temples, and other structures exemplify the intricate
woodwork, stone carvings, and tired, pagoda-style roofs of temple characteristic of traditional
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Nepalese architecture. Traditional Newari building blend with neo classical elements such as
exposed brick and lime plastered surfaces with influence of classical architecture, a pilaster used
to give the appearance of a supporting column and to articulate an extent of wall, with only an
ornamental function. Column, with a capital at the top, plinth (base) at the bottom, and the various
other column elements. Symmetrical principle with Sanjhyā on the as hierarchy of building.
Lagan being cultural fusion with commercially vibrant became a melting pot of cultures due to its
strategic location on ancient trade routes. Interacting Spaces for the youths - a significant portion
of the population engaged in social interactions consists of elderly individuals, spaces of catering
to the younger generations during jatra festivals. Furthermore, considering Lagan's proximity to
Sundhara and Teku, there may be a desire for diverse activities beyond purely economic pursuits.
Lagan is already established as a business center, there seems to be a demand for eating and
socializing spaces within the community. Attracting people - The distance between Kathmandu
Durbar Square and Lagan Tole is just an 8-minute walk, yet there seems to be a lack of compelling
reasons for people to visit Lagan Tole from Kathmandu Durbar Square. Engaging Ground Floor
Spaces during the jatra - The ground floor spaces are predominantly occupied by clothing and
retail businesses, which remain closed during jatra festivals, indicating a potential need for the
design of these spaces to cater du ring such festivals.
Resilience and Restoration: Over the centuries, endured natural calamities such as earthquakes,
some of the monument damaged, vulnerable situation, Cracked and decayed beams and need to be
persevered. The earthquake of 2015 caused significant damage to many structures, leading to
ongoing restoration efforts to preserve the monument.
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3 Introduction
3.1 Jaisidewal Chowk
Jaisidewal is a small square located in Kathmandu, Nepal, 450 meters south of Hanumandhoka
Durbar Square. The square is named after its significant landmark, the Nhu: Gha: Jaisidewal
Temple, and is home to various historical monuments of high cultural and religious significance.
The Jaisidewal Chowk is a major stop for the Seto Machhindranath Chariot procession, and it also
lies in the route for the Chariot procession for two other major Jatras: Gai Jatra and Indra Jatra.
The major feature of the Jaisidewal Chowk is the magnificent 3-tiered temple that sits on 7-tiered
bases as a plinth. The temple is traditionally ascribed to a construction date of 1688 CE, and its
name is linked to Lakshiminarayan Joshi, an influential minister of King Bhupatendra. Jaisidewal
is located within an area thought to contain the early nucleus of the Licchavi settlement within the
Kathmandu Valley.
The chowk also has Dabali, a raised platform where the traditional dance takes place during Indra
Jatra. Behind the Jaisideval temple lies yet another large platform. Jaisidewal Chowk also housed
several other Historical Monuments with great cultural significance like Nhu: Gha, Kohiti,
Jhalpwa Dya, Bal Hanuman, Haku Mahadev, Krishna Temple, Nasaman Dabu, etc.
In the past, Jaisidewal Chowk used to be a place for the local residents to use for various household
activities as well as a place for social gatherings and socializing. Currently, the chowk has become
a spot for local commerce with street vendors. The large open space amid the compact settlement
of lower Kathmandu has been used for parking taxis, and the streets are as busy as they can get as
hundreds of two and four-wheelers pass every hour. The Dabali is no longer for the use of local
residents but for the public. Nonetheless, the open space still hosts various festivals like Indra Jatra
and Siti Nakha. Jaisidewal Chowk, though situated in the outskirts of the core heritage area for
Hanuman Dhoka Durbar Square, is a significant cultural and religious site in Kathmandu.
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3.2 Jaisideval to Lagal Tol
Nestled within the vibrant heart of Kathmandu lies a hidden gem of cultural and historical
significance – the ancient street stretching from Jaisedewal to Lagan. This stretch weaves its way
through the bustling city, whispering tales of centuries gone by. As part of an ambitious
conservation project, we embark on a journey to safeguard not just the physical structures, but also
the memories, traditions, and stories that have shaped this path into a living testament of Nepal's
rich heritage. The Jaisedewal to Lagan conservation project is a collaborative effort that seeks to
preserve the architectural magnificence, embrace the cultural diversity, and revive the soul of this
historic street, ensuring that it continues to thrive for generations to come.
With its roots tracing back to the medieval era, this pathway has witnessed the passage of time,
bearing witness to the evolution of Kathmandu from its humble beginnings to the bustling
metropolis it is today. Along its course, the street is adorned with intricately carved Newar-style
buildings that narrate the story of the city's architectural prowess and artistic finesse. Each brick,
each facade, holds a piece of history, reflecting the influences of various dynasties, cultures, and
artistic traditions that have left an indelible mark on the city's fabric.
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However, time and modernization have taken their toll on this invaluable relic. The very elements
that make this street a historical treasure also make it vulnerable to the ravages of decay and
neglect. The preservation initiative aims to breathe new life into these time-worn structures,
employing meticulous restoration techniques that honor the original designs while adhering to
modern conservation standards.
The conservation project also recognizes the need for sustainable urban development. Through
innovative urban planning, infrastructure upgrades, and the implementation of eco-friendly
practices, we aim to strike a harmonious balance between preserving the past and embracing the
future. This rejuvenated street will not only serve as a testament to our shared heritage but also as
a model for how historical preservation can contribute to the vitality of modern cities. In the pages
that follow, join us as we explore the past, present, and future of the Jaisedewal to Lagan
conservation project.
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Myth: “Sacredness and purity”
• Lagan is considered sacred, often associated with deities, temples, or holy sites.
• Passing by or visiting these places during rituals or events is believed to purify and sanctify
the individuals involved.
• It signifies a spiritual connection and invokes blessings from the divine.
Residents of lagan Tole:
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Figure 10 Old picture of Jaisidewal chowk Figure 11 Old picture of Jaisidewal
chowk
Figure 13 Unmanaged wires hanging infront of abandoned pati Figure 12 Dried well
Figure 14 Unmanaged wires hanging infront of abandoned pati Figure 15 Dried well
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4.1.5 Negligence in Temple Conservation and Redesign:
Temple like Krishna Mandir and Nhu gha witness inadequate preservation efforts.
Falcha, which was once a public resting place is now being used privately for income generaion.
Modern constructions and design changes deviate from the original architectural identity.
Neglect of Seto Mahadev's restoration demonstrates the erosion of the area's authenticity and
historical legacy.
In conclusion, Jaisidewal grapples with a series of challenges that collectively undermine its
cultural value, community cohesion, and aesthetic appeal. Addressing these issues would not only
preserve the area's heritage but also ensure its rightful place on the broader map of recognition and
appreciation.
4.2 Jaisideval to Lagan Street
• Over time, the street has undergone alterations that have eroded its historical and cultural
identity, leading to a diminished sense of character.
• The inconsistent building heights and inadequate natural light along the street hinder its
visual coherence and overall ambience.
• The disorganized arrangement of building facades results in a lack of architectural harmony
and unity, diminishing the street's aesthetic appeal.
• Abandoned and underutilized spaces throughout the street create voids that disrupt the
continuity and functionality of the urban environment.
• The formation of an urban slum in the street poses socioeconomic challenges and affects the
overall neighborhood dynamics.
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• The presence of numerous closed and inactive storefronts on the street creates a sense of
abandonment and contributes to a lack of vibrancy.
• The absence of accessible open and green spaces limits opportunities for recreation and
social interaction within the urban fabric.
• The scarcity of greenery and natural elements within the street's environment contributes to
a lack of visual appeal and connection to nature.
4.3 Lagan Tol
Why are the owners leaving Lagan?
• Owners are renting out their house and escaping lagan in search of green space.
• Reconstruction and renovation work of traditional houses are costly and challenging.
• Renting out their homes at higher prices can be their source of income.
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Solution
• Drop off zones and parking space near
the kritipunya mahabihar
• Open chautara with ramp for sit out
space for visitor and elderly
• Dabali with sit out space.
• Vendor space inside the Sil Khana in
order to reduce traffic load.
• Sil Khana is transformed into museum.
Vendor space
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With our data gathered and insights consolidated, collaborative idea pitching ensued, guiding our
trajectory forward. Subsequently, a collective approach was adopted, synchronizing our efforts for
the impending conservation tasks that lay ahead. This collaborative methodology reinforces our
commitment to preserving and celebrating the heritage of the Jaisidewal site.
5.1 Jaisideval
5.1.1 Existing Sites Structure
5.1.1.1 Jaisidewal Temple
Jaisidewal holds immense historical importance and is steeped in rich culture. Over
time, as societal norms and lifestyles have become more flexible, the architecture
Figure 18
of Jaisidewal has undergone significant changes. However, as we progress into the Jaisidewal temple
30
present day, it's evident that many architectural marvels that once represented the
area's culture and traditions have unfortunately been lost. Here, are the detailed
description of existing structures.
Near Nhu Gha: in the Kathmandu Valley, stands the revered Balkumari
Temple. Its religious importance is magnified during crises, as local beliefs
suggest that the deity Balkumari visits her father Bhairav near the southern
side of Jaisidewal Temple.
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5.1.1.6 Bal Hanuman
Located to the south of Jaisidewal Temple, the Bal Hanuman shrine holds a special belief. It is
said that bringing a weeping baby adorned with a 'khaisi ko mala' (a necklace made of wooden
beads) for worship can lead to the baby's healing. This tradition
highlights the faith in the divine power of Bal Hanuman and his ability
to provide solace and remedy.
5.1.1.7 Dii Pyakha Dabu
A captivating tradition unfolds during Indra Jatra as Di Pyakha dance
graces the dabali in front of Jaisidewal Temple. In this mesmerizing
performance, the goddess Kumari engages in a symbolic battle with a Figure 24 Dii Pyakka Dabu
demon, triumphantly overcoming the adversary. This victorious moment propels the
procession of the chariot forward. The dabali itself holds immense sanctity, playing a
pivotal role in the Indra Jatra festivities. Its sacredness and the dramatic reenactment of
Kumari's valor infuse the event with spiritual significance and cultural resonance.
5.1.1.8 Ganesh Temple
Figure 25 Ganesh Temple
Situated to the west of Jaisidewal Temple along the route to Kohiti, this temple
holds a prominent place. Its proximity to the Di Pyakha Dabu enhances its significance,
creating a distinct spiritual enclave. It is now in a state of reconstruction due to the need for
repairs.
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that the roof structure of the temple has been altered. Although the building is structurally sound,
it currently lacks maintenance.
5.1.1.11 Dabali
This RCC stage serves as a platform for performing bathing rituals dedicated
to the Kumar deity.
5.1.1.12 Courtyard Figure 28 Courtyard
Positioned to the south of Jaisidewal Temple, the courtyard encompasses a temple, open space,
and residential areas within its confines. This space holds
profound religious significance for the local community,
forming a cohesive unit where worship, communal activities,
and daily life seamlessly intertwine.
5.1.1.13 Residence
The residences within this area exhibit a clear distinction
Figure 30 Traditional Figure 29 Modern
between two types: modern and traditional. The residences in Building Building
this area can be categorized into two types: modern and tradition
al. A significant portion of the traditional houses have been renovated or reconstructed to align
with modern requirements and preferences.
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modern arch itecture have led to a notable shift towards the increased utilization of aluminum
windows.
5.1.2.3 Door
In context of door, wooden doors are mostly replaced by the shutters and chain gates can be seen
as a main door.
5.1.2.4 Roof
As per the local residents of Jaisidewal, they have opted to replace Jhingati tiles with zinc sheets
for their roofs. This decision stems from the concern that the annual jat ra which cause damage
to the Jhingati tile roofs, leading to substantial repair expenses. Consequently, using zinc sheets
is considered a more practical and cost-effective choice to mitigate potential roof
damage during the jatra festivities.
5.1.3 INFRASTRUCTURES
Jaisidewal there is in need of improvements in areas like water, electricity, and waste
management. Improving infrastructure and essential services is crucial for the well-
being and development of any community. Figure 33 Well
5.1.3.1 Water
Melamchi water is provided for drinking and other household chores. Previously, the community
relied on well water. However, due to improper disposal of solid waste, the well water became
contaminated and unfit for use, leading to its abandonment.
Issues Recommendations
• Drying up of natural sources of • Use of more permeable pavements for ground
water due to overconsumption but water recharge.
lack of water permissibility. • Sources of water to be kept clean by avoiding
• Rising water demand by users. waste water line near to it.
5.1.3.2 Electricity
In this locality, a concerning issue was the haphazard hanging of electric wires
directly in front of the houses, which not only presented a significant risk of fire but
also contributed to an overall sense of disorder and neglect. The tangled web of wires
overhead created a visually chaotic scene, reflecting the lack of proper management
and planning in the area's infrastructure.
However, amidst these challenges, a notable silver lining emerged: the initiative
Figure 34
taken by Nepal Telecom to address this problem. Recognizing the potential dangers Unmanaged
posed by overhead wires, they undertook the commendable task of placing their electric pole
wires
electric cables underground.
34
Issues Recommendations
• The old electricity system has many worn- • Exchange overhead cables, whether for electrical
out lines that need to be changed. power or communication, with underground cables
• There are also a lot of transformers in bad where appropriate within historical regions.
condition that should be replaced. • Build capacity of employees in terms of staff
• Insufficient number of employees engaged numbers and technical skills to implement
in maintenance innovation
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5.1.3.4.2 Waste water management
In the context of waste water management, there was a notable absence of modern sewage
systems and advanced sanitation facilities such as septic tanks. Instead, the prevailing practice
involved the use of rudimentary pipelines from Rana period for waste disposal. These pipelines
were characteristic of a time when more sophisticated waste treatment methods were not widely
adopted.
As a consequence of the limited waste management infrastructure, waste water, including both
domestic and potentially hazardous materials, often found their way into water bodies like the
Bagmati River.
Issues Recommendations
• Raw sewage dumped into the waterways • Formulating technical instructions for sewage
• Old sewage network networks to assist in strategic planning.
• Out of date statistics • Enhancing the efficiency of long-term project
• No separation of degradable and non- planning and financial allocation for the
degradable solid wastes. establishment of new networks and upkeep.
• Solid waste should be separated as bio-degradable
and non-biodegradable before collection for easy
and proper disposal.
5.1.3.5 Road
Originally designed to accommodate jatras and not vehicles, the road's dimensions are inadequate
for modern transportation needs. The 12-ft road width proves to be insufficient for the smooth
flow of both four-wheeler and two-wheeler traffic, creating congestion in a location known for
its traditional charm. This situation not only disrupts the local scene but also detracts from the
appeal of the area for tourists. Therefore, it is advisable to consider pedestrianizing this area to
enhance its overall ambiance and functionality.
36
Issues Recommendation
• Road is very narrow for running 4 • The road should be made wider if possible,
wheelers and 3 wheelers at same else vehicular movement must be restricted.
time. • Proposal of one-way traffic route at specified
• Lack of maintenance in road time.
• Lack of proper signages. • Timely maintenance of road with proper
signages should be ensured.
5.2.1 HERITAGE
Exploring the Rich Tapestry of Heritage: The historic street stretching from Jaisedewal to Lagan
is a captivating journey through time, where tangible and intangible heritages intertwine to paint a
vivid portrait of Nepal's cultural legacy.
37
Figure 37 Tangible Heritages in & around the Street
All the historically important buildings of age 100 years or more were marked as significant
buildings that needed to be preserved. Also, the historic courtyards holding rich cultural
importance during the Jatras were noted. The monuments such as Bahals, Stupas and Temples
come under the tangible heritages of the site as well.
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Figure 38 Intangible Heritages of the Street
The various intangible heritages such as the Jatras, festivals, legends and folklores, music and
dance, food and drinks were noted on the basis of the narratives given by the locals.
As we undertake the conservation of this historic street, we recognize the delicate balance between
preserving tangible structures and nurturing intangible practices. The restoration efforts not only
breathe life back into weathered bricks but also rekindle the flames of tradition, ensuring that the
stories, customs, and values passed down through generations continue to shape the cultural
mosaic of Kathmandu.
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Medieval Origins:
The roots of this historic street can be traced back to the medieval era, a
time when the Kathmandu Valley was divided into small kingdoms ruled
by the Malla dynasty. It was during this period that the Newar architectural
style, characterized by intricately carved wooden windows, red-brick
facades, and ornate pagoda-style temples, began to flourish. As a bustling
thoroughfare connecting the bustling neighborhoods of Jaisedewal and
Lagan, this street served as a lifeline for trade, commerce, and cultural
exchange.
Colonial Encounters:
The street also bears the traces of colonial encounters that marked Nepal's
history. As European powers vied for influence in the region, their
architectural signatures left an indelible mark on the street's landscape. The
juxtaposition of traditional Newar buildings with colonial-style facades is a
testament to the adaptive nature of Kathmandu's urban fabric, absorbing
foreign influences while retaining its distinctive identity.
Figure 40 European
Influence in the Facade
40
Changing Urban Dynamics:
With the onset of modernization, the street witnessed changes in urban dynamics. The advent of
increased urbanization brought new challenges and opportunities. The scale and proportion of the
streets and buildings dynamically changed. Traditional buildings coexisted with modern
structures, reflecting the city's ongoing struggle to balance preservation with progress.
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5.2.2 ARCHITECTURAL AND INFRASTRUCTURAL INVENTORY
5.2.2.1 INVENTORY SHEETS
42
5.2.3 VALUE ASSESTMENT
This is the value assessment of the old buildings which are recognized throughout the street and
their value is accessed. Their details are further carried out in another portion.
43
Figure 43 Value Assessment
44
5.2.4 FACADE INVENTORY
45
5.2.5 SIGNIFICANCE TO THE LOCAL COMMUNITY
The significance of the historic street to the local community is explained as follows:
1. Proximity to Heritage Site; Prospect of Tourism:
The historic street's close proximity to a heritage site brings with it the promise of tourism. This
presents the local community with a unique opportunity to share their cultural heritage with the
world. The street becomes a gateway for tourists to immerse themselves in the city's history and
traditions, generating revenue for businesses and enhancing the area's visibility on the global stage.
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6. Community Identity and Pride:
The historic street is a cornerstone of the local community's identity and a source of collective
pride. Residents often associate their roots with the street's history and are motivated to preserve
it for future generations. This pride manifests in efforts to maintain the architectural authenticity,
promote local businesses, and engage in cultural activities.
In summary, the Jaisedewal to Lagan historic street is more than just a physical route – it is the
heartbeat of the local community. Its proximity to a heritage site, coupled with the promise of
tourism, economic development, cultural promotion, and the preservation of tangible and
intangible heritages, makes this street a vital nexus of community life. As the community embraces
its historical significance and works together to safeguard its legacy, the street becomes a beacon
of unity, cultural enrichment, and shared prosperity.
The Krishna Chowk, said to be more than 200 years old, is built in a traditional Malla style. The
intricately carved wooden doors and windows in its façade hold a high architectural value
reflecting the rich craftsmanship of the bygone eras. The falcha and the gumbaj style Radha
Krishna temple that lies in its premises holds unique cultural and religious values. The falcha was
used as a place for Bhajan during Krishna Janmastami, but it now remains exploited as storage.
47
5.2.6.2 OPEN GREEN SPACE
This open piece of land, though seems tiny, but is one of the most vibrant spaces in the whole
street. With urban amenities like the shade under the chautara, the benches and green plantations,
this space is used by most of the locals as a socializing space or a breakout space in the long narrow
monotonous street. Especially, the elderly is seen sitting on the benches, talking to one another
and getting some though not so fresh outdoor air.
This space is also used for the 12 barse Gathu Pyakhan, a significant dance of the Newari
community which takes place once every 12 years. Thus, this place has its own cultural as well as
social significance.
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5.2.6.3 COURTYARD WHERE THE INDRA RESTS
During the Indrajatra, the chariot of the Indra is kept in this particular courtyard. The chariot of
Indra is rested in four locations in Kathmandu, and this courtyard is one of the locations. This
courtyard is said to be more than 200 years old which was previously used as a horse stable during
the Rana Regime. The buildings surrounding the courtyard are used as training institutes of Baja,
and the courtyard is used to host the Baja during the Jatras.
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5.2.6.5 TANGIBLE & INTANGIBLE HERITAGES
The street is a treasure trove of both tangible and intangible heritages. The architecture, artistry,
and craftsmanship of the buildings stand as tangible relics of bygone eras. Intangible heritages like
traditional music, craft techniques, and culinary practices breathe life into the street. The
community's ability to sustain these practices ensures the preservation of a distinctive way of life
that has been passed down through generations.
The overall street facade can be seen as a mixture of old and new buildings built in differing
architectural styles with different materials and textures. The old buildings are primarily load
bearing with white paint over the cement plaster whereas the new ones have a R.C.C. frame. Some
are exposed in brick and concrete whereas some are painted or plastered. A wide variety of colors
are is used throughout the street ranging from earthy browns to bright blues and greens.
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5.2.7.2 NO. OF FLOORS
The number of floors and height of the buildings widely differ from one another creating a
haphazard and unharmonious look. The graph below shows the street profiles of the street from
Lagan to Jaisedewal.
51
The old traditional buildings seem to be lost among the tall tower like modern structures. This has
led to the loss of the essence of scale and proportion, a unique identity of the historic Kathmandu
streetscape.
2. Activity Mapping
MORNING
TRAFFIC IN 10 MINS (9:35 AM – 9:45 AM)
HUMANS: 152 (Mostly School Children & Office Workers)
VEHICLES: 166 (Mostly 2 wheelers)
SHOPS & ACTIVITIES (6 AM)
• Grocery Shops, Vegetable Shops, Mari Pasa: & Meat Shops were opened.
• Sweepers were sweeping. Garbage trucks come to pick up the garbage during this
time.
• Locals were going for morning walks and going to temples for morning Puja.
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AFTERNOON
SHOPS
• House Owners are also shopkeepers.
• Most shops are closed during Afternoon.
• Dead street during afternoon due to it being a Residential Area.
• Activity mostly in front of Wada Karyalaya 21.
EVENING
TRAFFIC IN 1 MINS (6 PM – 8 PM)
• HUMANS: 50
• VEHICLES: 4
• 4 - 4 wheelers
• 8 - 2 wheelers
SHOPS & ACTIVITIES (6 PM – 8 PM)
• Grocery Shopping
• Children Playing
• Evening Walks
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Figure 55 Colors of the Street
54
5.2.8.2 WINDOWS AND DOORS
There was a wide variety of doors and windows used in the street façade from traditional intricately
carved wooden doors and windows to modern aluminum frames with glass.
Figure 58 Existing
Windows
55
Figure 59 Existing Doors
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Water and Wells:
Almost each inner courtyard had a well but most of them were un used due to unavailability of
underground water. The drinking water supply is through municipal line with supply for periodic
time every morning.
Wells
5.2.9.2 ROAD
Asphalt road runs throughout the street with stone paved nodes, i.e. Jaisedewal and Lagan.
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5.2.9.3 OTHER INFRASTRUCTURES
Lagan Tole's heritage is a captivating tapestry woven with historical intricacies, architectural
diversity, and cultural resonance. This heritage unfolds through various layers of time:
• Architectural Symphony: Lagan Tole's heritage resonates with the architectural fusion of
the mid-19th century. This period witnessed the harmonious assimilation of neoclassical
elements into the traditional Newari architecture, resulting in a unique visual synthesis.
Columns and pediments coexist with intricate wood carvings and courtyards, creating a
visual narrative of artistic convergence.
• Dynastic Echoes: Anchored within Lagan Tole is a conserved building that echoes the
Rana dynasty's ascent to power. Its architecture serves as an emblem of the dynasty's rule,
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embodying the grandeur and authority of the era. The building's very presence encapsulates
a transformative period in Nepal's history.
• Global Touchpoints: Lagan Tole's heritage weaves in the tale of Nepal's engagement with
global influences. The building, a testimony to the wave of Western influence, seamlessly
integrates neoclassical aesthetics with traditional Newari elements. Arched windows,
decorative moldings, and other imported motifs narrate the intersection of cultures.
• Modern Transition: The early 20th century introduces a new chapter in Lagan Tole's
heritage. The shift from traditional brick and timber construction to concrete reflects a
broader movement towards modernization. The conserved building, potentially adapting
to these changes, bridges the traditional and the contemporary.
• Cultural Nexus: Beyond its architectural significance, the conserved building embodies
Lagan Tole's social fabric. It might have served as a gathering place, fostering cultural
exchanges and communal interactions. Its significance extends beyond aesthetics, offering
a glimpse into the community's ethos.
• Living Narratives: The conserved building stands as a living artifact, an embodiment of
Lagan Tole's evolving history. It narrates stories of architectural evolution, political shifts,
and cultural resilience. Preserving this structure sustains a connection to the past while
enriching the present.
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design, blending with traditional Newari architectural elements like intricate
woodcarvings, courtyards, and brickwork.
• Testimony of Rana Dynasty's Rise: The conserved building in Lagan Tole stands as a
tangible testament to the rise of the Rana dynasty. Its architectural features, scale, and
possibly even its location within the neighborhood, would have been influenced by the
political and social climate of the time. The building could have served as a residence for
Rana officials or symbolized the dynasty's authority in the area.
• Western Influence and Architectural Fusion: As Western influences reached Nepal,
Lagan Tole became a canvas where traditional and Western architectural styles converged.
The building's façade may exhibit a fusion of neoclassical embellishments with traditional
Newari elements. European-influenced features like arched windows, decorative moldings,
and possibly even imported materials could be evident in its design.
• Shift from Brick and Timber to Concrete: Over time, as the 20th century unfolded, the
shift from traditional brick and timber construction to concrete construction transformed
Lagan Tole's skyline. This transition brought about architectural changes that prioritized
efficiency, durability, and a modern aesthetic. The conserved building might have
undergone renovations or adaptations to incorporate concrete elements while retaining its
historical significance.
• Cultural and Social Significance: Beyond its architectural aspects, the conserved
building in Lagan Tole likely played a crucial role in the community's social fabric. It might
have been a gathering place, a center of cultural activities, or a venue for local events. Its
architecture and historical associations would have contributed to its cultural significance
within the neighborhood.
• Living Heritage: The building's conservation and continued existence stand as a living
heritage, offering a window into Lagan Tole's past. It encapsulates layers of history, from
the initial blending of architectural styles to the cultural shifts that shaped the area.
Preserving this building allows future generations to connect with the area's rich history.
In summary, the conserved building in Lagan Tole represents more than just physical architecture;
it embodies a dynamic narrative of architectural assimilation, political change, cross-cultural
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influences, and societal shifts. Its preservation maintains a link between the past and present,
enriching the understanding of Lagan Tole's heritage for both locals and visitors alike.
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5.3.3 Architectural and Cultural Importance of Lagan tole
Intricate wood and stone carvings are a hallmark of the Lagan tole. These carvings adorn temples,
palaces, and traditional Newari houses, showcasing the exceptional craftsmanship of the local
artisans.Karunamaya Temple is constructed in Chaitya -Gumbaz style having decorative gateway
or archway that leads into the main chamber of the chaitya. The base is of 8 sides (not exactly
octagonal in shape). Namobuddha is constructed with dacchi appa brick on the exterior facade and
dome shape roof and pinnacle at the top. Dabali is built with traditional telia tiles and decorated
with decorated tiles at the top and bottom all around. Most of the heritage building has traditional
Newari architectural floor plans with Chheli, Matan, Chotta and Baiga with Dhuku kotha at top
floor and load bearing. Most buildings showcase distinctive architectural styles, construction
techniques, and design elements that reflect the cultural and artistic trends of the time when they
were built. These places can become landmarks and serve as valuable examples of architectural
history. Preservation and restoration efforts are often undertaken to maintain their historical and
artistic value.
Mostly Lagan tole has compact planned building built for rental purpose. Some has minimal brick
wall cement plastered façade. New building in modern style are constructed in recent days. N8,
S9, S10 and to the west has inner courtyard. Heritage building S9 and S10 have traditional Newari
Sajhya window.
Lagan tole has a deep connection to the traditions, customs, beliefs, and identity of a Newari
society. It has witnessed important historical events as Seto Machchindranath jatra, celebrations,
rituals, or gatherings that are central to the cultural fabric of the region. It has religious centers,
historical landmarks, ceremonial spaces, and places of artistic expression such as bahal, dabali.
Lagan tole act as the final stop of Seto Machchhindranath Jatra. Seto machchhindranath jatra
circumambulates the shrine of mother of machchhindranath and the tree –Maa Seema, during the
jatra. Hom is carried out during the Gun La parba, the pujaris chants the mantras. No sacrifice of
animal is held by the Buddhists Bajracharyas and Shakyas. Cultural dance performed as Gathu
Pyakha, Sikali Naach in the dabali. Scantum of lord Shiva of Pashupatinath temple is brought there
and worshipped for 7 days just before starting of ghode jatra. Dabali in Lagan tole is designated
place for kumari to sit and watch the seto machhindranath jatra. Lighting butter lamps placed
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around Namobuddha where people offer 108 light which symbolizes providing solace, guidance,
and peace to the departed soul.
Terrace and windows provides a view of arrival of Seto Machchhindranath rath jatra in the
Jaisidewal Street. Lagan tole is a living testament to Nepal's diverse culture, with traditions,
festivals, and rituals celebrated throughout the year. The annual Seto machhindranath jatra festival,
Kumari Jatra, and other cultural events draw both locals and tourists to witness and participate in
the vibrant traditions. The architectural elements and cultural practices reflect the interactions
between various trade routes and the religious beliefs of the people. The region has been a meeting
point for diverse cultural influences.
Due to its cultural and historical importance, there have been ongoing efforts to preserve and
restore the structures in this area. Various organizations, ward and clubs are involved in
maintaining the heritage value of the region.
As a conclusion, the Lagan tole of Kathmandu is not only a physical representation of Nepal's
architectural history but also a living cultural hub that continues to thrive and inspire people with
its rich heritage, traditions, and unique blend of influences.
Cultural Identity: Lagan tole is a representation of its historical and cultural identity. The local
community takes immense pride in their heritage, and this area's architectural and cultural elements
serve as a reminder of their rich history and traditions.
Social Gathering and Interaction: The open spaces, courtyards, and temples within the Lagan
tole provide spaces for the local community to gather, interact, and celebrate various festivals and
events. These spaces play a crucial role in maintaining social connections and fostering a sense of
belonging.
Religious Practices: Many important religious sites are located in this area, and they hold deep
religious significance for the local community. These sites are not only places of worship but also
centers for spiritual practices as in Lukeko Mahadev, jatras, and festivals that are integral to the
lives of the local people.
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Livelihoods and Economy: Local artisans, craftsmen, and vendors benefit from the influx of
tourists who visit to experience the area's cultural and historical treasures.
Cultural Expression: The Lagan tole serves as a canvas for local artists, performers, and
craftsmen to express their creativity. Traditional art forms, music, dance, and craftsmanship are
showcased here, allowing the local community to pass down their cultural heritage to the next
generations.
Preservation of Traditions: Lagan tole is a living example of the continuity of cultural traditions.
By being in close proximity to these historical sites and cultural practices, the local community is
more likely to engage in preserving and passing down their traditional customs to future
generations.
Community Bonding: Lagan tole is a focal point for various community events, such as festivals,
processions, and cultural performances. Participating in these events fosters a sense of unity,
solidarity, and community bonding among the locals.
Civic Engagement: The preservation and upkeep of Lagan tole often involve the local
community. Residents may be part of initiatives to restore historical structures, organize cultural
events, and ensure the sustainability of the area.
Emotional Connection: For many locals, this area holds personal memories and experiences that
are tied to the historical sites and the surrounding ambiance. These emotional connections
strengthen their ties to their hometown and its cultural heritage.
Sense of Ownership and Responsibility: The local community often plays a crucial role in the
preservation and maintenance of this area's heritage. They feel a sense of ownership and
responsibility towards these historical sites, contributing to their protection and sustainability.
In essence, Lagan tole help in shaping the way of life, social interactions, and sense of belonging.
It’s cultural, religious, and historical significance intertwines with the daily lives of residents,
making it an integral part of their identity and well-being.
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5.3.6 DETAILED DESCRIPTION OF EXISTING STRUCTURE
5.3.6.1 Karunamaya Temple: An Enclave Of Spiritual Significance
• Introduction
With its origins entwined with the development of the Sil Khana, the Karunamaya Temple has
stood as a silent witness to the growth and transformation of its surroundings. Situated within the
courtyard of Lagan Chowk, adjacent to Chautara, the temple's presence graces the city's heart. Its
placement in the open air, within the confines of religious compounds, beckons devotees and
visitors alike to seek solace and spiritual connection.
The genesis of the Karunamaya Temple is often traced back to the era of Sil Khana's
construction, mirroring the architectural heritage of that time. Among the four Karunamaya
Temples scattered throughout Kathmandu, the one in Basantapur holds particular significance,
believed to safeguard the city from all cardinal directions. This temple complex embodies not
just physical structure but also metaphysical protection.
The Seto Machchhindranath Jatra finds its culmination at the Karunamaya Temple, creating a
cultural spectacle that circles the shrine of the Mother of Machchhindranath and the revered Maa
Seema tree. This ritualistic circumambulation reflects the interplay of cultural traditions and
spiritual devotion, uniting the community in shared reverence.
• Spiritual Sanctuary
Within the temple's sanctum resides the shrine of the Mother of Machchhindranath, an
embodiment of devotion and worship. This sacred space is believed to hold the Buddha's image,
an iconic PRATIMA that bridges the earthly and spiritual realms. The temple becomes a place of
homage on the day of Aaunsi, where a multitude of individuals gather to honor their departed
loved ones.
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• Social Nexus
The Karunamaya Temple stands as a beacon of communal worship, weaving the fabric of
collective identity. The Bajracharya Pujari, fulfilling the role of a spiritual custodian, initiates
each day by opening the temple's doors at 8 am. The lighting of butter lamps in the morning and
evening adds a luminous touch to the spiritual ambiance. Local devotees, predominantly the
elders of the community, engage in the sacred act of prayer, offering flowers and scents, forging
a connection with the divine.
• Cultural Communion
The process of worship unfolds as a ritualistic symphony. Devotees engage in a sequence of acts,
commencing with prayers, offerings, the resonating chime of the temple bell, circumambulation
around the temple, and the rhythmic spin of the Khorhloj. This comprehensive spiritual
performance exemplifies the cultural and religious embodiment that the temple represents.
• Chaitya-Gumbaz Style
• Intricate Details
The entrance, adorned with a decorative archway, grants passage to the inner sanctum, where
stone inscriptions narrate the tales of Buddhist symbols and teachings. The white-painted
structure embellished with coated metal carvings adds an aura of ethereal beauty.
Structural Symmetry
The temple's foundation, with its octagonal-like base, elevates the shrine both literally and
symbolically. The plinth, raising the structure above the "Hom" level, contributes to its exalted
stature. The Torana, positioned approximately two feet above the Hom level, adds to the temple's
sacred geometry.
• Guardians of Entrance
Two tiger statues, vigilant and majestic, stand as sentinels, welcoming and safeguarding the
temple's entrance. Their presence signifies protection and strength, invoking a sense of reverence
and assurance.
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• Sculpted Narratives
The temple's aura is enriched by the meticulously carved inscriptions that not only pay homage
to the sacred but also recount the stories of donors and the years of creation. These inscriptions
resonate with historical narratives, connecting past and present.
In the vibrant tapestry of Lagan Tole, the Kritipunya Bajradhatu Mahabihar stands as a living
testament to Nepal's rich cultural and spiritual heritage. This revered edifice, situated south of
Lagantole, occupies an area of 750 square meters, encompassing not just a temple, but a public
courtyard that serves as a multifaceted social and spiritual hub.
• Architectural Splendor
Kritipunya Bajradhatu Mahabihar is more than just a temple; it is an immersive experience that
extends across its physical boundaries. With its 11 Panchabuddha Chaityas encircling the
periphery, it creates a visual symphony of devotion. The central chaitya, accompanied by the
Machhindranath Temple to the north, anchors the spiritual essence of this hallowed ground.
The temple complex is cradled within the embrace of traditional Newari houses, which embody a
legacy spanning generations. The juxtaposition of modern concrete structures reflects the
harmonious coexistence of the past and the present. To the south, the Dewa Aanga, a house of
god, stands as a 150-year-old testament to the spiritual continuity of the area.
• Historical Resonance
The roots of the Kritipunya Bajradhatu Mahabihar dig deep into history, with its courtyard being
established 150 years ago. The Panchabuddha Chaityas, radiating devotion, have adorned this
space for at least a century, bridging the past and the present with unwavering reverence.
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• Socio-Cultural Lighthouse
Within the tranquil confines of the temple complex, a daily rhythm of devotion resonates.
Nearby residents engage in rituals and worship that have endured through generations,
reaffirming the spiritual connection they share with this sacred space. The courtyard's
multifunctional character extends beyond worship, providing a space for social events and
offering a platform for exercise and sports for the youth.
• Religious Significance
Intertwined with the Seto Machhindranath Temple of Lagantole, the Kritipunya Bajradhatu
Mahabihar holds a special place within the Buddhist community. Its spiritual resonance
transcends the physical structure, serving as a haven for devotion, contemplation, and connection
with the divine.
• Variety in Unity
The architectural style of Kritipunya Bajradhatu Mahabihar stands as a fusion of form and
devotion. The central courtyard hosts an array of chaityas, each representing the diverse essence
of the Panchabuddha. The flooring, adorned with terracotta tiles, reverberates with historical
significance, while the brick facade of the surrounding buildings pays homage to the
architectural splendor of the Newari heritage.
• Historical Tapestry
The Kritipunya Bajradhatu Mahabihar is a living history book, telling the tales of bygone eras
through its architectural elements and rituals. The chaityas and buildings, with their age-old
presence, bridge the gaps between generations, preserving a legacy of faith and devotion.
• Socio-Cultural Harmony
This sacred abode isn't merely a temple; it's a cultural nexus that fosters unity and camaraderie.
The daily rituals and multifunctional courtyard serve as avenues for spiritual devotion, social
interaction, and youth engagement, embodying the multifaceted nature of community life.
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• Conclusion
Kritipunya Bajradhatu Mahabihar, nestled within the vibrant heart of Lagan Tole, serves as a
living testament to Nepal's rich heritage. Its architectural splendor, intertwined with spiritual
resonance, creates a space that transcends time and offers solace to the seekers and devotion to
the faithful. As local residents continue to weave their lives around its essence, the Mahabihar
remains an eternal beacon of unity, faith, and cultural continuity.
Nestled prominently in the vibrant heart of Lagan, the Kritipunya Mahabihar stands as a
testament to Nepal's rich architectural and cultural heritage. Located in front of the revered
Panchabuddha Temple, this sacred enclave reflects a synthesis of private devotion, communal
space, and intricate architectural craftsmanship.
• An Intriguing Locale
The Kritipunya Mahabihar claims its place within a public courtyard, while harboring the
intimate essence of the Shakya family. Encircled by the dignified presence of five Panchabuddha
Chaityas on each side, it radiates an aura of sanctity and serenity. The temple is further embraced
by two traditional Newari houses, offering a captivating blend of heritage and modernity.
With foundations that span a century, the Kritipunya Mahabihar and its accompanying traditional
Newari buildings emerge from the late Malla architectural lineage. Serving as a tribute to the
Shakya lineage, the two traditional Newari buildings were erected to commemorate the Kul Puja
of the Shakya family. Remarkably, the reconstruction of the northern traditional building resulted
in the addition of a new floor, marking a transition from the past to the present.
The private temple within the Mahabihar stands as a paragon of pagoda-style architecture. The
single-tiered roof crowns a square base supported by timber beams and columns. The entrance
doors are intricately carved, a tribute to the woodworking craftsmanship of the era. A gilded
Gajur, resplendent and regal, graces the zenith of the temple, paying homage to its spiritual
essence.
The traditional Newari buildings present a visual narrative of history. The northern building, a
three-story structure, mirrors the splendor of Newari architecture. Its southern counterpart stands
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tall at four stories, crowned with Gajhya and Ankhi Jhya – exquisite elements that add an air of
mystique and tradition.
• Historical Resonance
With an age surpassing a century, the temple and the adjacent traditional buildings serve as time
capsules, preserving the essence of generations long past. Their architectural beauty and
historical significance intermingle to offer a glimpse into the rich past of the Shakya lineage.
• Socio-Cultural Significance
• Religious Reverberations
The Mahabihar pulsates with religious fervor during festivals like Baisakh Purnima and Faghu
Purnima. The temple is a sanctuary for daily devotion, meticulously attended to four times a day
by the twenty Jwan Shakyas. The rituals encompass a variety of acts, from "Mukh Dhuney"
(purification) in the morning to "Batti Diney" (offering light) in the evening, weaving a tapestry
of devotion and discipline.
• Architectural Heritage
The Kritipunya Mahabihar encapsulates the architectural brilliance of the Late Malla period. A
quintessential example of Newari pagoda-style architecture, it stands as a living testament to a
bygone era's artistry and ingenuity.
• Conclusion
The Kritipunya Mahabihar stands as a bridge connecting history, culture, and spirituality. Its
intricate architecture, rich historical significance, and cultural value weave together a tapestry
that transcends time. The private temple, traditional buildings, and the ceremonies that unfold
within their walls embody a living legacy that continues to resonate within the hearts of the
Shakya community and all those who encounter this sacred abode.
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5.3.6.4 Namobuddha: A Sanctuary of Peace and Devotion
• Introduction
In the northeastern corner of Lagan Tole lies a spiritual haven known as Namobuddha, a
resplendent monument that radiates tranquility and reverence. Also referred to as Namra Vagwan
Temple, this sacred site is a testament to Nepal's rich religious tapestry. Nestled amidst the
bustling energy of the city, Namobuddha stands as a beacon of serenity and devotion.
• Monument of Reverence
Namobuddha, synonymous with Namra Vagwan Temple, occupies a poignant place within the
hearts of devotees. It is strategically positioned to face the southern orientation, an embodiment
of homage to the sun's life-giving energy. Encircled by the historical Sil Khana on the east and
bordered by roads on three sides, this monument resonates with an aura of reverence and
sanctity.
With roots stretching back over a century, Namobuddha stands as a testament to time's enduring
influence. It beckons those who may not have had the privilege to journey to the revered
Namobuddha Twareba. Constructed with traditional brick facades and crowned with a dome-
shaped roof, the monument's architectural splendor is complemented by its sacred significance.
• Recent Renovation
In recent times, the monument has undergone a transformation, rekindling its spiritual essence.
Its boundaries are marked by 108 butter lamps, which find rest upon the embrace of iron fences
that stand at a height of 2 feet 6 inches. This renewal breathes new life into the monument's
surroundings, reinvigorating its role as a place of worship and solace.
As the sun rises and sets, a symphony of devotion unfolds at Namobuddha. Local residents
engage in daily worship, a practice that illuminates the monument's significance in their lives.
The act of worship extends to the lighting of 108 butter lamps, a poignant gesture that honors the
memories of departed souls, offering them solace, light, and guidance on their journey beyond.
• Chaitya Style
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• Historical Legacy
With more than a century of existence, Namobuddha bears witness to the passage of time,
serving as a testament to continuity and reverence. It stands as a living link to generations that
have sought solace and spirituality in its embrace.
• Socio-Cultural Significance
Namobuddha holds a special place in the hearts of local residents who converge to honor the
teachings of Buddha. The practice of circumambulation and the lighting of 108 butter lamps
resonate with the collective heartbeat of the community. It offers solace, guidance, and peace to
both the living and the souls departed.
• Conclusion
Namobuddha, nestled within the heart of Lagan Tole, transcends its architectural beauty to
embody a spiritual sanctuary. With its historical legacy, cultural resonance, and spiritual
importance, it stands as a testament to devotion's enduring power. As local residents continue to
gather in its embrace, Namobuddha remains an eternal source of solace, guidance, and tranquility
in a world that constantly evolves.
Located at the southern edge of Lagan Tole, the Shreemati Mandir stands as a revered monument
that bridges the spiritual and social aspects of Nepalese culture. A symbol of collective worship
and community bonding, this temple resonates with the hearts of the local inhabitants.
• Socio-Cultural Significance
The Shreemati Mandir occupies a central place in the daily lives of the community members. It
serves as a focal point for daily worship, drawing people together in shared reverence. Birthdays
are marked by worship, a ritual that embodies gratitude, blessings, and a sense of belonging.
Situated at the junction of Teku, the temple experiences heightened traffic during the morning
worship hours, as a testament to its profound importance.
Nestled at the heart of Lagan Tole, Lukeko Mahadev is a public monument that carries within its
three stone structures a profound spiritual significance. Its history, rituals, and architectural
essence weave together a tale of devotion and community bonding.
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• Embracing the Past: Historical Threads
The history of Lukeko Mahadev is a story of preservation and rediscovery. Covered by mud in
the past, the monument required diligent effort to reveal its presence, a symbol of devotion that
transcends time.
Lukeko Mahadev, known for its triadic stone structures, is a place of worship for those seeking
improved health. The pujari prepares Malajha, a ritualistic offering, specifically for children with
speaking disabilities. The sacred Malajha is believed to hold the power to cure various ailments,
infusing children with strength and vitality.
The site is not merely a physical structure; it is a space of reverence protected by balusters
forming a half-circle around Mahadev. These stone elements serve as guardians of the
monument, embodying tradition and spirituality.
Situated to the north of Lagan Tole, Dabali is a public space with a rectangular shape that
resonates with cultural, social, and economic significance. As a designated place for Kumari to
witness the Seto Machhindranath Jatra, it holds the footprints of tradition and celebration.
• Historical Threads
Dabali has witnessed centuries of tradition, serving as the designated seat for Kumari to observe
the Seto Machhindranath Jatra. It holds an essential role during the event, marked by the ignition
of gunpowder by the Guruju Ko Paltan from Hanumandhoka. This act is performed twice during
the event, signifying its beginning and end.
Dabali isn't just an architectural space; it's a cultural nexus. The center of the four wheels aligns
with the mandap in front of Dabali, signaling the culmination of the Seto Machhindranath Jatra.
This space is now undergoing reconstruction, and it offers a place for rest. Once restored, it will
continue to be a platform for various programs, from blood donation events to club gatherings.
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• An Epitome of Values: Cultural, Social, and Economic
Dabali is an embodiment of cultural dances and rituals. Gathu Pyakha and Sikali Naach find their
expression on this platform. Additionally, the Scantum of Lord Shiva from Pashupatinath
Temple is worshipped here, enriching the cultural tapestry of the space.
Dabali serves as a space for making important announcements and social gatherings. The
platform also doubles as a place for sunbathing during the winter, bringing families together to
celebrate festivities and forge stronger connections.
During festivals, Dabali becomes a hub of commercial activities. Traditional clothes, food items,
and religious artifacts are sold, enriching local artisans and contributing to the local economy.
The influx of vendors and visitors adds vibrancy and economic vitality to the area.
Dabali is not just a space; it's an architectural testament. It stands as an exemplar of the Late
Malla period, echoing the architectural brilliance of the era while intertwining with the cultural
and social essence of the community.
• Conclusion
Standing with the dignity of time, N4 holds within its walls a history of generations, architectural
heritage, and communal interactions. Owned by Raghubar Rajbhandari (71) and Prawabati
Rajbhandari (66), this residence has witnessed the flow of time for nearly two centuries. Located
at the northern side, it gazes upon the Lagan Tole Chautari, offering a front-row view of the Seto
Machchhindranath Rath Jatra.
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• Historical Roots
Built around two centuries ago, N4 stands as a living chronicle of the past. The proud ownership
of Raghubar and Prawabati Rajbhandari carries forward the legacy that binds generations.
N4 is a testament to the revered Newari architectural style. The ground floor serves as a
commercial space, while the four floors above cradle the residential sanctuaries. Traditional
louvered windows frame vistas of the Seto Machchhindranath Rath Jatra, weaving the essence of
devotion and festivity into the very fabric of the residence.
• Structural Elements
The building echoes with the craftsmanship of load-bearing construction, its façade adorned with
cement plaster. Steel column pipes on the first floor and wooden posts on the fourth and fifth
floors support this abode. Wooden beams bear the weight of history, while the compact layout is
ingeniously designed to accommodate multiple families. The interiors and exteriors remain
unpainted, allowing time to leave its mark.
• Architectural Features
A traditional staircase with a horizontal door reflects the architectural intricacies. The floor
height, approximately 5 feet 6 inches, nurtures a sense of intimacy. A Dhukuti-like structure
finds its place, providing a shelter for the revered Kul Deuta in the main room.
The ground floor now houses a tea shop and a mobile shop, adding a contemporary layer to its
historical fabric. However, the building stands in a vulnerable state, quivering in response to
passing vehicles. Beams bear cracks and decay, a testament to the passage of time.
The western side lacks a wall due to the construction of a new building, while the floor structure
stands uneven. Rainwater and kitchen drainage are channeled to the back of the house in Shagal.
The aftermath of the 2015 earthquake left its imprint, rendering the first and second floors
unused and causing damage to the rear rooms.
• Cultural Embrace
Intangible cultural value radiates from N4, offering a prime spot to relish Jatras and cultural
activities flourishing in Lagan Tole. It has become a hub for experiencing the vibrancy of local
traditions.
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• Community Gathering and Communion
N4 holds a special place in the hearts of taxi drivers, serving as a social gathering space. It
generously hosts visitors seeking to partake in the essence of Jatras, fostering connections and
shared experiences.
• Architectural Resonance
N4 doesn't just stand as a structure; it echoes with architectural significance. Traditional Newari
style floor plans and construction techniques are preserved within its walls, standing as a living
specimen of a heritage that transcends eras.
• Conclusion: N4
N4, with its architectural elegance and historical lineage, carries within its walls the stories of
generations, the echoes of devotion, and the bonds of community. As it stands at the threshold of
past and present, it remains a space where culture, heritage, and the joys of communal
interactions harmoniously intertwine.
Embedded in the fabric of time, N8 stands as a living relic from the era before the 1990
earthquake. Its historical lineage embraces the essence of a rental building system, offering a
purely residential haven. Positioned in front of Dabali, facing Jaisidewal Street, N8 has
witnessed the ebb and flow of life in Lagan Tole.
Constructed before the 1990 earthquake, N8 carries within its walls the whispers of a bygone era.
A testament to resilience, this building once operated within the rental building system,
accommodating lives and stories that have intertwined with its architecture.
• Architectural Style
• Design Elements
Six wooden windows, adorned with white paint, grace the façade, casting a timeless charm. The
door height, standing at 5 feet, embraces a sense of intimacy. The narrow staircase, merely 2 feet
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wide, and the slender entrance, also 2 feet wide, are architectural details that narrate the
practicality of a bygone era. Floor height approximating 7 feet carves an ambiance of coziness.
The terrace finds shelter under CGI sheets, supported by iron framings, protecting it from rain's
embrace.
The façade, stripped of plaster, is veiled under a layer of dust and grime, carrying the marks of
time. Faded-out plasters, both interior and exterior, stand as silent witnesses to the passage of
countless days. The staircase, once independent, now relies on iron supports post-earthquake.
Visible earthquake cracks, once harbingers of catastrophe, are now mended with the cement
mortar's touch. Rainwater drainage, a lifeline for the building, directly converges with the street
drainage. Amidst this history-laden ambiance, the chibaha stands, bridging the space between
parked bikes.
The terrace and windows of N8 transform into vantage points, offering a front-row view of the
majestic Seto Machchhindranath Rath Jatra's arrival along Jaisidewal Street. Here, culture and
festivity intertwine in a symphony of sights and sounds.
• Community Connection
N8 isn't just a residence; it's a living space that has fostered a sense of community. Nearby
traders and vendors find solace in residing near their work areas, creating a unique bond between
livelihood and living space.
• Conclusion: N8
N8, with its historical roots, architectural allure, and communal bonds, isn't merely a building;
it's a story. It stands as a silent narrator of generations past, embodying the essence of a bygone
era while seamlessly intertwining with the rhythm of contemporary existence.
Nestled within the fabric of history, S1 stands as an enigmatic monument to the eras it has seen
unfold. Estimated to be over a century old and predating the seismic shift of 1990, this building
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encapsulates the essence of time itself. With its four stories, it becomes a multi-layered vessel,
holding within it the echoes of lives and events long past.
S1's ground floor serves as a vibrant hub of activity, housing bustling fruit shops where vibrant
produce catches the light. Ascend the stairwell to the upper floors, and you'll find silent
chambers, waiting to be animated by the stories of future inhabitants. Four stories in height, S1 is
a vertical narrative of existence.
Its construction reveals an artful amalgamation of materials. Brick forms the robust foundation,
dressed in a coat of cement plaster that hints at the passage of years. Within its embrace, the
architectural motifs seamlessly blend tradition with neo-classical nuances. Here, wooden joists
and floors stand as an homage to craftsmanship, while wooden windows, iron grills, and delicate
cornices are the brushstrokes that paint a visual ode to history.
The earthquake of 2015 was a test of S1's mettle, a challenge it met with unwavering fortitude.
Though its facade now bears the scars of seismic unrest in the form of intricate cracks, they
merely trace the surface and do not mar its enduring spirit. The earthquake was a mere chapter in
S1's chronicle, a testament to its resilience.
The exterior tells a story of its own, the mottled plaster peeling back to reveal the layers beneath.
Each crack etched upon its surface is a testament to its journey, a silent testimony to seismic
forces and the passage of countless days. The once-vibrant wooden elements now exhibit the
grace of age, carrying with them an air of quiet dignity.
Stepping across the threshold, you enter a realm untouched by modern renovation endeavors.
The interior retains its original character, a reflection of the belief that the building itself is a
guardian of time. As if in harmony, the structure has stood strong, a living embodiment of
endurance and stability.
After the earthquake's echoes faded, the facade was reinforced with shoring—a gentle reminder
of the building's fragility and the care bestowed upon it. In each shoring support, one can discern
a commitment to preserving history and heritage.
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• An Inhabitant's Insight
Curious about life within S1, one of its occupants shared their perspective. They spoke of a
connection that transcends the material realm—a symbiosis with nature, a refuge in the embrace
of wooden elements, and an unparalleled comfort arising from the thickness of the walls. This is
a dwelling where temperature dances in harmony with the rhythms of life.
• Conclusion:
S1 isn't just a building; it's a living symphony of eras gone by and timeless elegance. It carries
not just stories, but the essence of moments frozen in time. A testament to both history and
strength, S1 invites us to understand that within each edifice resides a narrative—a rich tapestry
woven from threads of history, the present, and the enigma of what lies ahead.
Situated on the southern fringe of Lagan Tole, S5 stands as a monument to the Shakyas' legacy, a
testimony to a community's history and aspirations. This four-story residential building, erected
post the 1990 earthquake, holds within its walls a narrative of change, resilience, and
architectural essence.
• Historical Context
Built by the Guthi of Shakyas, S5 emerges as a reflection of community values and aspirations.
Its origins trace back to a period when the entire building was offered for rent, a bustling haven
where lives intertwined. However, the tides of time and the seismic tremors of 2015 left their
imprints, forever altering the fate of this residence.
• Architectural Style
S5 unfolds in the Neo-Classical architectural style, a testament to the fusion of history and
modernity. The building boasts nine Neo-Classical windows adorned with cornices, each a
gateway to both tradition and evolution. The ivory-hued paint that graces its interior and exterior
signifies not just color but the very essence of a space where life once thrived.
S5, once a vibrant abode, now stands in a state of disrepair. The earthquake of 2015 took its toll,
rendering the upper floors unsafe for habitation. Today, the ground floor serves a humble
purpose, housing a storage for gas. The roof, marred by leakage, bears the scars of time's
passage.
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• Awaiting Transformation: A Story of Neglect
After the earthquake of 2015, no concerted efforts were made to restore S5 to its former glory.
The Guthi members, custodians of its history, are left with a sense of resignation, waiting for the
building to reclaim its fate. A building that once stood as a cornerstone of life and livelihood is
now poised on the precipice of collapse.
Amidst the dilapidation, the building continues to hold a place in the modern world. It fetches a
monthly rent of 10,000 Nepalese Rupees, a stark contrast to its past vibrancy. The echoes of life
that once filled its corridors now resonate in the commercial aspect, a poignant reminder of
change and adaptation.
S5 isn't just a structure; it's a piece of the Shakyas' heritage, a living testament to their identity
and history. It embodies their journey through time, narrating tales of resilience and
transformation.
S5 stands as a bridge between the past and the present, an emblem of transformation and
adaptation. It speaks of a community's aspirations, the evolution of architectural styles, and the
resilience of a monument through time. As it stands in the shadows of change, it embodies the
stories of generations and the dynamic spirit of heritage.
Standing proudly in the heart of Lagan Tole, S6 serves as a steadfast observer of the passage of
generations and the changing tides of history. This six-story edifice, known as a silent sentinel,
has weathered the trials of time and the seismic tremors of 1990, harboring stories spanning well
over a century.
• Historical Tapestry
Built prior to the 1990 earthquake, S6 has witnessed the ebb and flow of more than a generation.
Starting as a modest three-storied structure, it evolved vertically over time, adapting to the
diverse needs of its inhabitants. These walls resonate with echoes of lives lived, weaving
together to form its unique identity and historical significance.
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S6 stands as an exquisite fusion of architectural styles, embodying the essence of both Lagan
Tole's past and present. Neo-Classical fluted Ionic columns grace the ground floor, while Doric
columns adorn the second floor. Lime plastered surfaces, wooden joists, floors, green windows,
iron grills, and cornices contribute to a narrative of enduring craftsmanship and timeless
elegance. Arched windows on the first floor and sloped roofs atop the second, fourth, and fifth
floors harmonize to create an architectural symphony.
The current state of S6 reflects the marks of time's passage and seismic disturbances. Cracks etch
the exterior, while peeling plaster and decaying wooden elements bear witness to seismic
upheavals. Once inhabited, the building now stands empty and locked, with its untold stories
waiting to be unveiled.
• Historical Legacy
Beyond its physical form, S6 serves as a living time capsule, encapsulating the architectural and
cultural heritage of Lagan Tole. Its journey across the ages mirrors the evolution of design,
purpose, and the continuity of generations.
• Legacy of Transition
As the upper floors await potential transformation or even demolition, S6 mirrors the ever-
changing face of Lagan Tole. Its fate underscores the delicate equilibrium between preservation
and progress, embodying the choices individuals make within a dynamic landscape.
• Conclusion
S6 stands as an eloquent embodiment of Lagan Tole's living history. Its walls bear not only
bricks and plaster, but also the intertwined stories of generations, architectural aesthetics, and the
rhythm of change. It serves as a poignant reminder that within each structure, a narrative
unfolds—a tapestry woven from the threads of the past, present, and an uncharted future.
In the heart of Lagan Tole, a monument stands as a silent witness to the ebb and flow of
generations, a sentinel of history's passage. S9, a six-story building, has weathered time,
transformations, and the seismic tremors of 1990, carrying within its walls a narrative that spans
more than a century.
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• Historical Tapestry
Constructed before the 1990 earthquake, S9 has seen more than a generation pass through its
halls. What began as a modest three-storied structure expanded vertically over time, embracing
the ever-changing needs of its occupants. Within these walls, echoes of lives lived intertwine,
shaping its identity and significance.
S9 stands as a harmonious blend of architectural styles, an emblem of Lagan Tole's past and
present. The ground floor boasts Neo-Classical fluted Ionic columns, while Doric columns grace
the second floor. Lime plastered surfaces, wooden joists, floors, green windows, iron grills,
cornices—each element weaves a story of craftsmanship and timeless elegance. Arches grace the
first-floor windows, while sloped roofs crown the second, fourth, and fifth-floor windows,
creating a symphony of architectural elements.
Today, S9 bears the scars of time and tremors. Exterior cracks, peeling plaster, decaying wooden
struts—the marks of seismic upheavals—are etched on its façade. Though it once held lives
within its walls, it now stands locked and vacant, its stories waiting to be told.
• Historical Legacy
S9 is more than just a building; it's a time capsule, encapsulating the architectural and cultural
heritage of Lagan Tole. Its journey through time reflects the evolution of design, function, and
the passage of generations.
• Legacy of Transition
As the upper floors await transformation and possibly demolition, S9 is a microcosm of Lagan
Tole's ever-evolving landscape. Its potential dismantling not only speaks of individual choices
but also illustrates the delicate balance between preservation and progress.
S9 is a testament to the living history of Lagan Tole. Its walls hold more than bricks and plaster;
they cradle stories of generations, architectural aesthetics, and the rhythm of change. S9 stands as
a poignant reminder that in every structure, there exists a narrative—a tapestry of past, present,
and the uncharted future.
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5.3.7.7 S10: The Tale of Timeless Elegance and Sustainable Living
• Introduction
Nestled in the southern expanse of Lagan Tole lies a monument that transcends time—a silent
tribute to sustainable living and architectural heritage. S10, standing for over a century, embodies
the spirit of evolution, sustainability, and aesthetic charm.
• Historical Canvas
Born before the seismic echoes of 1990, S10 stands as a testament to generations past and a
blueprint for generations to come. It began as a humble three-story structure, later embracing the
sky with the addition of new floors, a tribute to adaptability and evolving needs.
• An Architectural Symphony
S10 marries tradition with innovation, resonating with Neo-Classical fluted columns. The lower
half, adorned in exposed brick, speaks of the original structure, while the upper half, dressed in
lime plaster, adds a touch of grandeur. Wooden joists and floors, wooden windows, iron grills,
and ornate cornices come together in a symphony of craftsmanship. A nod to classical
architecture, pilasters punctuate the façade, creating an illusion of supporting columns, blending
ornamentation with function.
Today, S10 stands as a harmonious coexistence of heritage and modernity. The ground floor,
now a clothing shop, resonates with commerce. The upper floors, a haven for the owner and
seventeen family members, are a living testimony to the passage of time and the adaptability of
spaces.
S10 exemplifies the aesthetic appeal of traditional architecture, a source of visual delight. Its
intricate detailing, craftsmanship, and overall beauty enhance Lagan Tole's aura, blending history
with the present.
• Legacy of Sustainability
Beyond aesthetics, S10 showcases the art of sustainable living. Its longevity and evolving
functionality underscore the importance of adaptable design and harmonious coexistence with
the environment.
• Conclusion
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S10 isn't just a building; it's a living testament to tradition, innovation, and sustainable living. As
it stands, it weaves stories of generations, adaptation, and architectural artistry. Its walls bear
witness to the rhythm of time, showcasing that within every structure lies a narrative—a
narrative of evolution, legacy, and the enduring charm of Lagan Tole.
• Architectural Elements:
• Courtyards (Bahals) and Public
Spaces: Buildings typically have
inner courtyards as in S9, S10 and
patios that serve as open spaces for
family gatherings, social activities, Figure 64 South building showing wooden windows and door
and rituals. Lagan tole feature intricately designed courtyards (bahals) that serve as
communal gathering spaces. These courtyards are adorned with sculptures, carvings, and
religious symbols, creating a serene atmosphere for social interaction and festivities.
• Wood Carvings: Wood is a prominent material in Newari architecture, and intricate wood
carvings are a hallmark of their buildings. These carvings adorn windows, doors, balconies,
eaves, and pillars. The carvings often depict religious motifs, deities, mythical creatures, and
floral patterns. The level of detail and craftsmanship in these carvings is exceptional and adds
a unique aesthetic. Wood carvings in Lagan tole can be found in sajhya, gajhya windows of
monument buildings.
• Window Designs: Newari windows are known for their distinctive designs, which include
lattice-like wooden screens and beautifully carved frames. These windows serve both
aesthetic and functional purposes, allowing ventilation while maintaining privacy.
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• Struts and Brackets: Wooden struts and brackets support the projecting eaves of
monumental buildings. These elements are intricately carved and play a vital role in both
structural support and aesthetic enhancement.
• Stone Masonry: Stone masonry is used in the construction of foundations, walls, and
structures. Stone carvings, often depicting deities and symbols, are integrated into temple
walls and doorways.
• Shikhara-style Temples: Temples often feature multi-tiered shikhara-style architecture,
characterized by steeply rising towers adorned with carvings and sculptures. These temples
have ornate facades and exhibit a fusion of Hindu and Buddhist design elements.
• Plastered Facades: Many buildings in Lagan tole have plastered facades, often decorated
with decorative reliefs or carved plaster designs. The plastering process is an art in itself,
requiring precision and skill.
• Wooden Struts (Kanji Ghar): Wooden struts, or "kanji ghar," are sloping supports
commonly seen in Newari architecture. They serve both functional and decorative purposes,
supporting upper floors and adding architectural interest.
• Materials:
• Wood: Wood, particularly from indigenous species like Sal, is a primary building material.
It is used for structural elements, carvings, doors, windows, and other decorative features.
• Brick: Traditional brick are prevalent in building of this area. Brick is used for walls and
structures, while plaster are applied for finishing.
• Stone: Local stone is used for foundations of temples, walls, and paving. Intricately carved
stone sculptures and decorations are also common in Newari architecture.
• Terracotta Tiles: Ornate terracotta tiles are often used for roofing and adding decorative
elements to monument buildings. These tiles can be seen on rooftops. They are sometimes
intricately carved or painted with geometric and floral designs.
• Metalwork: Metalwork, including brass and copper, is used for crafting decorative elements,
such as door knockers, window grilles, and religious artifacts. These metalwork pieces often
have intricate designs and motifs.
• The architectural elements and materials in Lagan tole reflect a harmonious blend of artistry,
culture, and functionality. These features not only contribute to the aesthetic beauty of the
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toles but also reflect the Newar people's deep-rooted connection to their heritage and their
ability to adapt to the local environment and conditions.
• Sewerage management
An underground pipe system efficiently transports household sewage to public sewer mains.
• Waste management
In Lagan Tole, the collection of local waste, including refuse from the informal market and
households, takes place near the parking area. A segregation process distinguishes between
biodegradable and non-biodegradable waste. The degradable waste is gathered daily by a mini
garbage truck. Non-biodegradable waste undergoes recycling and reutilization after collection.
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5.3.10 Site & surroundings
92
Figure 66: Circulation of Rath
93
A Newar music group performs in front of the Nasal deity, followed by a ritualistic journey to
Swayambhunath lasting a month.
c. Panchabuddha Mandir
The Panchabuddha Mandir stands opposite the Kritipunya Bajradhatu Chaitya Mahabihar,
featuring a central Dhyani Buddha encircled by four peripheral Buddha statues.
d. Shrimati mandir:
The Shrimati Mandir holds a special significance as a place of worship dedicated to seeking relief
from fever. Devotees visit this temple with the belief that their prayers and rituals performed here
will help alleviate the condition of fever. It serves as a spiritual sanctuary where individuals seek
divine intervention for healing and well-being.
e. Lukeko mahadev:
At the Lukeko Mahadev shrine, the pujari (priest) prepares a special food called Malajha, intended
to nourish children with speech disabilities. This traditional practice is rooted in the belief that
Malajha not only aids in curing various ailments but also contributes to the overall strength and
well-being of these children. The shrine serves as a cultural and healing space where this unique
preparation holds significance for the community's children with special needs.
g. Namobuddha Mandir
The Namobuddha Temple is frequented by those unable to visit Namobuddha itself. Here, the act
of Twareba involves lighting 108 butter lamps. This ritual symbolizes providing solace, guidance,
and peace to departed souls. It's a gesture of respect and remembrance, offering a guiding light for
their journey beyond. This practice honors their memory and pays homage to their souls in a
meaningful way.
94
Figure 69 Lukeko Mahadev Figure 68 Kritipunya Figure 67 Namobuddha
Figure 70 Shrimati mandir
Bajradhatu Mahabihar
95
5.3.11.2 Sil khana
The "Sil-khana," or Arms Store, located in Lagan, holds historical significance. It was the site
where Bhimsen Thapa tragically took his own life. This event has lent an aura of haunting to the
building, according to accounts, as cited by Mohan Shakya.
5.3.11.3 Dabali
A "dabali" in Lagan Tole serves as a designated spot for Kumari, allowing her to observe the Seto
Machhindranath Jatra. During the festival, gunpowder is ignited twice by the 'Guruju ko Paltan'
from Hanumandhoka, near the Dabali area. This ignition occurs once after bringing the chariot to
Lagan, symbolizing the start, and again after three chariot rotations, signifying the conclusion of
the event. The alignment of the chariot's four wheels with the mandap in front of the Dabali marks
the end of the Seto Machhindranath Jatra, known as Yayaki.
Myths/faith:
Machhindranath is believed to look happy when visiting his mother and sad while departing from
his mother during the end of jatra
After bringing the rath from hanumandhoka, the rath rests above mandap facing the east direction,
as the daughter should face the Shrine of Mother (of machhindranath) which is facing towards
west direction.
96
5.3.11.4 Chautara:
The chautara in Lagan Tole underwent modifications around 5 to 6
years ago, overseen by the club members. Despite an old tree
falling, a new one was planted to replace it. Notably, a Rudrakshya
tree was also planted by a local devotee. This space holds
significance as a gathering point for spectators during the Rath Jatra,
where the rath (chariot) circumambulates it three times, passing the
shrine of Machhindranath's mother. Originally enjoyed by the
Ranas for bullfighting, today it is mostly utilized by the youth rather
than the elderly.
Figure 77 Chautara
Myths/faith:
The mother of machchhindranath is believed to be the tree in the chautara, the rath
circumambulates the tree during the jatra. If the tree falls off, a new tree of the same type is to be
planted at exact space.
5.3.11.5 Courtyard:
The courtyard serves as a vital gathering place for the local community, particularly during
festivals. It holds a central position where devotees and participants come together to celebrate
collectively. Here, various rituals and offerings take place, as devotees present flowers, fruits,
incense, and other tributes to honor the deity and seek blessings. Additionally, processions and
performances, including the captivating chariot procession, converge in the courtyard, providing
an opportunity for devotees to engage in the grand spectacle. Beyond the religious aspects, these
courtyards facilitate social and cultural interactions, fostering a strong sense of community among
the people, creating a vibrant and unifying space.
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Figure 78 Courtyard
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5.3.12 Behaviour mapping
5.3.12.1 Morning (6:30 to 8:30 am)
1. At Dabali, main courtyard and inner routes:
Dabali
Main
Inner courtyard
route
Observations:
99
• Includes waste disposal area, temporarily closed chautara for maintenance, and provisions
for parking.
Dabali area:
100
2. Traffic mapping:
The street is occupied by motorbikes, private cars, school vans and the suppliers’ vehicles.
Lagan to
jaisidewal
Lagan to
Bhotebahal
)
Lagan to
Lagan to
ganesh
Teku
mandir
(nayapac
ho marg)
a. High traffic:
• The stretch is quite commercialized; with small shops and kirana stores.
• The vehicles passing through this stretch are mainly milk suppliers, bakery suppliers,
grocery deliverers, bikes.
101
• Loading and unloading activities of vehicles mainly to and from Teku – Kalimati keeps the
street busy.
• The wholesale shops stretching out to footpath at the Lagan to Bhotebahal road affects the
traffic, as the activities of sellers and customers block the vehicles passing by.
b. Less traffic:
• This street witnesses less flow of vehicles as this street is less commercialized compared
to the earlier streets.
• Few bikes and vehicles are seen passing through this street.
102
3. Pedestrian movement mapping:
During these hours, pedestrian activity surpasses vehicular movement. The chowk and streets
bustle with locals, traders, retailers, and vendors, contributing to a vibrant and lively atmosphere.
Vendors:
• Nearly 100 fruit and vegetable vendors set up their market informally in Lagan chowk.
• Few are retail item sellers.
Locals:
• Locals are seen buying vegetables and fruits from the vendors.
• More than 70% of people occupying the streets of lagan at this time interval are elders.
• Few children heading to school are seen at this hour.
103
• Locals - Dog walking
• Devotees offering prayers.
Retailers:
Others:
In the market dominators of the site, there are various categories. In the formal sector, the dominant
businesses include retailers of vegetables and fruits accessories, pots, and flowers. Additionally,
formal cloth retailers hold a significant presence. Wholesalers also play a crucial role, supplying
goods in bulk to retailers and other businesses. Furthermore, there are formal tea and snacks shops
that cater to the needs of individuals seeking refreshments and quick bites in a comfortable
environment. On the other hand, in the informal sector, the dominant businesses revolve around
the sale of vegetables and fruits.
104
Formal - Vegetables and Fruits Accessories, Pots, Flowers
Informal – Vegetables and Fruits
Formal – Cloth Retailers
Formal – Wholesalers
Formal – Tea and Snacks Shops
Figure 85 Different forms of market
105
5. Devotees:
Different activities of devotees can be observed around the temples and monuments of Lagan tole.
Daily worship
in Bhagwati
temple
People bowing
down to
Panchabuddha
People
circumambulat
ing the
Namobuddha
Pujari
performing
puja in
Karunamaya
People
worshipping
Ganesh
From the observation we can conclude that Bahal, tea shops act as interacting spaces especially
for elders in Lagan tole.
106
Bahal as
interacting
space for People in
elders Chiya
pasal
Gathering
People in point for
Chiya pasal locals
People in
Chiya
pasal
Taxi stand:
Next to Dabali
107
Next to shrines:
• Local and public park their vehicles adjacent to Nasa Dewa and Pancha Mahabuddha
temple.
Thulo bahal:
108
8. Morning tales:
109
5.3.12.2 Evening (5-7 pm):
1. Economic activities:
Vendors:
• Fruit and vegetable vendors set up their market informally in Lagan chowk at 6 PM.
Retailers:
Selling
space for
vendors Shops
extending
to the
courtyard.
Chained area
serves as Play
area for kids.
Others:
• Locals are seen buying vegetables and fruits from the vendors.
110
• Streets were occupied mostly by passersby and the vehicles.
• Thulo bahal also hosts variety of activities like table tennis, bycycling and badminton.
3. Social activities:
• Locals are seen buying vegetables and fruits from the vendors.
Gathering
of people
at tea shop
111
4. Religious activities:
Few people are seen worshipping their idols on their way home or as an evening ritual.
112
5.3.12.3 Lagan tole traffic and informal market without bollards:
• Market form and traffic flow changes its shape after installation of the bollards.
• Chained area acts as a roundabout for the people as well as the vehicles
Without bollards:
113
5.3.12.4 Building zoning
The site showcases a diverse range of architectural styles, with traditional buildings reflecting the
past and modern buildings incorporating innovative design elements such as brick façades or
plaster finishes. This mix of architectural styles adds visual interest and variety to the site’s-built
environment.
8 - Traditional Building
114
5.3.12.5 Vehicular & Pedestrian chart:
PEDESTRIAN FLOW/MIN
1.2
6
22 13
Nisthananda Marga
Gopha Marga
Nayapacho Marga
115
VEHICULAR FLOW/MIN
9 1
8
7
6
5
6 8
4 1
3 1
2 3
2
1 1
0
Jamuna Nisthananda Gopha Nayapacho
Guvaju Marga Marga Marga
Marga
4 WHEELERS 1 6 1 1
2- WHEELERS 2 1 8 3
2- WHEELERS 4 WHEELERS
116
• Community organizations
117
5.3.13.4 Intergenerational connectivity:
• As Newar society they value intergenerational connectivity, with deep respect for elders
and their wisdom.
• Older community members often pass on traditional knowledge, cultural practices, and
stories to the younger generation, fostering a sense of continuity and strengthening social
bonds.
118
Maharjan community from Teuda (above ason) come to enjoy feast and they also pull the
chariot.
Other different jatras such as Gai Jatra, Indra Jatra, Buddha Jayanti etc takes place.
5.3.13.7 Walkability: Traditional urban planning
Lagan Tole is characterized by its narrow streets, interconnected alleys, and open communal
spaces that foster walkability and resident interaction. The compact layout encourages walking
over motorized transport. Here, residential buildings harmoniously coexist with small shops,
temples, courtyards, and gathering spaces. The area's vibrant social fabric is further woven by
religious festivals, processions, and community events that involve walking through these narrow
streets, enhancing the sense of community and fostering connections among residents.
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6.1 Examination of Deterioration and Decay
Nestled within the historic district of Jaisidewal, another storied building
silently narrates the passage of time. Its origins tracing back to the 18th
century, this venerable structure has borne witness to the ebbs and flows of
history, displaying the effects of both decay and restoration as it stood
resilient against the test of time. Once a bustling center of communal
activity, its purpose has transitioned through the years, shifting from its past
role as a police station to a space where the community gathered, shared
stories, and celebrated life. Today, this building has embarked on a new
chapter, serving as a vibrant local vendor shop. While its role has evolved,
Figure 103 Old Police Station
its enduring presence continues to enrich the cultural tapestry of Jaisidewal,
a living testament to the ever-changing dynamics of society.
Water leaks lead to decay and rot in wooden parts, while inadequate maintenance causes
structural problems like leaning walls, sagging roofs, and uneven floors, all of which compromise
the building's stability.
Figure 107 Decay in the facade face Figure 106 E.Q Figure 105 Decayed Wooden beam and column
damage in structure
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3. Biological Growth:
Biological growth (moss, algae and plant) seen on the surfaces and windows of some abandoned
buildings causes damage to the building materials, moisture and further damage in the structural
part.
4. Pollution:
Particles carried through the air, including dust and chemicals from sources like
vehicles and industries, gather on the exterior of buildings. As time passes, these
particles interact with the building materials, resulting in the fading and
deterioration of the façade. Moreover, the buildup of dust on windows and walls
worsens both the visual and structural issues. Figure 110 Dust infested
window panel
5. Lack of Maintenance:
With building left stranded with the lack of the regular maintenance, the
building structure, façade and interior all are damaged with the collection of
dust, leakage and moss growth on interior and exterior part of the building.
Some house are stranded due to damage caused by the earthquake.
Figure 111 Damaged by E.Q
6. Human Activities:
Reuse of the original building in the form of new building form
with addition of floors for human activities had led to damage in
the original structural part of the building.
Figure 112 addition of upper floor for
residential purpose
In the Jaisidewal area, the dance between decay and preservation unfolds, embodying the complexities of
time's passage and the challenges of maintaining historical treasures. The stories etched into the walls and
the whispers carried by the wind serve as a poignant reminder that every chip, crack, and weathered
surface contributes to the tapestry of a living, evolving heritage
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✓ Except for some of the buildings, most of the buildings and monuments exert minor or repairable
damages within the building structure.
✓ Intervention can be carried out through proper care while maintaining the original value and
assessment with new architectural dimension and meaning.
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Figure 115 Staircase section
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• Lattice Windows (Jhya): Window size around 40 inches x 40 inches, intricate wooden
carvings.
• Staircase: Narrow and steep, tread width 8 inches - 12 inches, riser height 4 inches - 6
inches.
b. MATERIAL ANALYSIS –
• Timber:
Carved for columns, beams, struts (structural support and aesthetic detailing).
• Brick:
Sun-dried or kiln-fired for walls, foundation (thermal mass, stability).
• Stone:
Quarried for sturdy foundations, adorned with ornate carvings (structural stability, artistic
embellishment).
• Clay Tiles:
Shape multi-tiered roofs, insulate, display craftsmanship (roofing, insulation, aesthetics).
• Metal:
Iron, copper for hinges, fasteners, roofing (structural support, ornamentation).
• Decorative Elements:
Intricate wooden panels, lattice windows, struts (aesthetic enhancement).
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6.4 BEHAVIOUR MAPPING
6.4.1 TRAFFIC FLOW
Significant traffic congestion is noticeable along the road leading from the Basantapur Area, with the
focal point of convergence being the Jaisidewal intersection, where four routes intersect.
Education:
Healthcare Facilities:
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• Care Point Pharma
Governance/Non-Governmental Organizations:
However due to its large scale and the narrow pathways, the corner view poses the unpleasant nature
of visual sensation.
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7 ANALYIS (JAISIDEVAL TO LAGAN STREET)
7.1 EXAMINATION OF DETERIORATION AND DECAY
7.1.1 CAUSES
In the heart of the culturally rich city of Kathmandu, where history and modernity intertwine,
the bustling urban streets tell a tale of gradual deterioration and decay. These age-old
thoroughfares, once vibrant with the footsteps of generations, now bear the burden of time and
various factors that have eroded their charm.
1. Urbanization and Overcrowding:
Kathmandu's traditional streets, once designed for a slower pace of life, now face the onslaught
of rapid urbanization. The influx of people, vehicles, and infrastructure has led to
overcrowding, putting excessive stress on the existing infrastructure. The heavy traffic,
combined with the weight of modern structures, has caused the roads to crack, crumble, and
lose their structural integrity.
2. Poor Drainage and Waterlogging:
Kathmandu's traditional urban streets were designed with intricate stone paving and open
channels for drainage. However, increased construction and haphazard urban planning have
led to the obstruction of these channels. The result is poor drainage during monsoons, leading
to waterlogging and erosion of the street surfaces. The constant presence of water accelerates
the decay of materials, causing cracks and weakening the pavement.
3. Air Pollution and Environmental Factors:
The city's historical streets are now exposed to higher levels of air pollution from vehicular
emissions and industrial activities. The pollutants in the air react with the building materials,
causing chemical reactions that deteriorate surfaces. Additionally, exposure to ultraviolet (UV)
radiation from the sun fades the vibrant hues of traditional buildings and materials.
4. Lack of Proper Maintenance:
5. The maintenance of traditional urban sites has been inconsistent due to factors such as
limited resources, administrative challenges, and evolving urban priorities. As a result,
minor issues such as cracks, loose stones, and chipping paint have been left unattended.
Without timely maintenance, these seemingly insignificant problems gradually escalate,
leading to more extensive decay.
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Figure 125 No proper maintenance of courtyards
In conclusion, the traditional urban streets of Kathmandu, once thriving hubs of cultural
exchange, now face multifaceted challenges that contribute to their deterioration and decay.
From urbanization pressures to environmental factors, inadequate maintenance, and changing
cultural dynamics, these streets are at risk of losing their historical and aesthetic value.
Addressing these challenges requires a holistic approach that combines urban planning,
preservation efforts, community engagement, and sustainable practices to breathe new life into
these historic arteries and ensure their legacy for future generations.
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7.1.2 EXTENTS
The extent of decay in urban streets can vary widely based on a combination of factors. Here
are a few common extents of decay:
1. Localized Decay:
This refers to deterioration that affects only specific areas of the urban street. It might include
isolated cracks, crumbling plaster, or patches of erosion. Localized decay can result from
factors like water infiltration, chemical reactions, or physical wear and tear.
2. Segmental Decay:
In this case, larger sections or segments of the urban site or street show signs of deterioration.
This could involve significant areas of cracked pavement, crumbling walls, or sections of
structures that have weakened due to environmental factors or neglect.
3. Widespread Decay:
Widespread decay indicates that a substantial portion of the site or street is affected. This could
be due to long-term exposure to multiple decay factors, lack of maintenance, or inadequate
infrastructure. The deterioration might include extensive cracking, erosion, and structural
instability.
4. Structural Decay:
When the decay affects the structural integrity of buildings, walls, or pavements, it can lead to
compromised stability and safety. Structural decay often requires urgent attention to prevent
collapse or further damage.
5. Aesthetic Decay: Even if not affecting the structural stability, aesthetic decay involves
changes in the appearance and visual quality of the urban site or street. Fading colors,
chipped paint, graffiti, and unsightly alterations can contribute to a loss of cultural and
historical value.
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7.1.3 TYPE OF DECAY
Different types of decay can manifest based on the materials used, environmental conditions,
and external factors. Here are some common types of decay:
1. Corrosion:
Particularly relevant to metal elements, corrosion occurs
when metals react with oxygen, moisture, and pollutants
in the air. This can lead to rusting and weakening of metal
components such as railings, grilles, and structural
supports.
2. Erosion:
Erosion involves the gradual wearing away of surfaces due to wind, water, or abrasive
particles. It can impact stone, plaster, and even concrete surfaces, causing them to lose their
original texture and shape.
3. Cracking:
Cracks can appear in materials like concrete, stone, and wood
due to factors like freeze-thaw cycles, settling of the ground, or
seismic activity. Cracks can lead to water infiltration and
further deterioration.
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Figure 129 Deterioration and Decay in Buildings
5. Chemical Decay:
Chemical reactions, often due to pollutants in the air, can lead to the degradation of surfaces.
For example, sulfur dioxide in the air can combine with moisture to form acid rain, which can
corrode stone and metal surfaces.
8. UV Radiation:
UV radiation from the sun can lead to the fading and degradation of materials like paints,
fabrics, and wood. It breaks down molecular bonds and affects the visual quality of surfaces.
Understanding these extents and types of decay is crucial for implementing effective
conservation and restoration strategies. By identifying the specific decay factors affecting a
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traditional urban street in a city like Kathmandu, preservation efforts can be targeted to mitigate
the decay's impact and ensure the longevity of these historical and cultural treasures.
2. Compatibility of Materials:
Modern extensions might use materials that differ from those
originally used in the traditional construction. These disparities
in material properties, such as thermal expansion rates and
moisture susceptibility, can create stress points and exacerbate
decay, especially if not properly accounted for in the design.
3. Differential Deterioration: Figure 130 Inappropriate blending of
The decay rate of modern materials used in extensions may structure & usage
differ from that of traditional materials. This differential deterioration can lead to uneven wear
and aesthetic incongruity, which could further compromise the overall appearance of the street.
4. Increased Load and Stress:
Modern extensions can add additional load and stress to the existing infrastructure. This could
accelerate decay in the original structures and pavement, as they may not have been designed
to accommodate the increased weight and use.
5. Moisture Intrusion:
If modern extensions are not seamlessly integrated with the existing structures, they can create
gaps and points of vulnerability for moisture intrusion. Water infiltration can weaken
structures, lead to cracking, and promote the growth of biological organisms.
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6. Neglected Maintenance:
In some cases, modern extensions might receive more attention and maintenance than the
historic structures, as they are perceived as new investments. Neglected maintenance of the
original components can contribute to their decay while preserving the modern extensions.
7. Loss of Context:
Modern extensions that lack sensitivity to the historical context can diminish the cultural and
historical value of the street. They can disrupt the visual narrative and erode the sense of place
that defines traditional urban spaces.
8. Planning and Zoning:
Improperly regulated modern extensions can result in haphazard urban planning and zoning,
leading to an inconsistent streetscape. This can affect the overall visual quality and exacerbate
decay through uncoordinated development.
9. Gentrification:
Local people of the place are moving out from the place where as workers from different place
and caste are living in the area. This may lead to loss of proper way of use and introduce new
elements as per their needs, this disrupts city's heritage with uneven development and cultural
transformation on its traditional urban fabric. Also streets fail to continue reflecting their
unique history and character.
Addressing the impact of modern extensions on the examination of deterioration and decay
requires a balanced approach. It involves considering the historical significance of the street,
promoting compatible design practices, and integrating modern elements in a way that respects
the existing fabric. Proper planning, adherence to conservation principles, and community
engagement can help strike a harmonious balance between preserving the past and embracing
the future while minimizing the exacerbation of decay in these cherished urban spaces.
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2. Lack of Government Approval:
Securing government approval is pivotal to any urban revitalization endeavor. Delays or
challenges in obtaining necessary permits, clearances, and support from regulatory bodies
could hinder the project's progress. Building a strong case for the project's alignment with
urban planning objectives, historical preservation, and sustainable development is essential
to navigate this potential obstacle.
3. Lack of Capital:
Insufficient funding could impede the revitalization process, preventing the
implementation of essential repairs and improvements. The lack of capital might hinder the
ability to address decay effectively, resulting in a patchwork approach that falls short of
the project's potential impact.
5. Socioeconomic Disparities:
Revitalization projects have the potential to exacerbate existing socioeconomic disparities
in the community. As the area undergoes transformation, property values might rise,
leading to increased costs of living. Long-standing residents could face displacement due
to higher rents or property prices, contributing to social inequality.
In navigating these identified threats and risks, the revitalization project must emphasize
proactive community involvement, strategic advocacy for government support, and
innovative financing solutions. Mitigating these challenges is integral to breathing new life
into Kathmandu's streets while preserving their historical essence being both respectful of
the past and responsive to the needs of the present and future.
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Figure 131 Materials in building facades
Though contrasting materials are seen throughout the street between the buildings, with the
change of time and contemporary need it is plausible with the use of modern materials. So,
there can be implications and strategies for material integrations. The juxtaposition of
traditional Newari materials with modern construction elements highlights a central
challenge in this revitalization project. Harmonizing these materials and rethinking the
elements with traditional feeling to create a cohesive streetscape that respects history while
embracing contemporary needs.
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• Historical Continuity:
The traditional use of mud/lime plasters and carved wood reflects a deep connection to
Newari heritage. Integrating these materials into the project can sustain historical
continuity, leveraging their aesthetic charm and eco-friendly attributes to maintain the
visual essence of the streets.
• Challenges of Compatibility:
The transition from mud/lime plasters to cement plaster and from carved wood to metal
openings introduces compatibility challenges. Preservation strategies should focus on
replicating traditional textures and patterns while utilizing modern materials that mimic
the appearance of the originals.
• Craftsmanship Revival:
The ornate craftsmanship seen in carved wood elements is an art form in itself.
Engaging skilled artisans to restore and replicate these features can infuse authenticity
into modern constructions, ensuring that the essence of Newari architecture is
preserved.
• Material Replication:
Experimenting with contemporary materials that mimic the appearance and
characteristics of traditional ones can bridge the gap between old and new. Innovations
in concrete finishes, for instance, can recreate the textures of mud/lime plaster, allowing
for visual congruence.
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execution of the revitalization project while preserving the historical identity of
Kathmandu's streets.
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Some Implications and Integration Strategies:
1. Seismic Resilience: The seismic vulnerability of Kathmandu underscores the importance
of integrating modern seismic-resistant techniques into revitalization efforts. While
wooden elements in old buildings are historically significant, reinforcing these structures
with modern retrofitting measures can enhance their earthquake resistance.
2. Structural Compatibility: When introducing modern additions to old buildings, the
structural compatibility of materials becomes crucial. Integrating concrete or steel
elements must be done sensitively to ensure that their stiffness doesn't adversely affect
the flexibility of the existing wooden framework.
3. Craftsmanship Preservation: The carved wooden components in traditional buildings
hold cultural and artistic value. When undertaking restoration or replication, enlisting
skilled craftsmen ensures that the intricate detailing and traditional joinery techniques are
preserved, enhancing the aesthetic and historical authenticity.
4. Synergy in Modern Constructions: In new buildings, embracing traditional
architectural elements like carved wood, albeit with contemporary interpretations, can
establish a visual and cultural dialogue between old and new. This synergy fosters a sense
of continuity in the urban fabric.
5. Adaptive Reuse: Older buildings can be adaptively reused to house modern functions
while retaining their historical structural systems. Creative design approaches can
repurpose these spaces without compromising the original framework's integrity.
Incorporating both old and new structural systems requires interdisciplinary collaboration
among architects, structural engineers, conservation experts, and craftsmen. Balancing
seismic safety, historical preservation, and contemporary functionality is central to the
revitalization project's success, enabling streets to stand as resilient yet culturally rich urban
spaces.
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remarkable buildings stand as living testaments to the influence of Western architectural waves on
traditional Newari design. Yet, their fate diverges: some stand abandoned, echoing with the
whispers of the past; others have been divided amongst generations, bearing witness to the
complexities of inheritance; and there are those teetering on the edge of vulnerability, a stark
reminder of the delicate balance between preservation and progress.
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Types of deterioration and decay seen
1. Weathering: Wearing away of decorative features on the
external façade such as the color, plasters, cornices, pilasters,
struts. The aging of materials like mud, wood, and brick can
contribute to their deterioration.
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5. Lack of Maintenance:
Due to lack of regular maintenance, the interior has also degraded. Since no one is living
in the upper floors, the floors are filled in a layer of dust and grime. The interior has mossy
smell and bad air quality inside.
6. Human Activities: The removal of original wall of the
building to build the adjacent new building has led to damage
to some of the interior parts of the building, such as crack
formation in the walls. These inappropriate alterations have
compromised the historical and architectural integrity.
7. Foundation Problems: Settlement of the foundation due to
changes in soil composition, earthquakes have led to cracks
and instability in the building structure.
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8.2 Identification of Threats and Risks
• Structural Instability: Deterioration compromises the stability of buildings, posing risks
of collapse and endangering public safety.
• Cultural Loss: Decay erodes cultural identity, erasing historical and artistic significance
from the community.
• Loss of Craftsmanship: Disrepair leads to the loss of traditional building techniques and
craftsmanship skills.
• Tourism Impact: Deterioration reduces the attractiveness of cultural tourism, impacting
local economy.
• Spiritual Heritage Loss: Religious structures' decay undermines their spiritual and
communal importance.
• Urban Aesthetics: Deteriorated buildings contribute to an unappealing urban landscape.
• Property Value Decrease: Decay negatively affects property values and investment
opportunities.
• Accelerated Decay: Neglect can lead to a cycle of faster deterioration and escalating
restoration costs.
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• Thayma (Ridge Beam) – 6 by 8 inches ridge
beam.
• Musin (Rafter) – 4*6” rafters
• Dhalin (Joist) – 3*6 inches
• Nila (beam) - 4*6 inches
• Swona (staircase) – 2’ wide staircase
• Wooden Partition (Bhikha) – 4*4 inches
• Central wall (Dhathu Aanga) – 2’ wide
Figure 146 Joist and plank detail on floor
Roofing System:
b. MATERIAL ANALYSIS –
Wood:
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Mud Mortar:
• for wall and ceiling finishes, often adorned with intricate designs.
• Deterioration: Cracking, peeling, and erosion due to moisture and temperature
changes.
Conclusion –
The decay and deterioration they've suffered, including weathering, water damage, structural
issues, and lack of maintenance, pose significant threats to their cultural, historical, and
architectural significance.
Recommendation -
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The adaptive reuse plan should prioritize stabilizing the buildings while maintaining their
historical and architectural authenticity.
9 CONSERVATION PROPOSALS
A conservation proposal is a well-organized plan of action intended to protect and maintain a
historically significant location, such as Lagan Tole in Kathmandu, and the old structures that are
connected to it. The development of conservation proposals aims to maintain and preserve the
site's historical, architectural, and cultural significance while assuring its long-term viability. It
requires a thorough plan of action to safeguard and preserve this landmark of cultural importance.
To determine the site's historical, architectural, and cultural significance, the proposal begins with
a thorough site analysis that includes surveys and historical research. Clear conservation aims and
objectives, like maintaining architectural authenticity, encouraging community involvement, and
implementing sustainable techniques, are built on this. In the proposal, particular conservation
tactics are described, such as structural restoration, material conservation, and adaptive reuse. In
the proposal, particular conservation tactics are described, such as structural restoration, material
preservation, ideas for adaptive reuse, and environmentally friendly programs like energy
efficiency and visitor control. To guarantee the site's preservation is successful and long-lasting,
the proposal places an emphasis on continual monitoring, evaluation, and educational outreach.
The proposal serves as a thorough roadmap to direct the preservation efforts of Lagan Tole and its
historic structures while maintaining its historical worth and promoting its cultural importance. It
addresses legal requirements and suggests a long-term management strategy.
Jaisidewal holds a significant importance in the cultural aspect of the valley. All the jatras that start
from Kathmandu pass through Jaisidewal during its ascend or descend. The temple was also a
stopping destination during ancient days as people stopped during funeral activities.
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Important sites nearby:
• Nhuh: Ghah:
• Krishna Mandir
• Haku Mahadev
• Ganesh Mandir
• Falcha
• Di Pyakha Dabali
• Jhalpwa Dya
• Balkumari Mandir
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9.1.2.2 Proposal on Transportarion
Pedestrianization: The proposed plan entails the complete pedestrianization of the road
connecting Jaisidewal and Lagan Tole. Vehicular access will be strictly limited to authorized
service vehicles only, ensuring the safety and convenience of pedestrians.
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One-Way Traffic Flow: To optimize traffic movement, a one-way traffic flow will be
introduced. Vehicles traveling from Basantapur to Bishnumati will be directed via Paropakar
Marg, while those moving from Bishnumati to Basantapur will be rerouted via Jaisidewal
Mandir.
Parking Regulation: The plan includes the strict prohibition of haphazard parking on streets and
open spaces within the designated area. This regulation aims to alleviate congestion and enhance
the visual appeal of the vicinity.
Designated Pick-Up and Drop-Off Zones: For the convenience of taxi users and school buses,
specifically designated zones for pick-up and drop-off will be established. These zones will be
strategically located to ensure minimal disruption to pedestrian flow.
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Regular cleanliness initiatives should be organized, involving local community participation. The
biodegradable waste collected can be repurposed into compost fertilizers, which have the potential
to enhance agricultural productivity.
9.1.2.5 Proposal on Drainage
Well planned drainage networks will be proposed. The open drainage system that runs on the roads
will be covered. Also the sewerage system will be constructed underneath the road surface for
aesthetics and safety. Different awareness campaign and trainings should be carried out to make
people attentive about the importance of drainage system in maintaining a healthy area. Likewise,
regular maintenance of the drainage network should be carried out.
9.1.2.6 Proposal on Electricity
The electrical lines and the network cables will be grounded immediately. The distribution box
next to Jaisidewal Mandir will be moved to a different location because it obstructs the view of
the mandir.
9.1.2.7 Proposal on Monuments
1. Jaisidewal Temple
The temple was renovated after the 2015 earthquake but several cracks can be observed in the
structural members of the temples. The timbers used during the reconstruction were not seasoned
properly and thus the timbers have been decayed.
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2. Haku Mahadev
Haku Mahadev temple has lost the idol of the Mahadev. Recovery of the statue from the loss and
painting and protecting the shrine should be done
3. Seto Mahadev
Some past photos and the interrogation of the locals suggested that there was another temple alongside
Haku Mahadev that was called Seto Mahadev. So reconstruction of the old temple needs to be done. In
order to reconstruct the temple, the materials and technology used in Haku Mahadev shall be used.
i. Balkumari Mandir
The Balkumari Mandir has to be preserved in the right manner with prohibition of vehicles around
it. Also the structure needs to be protected by proper fencing and covering around it.
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Figure 151Dii Pyakha Dabu
153
vi. Krishna Mandir
Krishna Mandir is being reconstructed as of today but several notable changes can be seen. The
first is the roof of the temple which was two tiered Jhingati roof initially but now a single tier
roof bronze roof is being constructed which does not stay true to conservation.
vii. Falcha
The falcha is now constructed in all concrete structure so the restoration of falcha needs to be
done. To restore the falcha several old images and paintings have suggested that it was built
initially in a different way than other falchas with doors and sitting platform.
Figure 154Falcha
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viii. Nasaman Dabu
Nasaman Dabu is damaged and the metal clamps have no longer been able to hold the stones. So
renovation with traditional technologies will be done. Stones will be held by the clamps as they
were early on.
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9.1.3.2 Proposal on Jatras
• All the interventions we carry out should be in accordance with the jatras that go through
this route.
• The pavements of the Jatra route must be maintained with brick surfaces along the core
area of the settlement. The damaged and torn out brick surfaces of the route must be
replaced with proper drain for storm water along the sides of the route.
• The dabali is an important space during indra jatra so that needs to be protected for that
event that takes place each year. So we approach the design as retractable spaces during
such events.
• The provision of incentives for the participants must be allocated and provide them with
health insurance to encourage them to continue the Naach in future and learn with great
devotion.
• The publication of important intangible cultural heritages of Jaisidewal can be done to
make the locals as well as tourist aware about the various jatras, naach, baaja and
traditional songs/ hymns. The publication can be done either in bulletins, newspapers,
articles and even videograpchic documentary and made them available in public library,
tourist information centre and the monument zones of Kathmandu valley.
• Retain the sense of place by conserving the built environment and open spaces where
these jatras and traditional dances are celebrated and performed, by the effective
implementation of the proposed building bye-laws.
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9.2 PRESERVATION STRATEGIES AND APPROACHES (Jaisideval to Lagan Tol)
In the pursuit of revitalizing this street while preserving their historical and cultural
significance, a comprehensive conservation strategy is vital. The following preservation
strategies and approaches present a holistic framework that balances the needs of the
community, cultural heritage, and modern urban functionality.
1. Pedestrianization:
Pedestrianization emerges as a foundational strategy to restore the streets' historical charm
and create a safe, engaging environment for both locals and visitors. By limiting vehicular
traffic and enhancing walkability, the streets become vibrant public spaces conducive to
social interactions and commerce. Meticulously designed pedestrian zones, adorned with
seating areas, greenery, and public art, breathe new life into Kathmandu's urban fabric while
reducing pollution and congestion.
We have proposed to make the service vehicle entry during morning time only. The bus
stops and taxi stand points are available in adjacent nodes i.e. in Lagan & Jaisidewal.
3. Awareness:
Raising community awareness about the value of preserving the streets' cultural heritage is
a cornerstone of the conservation proposal. Public engagement initiatives, educational
workshops, and cultural events not only foster a sense of ownership but also instill a
collective responsibility for the upkeep of these spaces. By cultivating a shared sense of
pride, residents and stakeholders become stewards of their own history.
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4. Visual Pollution:
Mitigating visual pollution is imperative to restoring the streets' aesthetic appeal. Strict
regulations on signage, advertisements, and outdoor displays ensure that the architectural
grandeur of historic buildings remains unhindered. Thoughtful urban design interventions,
such as unified color schemes and façade treatments, harmonize the visual landscape,
restoring a sense of coherence and beauty to the streetscape.
5. Drainage/Infrastructures:
Addressing drainage and infrastructure challenges is integral to preventing decay caused by
water accumulation. Implementing efficient drainage systems that manage stormwater
runoff and prevent waterlogging safeguards against erosion and structural damage.
Moreover, modernizing utility infrastructures while maintaining their unobtrusive
integration ensures a seamless blend of functionality and heritage preservation.
6. Pavement:
The conservation proposal extends to the choice of pavement materials, striking a balance
between historical aesthetics and contemporary durability. By employing traditional
techniques in pavement design, such as the use of soft and permeable materials, the streets
maintain their historical ambiance while promoting proper drainage and minimizing
environmental impact.
By adopting these preservation strategies and approaches, the revitalization project not only
rejuvenates Kathmandu's streets but also safeguards their cultural essence. This
comprehensive framework ensures that the past and present coexist harmoniously, creating
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urban spaces that are not only functional but also enriching and reflective of the city's vibrant
history.
2. Light Industries:
Integrating light industries into revitalization efforts injects economic vitality into the
streets. Craft studios, cultural boutiques, and artisanal workshops complement the historic
ambiance while providing income sources for local communities. This synergy between
heritage and modernity nurtures a sustainable ecosystem of creativity and commerce.
3. Safety:
Prioritizing safety measures ensures that the streets are secure for residents and visitors
alike. Modernizing fire safety systems, implementing pedestrian-friendly crossings, and
adhering to seismic resilience guidelines safeguard against potential hazards. A safe
environment fosters a sense of well-being and encourages people to actively engage with
the revitalized spaces.
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4. Public Amenities:
Enhancing public amenities transforms
the streets into inviting communal
spaces. Installing seating areas, shade
structures, and green spaces not only
promote relaxation but also encourage
community gatherings. Accessible
amenities such as public restrooms and
drinking water facilities contribute to Figure 160 Public Amenities
the streets' inclusivity and visitor
comfort.
5. Retrofitting/Consolidation:
Retrofitting and consolidation efforts modernize existing structures while preserving their
historical essence. Implementing seismic retrofitting techniques ensures the structures'
resilience against earthquakes, safeguarding both heritage and lives. Consolidation of
dilapidated buildings revitalizes their structural integrity, extending their functional
lifespan.
6. Reconstruction:
In cases where deterioration has compromised structural stability, strategic reconstruction
becomes necessary. Modern materials and construction methods can be used to recreate
historically significant structures, adhering to authentic architectural styles.
Reconstruction brings vitality back to the streetscape and serves as a testament to
Kathmandu's enduring legacy.
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7. Restoration of Culturally Important Buildings:
Preserving culturally significant buildings is integral to conserving the city's identity. By
meticulously restoring facades, ornate woodwork, and decorative elements, these
buildings become living testaments to history. Their restoration fosters a sense of pride
and showcases the intrinsic value of cultural heritage.
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2. Greenery:
Integrating greenery into the urban fabric enhances the streets'
ecological balance and aesthetic appeal. Planting native trees,
shrubs, and ornamental plants not only purifies the air but
also contributes to biodiversity. Green spaces offer respite
for residents and visitors, fostering a sense of well-being.
Greeneries in elevations & in flowering pots as well.
3. Soft Pavement:
Prioritizing soft pavement materials like
permeable pavers and gravel pathways
facilitates rainwater absorption and
minimizes surface runoff. This
approach alleviates waterlogging and
contributes to groundwater recharge.
Soft pavement techniques also
harmonize with the historical context,
enhancing the streets' visual
continuity.
4. Local Employment:
Engaging the local community in conservation efforts fosters a sense of ownership and
economic empowerment. Employing local artisans, craftsmen, and laborers in restoration
projects nurtures skill development and preserves traditional craftsmanship, ensuring the
streets' preservation becomes a shared endeavor.
5. Eco-Tourism:
Promoting eco-tourism initiatives encourages responsible travel that respects the
environment and culture. Guided heritage walks, interpretive signage, and immersive
cultural experiences showcase the streets' historical significance, generating awareness and
revenue that can be reinvested in their upkeep.
6. Promotion of Local Art & Craft:
Elevating local art and craft as integral components of the revitalization strategy revitalizes
cultural traditions. Providing platforms for artisans to showcase their creations, such as street
markets and cultural festivals, not only supports livelihoods but also reinforces the streets'
authentic character.
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Figure 161 Local crafts
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Structural Assessment and Restoration:
Collaborating with structural engineers and conservation experts is essential to assess the condition
of the buildings. A comprehensive restoration plan should be formulated to address structural
issues, stabilize foundations, and repair damages. Prioritizing the use of traditional construction
methods and materials will ensure the historical accuracy of the restoration.
Materials Conservation:
The conservation of materials involves repairing and replacing damaged components while
adhering to historically accurate materials and techniques. Ensuring compatibility with original
construction methods is imperative to preserve the authentic character of the buildings.
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Heritage Interpretation and Public Outreach:
Effective heritage interpretation and public outreach programs can raise awareness and
appreciation for the site. Develop interpretive signage, guided tours, and multimedia presentations
to educate visitors about the historical and cultural significance of Lagan Tole. Promote
responsible tourism to ensure the site's protection.
Stakeholder Collaboration:
A collaborative framework should be forged, enlisting local authorities, heritage preservation
organizations, community stakeholders, and pertinent governmental bodies. Proactive community
participation and ownership should be fostered by orchestrating recurrent consultations and
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immersive workshops, fostering a nurturing environment for invaluable insights and
recommendations.
Community Empowerment:
Dynamic heritage awareness campaigns and educational initiatives should be initiated to cultivate
a heightened cognizance regarding the historical eminence of Lagan Tole, among both local
inhabitants and visiting enthusiasts. Community engagement should be galvanized by
orchestrating skill-enhancing training sessions in traditional craftsmanship and age-old building
techniques, nurturing an environment of deep-rooted pride and custodianship.
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and international heritage preservation entities, facilitating financial backing and expert insights
to bolster the restoration cause.
Sustainable Practices:
Sustainable technologies and practices, such as energy-efficient illumination and innovative
rainwater harvesting mechanisms, should be seamlessly integrated, inherently minimizing the
ecological footprint associated with restoration endeavors.
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heritage preservation and ecological stewardship. At its core, sustainable conservation recognizes
that cultural heritage sites, whether ancient structures, artifacts, or archaeological sites, are
intrinsically connected to their surrounding environment. They often exist within complex
ecosystems that include not only the physical landscape but also the socio-cultural fabric of local
communities. As such, any conservation effort must consider not only the physical aspects of the
heritage but also its social, economic, and ecological contexts. To achieve this, the following
comprehensive guidelines should be considered:
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Effective Water Management:
Implementation of rainwater harvesting systems, which should cater to irrigation and non-potable
water requirements, is advisable. Installation of proficient drainage systems should be imperative
to thwart water infiltration and site erosion.
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Continuous Monitoring and Evaluation:
Continuous monitoring of the dual impact—on the heritage site and the environment—of
conservation endeavors is crucial. Regular evaluation of the efficacy of sustainable practices and
prompt adjustments should be paramount for ongoing success.
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Cultural and Educational Initiatives:
• Establish cultural hubs, galleries, and museums to showcase the area's history, art, and
traditions.
• Collaborate with local educational institutions to create programs that educate residents
and visitors about the historical significance of Jaisidewal.
Sustainable Practices:
• Incorporate sustainable building practices and renewable energy sources into new
developments to minimize environmental impact.
• Encourage rainwater harvesting, waste management, and green building standards.
Tourism and Economic Growth:
• Develop a comprehensive tourism strategy that highlights Jaisidewal's heritage and
cultural offerings.
• Support local entrepreneurs by facilitating the establishment of traditional craft shops,
markets, and culinary experiences.
10.1 Integration of Modern Needs with Heritage Conservation: Balancing Progress and
Preservation
Amid today's rapidly changing world, the harmonious integration of modern necessities with the
imperative of heritage conservation presents a multifaceted challenge. This intricate task
necessitates a meticulous amalgamation of foresight, cooperation, and an unwavering reverence
for the past. As urban landscapes continue to metamorphose, the preservation of cultural heritage,
coupled with the fulfilment of the ever-evolving needs of society, emerges as an indispensable
undertaking. Beyond safeguarding historical legacies, this symbiotic integration serves to enrich
the present and lay the groundwork for a sustainable and culturally enriched future.
Preserving Identity and Authenticity: Heritage sites stand as poignant repositories of narratives,
architectural marvels, and customs that encapsulate the very essence of a community's identity and
chronicle. The reconciliation of these cherished legacies with contemporary advancements
demands a steadfast dedication to authenticity. Instead of erasing history through wholesale
demolition, the concept of adaptive reuse surfaces as a poignant alternative. By reimagining the
roles of heritage structures, it becomes plausible to infuse them with modern functionalities while
upholding the intangible spirit of bygone eras.
Thoughtful Urban Planning: The blueprint for modern urban planning must be inked with a
judicious blend of historical architecture and futuristic infrastructure. This calls for the meticulous
orchestration of transportation networks, communal spaces, and utilities, all seamlessly
interwoven with the existing tapestry. The enactment of sagacious zoning regulations and building
codes assumes paramount significance, as these become the conduits through which the scales of
modern necessity and heritage preservation are harmonized. By insisting on new constructions that
pay homage to the scale, style, and ambience of their surroundings, the urban landscape becomes
a testament to the equilibrium between historical roots and contemporary aspirations.
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Engaging the Community: The fruition of this integration venture hinges upon a collective
endeavour involving local communities, domain experts, and invested stakeholders. The act of
community engagement engenders a profound sense of proprietorship and pride, nurturing a
culture of responsible custodianship for the heritage sites. By eliciting and incorporating local
input within the decision-making sphere, the resulting modern developments resonate with the
community's ethos while elevating their quality of life.
Sustainable Tourism and Economic Growth: Heritage sites, meticulously conserved, emerge
not just as enclaves of historical significance but as veritable magnets for tourism. This, in turn,
furnishes a substantive impetus to local economies. In the realm of smart integration, the potential
of heritage-driven tourism can be harnessed sustainably. By devising astute tourism strategies that
facilitate economic expansion while assiduously safeguarding the sanctity of the sites, a cyclical
synergy between heritage preservation and modern development is established. The monetary
proceeds thus generated can be channelled back into conservation initiatives, nurturing a self-
perpetuating cycle of mutual benefit.
The site has been thoughtfully divided into three distinctive zones, each catering to different
aspects of the visitor experience. The "Welcome Zone" provides an inviting introduction, setting
the tone for what's to come, the "Market Zone" where one can explore an array of offerings, from
grocery and hardware shops to an assortment of traditional delights. The captivating "Traditional
Zone," adorned with the aromatic allure of Newari traditional food shops, immersing visitors in an
authentic sensory experience.
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Figure 162 Conceptual Diagram for division of zones
In 2022, Nepal welcomed about 1.2 million tourists from all around the world. Among them,
roughly 200,000 chose to explore the famous Kathmandu Durbar Square. That's an average of
about 550 tourists every single day.
If we could encourage half of all the tourists coming to the Kathmandu area, that would add up to
approximately 225 people daily. And if half of those individuals decide to extend their stay a little,
that would mean around 112 people.
And if we manage to attract this many tourists, we should have enough amenities like places to eat
and other things that make them feel comfortable during their time here. It involves setting up
everything nicely to warmly welcome them and make sure they have an amazing experience while
they're in this zone.
The provided diagram outlines the suggested route designed for the movement of tourists.
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Figure 163 The proposed circulation route map for tourists
The different approaches that have been adopted for the formulation of the development plan are:
• Façade treatment
• Enhancing Street Lighting
• Food culture
• Pavements
• Vibrancy- day & night
• Green addition
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Façade treatment:
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Visual Perspective:
The visual axis contributes to an element of exploration, particularly
when approaching from the Kastamandap side. Additionally, the street
connecting Kastamandap and Jaisidewal assumes significance as it
should exude vibrancy to draw people. This vitality aids in crafting an
aesthetically pleasing encounter that captivates the senses.
Food Culture :
Green addition
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themselves in nature. This infusion of green not only elevates the visual appeal but also draws
visitors, encouraging a greater connection to the environment and a shared sense of well-being.
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plazas, and local businesses, breathing life into forgotten spaces. Making the Built
environment to its full potential capacity for the contemporary need of the communities.
• Inclusive Mixed-Use The thread of inclusivity runs through every stitch of adaptive
renewal. A reimagined cityscape erases divides, intertwining Traditional, commercial,
and cultural spaces, Once-isolated areas now flow seamlessly, fostering connections
among communities and lifestyles and contemporary needs of the society.
• Infusion of Greenery and Vitality In response to a lack of green spaces, adaptive
renewal unveils a transformational embrace of nature. Rooftop greenery, green spaces in
the courtyard, and revitalized squares flourish, replenishing the city's lungs. The harmony
of nature and architecture catalyzes a sense of well-being among communities and
visitors alike.
• Synchronizing Drainage and Preservation Adaptive renewal goes beneath the surface,
addressing long-standing drainage issues that once plagued and Integrated drainage
solutions safeguard against flooding, preserving both historic structures and modern
visions.
• The Inclusive Resurgence At the heart of adaptive renewal lies inclusivity and
transforms into a space that respects its past while embracing the present and future. The
synergy between historic preservation, innovation, and community engagement ensures
that the contemporary need of the society is prior and vibrance, livable space is the most
need urban renewal.
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Figure 171 Existing street facade of entrance zone Figure 170 Proposed Street fcaade of entrance zone
The plan involves adaptive reuse of existing structures in a thoughtful manner. The police station
will be creatively adapted into a restaurant, respecting its historical significance while
accommodating tourists' needs. Adjacent spaces will undergo a similar transformation, becoming
inclusive open areas adorned with greenery, perfect for outdoor relaxation and seating. Similarly,
mixed-use buildings by Dabali will be adaptive reuse into restaurants and public open spaces,
enhancing the overall atmosphere.
The residence mix-use buildings will
undergo adaptive reuse to better serve
the community. Ground floors are
designed into three types of restaurants
and cafes, meeting the dining needs of
both locals and tourists. Incorporating
ATM services addresses
contemporary requirements. Resulting
in a holistic and lively street that
merges innovation with heritage,
effectively revitalizing the area while Figure 172 Overall street elevation of entrance zone
celebrating local traditions and
community needs.
10.5.2 Market Zone
The envisioned concept for this zone revolves around crafting a bustling market street that caters
to both local businesses and tourists, harnessing its vibrancy. Situated at the confluence of three
connecting roads, this locale possesses promising spaces apt for market activities. Moreover, its
strategic location offers visual connectivity to the revered Jaishideval Temple.
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Figure 173 Proposed building facade
Figure 174 Existing Rana-style
building
Initiating with the distinctive Rana Style building, it exudes contemporary architectural elements.
The adaptive reuse of this building involves creating a rooftop café adorned with greenery and a
ground-floor commercial shop. Adjacent to it, the residence building transformed into an
assortment of offerings shop including ice cream, masala, and bubble tea outlets. Despite its latent
potential, this building currently lacks the quality spaces necessary for a contemporary commercial
plaza. The redevelopment of the courtyard is to cater to local demands while ensuring access for
tourists to witness temple-related activities within the courtyard.
Several mixed-use buildings in a state of disrepair and neglect necessitate a transition into quality
spaces. The intervention greatly contributes to the growth of a vibrant market plaza, subsequently
enhancing the economic aspect of the community. Among these, a building situated linearly to
Dabali holds significant promise, particularly its road-facing section. This building's adaptive
reuse involves evolving into a market plaza where ground-floor shops coexist with upper-floor
clubs and multifunctional spaces.
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Figure 177 Southern Street facade of market zone
The adjoining building next to Dabali presents challenges due to its deteriorated condition.
However, its adaptive repurposing lends itself well to commercial shops specializing in medicines,
hardware, kitchen utensils, and related items. This approach not only breathes new life into the
building but also caters to the contemporary needs of the community.
In essence, this zone with a vibrant market ethos that resonates with both local essence and tourist
allure. By strategically reimagining existing buildings, optimizing spatial usage, and enhancing
accessibility, the envisioned marketplace aims to become a focal point for commerce, culture, and
community engagement.
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Figure 179 Overall Street facade of market zone
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The architectural style has transitioned
towards a contemporary approach while
retaining the essence of Newari culture, a
vital aspect to safeguard. This adaptation is
aimed at staying in step with the evolving
times, acknowledging that as time
progresses, people's preferences and
requirements transform. This includes
modifications in building heights and the Figure 182 Existing left street facade of traditional zone
incorporation of additional lighting.
To maintain a pleasing and
refreshing environment, green
plants have been introduced not
only alongside roads but also
integrated into the building
facades. This strategic addition
not only contributes to a
cooling effect but also adds an
aesthetic touch, blending
nature with the modernized
architectural landscape. Figure 183 Proposed left street facade of traditional zone
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• Inclusive spaces for street vendors, particularly for vegetable and fruit stalls during
specific times, contribute to the livelihood of local traders and add a dynamic touch to the
area.
• Prioritizing the needs of tourists, more green spaces and informative signage are
integrated into the site, enhancing the overall experience and offering insights into the
cultural significance.
• Uplifting the economic aspect of the site, food stalls, and local business-supporting shops
are thoughtfully incorporated, catering to the needs of both visitors and locals.
• Modern amenities such as night lighting, ATM services, drainage facilities, and water
provisions are provided to cater to the convenience and well-being of the local
community.
• The hardware shop within the mix-used residence building is replaced with a local food
stall in the commercial plaza, diversifying the offerings and enhancing the communal
atmosphere.
• The substitution of concrete walls with brick jail design showcases a modern
interpretation of Newari architecture, combining heritage elements with contemporary
expression.
• The transition from a hip roof design to a semi-open roof design serves two purposes: it
embodies contemporary design sensibilities and enhances the visual connection to
Jaishideval Temple.
• Dabali's alternate utilization involves transforming it into public seating spaces during
regular days, while during jatra time, it transforms into a performance platform,
showcasing its adaptive nature to suit varying needs.
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10.7 ENTRANCE ZONE
The Entrance Zone initiative in Jaisidewal marks a strategically curated space, ingeniously
bridging the gap between tradition and contemporary allure. Spanning an impressive 450-meter
stretch from the iconic Kasthamandap, this architectural marvel redefines the entrance experience.
The repurposing of historic structures into welcoming cafeterias, including the captivating Roof
Top Café, exemplifies a harmonious fusion of cultural heritage and modern functionality.
Moreover, the communal Dabali Space, a vibrant hub for social interactions, seamlessly integrates
the revered Seto Machindranath, adding an air of spiritual significance to the narrative. The
Entrance Zone's transformative power shines even brighter during significant events like Indra
Jatra and Gai Jatra, wherein it assumes the role of a bustling focal point, drawing both locals and
tourists into its vibrant embrace. This harmonious coexistence of conservation and commerce
exemplifies a visionary approach, breathing life into the area, fostering cultural connections, and
paving the way for a thriving socio-economic ecosystem that resonates with the essence of
Jaisidewal.
At its heart, the Entrance Zone encapsulates the spirit of innovation by artfully intertwining
tradition with the demands of the modern world. Beyond being a portal to Jaisidewal's rich
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heritage, this space stands as a testament to the power of thoughtful urban planning. It serves as a
dynamic nucleus, where architectural preservation blends seamlessly with contemporary
commercial dynamics, fostering a vibrant economic tapestry. This unique convergence of
conservation and commerce creates a self-sustaining ecosystem, where cultural celebrations, social
gatherings, and economic vitality intertwine. As the Entrance Zone welcomes visitors into the
heart of Jaisidewal, it does more than just create a physical passage – it weaves a narrative of
cultural celebration, human connection, and enduring growth that encapsulates the very essence of
this storied region.
BUILDING AND THEIR DESCRIPTION
Different buildings with their respective value assessment indicated that few buildings are either
socio-culturally significant or are historical monumental buildings. With the current use of the
buildings, our main concept and proposal of the entrance zone to the tourist and local people cannot
meet so there is need of intervention with proper cause for the buildings. Building interventions in
Jaisidewal blend heritage preservation with modernization. Historical structures are restored,
repurposed into functional spaces, and reinforced for seismic safety. This harmonious approach
integrates contemporary elements, creates public areas, and enhances tourism. The interventions
infuse economic vitality, sustain cultural identity, and contribute to a vibrant, environmentally
conscious urban landscape.
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1. Existing plan and land use pattern
Key Plan
Figure 190 Damanges dur to E.Q Figure 191 Existing condition of building
The land use dynamics of the old police station and Dabali space have undergone a transformation
shaped by time, functional adaptations, and historical events. The old police station, once inhabited
until the 2015 earthquake struck, suffered structural damage leading to its abandonment. Today,
its ground floor has been repurposed as a local vendor shop, while the upper levels languish in
neglect, marked by visible decay. This shift from a functional police station to a partially
commercial space accentuates the imperative for structural restoration and creative revitalization,
a necessary endeavor to reinstate its historical significance.
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Equally notable is the Dabali space, a stage that springs to life during the vibrant Indra Jatra
festival, graced by Kumari's presence. Yet, for the remainder of the year, its potential lies dormant.
This episodic activation highlights the prospect of transforming the Dabali space into a year-round
haven, embracing activities that engage the local populace and visitors alike. By metamorphosing
into a dynamic nucleus hosting cultural galas, markets, and social rendezvous, the Dabali space
could breathe enduring vitality into the surroundings, fostering a perpetual sense of community
engagement and cultural festivity. Both instances beckon for thoughtful interventions,
harmoniously reshaping the land use pattern to infuse Jaisidewal with a sustained aura of vibrancy
and holistic endurance.
Proposal
Figure 195 Conceptual use of dabali Figure 192 Conceptual Use of old police station
summer
winter
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Figure 201 Visual axis from the dabali ani proposed cafe zone to the monument Figure 200 Vibrancy in café interior to be maintained
The proposed ideology seeks to rejuvenate the old police station through a comprehensive spatial
overhaul, envisioning a dynamic café zone. Central to this transformation is the reimagining of
the building's layout, with the removal of the fourth floor and the creation of an inviting ground
floor marked by transparency. This transparency fosters a sense of openness, inviting pedestrians
to engage with the space seamlessly. Meanwhile, the rooftop would be masterfully transformed
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into a captivating café, providing an elevated vantage point for enhanced visuals and unique
observations of neighboring jatras and the Dabali performances. The rooftop, with its strategic
visual axis, emerges as a prime vantage point to witness and immerse in the festive spirit.
The Dabali space, pivotal during Indrajatra, would retain its cultural significance, yet its potential
would extend beyond the festival season. In this dynamic proposal, the Dabali area evolves into a
versatile gathering space, welcoming nearby restaurants and the public alike. This adaptive reuse
enriches the cultural fabric, offering seating areas that invite social interaction and leisure. By
integrating these transformations, the old police station becomes a vibrant nexus where history and
modernity harmonize. This visionary endeavor celebrates tradition, enhances community
engagement, and augments the allure of Jaisidewal, weaving a tapestry of cultural vibrancy and
contemporary vitality.
A visionary proposal introduces collapsible street signs and lights that are ingeniously affixed to
Jaisidewal's walls. This ingenious design ensures unobstructed views during Seto Machindranath
and other revered jatras, preserving the festive ambiance without compromising tradition.
Seamlessly integrating contemporary infrastructure with cultural heritage, the concept epitomizes
the area's dynamic spirit. By momentarily retracting these elements, the proposal cultivates an
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immersive and uninterrupted experience during celebrations, harmoniously blending functionality
and aesthetics. This innovative synergy between modern adaptability and time-honored practices
captures the essence of Jaisidewal's identity. The proposal demonstrates a holistic approach,
embracing the community's essence while elevating the celebratory atmosphere.
Since this area serves as the entrance zone, our primary objective has been to enhance its
attractiveness for visitors. To achieve this, a concerted effort has been made to cultivate a positive
ambiance, with a notable focus on promoting a vibrant food culture. Notably, we've prioritized
maintaining transparency on the ground floor, creating an inviting space that beckons passersby to
venture inside. This approach is complemented by the strategic incorporation of cafés and
restaurants within the majority of the buildings, allowing individuals to savor their meals while
enjoying unobstructed views of the temple.
In this endeavor, we've taken care to integrate features that facilitate optimal sightlines. Balconies
have been thoughtfully incorporated, ensuring that visitors are provided with clear and
uninterrupted views of the temple. By thoughtfully managing visual axes, we've managed to craft
an environment that aligns with our objective of creating a memorable and immersive experience
for those arriving in this area. The amalgamation of transparent ground floors, culinary
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establishments, and strategically positioned viewpoints collectively contributes to the
establishment of a welcoming and engaging atmosphere, drawing more and more visitors to this
gateway space.
Yet this vision falls short when we find ourselves facing the unrelenting realities of our modern
needs. Our desire to live in proximity to our cultural heritage clashes mercilessly with the rapidly
evolving needs of our contemporary living as these cozy, familiar streets struggle to accommodate
the demands of today's technology, infrastructures and lifestyle. While battling issues such as
traffic congestion, inadequate amenities and limited accessibility and inclusivity. We struggle to
find a breath of fresh air as we traverse our old street on a hot sunny day, unable to find a single
tree to take a shade under. We dread having to be trapped in economic stagnan
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cy of the streets that have now become dead as craftsmen and artisans and move away and the
mundane grocery stores house after house takes over.
It is in light of these challenges that there arises a need for thoughtful and purposeful urban renewal
where there is a harmonious merge of tradition and modernity. The case for an urban renewal
project, then becomes compelling since it endeavors to connect the dots between the allure of the
past and the necessities of the present.
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through simple but ingenious steps like utility lines that are made underground instead of overhead
wires, to minimize visual clutter and enhance safety, purposefully designed parking solutions,
smart traffic management and public spaces revamped to accommodate both communal gatherings
and modern leisure activities, addressing the greatest challenge of all, maintaining a vibrant
streetscape.
The streetscape is also enriched with income generating activities that brings the economic
resilience of the region to the forefront. Through eco-tourism and economic promotion of
traditional arts and crafts, the urban renewal grants economic incentives to the locals and a rich
and immersive journey to the visitors. The traditional and local crafts and income generating
activities that have been pushed beyond the visual access of the streetscapes are to be brought back
to light such that these themselves can contribute to the creation of self-sustaining town.
Moving forward, the street is also expected to transform through healthy adoption of sustainable
practices through softscapes that recharge the ground water table, roofs modified to accommodate
solar panels, rain water harvesting systems within the buildings. Besides these minor interventions,
the buildings themselves can be modified to have maximum solar gain and to minimize carbon
footprints, efficient waste management systems, etc. Seamlessly interwoven into the traditional
urban fabric, these modern interventions ensure that a settlement remains resilient and relevant in
the face of unprecedented climatic and ecological challenges.
A harmony between nostalgia and necessity, the urban renewal project of the street can act as a
testament to a harmony that can be attained between nostalgia and necessity demonstrating how a
traditional streetscape can evolve to cater to modern needs without sacrificing cultural heritage
and that progress need not come at the expense of our culture. Rather it can be a celebration of
present, past and the future yet unseen.
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original owner of the house, the rest are to be used as an Airbnb for Tourists visiting Kathmandu
and wishing to stay in a traditional setting (Building L3 & L8) and as an instrument learning center
(Building R11). Building L27 is being restored through conjectural restoration based on the
information provided by the locals to restore the original use as a Phalcha.
1. BUILDING L3
A historically and architecturally significant mixed-use building, this building has now been
subjected to rental accommodation of multiple families beyond its carrying capacity and
fallen into a state of disrepair. The ground floor being utilized as a hotel and has further sent
it to a state of visual deterioration. An additional floor has been added on top of the previously
three storied structure.
For adaptive reuse, the building is being restored to its original state of three stories, along
with modification of ground floor to open it up and repurpose the layout for housing a function
of Airbnb that allows tourists to stay in the authentic traditional house and experience a true
Nepali life during their stay in Kathmandu.
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EXISTING PROPOSED
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2. BUILDING L8
A historically and architecturally significant residential building, this building has now been
abandoned due to its deterioration and structural instability. An additional floor has been
added on top of the previously three storied structure which is in stark contrast with the rest
of the old structure.
For adaptive reuse, the building is being restored to its original state of three stories, along
with partition walls in order to repurpose the layout for housing a function of Airbnb that
allows tourists to stay in the authentic traditional house and experience a true Nepali life
during their stay in Kathmandu, similar to building L3.
EXISTING PROPOSED
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Figure 209 First Floor Plan Figure 210 First Floor Plan
3. BUILDING R11
A three building complex, this is a residential building which was once a single building,
now subjected to partition between brothers, and an additional floor on the top. It is
currently being used as a residence in the middle of three divided units and for rental
purpose in the rest two. The top floor has provisions for learning traditional instruments
and the courtyard in front of the building is significant in that it is used to rest the Chariot
of Indra during Indra Jatra. The surrounding meat shop have created blood spilling and
visual pollution to the sacred courtyard.
The facade is proposed to be made continuous as was originally designed and the additional
concrete floor is proposed to be removed. For the rehabilitation of this building, the
building, along with the courtyard has been proposed to be repurposed as a traditional
music learning center, while allowing the original user to also use the central part as a
residence. The surrounding meat shops are also to be replaced by traditional instrument
shops.
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EXISTING PROPOSED
4. BULDING L31
A part of a historically, culturally and architecturally rich courtyard containing Krishna
Temple, this Falchha has fallen into into deterioration beyond utility. The original form and
design of the Falcha has also been found to have been modified. The Falcha that used to be a
part of the public landscape has also now been closed off beyond private walls.
The proposal is to open up the Falchha to the public again, have it be restored conjecturally
based on the information from the local people and to reuse it as a part of gathering, socializing
and especially for singing hymns and celebrating festivities in the Krishna Temple.
EXISTING PROPOSED
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11.3 PROPOSED ADDITIONS AND ALTERATIONS
11.3.1 NARRATIVE: AN ARCHITECTURE THAT MOVES GODS
Searching through the archives of our living heritage, there lies a profound essence transcending
the tangible and the material- an intangible heritage that is beyond objectification. A legacy that
cannot be confined within the constraints of materiality, this heritage insists of perpetually flowing,
moving forward as it gets carried on from grandfathers to grandsons and into generations unseen.
One such legacy is a narrative unlike any other, a tale of a deity endeavoring to traverse the city in
a chariot, immaterializing the chasms created through caste, profession and geographic location,
with a motive of blessing every human indiscriminately.
The path that this deity takes on his odyssey that transcends all forms of human-invented divisions,
is in itself a living, breathing tradition, a thread binding us to our culture. There can be no greater
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misfortune then, that this very path, a living tradition, that was once graced by the footfalls of a
divine entity, streets where the Gods wandered, has now fallen victim to the uncontrolled current
of modernization, its identity engulfed in this process. The vibrancy of these streets rekindled only
during fleeting celebrations, even that being beset with unprecedented complications year after
year. To dwell in the past is unfeasible, and the currents of progress unavoidable. A city must
evolve and adapt, in order to bend and make spaces for these narratives that feels home to us.
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made active with cafes, charging stations, modern utilities and cultural activities. With
involvement of the senses, transparency of activities and through this element of storytelling, the
entire walk through the stretch is made an unforgettable journey.
Figure 217 Street Section with Rath, demonstrating Vibrancy at Street Levels
The stretch of street is home to multitude of tangible and intangible heritage. Its inner world
bustling with rich cultural activities within its nooks and crannies are quietly buried behind the
dead walls and closed gates. Once a vibrant street with activities spilling into the street, it has now
become a despairingly monotonous display of modern life.
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The vision is to bring the rich everyday lives of people back into the view of the street such that it
becomes a part of the street life, visually and experientially. Likewise our streets are our stage,
with everyday play unfolding before the eyes of the beholders seated behind the balconies and
latticed windows. Through generously opened facades, balconies that look onto the streets and
courtyards, and bringing of the cultural activities into the street level.
Figure 219 Opening Ground Floors and Balconies for Transparency of Activities
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Figure 220 Reinterpretation of Traditional Elements
To bring the urban greenery and water elements into the streetscape which has become a great
need of the society and to make the streets safer, and more interesting for the younger generation,
with their hobbies and eccentricities, these elements have been reinterpreted in fenestrations,
pergolas, railings, doors, balconies, screens, rhythm and proportion, etc. With the scale, proportion
and rhythm that feels familiar and grounded to our senses, but with an element of surprise which
marks the essence of our settlements, there is a juxtaposition of newer urban trends. And thus
amidst a symphonic fusion of scale, proportion, and rhythm arises a merging of the familiar with
the new, weaving an essence that is both rooted and innovative.
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provides. By reclaiming the street that has been taken hostage by the rapid increase in automobile
ownership, we create a life that unfolds sometimes inside and then outside, seamlessly blending
between privacy and community.
A palimpsest of civilization, a street, a town, corners and intersections are the retelling of the
society's journey into the future. With a juxtaposition of tradition with modernity, the revival of
Street from Jaisidewal to Lagan emerges as a testament to Nepali society's adaptability to evolution
with a dedication to give continuity to the heritage and thus with a balance of past and present, we
aim to gift to the generations yet to come a future where heritage is given continuity at the face of
adversities.
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Figure 224 Modular Architectural Elements Reimagined from Traditional Elements
11.3.3 ZONING
The stretch of street from Jaisidewal to Lagantole at present feels like an endless expansion without
much character and differentiation, lack of breaking spaces, or character. For a street that marks a
point in the journey of the chariot procession, it would only make sense to create a sense of journey
and heritage walk within the street during everyday use.
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For this, the street is divided along four major zones based on the existing character, activities as
well as proposed activities and spatial character of the zones.
A. ZONE OF YOUTH
The Zone of Youth serves as the main gateway connecting Jaisedewal to Lagan Tole, a key route
for the Jatra procession. Its name reflects its purpose – to channel the vitality of young individuals
from Jaisedewal onto the lively streets of Lagan. To fulfill this objective, the zone is a hub of
activities designed to foster youthful interaction. Music cafes, restaurants, vibrant wall arts, and
inviting seating areas create an environment where the energy of the youth thrives.
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Figure 228 Section through Street of Zone of Youth
Significant transformations have taken place, repurposing major structures like the Wada
Karyalaya. This once conventional public office now features an open floor plan, seamlessly
merging indoor and outdoor spaces. The inner courtyard has been revitalized, providing additional
seating spaces for young people to convene. The Zone of Youth exudes an overall theme of
boundless energy, enticing the public to embrace the vibrant atmosphere of Lagan's streets.
B. ZONE OF LEARNING
In the present context, the buildings here mostly are commercial based on ground floor (mostly
food) and residences on the upper floors. Building R11.2 is one of the important residential
buildings for this zone with its usage of instruments learning facilties.
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Figure 230 Street Facade (Left, Right)
Zone of Learning serves as a place along the street to explore about the tangible and intangible
heritages of the site. The core reason for this zone to be learning is the location of a building where
already instruments playing are taught to the children and youth of the area. Experiencing and
knowledge sharing is the key soul for this leaning zone to be established. With our traditional
instruments learning center and art gallery to its opposite sharing a common external courtyard
facing the street creates a hub for learning about our past. Furthermore, the courtyard facing the
street is religiously important for its location for resting God Indra during Indra Jatra.
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C. ZONE OF REPOSE
This part of the street is currently dominated by Residential and mixed use buildings with
street level completely closed off from the street creating dead spaces. With small
commercial activities scattered along the various levels of the buildings, this zone had
potential for creating a larger public spaces due to empty land plots towards street. Since
this zone also lies in midway between the journeys from Jaisidewal to Lagantole, this zone
has been proposed to be developed as a zone of repose. With urban parks and street level
facades that open up to the public, this zone acts as a lungs to the street stretch.
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develops into a nurturing hub for both youngsters and the elderly. It offers necessary
services while promoting relationships between generations.
Figure 235 Section through the Street and Urban Park in Proposed Design
A symphony of tastes through a food court, recreation through arcades, children's play park
and cyber cafes as well as necessary utilities like a supermarket, encouraging group
socializing and a place for respite, relaxation as well as enjoyment. The previously unused
plot has been revived into an urban park that offers a place of community, conversation and,
majorly respite to the residents after the bustling activities of other zones along the street
stretch.
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D. ZONE OF HERITAGE
In this zone mostly, ground floor has shutters but most of them were closed only some had
shops. As this zone being adjacent to Laga: baha here we thought of merging tangible and
intangible heritage into a vibrant tapestry that celebrates the essence of a community.
Here, time-traveling becomes possible as one steps into a world where ancient craft traditions
coalesce with the rhythms of modern life. Streets once silent are now alive with the echoes of
artisans crafting intricate wood carvings, fashioning cloth with deft hands, and molding clay
into timeless pottery. It's a living canvas where heritage is a symphony of creativity and
culture.
As visitors and locals traverse this enchanting zone, a sensory journey awaits. The tantalizing
aromas of local cuisines waft through the air, inviting all to savor the culinary traditions of
generations past. Each dish is a piece of living history, carrying flavors that have woven the
fabric of community for centuries.
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Figure 239 Section through Street, Zone of Heritage
But this conservation zone is not a mere showcase; it's an immersive experience. Travelers
step into the shoes of potters, guided by master craftsmen in molding clay into delicate
forms. They become weavers, learning the rhythmic dance of thread and loom that has spun
stories for ages. Amidst the wooden alleys, they carve their narratives, bridging past and
present in each stroke.
The "Zone of Heritage" doesn't just capture the tangible; it celebrates the intangible bonds
that bind us to our roots. Amidst these alleys, the legacy of a community thrives anew. The
conservation project weaves a tapestry where heritage is both preserved and shared. A place
where visitors don't merely observe but become part of the narrative, connecting with history
and culture in ways that leave indelible imprints on their hearts.
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Figure 240 Street Facade Zone of Heritage
The "Zone of Heritage" is not just a zone; it's a living testament to the power of heritage
to unite and inspire. Here, past and present converge, creating a haven where stories
whispered by the wind find their voice and where the heartbeat of a city resonates
through the footsteps of those who tread its sacred lanes.
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Figure 242 Street Amenities/ Utilities Figure 243 Permeable Street Pavement Details
The drainage channels have been designed along the street on either sides of the street, throughout
the stretch of the street. At a distance of 6 inches from the main street fronts, and with a width of
6 inches and depth of 3-4 inches, drainage channels have been incorporated into the street. This
ensures that proper site drainage is ensured without hampering the movement of Chariot.
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Another important aspect of ensuring walkability and safety is street lighting. Street lights were
also provided along the stretch of the street. The street lights of capacity 5000 lumens per lamp are
placed at 24 m (H*3= 8*3) distance from each other. The height of the street lamps are 8 m and
are kept alternately at two sides of the street. Street lamps are wall mounted with nuts and bolts
and easily removable during the chariot processions.
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3. Require new buildings to incorporate traditional elements, scale, proportion, materials,
and façades to maintain visual coherence and offer incentives for property owners to
restore and rehabilitate historic buildings.
4. Encourage mixed-use zoning to create vibrant streets with a blend of residential,
commercial, and cultural functions with ground floor level commercial spaces with open
storefronts that engage pedestrians.
5. Allow for sidewalk cafés and outdoor seating to activate the street and create
opportunities for social interaction while defining clear guidelines for outdoor furniture
and awnings that align with the overall design aesthetic and standards.
6. Encourage the creation of public art installations and murals that reflect local culture and
history and set guidelines for the approval and maintenance of public art to ensure quality
and relevance.
7. Design urban parks as focal points for community gatherings, recreation, and cultural
events through integration of lush greenery, trees, and plants that are indigenous to the
region and promote biodiversity.
8. Ensure that pathways, seating, and facilities within urban parks are universally accessible
by providing amenities like ramps, accessible restrooms, and seating for people of all
abilities.
9. Plan regular cultural events, performances, and workshops in urban parks to engage the
community through collaborate with local artists, musicians, and cultural organizations to
curate programming.
10. Incorporate sustainable features such as rainwater harvesting, native plant landscaping,
and solar lighting.
11. Design open spaces and urban park infrastructure to withstand weather conditions and
minimize maintenance needs that can accommodate adaptable spaces that can
accommodate various activities, from yoga classes to art exhibitions.
12. Involve the community in the design and planning of urban parks to ensure their needs
and preferences are considered.
13. Install adequate lighting, security cameras, and emergency contact points to enhance
safety along with implementation of open spaces, streets and park rules and regulations to
maintain a secure and inviting environment.
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14. Develop an implementation, monitoring and maintenance plan that includes regular
cleaning, landscaping, and repair of park infrastructure and for this establish partnerships
with local organizations for ongoing stewardship and community involvement.
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Education and Public Awareness: Inform the public about the significance of heritage preservation.
People are more inclined to support initiatives to incorporate new requirements when they
recognize the importance of conserving their cultural heritage.
Inclusive design: Ensure that contemporary adaptations are created with inclusivity and
accessibility for all members of the community, including those with impairments. Ramps are
provided in Chautara and dabali for easy accesibility for both old-aged and especially abled people.
Public Spaces: Construct public places that meet contemporary demands for social and recreational
space inside historic districts. This could improve the area's overall livability. The Silkhana area
is developed as museum and walking trail to engage the public people for livability. The public
spaces as chautara, dabali and and open spaces are designed in such a way that public can come
and use at any time. These spaces are utilized by different parties as vendors, informal markets in
specific time. The seating spaces are provided in different places. Develop cultural tourism
initiatives that are financially beneficial to the community while highlighting the historical
relevance of the site.
Flexible Strategies: Be aware that the harmony between heritage preservation and contemporary
requirements will change as time goes on. The key is flexibility and the capacity to modify plans
of action in response to shifting conditions.
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Guiding principle
Utilitarianism:
Utilitarianism is an ethical theory that states the right action is the one that produces the greatest
overall happiness or well-being for the greatest number of people. Utilitarianism would advocate
for revitalization strategies that provide tangible benefits to the local community. This could
include creating spaces for community gatherings, events, and cultural activities that enhance
social interactions and contribute to community cohesion.
Place making:
The term "place making" was popularized in the 1960s by urbanist and activist Jane Jacobs in her
book "The Death and Life of Great American Cities," published in 1961. Place making begins with
involving local residents, stakeholders, and users of the site in the revitalization process. Their
input, ideas, and feedback can guide decisions, ensuring that the revitalized site reflects the
community's aspirations and needs.
• preserves culture,
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Safety: The design of a plaza should provide for safety. Regard should be given to principles of
designing for safety such as defensible space, clear sightlines, good lighting and provision of
alternate "escape “paths.
Accessibility: A plaza should provide easy and direct access particularly for the elderly, disabled
and young children. Ramp slopes should not exceed 8.3 percent and handrails should be
incorporated. Selection of surface materials should result in easy access for the elderly and
disabled.
Defensible Space: A plaza should afford good visual surveillance opportunities both from within
the space and along the edges. People need to feel secure and will usually avoid dark hidden
corners and vacant places.
Lighting and Public Features: Good night time generalized lighting is important to enhance
safety of a plaza, particularly if it Functions as a short cut or as a through route for pedestrians. A
plaza should also provide easy and direct access to public telephones and information signs.
Sunlight:
• Sun paths, sun altitudes and shadow patterns in the plaza should be examined for all seasons,
particularly the spring and autumn. Sunlight is particularly valued at lunch time in commercial
business areas.
• creating sun traps - areas surrounded by walls with an orientation toward the south (walls
should
Noise: High levels of traffic, industrial and other ambient noises detract from the enjoyment of a
plaza. Noise can be partially mitigated by detracting attention from the noise source through the
Introduction of such elements as fountains or waterfalls.
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Weather Protection: It should be designed with some overhead weather protection. Such
protection should be provided at waiting points and along major pedestrian routes. Protection can
be achieved with the following devices:
• Canopies;
• Awnings;
• Shelters;
Amenities: A variety of amenity features encourages general public usage and creates a sense of
liveliness and excitement .Art work should provide a focal point for the plaza or become an integral
component of the overall design of the plaza. Bike racks, drinking fountains and waste receptacles
are practical, essential amenities some others are:
Spatial variety: Unless there is a specific symbolic or functional desire to accommodate large
scale activities, large open spaces should be spatially defined into smaller, more easily identifiable
and relatable areas. These smaller areas facilitate orientation and territory definition. People
commonly gather at articulated edges in or around a plaza.
Design Concept:
Repurposing old buildings or structures for new uses while maintaining their historical,
architectural, or cultural significance is known as adaptive reuse. It is a sustainable and inventive
method. This method responsibly satisfies contemporary needs while still preserving a location's
unique character. The present shops and functions of the building are changed and adaptive reuse
has been done in following buildings:
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N4 5 Mobile repairing shop+ Handicrafts shop
Chiya pasal
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S13 6 Clothes shop Ice-cream Lasse Parlor
Proposal: A better city for people and pedestrians - through the expansion of car-free areas and
interventions on the public spaces - proposes to transform a vehicular intersection into a lively
square.
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12.3 Proposed Additions and Alterations
Dabali Square: Planting plants are added to the Dabali and resting spaces are added around the
Dabali. The existing parking around it is removed and used as school children drop and pick space
used during office hour only. Exhibitions, performances, temporary volunteering works can still
be done in dabali. Targeted to the tourists from Basantapur and local children and elderly people.
Building: The materials used in the buildings and the floor pavement are changed considering the
existing building materials. The façade are open out than the present façade as the materials and
greenness are added in it. The transparency of ground floor of every building including the heritage
buildings are increased in contemporary way. The transparency is maintained by blending with
Newari architectural elements. The green façades are emphasize as the greenness in the site is very
low.
Chautara: Openness is provided in the chautara to make people feel free to enter inside removing
the existing bars which increase flow of people and sense of open space. Ramp is provided to the
north side of the chautara for easy access to elderly people, children. Balusters are added in some
areas of chautara added for the safety. The open space in front of chautara is designed in tactical
urbanization which means the use of the colors are change slightly while the activities are
drastically changed of the courtyard. The octagonal base of Karunamaya is repeated in the
courtyard which reflect the historical importance.
Silkhana: The remains of historical importance of Silkhana is preserved and the surrounding
around it is added for public use. The walking trail and shading devices are added. The temporary
quarters of army are accommodated in the proposed building in Silkhana. The building
accommodate the army quarter, youth club and museum. The height of some of the buildings are
change as they violated the bye-laws.
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13 Timeline
Rationale: Engaging the community at the outset helps build support for the project and ensures
that local needs are taken into account. Creating an inventory provides essential data for
subsequent phases and helps identify significant structures that require preservation.
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Phase 2: Silkhana Revitalization
Rationale: This phase maximizes the use of government property, provides immediate public
benefits through additional green space, offers a safe space for vendors, and showcases the
project's commitment to historical preservation.
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Phase 3: Historic Building Restoration
Rationale: This phase is crucial for preserving the area's historical identity while making it
functional for contemporary needs. It demonstrates the project's commitment to adaptive reuse and
showcases an example of successful historic building restoration.
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Phase 4: Private Residence Façade Development
Rationale: Delaying this phase until after Phase 3 ensures that the revitalized buildings maintain
a cohesive appearance, preserving the historical atmosphere while incorporating modern design
elements into the private residences.
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Phase 5: Dabali and Chautari Redesign
Rationale: Quickly rehabilitating public spaces encourages community engagement and prepares
the area for subsequent phases of construction, making it more accessible and attractive for public
activities.
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areas and public spaces and introducing changes in paving materials, along with various
design elements that enhance the overall aesthetic and functionality.
Rationale: Overlapping with Phase 5, this phase optimizes the construction timeline by taking
advantage of traffic obstruction to complete construction work efficiently. The redesign of
Lagantole ensures the preservation of its historical elements.
Phase 7: Documentation
Rationale: Proper documentation ensures that the project's achievements, challenges, and
methodologies are well-documented for reference, knowledge sharing, and future projects. It also
helps maintain a record of the revitalization journey.
Rationale: This phase marks the final stage of the revitalization project, ensuring that all aspects
of the area are fully functional and ready for public use. Handing over to interested parties ensures
the continuation of the area's vibrancy and contributes to the sustainability of the project.
Overall, this detailed plan demonstrates a thoughtful, phased approach to revitalization that
prioritizes community engagement, historical preservation, functional enhancement, and efficient
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construction sequencing. It aims to create a revitalized area that is both aesthetically pleasing and
responsive to the needs of the community.
14 Conclusion
The integration of modern needs with heritage conservation is a dynamic and ongoing process that
demands collaboration, sensitivity, and a comprehensive understanding of the value that heritage
sites hold for both the past and the future. By striking a balance between preserving histories and
accommodating contemporary requirements, societies can ensure that their cultural legacy remains
a living, relevant, and cherished part of their identity. Ultimately, the integration of modern needs
with heritage conservation requires a multidisciplinary approach that considers historical, cultural,
social, economic, and environmental factors. Adaptive reuse not only breathes new life into old
structures but also contributes to sustainable development by minimizing demolition and reducing
the environmental impact of new construction. These examples demonstrate the diverse range of
possibilities when it comes to blending modern functionality with the rich history of existing
buildings. Adaptive reuse requires careful planning, collaboration with architects and preservation
experts, and adherence to local regulations. It can revitalize underutilized structures, reduce the
environmental impact of new construction, and contribute to the preservation of cultural heritage.
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