Cthulhu Eternal - Jazz Age

Download as pdf or txt
Download as pdf or txt
You are on page 1of 103

Cthulhu Eternal: An Any-Time Lovecraftian Roleplaying Game

OGL System Reference Document

Localization for Jazz Age Settings


Document Version 1.0 Released 18 January, 2022

Credits:

Original Writing: Dean Engelhardt, Jo Kreil, Kevin Ross, Jeff Moeller, Chad Bowser, Dave Sokolowski, Christopher Smith
Adair, Fred Behrendt, Emily O’Neil.
Additional Writing: Michelle Bernay-Rogers, Paul Franzese.
Rules updates: Noah Cline.
Localization of Cthulhu Eternal for the Modern Age Setting: Dean Engelhardt
Cover art by: Stock Art, composited by Dean Engelhardt.
Special help and enthusiasm: Matt Wiseman.
Copyright © 2022 by Cthulhu Reborn Publishing.
The name Cthulhu Eternal and the associated logo are Trademarks of Cthulhu Reborn Publishing.
For full OGL License Details including statements of Product Identity and Open Content see end of document.

What Is Cthulhu Eternal?


Cthulhu Eternal is a tabletop roleplaying game which allows you to play out a broad range of investigative adventures in
different eras of history, as tainted by the ravages of H.P. Lovecraft’s Cthulhu Mythos.

The only assumptions made by the Cthulhu Eternal rules are that:

• The game takes place in an era of our planet’s past, present, or future where humanity is the prevailing –
although not necessarily only – species actively shaping the world.
• The world is haunted by secret and mysterious survivals of otherworldly or extra-dimensional forces of
Lovecraft’s mythos; clues to their existence are scattered through written accounts (if such exist) or folktales
passed from generation-to-generation.
• Players take on roles of everyday people from the era, without special pulp-like “super-powers”; regardless of
their frailty they pursue the truth about the Cthulhu Mythos and ultimately work to thwart its corrosive
influence.
• Player characters are physical human beings that can be hurt, fall unconscious, or die if subject to physical
damage – and conversely, they can be healed using whatever knowledge of “first aid” exists in the historical era.
• Player characters are conscious and intelligent beings whose sanity can be adversely affected by witnessing
terrible things beyond normal human comprehension – and conversely, they can have their mental state made
better by whatever folk-remedies or medical science exists in the historical era.

1
Lovecraftian Investigations in the Jazz Age
This version of Cthulhu Eternal is specifically tailored to support Lovecraftian games set in the Jazz Age – that is, the
world as it was in the early 20th Century (between the World Wars). This is an attractive option for a game setting – and
one that has been used many times – for one simple reason. When H.P. Lovecraft was writing his uncanny tales of weird
horror, he frequently chose to set them in the world that was most familiar to him and his readers: the present-day
world at the time they were written. Given that those tales were penned between 1920 and Lovecraft’s death in 1937,
there are plenty of examples of original creations that take place in the inter-war era we’ve termed the “Jazz Age.”
Those stories can easily serve as great sources of inspiration for your own scenarios – and best of all they are reliably
authentic to the period (because they were written by someone living through it).

While Lovecraft set the ball rolling on the style of weird tale we now call “Lovecraftian” he was certainly not the only
person who was writing contemporary horror fiction in the 1920s and 1930s with a “cosmic” flavor. In fact, Lovecraft
himself famously encouraged friends and correspondents to join in with his grand game of inventing this nascent sub-
genre, sometimes suggesting ideas to colleagues, sometimes revising their fiction for pay. This means that there are
other authors of the period whose fiction can serve as inspiration for era-authentic games. Because each writer has his
or her own unique voice, tracking down works by some of these contemporaries of H.P. Lovecraft can give you a
different style of “Mythos” story that you can use as a starting point for your own ideas. Some writers you can search
out:

• Frank Belknap Long


• Robert Bloch
• Robert E. Howard
• Henry Kuttner
• Manly Wade Wellman

Of course, there is no reason that you need to limit yourself to creating scenarios and plots inspired by those writing
contemporary fiction in the 1920s or 1930s. Indeed, you can ignore those writers entirely and focus on weaving your
original ideas into a compelling Jazz Age scenario or campaign. There are, however, a few pitfalls that you should try to
avoid when striking out on your own:

1. Social structures in the Jazz Age are typically quite different to anything we’ve personally experienced,
2. The technology of the 1920s and 1930s is simplistic by our standards (and it’s easy to make assumptions that
are anachronistic),
3. People in the Jazz Age typically knew much less about the current state of the world outside their immediate
vicinity: there is no instant communication of news. Indeed, there still exist some corners of the world which
have not been fully explored and documented.

In general, it is worth investing some time in navigating these pitfalls since a story that ignores major differences in
society, technology, etc., will not feel especially genuine to the period. Depending on your players, this can spoil any
chance of them feeling immersed in the unique “feel” of the era. It’s not just about avoiding blatant anachronisms (“yes
some cops used radios to keep in contact, but there were no portable hand-held radios that could be used away from
patrol cars”). It’s also about representing society in a believable fashion. How did people really live their lives in the era?
How did the gadgets of the age support their life, and how did the limitations of technology impact of the lives of the
average person?
2
The best way to make your Jazz Age games feel authentic is to do a little bit of research about the historical era before
you dive headlong into creating your Mythos masterpiece. Calling it “research” makes it seem like it’s necessarily boring
– hitting the library (real or online) and diving into social histories of the inter-war period. If that’s your bag, there are a
lot of great resources that will reward your investment of time. But it’s just as possible that your research might seek to
learn details of the Jazz Age through movies or TV series set in the era. A few great examples of the latter category
include:

• Boardwalk Empire (TV Series, 2010—2014).


• Carnivàle (TV Series, 2003—2005).
• Peaky Blinders (TV Series, 2013—2022).
• Miller’s Crossing (Coen Brothers Movie, 1990).
• Something Wicked This Way Comes (1984 Dark Fantasy Movie).
• Horror Express (1972 Movie with Christopher Lee, Peter Cushing and Telly Savalas; not technically set in the Jazz
Age but close enough).
• The Great Gatsby (the F. Scott Fitzgerald novel, or one of its several movie versions including the visually lavish
2013 Baz Luhrmann production).

Naturally, when you’re taking inspiration from non-horror fiction or media to build a compelling backdrop for your
original horrific tale, the key to success is finding the right balance between period color and weird horror. Having lots of
period detail is great, but an entire game which features nothing but gangsters and bootleggers will quickly bore a group
that has turned up to your table expecting a weird fiction tale. Conversely, a game which is strong on “established
Mythos-continuity” but which feels like it’s just a modern-day story with the serial number filed off and replaced with
1920s clichés, will come off as arbitrary. After all, if it makes no difference whether the tale is set in the Jazz Age or
modern-day why should players go to the effort of getting into the right “mood” for this unique setting?

As with everything the key is balance and adapting to what players will find most fun. As long as you listen to what your
players say they want out of a game experience – you will never fail when it comes to bringing a compelling investigative
horror game alive at the table.

3
PART I: RULES OF THE GAME
This section describes the rules that all players will need to know to play a game of Cthulhu Eternal. It describes:

• How to create characters whose roles players will adopt in the shared Lovecraftian stories;
• How characters make use of their skills and attributes to try to overcome challenges they encounter;
• How combat works, when things turn violent;
• How the fragile sanity of each player’s character may become eroded by encounters with horrors, both
mundane and unnatural;
• What player characters can do during the quiet downtime between perilous adventures against unnatural
entities.

1.0 Core Game Concepts


These rules tell you everything you need to know in order to play Cthulhu Eternal.

As with most tabletop roleplaying games, when playing Cthulhu Eternal one player takes on the responsibility of setting
the scene and narrating the events which make up a Cthulhu Eternal adventure. That individual is termed the Game
Moderator. All other players take on the roles of individual every-day people from an era of human history who are
swept up in investigating the Cthulhu Mythos. These characters are called Protagonists (with the term capitalized for
clarity). Protagonists will encounter a multitude of other characters whose roles are not being played by other players –
those characters are called Non-Player Characters (or NPCs) and their actions are controlled by the Game Moderator.

In this book you’ll find rules for creating Protagonists and a full set of rules for running adventures in a Lovecraftian
world of your group’s choosing or devising.

In addition to this book, you also need pencils to record changes to your character sheet, scratch paper to draw sketches
and take notes, and dice.

Cthulhu Eternal uses polyhedral dice common to tabletop role-playing games: four-sided, six-sided, eight-sided, ten-
sided, twelve-sided, and twenty-sided. The game plays best when you have a few of each on the table. Or you can find
automated dice rollers on the Web and as mobile apps.

1.1 Rolling the Dice


When the rules need you to roll dice, they use a particular nomenclature to save time and space: “#D#,” as in “1D8” or
“4D6.” The first number is the number of dice. The “D” stands for “dice with the following number of sides.” The second
number is the number of faces on the die. “1D8” means roll one eight-sided die. “4D6” means roll four six-sided dice and
add the numbers together. Sometimes you add or subtract a number from the roll. If it says “1D6+2,” that means roll
one six-sided die and add two to the result.

1.2 Percentile Dice (“1D100”)


Actions in Cthulhu Eternal are resolved using percentile dice. That means you roll two ten-sided dice to get a number
from 1 to 100. To do this, you don’t add the individual die values together but instead treat each number as a digit (0—
9). Before you make the roll, designate one die as the tens digit and the other as the ones digit. A zero (0) on the tens die
counts as zero except when the ones die is also 0; then the 0 on the tens die counts as 10. For example:

• The tens die comes up “0” and the ones die comes up “3”: 03, or 3.
• The tens die comes up “3” and the ones die comes up “0”: 30.
• Both dice come up “0”: 100.
• The tens die comes up “6” and the ones die comes up “2”: 62.
4
2.0 Protagonists
Your Protagonist represents the fictional persona that you will control in the game. You will spend a lot of time
navigating your Protagonist through exciting and dangerous situations, so it is worth investing time in creating a
character you will enjoy playing.

2.1 What Makes a Protagonist


All Protagonists are composed of six elements:

STATISTICS (STATS): Core capabilities for every Protagonist.

DERIVED ATTRIBUTES: Ratings that indicate physical and mental resilience, derived from stats.

ARCHETYPE: The type of role your Protagonist performs, which informs how many skill points and Bonds he or she has.

SKILLS: What training and education your Protagonist has picked up from being taught, or from life in general.

RESOURCES: An abstract rating that reflects your Protagonist’s access to useful equipment or items.

BONDS: The people and communities your Protagonist fights to protect.

2.2 Protagonist Creation


Follow these steps to create a new Protagonist, or see HOW TO CREATE A PROTAGONIST on page 7 for a quick
reference.

2.2.1 STEP 0: Establish Harshness of Protagonist’s Upbringing


Most Protagonist’s upbringings will have been unremarkable – but it’s possible that yours grew up under especially
challenging and punishing circumstances. For example, growing up amid a turbulent period of warfare or plague that
killed most of those near-and-dear to the Protagonist. If you think that upbringing might have been harsh enough to scar
your Protagonist, discuss it with your Game Moderator. Between you, decide whether the upbringing you envisage is
best characterized by the descriptor Normal(-ish), Harsh, or Very Harsh. See page 9 for a few examples of real-world
disasters which could have brought tragedy to your Protagonist’s childhood.

Usually, an upbringing warranting the descriptor Harsh will involve the Protagonist having spent at least 3-4 years of
adolescence in a highly dangerous or adverse situation that only affected the specific region. This calamity is likely to
have caused the untimely death of at least a couple of the character’s immediate family.

For an upbringing to be considered Very Harsh, the whole of the Protagonists childhood and adolescence was likely
marred by a dangerous, deadly, or otherwise toxic environment that was particular to their region. This terrible situation
is likely to have resulted in the majority of the characters’ family suffering greatly, with at least half having perished.

Any upbringing that isn’t Harsh or Very Harsh is considered Normal(-ish).

A harsher upbringing might make him or her a little stronger or hardier (since only the strong and hardy would have
survived), but at the cost of mental scarring from the many horrific sights marring their childhood.

2.2.2 STEP 1: Determine Statistics


Statistics are Strength (STR), Dexterity (DEX), Constitution (CON), Intelligence (INT), Power (POW), and Charisma (CHA).
They range from 3 (the worst) to 18 (the best), with an average of 10 for an ordinary adult. Statistics represent core
capabilities possessed by all Protagonists. All are important. (See DETAILED DESCRIPTION: STATISTICS on page 8.)

5
You can create stats in two ways: rolling them or assigning points. Pick a method.
1. ROLL STATS: For each stat roll 4D6, drop the lowest of the four dice, and add up the other three. Place the six
rolls in whichever stats you like.
2. ASSIGN STATS: Divide 72 points among the six stats however you like, or pick one of the sets from page 9 and
assign each score to one statistic.

After the basic values are assigned for each statistic, modify according to the Harshness Descriptor for the setting:
• For Protagonists in Harsh settings: add 1 to either STR or CON (player’s choice)
• For Protagonists in Very Harsh settings: add 1 to both STR and CON

2.2.3 STEP 2: Calculate Derived Attributes


Hit Points, Willpower Points, Sanity Points, and Breaking Point are derived from stats. They represent physical and
mental resilience. When your Protagonist is hurt, exercises mental fortitude, or is traumatized, those scores can drop. If
your Protagonist has a STR score that is outside the average range (9—12) he or she also has a modifier to the damage
inflicted from hand-to-hand combat. (See DETAILED DESCRIPTION: DERIVED ATTRIBUTES & DAMAGE BONUS on page
10.)

2.2.4 STEP 3: Select Archetype


What does your Protagonist do for a living (or just to stay alive)? Archetype dictates what skills your Protagonist has, his
or her basic resource level, and the number of Bonds he or she possesses. (See DETAILED DESCRIPTION: ARCHETYPES
on page 11.)

2.2.5 STEP 4: Calculate Resources Rating


The Resources rating is a number between 0 and 20 that reflects the Protagonist’s access to valuable or useful
equipment. A Protagonist’s base Resources rating is dictated by his or her Archetype, however during later steps, you
can sacrifice other potential bonus skills in favor of a higher resources score; conversely, you can agree to drop
Resources rating of 0 (entirely without access to resources) and receive additional skills. (See DETAILED DESCRIPTION:
RESOURCES on page 18.)

2.2.6 STEP 5: Define Bonds


Bonds indicate the strength of relationships with the most important people and communities in your Protagonist’s life
— like a spouse, child, a long-time travelling companion, or a local community of people. Bonds help Protagonists resist
mental trauma—but as your Protagonist’s life falls apart under the stress of the Mythos-haunted world, Bonds
deteriorate.

There are two types of Bonds – bonds with individuals and bonds with an entire community. The latter reflect the
Protagonist’s standing as part of the community and his or her ability to influence the group.

Each Individual Bond has a value that starts equal to your Protagonist’s Charisma (CHA).

Each Community Bond has a default value equal to half the Protagonist’s Resources rating, however during creation of
the Protagonist the player may elect to sacrifice potential skills in favor of a higher value. Conversely, the player may
elect to take a Community Bond with a value of 1 (lowest possible social standing) and receive additional skills. (See
DETAILED DESCRIPTION: BONDS on page 23.)

2.2.7 STEP 6: Select Bonus & Adversity Skills


Skills require special training, and come from schooling, experience, or personal interest. Skills are measured from 0%
(no training) to 99% (foremost expert in the world). (See DETAILED DESCRIPTION: SKILLS on page 27.)
6
2.2.8 STEP 7: Determine Mental Damage from Harsh Environments
Protagonists that have grown up in difficult and brutal conditions are likely to have picked up some mental scarring
along the way. This can leave them hardened to certain types of traumatic stimuli, distant from those around them, or
afflicted with mental disorders. (see DETAILED DESCRIPTION: MENTAL DAMAGE FROM HARSH UPBRINGING, page 36.)

2.2.9 STEP 8: Add the Final Details


Start filling in the details that make your Protagonist interesting.

How old is your Protagonist? What does he or she look like? Where did he or she grow up?

What’s your Protagonist’s name? What is your Protagonist’s role in the community and what’s your personal life like?

And why, despite all the terrifying dangers, does your Protagonist venture out to pursue adventure or investigate
weirdness?

>> How To Create A Protagonist


Determine Harshness of Protagonist’s Upbringing
• Ask Game Moderator for the setting’s Harshness Descriptor – Normal(ish), Harsh, Very Harsh.
Stats & Derived Attributes
• Roll STATISTIC scores (see page 5) or divide 72 points between the six stats. See page 9 for suggested sets.
• Modify STR and/or CON statistic scores based on Harshness:
o Harsh add +1 to STR or CON (player’s choice)
o Very Harsh add +1 to STR and CON
• Calculate DERIVED ATTRIBUTES (see page 10).
o HP = (STR + CON) ÷ 2, rounded up.
o WP = POW.
o Recovery SAN is always POW × 5, regardless of setting harshness.
o Determine Starting SAN based on Harshness Descriptor:
▪ Normal(ish) SAN = POW × 5.
▪ Harsh or Very Harsh SAN = POW × 4.
o BP = SAN − POW.
• High and low stat scores can tell something about your Protagonist’s physical description. (See
DISTINGUISHING FEATURES on page 9.)
• If STR is below 9 or above 12, look up DAMAGE BONUS (see page 48).
Archetype, Skills, Resources & Bonds
• Choose an ARCHETYPE from the lists starting on page 12.
• Write down the ARCHETYPAL SKILLS for your Protagonist’s Archetype and record the starting RESOURCES
rating associated with the Archetype.
• Your Protagonist may get ADVERSITY SKILL POINTS (see page 18) which can be used to increase one of the
four setting-specific skills defined as adversity skills. Each pick provides +20 rating to the chosen skill.
o Harsh 1 pick
o Very Harsh 2 picks
• On a piece of scrap paper, record the Protagonist’s number of available BONUS SKILL POINT picks (see
below). This starts at 10.
• (Optional) Modify your Protagonist’s RESOURCES rating (see page 18):
o Increase rating by sacrificing one or more BONUS SKILL POINT picks; the first sacrifice gives +5 to
RESOURCES rating, each subsequent sacrifice gives +2.
o Alternatively, choose to reset rating to 0 and receive one extra BONUS SKILL POINT pick.

7
• Once the final RESOURCES rating has been established, look up the breakdown (see page 20) of “at-
hand”/stowed/stored points and number of Resource checkmarks and copy these to Protagonist sheet
• Define your Protagonist’s BONDS (see page 23).
o The Protagonist’s Archetype determines how many Bonds he or she has.
o Each Bond is either a Community Bond or an Individual Bond (player’s choice).
o Each Individual Bond refers to an individual with special significance and begins with a score equal
to your Protagonist’s CHA.
o Each Community Bond refers to a community within which the Protagonist has a particular standing
and begins with a value equal to half his or her RESOURCES rating (see above).
o (Optional) Modify Community Bond Values:
▪ Improve the rating of any Community Bond by sacrificing BONUS SKILL picks; the first
sacrifice for any given Bond gives +5 to its value, each subsequent sacrifice for the same
Bond gives +2.
▪ Alternatively, choose to take a rating of 1 for a Community Bond (reflecting the lowest
possible standing in the society) and receive one extra BONUS SKILL POINT pick.
• After resolving any optional spends of BONUS SKILL POINTS (page 26) for non-skill benefits, use the
remainder to improve ANY skills (except Unnatural). Each pick provides an increase of 20 points.
o No skill can start higher than 80%
Mental Damage from Harsh Environment
• If Setting Harshness is anything other than “Normal(ish)”, determine any MENTAL DAMAGE FROM
ENVIRONMENT (see page 36). This may mean:
o Protagonist begins play with MENTAL DISORDERS.
o Protagonist loses points from Bonds due to emotional distance.
o Protagonist begins play ADAPTED to Violence or Helplessness.
Final Details
• Choose NAME, AGE, SEX, BIRTHPLACE and Current HOME.
• As you play, describe up to five MOTIVATIONS that are not Bonds.
• When your Protagonist develops a new MENTAL DISORDER, it replaces a motivation.

2.3 Detailed Description: Statistics


Every Protagonist has six core capabilities: Strength, Constitution, Dexterity, Intelligence, Power, and Charisma. These
are called his or her statistics (or “stats” for short).

>>Statistics
Statistic Abbreviation Description Stat Test Examples
Strength STR Physical power, size, and musculature. Drag an innocent to safety. Break down a
locked door. Hold a struggling victim down.
Constitution CON Health and physical resilience. Resist illness, exhaustion, or pain. Hold your
breath for a long time. Keep running longer
than everyone else.
Dexterity DEX Agility, coordination, and nimbleness. Keep balance. React quickly.
Intelligence INT How well a Protagonist notices, Recall a detail. Piece together disparate data.
remembers, and connects things. Along
with Archetype, it indicates education and
overall brilliance.
Power POW Force of personality, motivation, and Keep your head in a crisis. Stand up to
psychic resilience. pressure.
Charisma CHA Charm, leadership, and personal appeal. Make a good impression. Talk your way into a
May indicate physical attractiveness. private club. Look like you belong.

8
During Protagonist creation, you can either roll STATISTIC scores (see page 5) or simply divide 72 points between the six
stats however you wish. The table nearby gives some examples of possible assignments.

>> Assignable Set of Statistics


Description Stat 1 Stat 2 Stat 3 Stat 4 Stat 5 Stat 6
Well-Rounded 13 13 12 12 11 11
Focused 15 14 12 11 10 10
Highly Focused 17 14 12 10 10 9
Each stat has a test score equal to the stat × 5: STR×5, INT×5, POW×5, etc. This means roll five times the stat or less on
percentile dice (1D100) to succeed. When your Protagonist attempts a difficult action and no skill covers it, the Game
Moderator may ask you to roll a stat test for whatever stat is the closest fit.

2.3.1 Stat Adjustments for Harsh Upbringings


Protagonists who have managed to reach adulthood in a dangerous or deadly environment are likely to be hardier or
stronger than average– weaker individuals simply don’t make it through such horrible upbringings. To reflect this, such
Protagonists receive a bonus to STR and/or CON as follows:
• Normal(ish) setting: no bonus
• Harsh setting: +1 to either STR or CON (pick one)
• Very Harsh setting: +1 to both STR and CON

What Makes An Upbringing Harsh?


For the Jazz Age, catastrophes in the characters’ background would likely have occurred in the late 19th Century. A
(non-exhaustive) list of historical possibilities include:
• Wars: The Boer War in South Africa (1900—1902)
• Famines: East-Central China (1907, 1911)
• Plagues: Cholera in Europe, Asia, Africa (1899—1923), African Sleepy Sickness in Uganda (1900—1920),
Malaria in Ceylon (1906)

2.3.2 Distinguishing Features


A stat below 9 or above 12 is exceptional. Spare a word or two to describe stats outside the average; see the table
nearby for some examples. These descriptors help give your Protagonist personality.

>> Sample Distinguishing Features


Statistic 3—4 5—8 9—12 13—16 17—18
Strength Feeble Weak (Average) Muscular Huge
Dexterity Barely Mobile Clumsy (Average) Nimble Acrobatic
Constitution Bedridden Sickly (Average) Perfect Health Indefatigable
Intelligence Imbecilic Slow (Average) Perceptive Brilliant
Power Spineless Nervous (Average) Strong-Willed Indomitable
Charisma Unbearable Awkward (Average) Charming Magnetic

9
2.4 Detailed Description: Derived Attributes & Damage Bonus
The derived attributes — Hit Points, Willpower Points, Sanity Points, and Breaking Point — represent your Protagonist’s
physical and mental toughness.
Damage Bonus reflects whether his or her brawn (or lack thereof) will affect damage inflicted through brawling and
hand-to-hand weapons.

HIT POINTS (HP): Hit Points represent how much damage your Protagonist can sustain. When the Protagonist is injured,
subtract the damage from HP. At 2 HP, your Protagonist falls unconscious. At 0 HP, your Protagonist dies. Hit Points are
regained through rest and medical attention.

Hit Points equal CON plus STR, divided by two and rounded up.

WILLPOWER POINTS (WP): Willpower Points represent mental fortitude. They fall when your Protagonist attempts to
suppress the symptoms of mental illness (see RESISTING INSANITY on page 74), becomes exhausted (see EXHAUSTION
on page 42), attempts to resist persuasion, suffers emotional burnout (see FUMBLE on page 40), or tries to fuel
unnatural phenomena. At 2 WP, your Protagonist has a temporary emotional collapse. At 0 WP, your Protagonist falls
unconscious. Willpower Points are regained with rest. (See WILLPOWER POINTS on page 42.)
Willpower Points equal POW.

SANITY POINTS (SAN): Sanity Points represent mental health: how much mental trauma, or exposure to the unnatural
your Protagonist can endure before going insane. In moments of mental trauma your Protagonist must make a Sanity
test by rolling SAN or lower on 1D100. If that fails, your Protagonist loses SAN. (See SANITY on page 64.) Sanity Points
are regained through remedial care or by overcoming unnatural threats. At 0 Sanity Points, your Protagonist goes
irretrievably insane and becomes an NPC permanently under the control of the Game Moderator.
A Protagonist’s starting Sanity Points depends on the Harshness of his or her upbringing – the harsher the situation, the
more brutality and horror the Protagonist has been scarred by.

Normal(ish) Setting: Sanity Points begin equal to POW×5.


Harsh or Very Harsh Setting: Sanity Points begin equal to POW×4.

BREAKING POINT: The Breaking Point is the point at which loss of SAN triggers a long-term mental disorder. (See
INSANITY AND DISORDERS on page 68.)

A Protagonist’s Breaking Point equals SAN minus POW.

The instant the Protagonist’s SAN reaches the Breaking Point, he or she gains a disorder. Reset the Breaking Point to
equal the new SAN score minus POW.

MAXIMUM SAN: The is the absolute maximum number of Sanity Points your Protagonist can EVER reach, by any means.
Learning more about the true nature of the Cthulhu Mythos (represented by the Unnatural skill) reduces this number.
A Protagonist’s Maximum SAN always equals 99 minus skill rating in the Unnatural Skill.

RECOVERY SAN: This is the highest Sanity Point total that your Protagonist can possibly achieve through mundane
methods – relaxation, personal pursuits, caring for loved ones, and seeking help for mental illness. See RECOVERING
SANITY on page 75.

A Protagonist’s Recovery SAN equals POW×5, regardless of the harshness of the setting.
If this number would be higher than Max SAN, Recovery SAN equals Max SAN.
10
DAMAGE BONUS: High or low Strength modifies the DAMAGE the Protagonist inflicts through successful unarmed and
hand-to-hand weapon attacks (see page 48). This modifier to damage should be recorded on the Protagonist sheet for
later reference.

>> Damage Bonus from STR Score


1—4 5—8 9—12 13—16 17—18
-2 -1 0 +1 +2

2.5 Detailed Description: Archetypes


Each Protagonist is a representative of a broad category of character types, usually related to the job he or she performs
in the game world. Each such category is called an Archetype.

An Archetype says a lot about a Protagonist. It grants a “kit” of appropriate skills. It also determines the number of
Bonds your Protagonist has when the game begins, and his or her starting Resource level.

RECOMMENDED STATS: Some Archetypes require people who are particularly fit, stable, or smart. This means the
recommended stats should be 10 or higher — or at least they were when your Protagonist first started out being the
Archetype.

ARCHETYPAL SKILLS: Each Archetype has a predefined kit of skills with scores that replace the default skill ratings. This
represents the baseline training, experience, and education for that Archetype. See DETAILED DESCRIPTION: SKILLS on
page 27 for their uses.

RESOURCES: Each Archetype dictates a base value for the Resources rating.

BONDS: Each Archetype dictates the number of Bonds your Protagonist begins with. Difficult and trying Archetypes
mean fewer Bonds but more skills. The player can decide whether each of these Bonds refers to:

• a relationship to an individual (Individual Bonds) or


• standing within a community (Community Bonds).

2.5.1 Customizing Your Protagonist With Other Skills


Don’t worry if your Protagonist at this point looks like a generic representative of his or her chosen Archetype. While the
Archetype defines a core set of abilities, those skills and ratings don’t represent the full range of everything your
Protagonist can do.

Later in the character generation process you will have opportunities to pick other skills they are also good at. There are
two different types of skill picks:

• ADVERSITY SKILL POINT PICKS (see page 18) represent abilities your Protagonist has because of the harsh
environment that he or she grew up in. These picks can only be used to enhance a few specific skills, and cannot
be traded in for other benefits.
• BONUS SKILL POINT PICKS (see page 26) represent hobbies and general experience he or she learned above and
beyond the basics associated with the Archetype. You start with ten such bonus picks to use later in the
Protagonist generation process. These picks can be traded in for other advantages like increased availability of
resources-at-hand or standing in a community.

11
2.5.2 List of Archetypes
The following Archetypes are appropriate for Jazz Age games of Lovecraftian investigation. They don’t cover every
possible character type but focus on likely protagonists in mystery and investigation tales. The GM is encouraged to
develop other archetypes to cover other character types suggested by players. Guidelines for developing new
Archetypes may be found on page 90.

Alienist / Psychiatrist
RECOMMENDED STATS: POW, INT

ARCHETYPAL SKILLS:

• Anthropology 50%
• Insight 60%
• Medicine 40%
• Psychoanalyze 70%
• Science (Type) 50%
• Social Etiquette 40%

Choose any 3 of these that you don't already have:

• Administration 50%
• Alertness 60%
• Charm 60%
• Foreign Language (Type) 40%
• Law (Type) 40%
• Research 50%

STARTING RESOURCES: 5

BONDS: 3

Antiquarian / Book Dealer


RECOMMENDED STATS: INT, CHA

ARCHETYPAL SKILLS:

• Administration 50%
• Appraise 60%
• History 80%
• Research 60%
• Persuade 60%
• Search 60%

Choose any 4 of these that you don't already have:

• Charm 60%
• Craft (Type) 40%
• Foreign Language (Type) 40%
• Occult 50%
12
• Regional Lore (Type) 40%
• Streetwise (Type) 40%
• Use Gadgets 40%

STARTING RESOURCES: 4

BONDS: 3

Artist / Craftsperson
RECOMMENDED STATS: DEX

ARCHETYPAL SKILLS:

• Appraise 40%
• Art (Type) 60%
• Art (Type) 40%
• Insight 60%
• Search 60%
• Streetwise (Type) 30%
• Social Etiquette 50%

Choose any 4 of these that you don't already have:

• Administration 50%
• Alertness 60%
• Anthropology 40%
• Athletics 70%
• Harangue 50%
• Heavy Machinery 50%
• Natural World 50%
• Use Gadgets 40%

STARTING RESOURCES: 4

BONDS: 3

Bon Vivant / Occult Dabbler


RECOMMENDED STATS: POW, CHA

ARCHETYPAL SKILLS:

• Anthropology 30%
• Insight 50%
• Occult 70%
• Persuade 40%
• Research 40%
• Social Etiquette 60%
13
Choose any 3 of these that you don't already have:

• Art (Type) 40%


• Charm 60%
• Foreign Language (Type) 40%
• History 50%
• Psychoanalyze 50%
• Regional Lore (Type) 40%

STARTING RESOURCES: 5

BONDS: 4

Criminal / Gangster
RECOMMENDED STATS: STR, DEX

ARCHETYPAL SKILLS:

• Alertness 50%
• Appraise 40%
• Athletics 50%
• Insight 40%
• Search 50%
• Stealth 60%
• Streetwise (Type) 40%

Choose any 3 of these that you don't already have:

• Craft (Type) 40%


• Disguise 50%
• Firearms 60%
• Harangue 50%
• Law (Type) 40%
• Melee Weapons 70%
• Unarmed Combat 60%
• Use Gadgets 40%

STARTING RESOURCES: 5

BONDS: 4

Doctor / Nurse
RECOMMENDED STATS: INT

ARCHETYPAL SKILLS:

• Administration 30%
• Charm 60%
• First Aid 50%
14
• Insight 50%
• Medicine 50%
• Search 60%
• Social Etiquette 50%
• Surgery 50%

Choose any 2 of these that you don't already have:

• Foreign Language (Type) 40%


• Military Training (Type) 40%
• Psychoanalyze 50%
• Research 50%
• Science (Type) 40%
• Use Gadgets 40%

STARTING RESOURCES: 5

BONDS: 3

Historian / Genealogist
RECOMMENDED STATS: INT, CHA

ARCHETYPAL SKILLS:

• Administration 60%
• Anthropology 50%
• Archeology 50%
• History 70%
• Research 60%
• Social Etiquette 40%

Choose any 4 of these that you don't already have:

• Art (Type) 40%


• Craft (Type) 40%
• Foreign Language (Type) 40%
• Law (Type) 40%
• Military Training (Type) 40%
• Persuade 60%
• Regional Lore (Type) 40%
• Search 60%

STARTING RESOURCES: 4

BONDS: 3

Journalist / Author
RECOMMENDED STATS: INT, CHA

15
ARCHETYPAL SKILLS:

• Alertness 50%
• Art (Type) 50%
• Insight 60%
• Research 60%
• Search 60%
• Social Etiquette 30%

Choose any 4 of these that you don't already have:

• Administration 50%
• Anthropology 40%
• Archeology 40%
• Foreign Language (Type) 40%
• History 50%
• Law (Type) 40%
• Occult 50%
• Regional Lore (Type) 40%
• Science (Type) 40%
• Use Gadgets 40%

STARTING RESOURCES: 4

BONDS: 4

Private Eye / Detective


RECOMMENDED STATS: INT, STR

ARCHETYPAL SKILLS:

• Alertness 50%
• Firearms 60%
• First Aid 50%
• Insight 50%
• Law (Type) 50%
• Streetwise (Type) 40%
• Search 70%
• Use Gadgets 40%

Choose any 3 of these that you don't already have:

• Administration 50%
• Social Etiquette 50%
• Athletics 70%
• Charm 60%
• Disguise 50%

16
• Dodge 70%
• Drive 60%
• Harangue 50%
• Melee Weapons 70%
• Research 50%

STARTING RESOURCES: 4

BONDS: 3

Professor / Librarian
RECOMMENDED STATS: INT, POW

ARCHETYPAL SKILLS:

• Administration 40%
• Insight 60%
• Persuade 60%
• Research 70%
• Search 60%
• Social Etiquette 50%
• Use Gadgets 40%

Choose any 5 of these that you don't already have:

• Anthropology 40%
• Archeology 40%
• Art (Type) 40%
• Foreign Language (Type) 40%
• History 50%
• Law (Type) 40%
• Medicine 40%
• Occult 50%
• Regional Lore (Type) 40%
• Science (Type) 40%

STARTING RESOURCES: 4

BONDS: 2

Scientist / Inventor
RECOMMENDED STATS: INT, DEX

ARCHETYPAL SKILLS:

• Craft (Type) 50%


• Law (Type) 20%
• Research 60%

17
• Science (Type) 60%
• Search 60%
• Social Etiquette 30%
• Use Gadgets 50%

Choose any 4 of these that you don't already have:

• Anthropology 40%
• Archeology 40%
• Firearms 60%
• Foreign Language (Type) 40%
• Heavy Machinery 50%
• Military Training (Type) 40%
• Psychoanalyze 50%
• Science (Type) 40%

STARTING RESOURCES: 5

BONDS: 2

2.6 Detailed Description: Adversity Skill Points


Depending on the harshness of the environment where your Protagonist grew up, he or she may gain Adversity Skill
Point Picks. Each such pick provides a 20-point increase in rating for one skill from a pre-defined list.

The number of Adversity Skill Point Picks your Protagonist receives depends on the Harshness Descriptor relevant to
their particular upbringing:
• Normal(ish) upbringing: no Adversity Skill Point Picks
• Harsh upbringing: 1 Adversity Skill Point Pick
• Very Harsh upbringing: 2 Adversity Skill Point Picks

Adversity Skill Point Picks can ONLY be spent to increase ratings in the following list of setting-specific adversity skills:
First Aid, Military Training (type), Regional Lore (type), or Survival (type).

You can pick the same skill more than once.

2.7 Detailed Description: Resources


Every Protagonist has a Resources rating between 0 and 20. This number is an abstraction that represents the size,
value, and utility of the personal pool of resources to which he or she has ready access. A Protagonist who is “wealthy”
in a material sense will have a high Resources rating, since they have personal ownership – and hence access – to more
things. Conversely, someone who is destitute and forced to carry their meagre belongings on their back will probably
have a very low Resources rating. The definition of what constitutes “wealth” and “valuable resources” might vary
depending on the game setting, but the Resources rating is a handy abstract rating which compares the magnitude of
the Protagonist’s material possessions against other people’s.

The Resources rating represents a pool of previously unspecified items in addition to any named pieces of equipment
that appears on the Protagonist’s character sheet.

18
There are two ways in which Resources ratings can become important during a game of Cthulhu Eternal:

1. The rating can be used as a measure of status and wealth which dictates how Non-Player Characters react to the
Protagonists; a Protagonist who has a sizeable cache of resources might find NPCs more willing to listen to what
he or she has to say … or alternatively more likely to want to take some of those resources away.

2. Game encounters may involve challenges which can be overcome through possession of particular – possibly
obscure – items or resources; a Protagonist who fossicks through his or her trove of (unnamed) personal items
may locate just the thing that is needed. Usually this requires a successful Resources test (a 1D100 roll against
Resources × 5).

A Protagonist’s Resources rating may change during play as especially significant items are pulled from the “bag of
tricks”, items are destroyed, or new equipment caches are picked over for useful additions.

2.7.1 Determining the Starting Resources rating


Your Protagonist’s Archetype determines the starting value for his or her Resources rating; it is a number listed as part of
the Archetype description.

If you would prefer this value to be higher, you have the option to “trade-in” one or more BONUS SKILL POINT picks (see
page 26). For the first such skill pick traded-in, your Protagonist receives a +5 boost to Resources rating. Each additional
pick you trade in beyond the first, grants your Protagonist a further +2 boost to Resources. You may sacrifice as many
skill picks as you wish, although each will reduce your opportunities to round-out your Protagonist with extra skills
during a later step of Protagonist creation.

Alternatively, if you would prefer to play a Protagonist who is entirely bereft of resources (i.e., has a Resources rating of
0), you can choose to do so and in return receive one extra Bonus Skill Point Pick for later use.

Rating What the Rating Represents


0 No ownership of any item of value or function. Penury. Near starvation.
1-4 Owns only basic and valueless items; barely enough to eke out a basic life. Always hungry.
5-8 Owns a sparse collection of valuable or useful items, some in terrible condition. Sometimes hungry.
9-12 Owns a modest cache of valuable, useful items. Usually has basic food.
13-16 Owns a fair stock of low-grade valuable items. Occasional access to superior food.
17-18 Owns an impressive collection of useful gear; considered wealthy / well-resourced. Regular access to
superior food
19 The envy of most people; owns numerous sought-after items of impressive function. Access to the best
food and beverages.
20+ Access to unparalleled quantities of valuable or useful items. A stockpile of wealth. Choice of any
available food, in any quantity.

If you need to know how your Resources Rating translates to financial wealth, consult the table in the BUYING
EQUIPMENT section (page 59).

2.7.2 Permanent Resources, Resources At-Hand, and Resource Checks


The full value established above is called the Protagonist’s Permanent Resources rating, since it measures the sum total
of everything he or she owns – regardless of where it is kept.
Carrying around a lot of bulky equipment everywhere is usually not practical, so Protagonists with significant Resources
ratings (7+ points) will usually need to stow some of their junk in a vehicle or on a pack animal. Those with even more
resources will need to store the overflow in a fixed ‘home base’ location.

19
The table nearby shows a breakdown of ‘at hand’ vs ‘stowed’ vs ‘in storage’ Resource rating points. There is space on the
Protagonist sheet to record this breakdown of the total Permanent Resource rating into the three categories. The three
numbers (‘at-hand’, ‘stowed’, and ‘in storage’) must always add up to the Permanent Resources rating.
The Permanent Resources rating measures both the quantity of items your Protagonist has dedicated access to, and
their usefulness. This in turn governs how many times per adventure the Protagonist can successfully pull out useful
items before the pool is temporarily exhausted.
In game terms this is represented by the number of Resource Check boxes the Protagonist has available – these are
explained further below. The number of check boxes available to your Protagonist is also indicated on the table nearby:
record it on the Protagonist Sheet by blacking out but those boxes available to the Protagonist (e.g., for a Protagonist
with only one checkbox available, fill in all but one of the available boxes with solid black – use pencil since your
Protagonist may open up more boxes later).

Resources Breakdown & Check Boxes


Permanent “At Hand” / “Stowed” / Check
Resource Rating “In Storage” Boxes
0 0/0/0 0
1 1/0/0 1
2 2/0/0 1
3 3/0/0 1
4 4/0/0 1
5 5/0/0 1
6 6/0/0 1
7 6/1/0 2
8 6/2/0 2
9 6/3/0 2
10 6/4/0 2
11 6/5/0 2
12 6/6/0 2
13 6/6/1 3
14 6/6/2 3
15 6/6/3 3
16 6/6/4 3
17 6/6/5 3
18 6/6/6 3
19 6/6/7 3
20+ 6 / 6 / 8+ 3

Pushing the Limits


As indicated in the table, it is typically only possible for your Protagonist to keep 6 points of Resources on their person
(‘at-hand’) and another 6 points ‘stowed’ in a handy vehicle or on a handy animal. These aren’t hard and fast limits, but
represent what can comfortably be carried/transported without impacting travel speed and convenience. If situations
arise where the Protagonist really needs to carry more (e.g., carry the entire 10 points of Permanent Resources by hand
while fleeing a burning building), it is up to the Game Moderator to decide what is possible and what impacts might arise
from your Protagonist or vehicle being ‘overloaded’. The Game Moderator might rule this has an impact on the rate of
travel, or require some kind of skill test to keep moving forward under excess load.
Generally, stretching the limits beyond 12 points carried ‘at hand’ or 12 points ‘stowed’ is impossible.
20
There is no limit to the amount of Resources rating points that can be ‘in storage’ at a fixed location (e.g., a home base
or workshop).

Which Rating for a Test?


Any time your Protagonist’s Resources rating is the subject of a test, the effective rating number that is used should
reflect the situation. It should be determined by the amount of Resources available to your Protagonist at that moment.
If he or she is at home base, that will probably be the full Permanent Resources amount; if your Protagonist is close to
his or her vehicle (or pack animal) that might be the ‘at-hand’ value PLUS the stowed value. If your Protagonist is far
away from both home base and vehicle/animal, the number is likely to be just the ‘at-hand’ number.

Which Rating for NPC Reactions?


When using Resources as a means of determining Non-Player Character reactions, the rating that is used also depends
on the situation. Does the NPC in question know all about your Protagonist’s reputation as a ‘wealthy’ sort? If so, maybe
the full Permanent Resources score can be used even if only some of that wealth is currently on display. Alternatively, if
the NPC is suspicious of your Protagonist, it might be hard to get him or her to believe in the existence of any resources
beyond what they can see for themselves.

2.7.3 The Bag of Tricks


The higher your Protagonist’s effective Resources rating, the higher the likelihood that his or her accessible personal
cache of items may contain something helpful to a situation or problem.
• In situations where non-specialist resources or items are needed, simply make a test of your Protagonist’s
Resources × 5. Success means that something helpful was found.
• In cases where a situation requires a very specialized resource or item, the Game Moderator might rule it is too
rare to find in your Protagonist’s pool of gear. Alternatively, the GM may still permit a test of Resources × 5 roll
to locate the rare equipment – but rule that success will permanently reduce your Protagonist’s Resources
rating by a few points (the number being at the Game Moderator’s discretion).

Depending on the specific game setting, the difficulty of Resources tests and the quality of the items unearthed through
successful rolls may vary. See SCROUNGING EQUIPMENT starting page 60.

Rules of Thumb:
• Tests to find items or resource types that are considered Hard to Get in the setting are made at HALF the
Protagonist’s effective Resources rating
• Tests to find items or resource types that are considered Very Hard to Get or Impossible to Get in the setting are
made at QUARTER the Protagonist’s effective Resources rating
• A test that is a standard success, but which is only just under the target number might yield a sub-standard
version of the item or resource. A critical success will always yield the best possible quality available.

2.7.4 Checkboxes and Per-Adventure Limits


While your Protagonist’s personal Resources can prove helpful during an adventure, there are practical limits to the
number of times that items can be pulled from it during a single adventure.

After each Resources test resulting in success, place a check mark in one of the Resource Check boxes on the
Protagonist’s character sheet. When all the boxes are full, the Protagonist’s resources pool is temporarily exhausted and
can’t contribute anything more until he or she has some downtime to replenish or reorganize it (see REPLENISHING
RESOURCES, REMOVING CHECKMARKS, page 23).

21
2.7.5 Pooling Resources
Sometimes, it may be appropriate for two or more Protagonists to pool their personal caches of items to improve the
likelihood of finding a rare but crucial component. Any Protagonist can contribute items to the pool, as long as he or she
hasn’t temporarily exhausted their resource pool (by filling all check boxes).

When making a roll to search such a combined resource pool, the effective Resources rating of the collection is equal to
the highest individual Resources rating included in the collection plus ONE FIFTH of the Resources rating of every
additional individual stockpile added to the heap (round fractions up). This reflects duplication of items or functions.

Success on a combined test causes a check mark to be placed on the sheet of the Protagonist whose FULL Resources
rating was used. Others who contributed a smaller amount to the total do not receive a check mark.

2.7.6 Losing Resources


A Protagonist’s Resources rating may decrease due to events that occur during play:

• As described above, producing a highly specialized item as the result of a Resources test may cause the
Permanent Resources rating to be reduced by one or more.
• If the Protagonist is robbed or otherwise loses control of a significant amount of his or her personal equipment,
the Game Moderator may decide this warrants a loss of a proportional amount of Resources rating.
• If a proportion of the Protagonist’s resources are stowed in a vehicle or on a pack animal, the theft or
destruction of the conveyance is likely to cause some or all to be lost, the exact proportion decided by the Game
Moderator.
• If a proportion of the Protagonist’s resources are stored in a fixed location, a disaster that outright destroys or
significantly damages the location will likewise cause a reduction to permanent Resources. The points lost are
based on the number of ‘in storage’ rating points stored at the location (i.e., not carried or stowed). The same
loss may occur if the permanent location becomes invaded or overtaken by a hostile party – although in that
situation the loss might be temporary, assuming the Protagonists can win back their former stronghold at some
future date.

Whenever Resource rating decreases, the player should recalculate the “at-hand”/stowed/stored breakdown of points
as well as the number of check boxes available to the Protagonist.

2.7.7 Increasing the Resources Rating During Play


During a Cthulhu Eternal adventure your Protagonist may gain access to a cache of items ripe for the taking. When this
occurs, the Game Moderator will decide the number of Resources rating points each Protagonist might potentially
plunder. For a small find this might be modest (1 point or 1D2 points), but for a massive discovery it could be a healthy
improvement (1D6 or higher).

Increasing your Protagonist’s Permanent Resources rating requires a die roll. With percentile dice, attempt to roll above
Permanent Resources rating × 5. This reflects the fact that the more your Protagonist already owns, the harder it is to
acquire additional new items he or she does not already have. If the test is successful, increase the Resources rating by
the amount or die roll indicated by the GM.

Whenever Resource rating increases, the player should recalculate the “at-hand”/stowed/stored breakdown of points as
well as the number of check boxes available to the Protagonist.

22
2.7.8 Replenishing Resources, Removing Checkmarks
The Game Moderator will determine when your Protagonist group can take the time to replenish or reorganize their
Resources pools. Usually this happens between missions, expeditions, or adventures (see DOWNTIME, page 76). Once
the Protagonists have invested an appropriate period of downtime all check marks can be erased from the character
sheet.

2.8 Detailed Description: Bonds


Bonds measure your Protagonist’s relationships with the vital people and societies in his or her life: loved ones, family
members, and wider communities. A Bond can protect your Protagonist from SAN loss (see PROJECTING ONTO A BOND
on page 74) or offer a chance to repress the effects of a disorder or temporary insanity (see REPRESSING INSANITY on
page 75).

Bonds are not merely motivations or things your Protagonist likes. They are your Protagonist’s connection to humanity
and its social structures. A Protagonist with no Bonds is more susceptible to psychological trauma than one who has
people waiting back home.

Your Protagonist’s Archetype determines how many Bonds your Protagonist begins with. The more trying and time-
consuming the Archetype, the fewer Bonds your Protagonist is able to maintain.

There are two distinct types of Bonds, each handled slightly differently – they are Individual Bonds and Community
Bonds. When creating a Protagonist, you are free to choose which of his or her starting bonds is of each type.

2.8.1 Individual Bonds


An Individual Bond is an emotional connection to a single person. It could be familial or marital, or it could just be a close
friendship or association. To qualify as an Individual Bond the person must be someone the Protagonist believes
(hopes?) to be still alive.

Each Individual Bond begins with a score equal to your Protagonist’s CHA. It cannot typically go above this value.

Sample Individual Bonds


• Spouse or ex-spouse
• Son or daughter
• Parent or grandparent
• Best friend
• Members of the same gang or band (see BONDS FORMED THROUGH SHARED ADVERSITY, below)
• Spiritual counsellor

Changes to Individual Bonds During Play


Bonds’ scores often deteriorate because of your Protagonist’s experiences of the horrors of the Mythos-haunted world.
A Bond increases if it is cultivated between adventures (see DOWNTIME on page 76). An Individual Bond can never have
a score higher than your Protagonist’s CHA. Any time CHA drops, each Individual Bond drops by the same amount.

Individual Bonds are vulnerable. If the Protagonist learns that the individual has died or gone permanently insane, the
Bond is destroyed. The Bond is also permanently broken when its score drops to 0 (see BROKEN BONDS, nearby).

2.8.2 Community Bonds


A Community Bond is a relationship between the Protagonist and a broader community of individuals; it reflects the
Protagonist’s status within that community, and the likelihood of other people following his or her instructions or
desires.

23
A community may be a geographical association of people or it may be a society of like-minded individuals (e.g., a club,
congregation, or association). A Protagonist can have more than one Community Bond, each describing his or her status
within the hierarchy of a different societal structure.

Community Bonds are measured on a scale of 1 to 20, with an indicative meaning shown below:

Rating What the Rating Represents


1 Disgraced member; on the verge of being banished from the society.
2-4 Shunned member of the community; someone who is actively looked down on by most
5-8 Standard member of the community; one of the pack, whose opinion is unlikely to matter
9-12 Well-regarded member of the community; favorably viewed by many other members
13-16 Important member of the community; respected by most other members
17-18 Influential member of community, involved in most decision-making; liked by most
19 An extremely influential member of the community, looked up to by virtually everyone
20 Top-tier of leadership in the community; the head honcho.

If a Community Bond is chosen during the creation of your Protagonist, it typically begins with a default rating of half the
Protagonist’s Permanent Resources rating, rounded up (see RESOURCES on page 18). In a few cases, a Protagonist’s
Archetype indicates that he or she has a Community Bond with a certain fixed rating – the final rating should be either
that value or half the Permanent Resources rating, whichever is higher.

This value can be optionally increased during the creation of your Protagonist by sacrificing one or more BONUS SKILL
POINT picks (see page 26); the first skill pick sacrificed in this manner gives a bonus of +5 to the Community Bond’s
rating; each subsequent sacrifice adds +2 (to a maximum of 20).

It is also possible to elect for your Protagonist to take a Community Bond with a rating of 1 (and suffer the social effects
of being a pariah to fellow members) and receive one extra Bonus Skill Point Pick to use on purchasing skills later in the
process.

Sample Community Bonds


• Group which shelters in the same place
• Church or support group
• Craft or trade guild
• Secret society

Changes to Community Bonds During Play


The rating for a Community Bond applies individually to every member of that community, and to the community as a
whole. If a Community Bond decreases in value, the relationship with each member of the community deteriorates. A
Community Bond is permanently broken when its score drops to 0 (and the Protagonist is likely cast out of the
nominated community).

If the community itself is entirely destroyed (e.g., every member killed or sent insane), or if the Protagonist permanently
leaves it (e.g., by relocating to live in a new region) the bond is destroyed.

If a Community Bond is broken by either means, the Protagonist will likely suffer negative impacts (see BROKEN BONDS,
nearby).

During play, events may arise where the reactions of NPCs from the Protagonist’s bonded community (or the community
as a whole) have an impact. In some cases, the Protagonist may instigate such situations (e.g., by requesting aid from

24
the community or trying to convince them of impending danger). In such situations the Game Moderator may ask for a
test against Community Bond Rating × 5. Success means that the NPC or the community reacts favorably.

2.8.3 Describing Bonds


Identify each Individual and Community Bond: “My Wife.” “My Husband and Kids.” “My church congregation.” “The
Society of Amateur Sleuths.”

An Individual Bond must be a real person or group of people who the Protagonist believes to be alive, and with which
there is some (potential) opportunity to interact.

A Community Bond must be a real group who recognizes the Protagonist as a member.

2.8.4 Broken Bonds


When a Bond deteriorates, that relationship becomes strained. Exactly what shape that takes in play is up to you and the
Game Moderator (playing the NPCs).

Bonds often fall apart because of events beyond your Protagonist’s control. An example for Individual Bonds: your
Protagonist’s husband might leave for another woman. An example for Community Bonds: a new leader might ascend to
power who is actively antagonistic towards your Protagonist.

If such a disaster harms the subject of a Bond, that reduces the Bond’s value by 1D4. If that disaster permanently
removes the subject of the Bond, that Bond is gone. Cross it off the sheet.

When damage to a Bond reduces it to 0, the relationship is damaged beyond repair. Cross it off the sheet. The only way
to regain a Bond with that character or community is to build it from scratch as if it had never existed (see DOWNTIME
on page 76 for details on creating new Bonds).

The breaking of any Bond is almost certainly traumatic and is likely to trigger a Sanity test due to Helplessness (see page
66).

When you cross a Bond off your Protagonist’s character sheet, don’t erase it. After all, there’s no forgetting a vital
relationship that went bad.

2.8.5 Bonds Forged Through Shared Adversity


Protagonists often band together into small tight-knit groups, to enhance their chances. This is true when the group is
alone in the wasteland; it’s often also true even when they are outsiders in a larger settlement. If those tight-knit groups
go through terrifying ordeals together, there is a strong chance that they will become psychologically bound together
through that shared experience.

In game terms, groups of Protagonists tend to form individual bonds to one another when they spend most of their time
fighting the forces of the Mythos. Whenever your Protagonist is part of a team that completes a harrowing adventure,
there’s a chance of such trauma-generated bonds forming or deepening. This is the case if the scenario played out in a
way where:

• One or more members of the team suffered temporary insanity, or


• One or more members of the team gained a new psychological disorder, or
• One or more members of the team died or was incapacitated by physical injuries, or
• Any other event occurred that the Game Moderator thinks was shocking enough to constitute severe trauma.

25
In the downtime after the adventure (see DOWNTIME on page 76), all Protagonists that made it back must make a SAN
test. If the roll succeeds, nothing changes. If your Protagonist fails the SAN roll, he or she gains or strengthens an
individual bond with EACH fellow Protagonist who also made it through the same trauma (up to a maximum of five
fellow Protagonists).

For each such fellow trauma-sufferer,

• If your Protagonist has no previous bond with that person, he or she gains a brand-new individual Bond to that
person at a rating equal to half your Protagonist’s CHA. Add the new Bond to your Protagonist’s character
sheet. This focusing of attention comes at a detrimental cost to other pre-existing Bonds – you must lose 1D4
points from one other bond of your choice (either an Individual or Community Bond).
• If your Protagonist already has an Individual Bond with that person, the bond is increased by 1D4 points (up to
a maximum value equal to CHA); at the same time 1 point must be subtracted from another bond of the
player’s choice (either an Individual or Community Bond). Note that even if all your Protagonist’s existing bonds
are already at the maximum score (and hence can’t increase), you still need to pick a bond to weaken by 1.

Remember that if a Bond is ever reduced to 0 or less it is broken, as per the previous section.

When choosing a Bond to weaken during this process you CANNOT pick a bond to an individual who was with your
Protagonist on the recently completed adventure. You MAY, however, pick an Individual Bond gained from an earlier
shared traumatic encounter.

Rather than treating this as a mechanical process, you and your Game Moderator are encouraged to work together to
describe the changed dynamic between your Protagonist and those around them. If points have been gained with fellow
adventurers, does that mean they are beginning to feel comfort that their colleagues will always have their back? Or has
the shared experience kindled a romance of sorts? Conversely, if a bond has been weakened, does that mean the
Protagonist has been neglecting a member of their circle of friends and both are now feeling their friendship is slipping
away?

If a community bond has weakened does it mean that the excessive time spent socializing with the tight-knit group has
alienated others in the community to the point that they have lost confidence in the Protagonist? Or has he or she just
missed so many gatherings that their standing as a high-status member of society has eroded?

2.9 Detailed Description: Bonus Skill Points


The skill package associated with your Protagonist’s Archetype coupled with the Adversity skills from the harshness of
his or her upbringing, represent his or her core proficiencies. But they certainly aren’t the full story about everything the
Protagonist is good at.

Each Protagonist begins with ten Bonus Skill Point Picks. Each pick provides a boost of 20 points to whichever skill it is
applied. Alternatively, some of these skill picks can be traded-in for non-skill benefits instead (see box nearby).

When applying a skill pick to a skill which has NOT been set by the Protagonist’s Archetype or increased through
Adversity Skill Picks, then add the 20 to its base rating. Otherwise, add 20 to its current score. This allows your
Protagonist to specialize in certain Archetypal skills or to learn a little about skills not included in his or her Archetype.
You can even boost a single skill more than once, adding +20 each time.

Unless the Game Moderator says otherwise, you can’t raise a skill higher than 80% during Protagonist creation. You
must assign (or trade-in) all bonus points to skills before play begins.

26
Trading-in Skill Point Picks
As described in previous sections on RESOURCES (page 18) and BONDS (page 23), you have the option during
Protagonist creation to trade-in one or more Bonus Skill Picks in return for non-skill advantages. Alternatively, your
Protagonist can earn an extra Bonus Skill Pick or two if you are willing to sacrifice some of the normal benefits of
those other starting ratings.
Trading Skill Point Picks for Resources Rating
You may elect to sacrifice one or more Bonus Skill Point Picks to improve your Protagonist’s starting rating in
Permanent Resources:
• Sacrificing one Bonus Skill Point Pick grants a +5 increase to Permanent Resources.
• Sacrificing further Bonus Picks grants +2 for each extra pick sacrificed.
• There is no limit to how high the Permanent Resources rating can go.
• Note that boosting Permanent Resources rating will also increase the starting value of all Community Bonds
(which start equal to half this value).
As an alternative, if you are willing for your Protagonist to have a Resources rating of 0 (absolutely without any
worldly goods), that sacrifice earns one EXTRA Bonus Skill Point Pick.
Trading Skill Point Picks for Community Bond Rating
You can elect to sacrifice one or more Bonus Skill Point Picks to improve the starting rating of your Protagonist’s
Community Bonds.
• Sacrificing one Bonus Skill Point Pick grants a +5 increase to the value of one Community Bond.
• Sacrificing further Bonus Picks to the same Bond grants +2 for each extra pick sacrificed. Sacrificing a pick
towards a different Bond achieves the full increase stated above.
• Community Bond strengths can only be increased to a maximum of 20 (at which point your Protagonist is the
community’s top leader).
As an alternative, if you are willing for your Protagonist to set a Community Bond to a value of 1 (ready to break at the
slightest provocation, with possibly disastrous social outcome), that sacrifice earns one EXTRA Bonus Skill Point Pick.
You can claim this reward multiple times if you wish to set several Community Bonds to 1.

2.10 Detailed Description: Skills


A skill represents expertise gained with intensive training or study. If you make a skill roll, your Protagonist is doing
something that would leave untrained people lost.

Anyone can attempt a DEX×5 test to keep their footing in the cabin of a Zeppelin madly buffeted through the clouds;
only someone who’s been trained in the proper Pilot skill can steer the battered airship away from the grasping,
tentacled thing tearing at its flank.

Roll your Protagonist’s skill or lower on 1D100 to succeed at using the skill under dire circumstances. Skills improve
through practice and experience.

2.10.1 Base Rating


Every skill lists its base rating. If a skill has a base rating of 1% or greater, anyone can attempt to use it. A skill at 0% can’t
be used at all. No skill can be higher than 99%.

Rating What the Rating Represents


01% to 19% Dabbler.
20% to 29% A dedicated hobbyist; with a foreign language you can have rudimentary conversations.
30% to 39% Equivalent of a dedicated basic training.

27
40% to 59% Equivalent of a dedicated advanced training or years of practical experience; with 50% in a foreign
language you have native fluency.
60% to 79% Decades of experience, or equivalent of the highest level of advanced training.
80% to 99% A lifetime’s pursuit or equivalent of multiple related training qualifications.

Base Ratings for Skills


>> Skills and Base Ratings
Administration (10) Military Training (Type) (0)
Alertness (20) Natural World (10)
Anthropology (0) Navigate (10)
Appraise (10) Occult (10)
Archeology (0) Persuade (20)
Art (Type) (0) Pilot (Type) (0)
Athletics (30) Psychoanalyze (10)
Charm (20) Regional Lore (Type) (0)
Craft (Type) (0) Research (10)
Disguise (10) Ride (10)
Dodge (30) Science (Type) (0)
Drive (20) Search (20)
Firearms (20) Social Etiquette (10)
First Aid (10) Stealth (10)
Foreign Language (Type) (0) Streetwise (Type) (0)
Harangue (10) Surgery (0)
Heavy Machinery (10) Survival (Type) (10)
History (10) Swim (20)
Insight (10) Track (10)
Law (Type) (0) Unarmed Combat (20)
Medicine (0) Unnatural (0)
Melee Weapons (30) Use Gadgets (0)

2.10.2 How Skills Work


For details of specific skills, see the listing in SKILL DESCRIPTIONS starting on page 29.

When your Protagonist uses a skill, sometimes you roll dice and sometimes you don’t.

USING A SKILL WITHOUT A ROLL: When circumstances are calm and controlled, you don’t roll dice to have your
Protagonist use a skill; the Game Moderator just needs to know how high your Protagonist’s rating is.

For example, safely driving a shiny new Packard roadster when things are calm might simply require a certain amount in
the Drive skill.

Using a skill without rolling means randomness is not a factor. It’s about having the right skill, looking in the right place,
and asking the right questions. The more subtle the clue, the higher the skill your Protagonist must have to figure it out.

USING A SKILL WITH A ROLL: Roll skill dice only when the outcome is in doubt. That usually means there’s a crisis or the
circumstances are not under your Protagonist’s control. The higher the skill rating, the better your Protagonist’s chance
of success. For details, see USING SKILLS on page 37.

28
2.10.3 Common Knowledge
Most Protagonists picked up some basic knowledge as they grew up. Because of this, they have some basic
understanding of common things like how their society works and what types of jobs do what; and some basic abilities
like how to flee danger. These don’t require specific skills. Skills represents deep, specialized training or education, but
Protagonists can sometimes get by on common knowledge. Calling on common knowledge requires an INT×5 test or
having a certain level of INT. Charming someone with unskilled art is usually a CHA or DEX test. Other efforts use other
stats. The Game Moderator decides whether a task requires the general ability of a stat or the specialization of a skill.

2.10.4 Improving Skills


We learn from failure. If your Protagonist has at least 1% in a skill (any except Unnatural), it can improve when your
Protagonists attempts to use it and fails. Gaining an entirely new skill requires special training (see DOWNTIME on page
76).

On the character sheet, next to every skill except Unnatural, there is a check box. When your Protagonist tries to use a
skill and fails, put a checkmark in that skill’s box. At the end of each game session, add 1D4 percentage point to every
skill that has a check next to it and erase the check.

FAILING WITHOUT ROLLING: If your Protagonist attempts a challenging task that requires a certain level of skill but not a
roll, and fails because the task requires more skill than your Protagonist has, put a check in the box.

2.10.5 Skill Descriptions


Administration
Base Rating: 10%

A knowledge of how bureaucracies work and what kinds of forms, paperwork, journals, etc. it invariably generates. Use
it to sift through detailed financial records or proceedings of club meetings to find that one quirky point that just doesn’t
seem to fit the usual pattern.

Use this skill to rapidly navigate your way adeptly through administrative records to find what’s important. Note that
this skill is primarily about interpreting information you have; if you need to actively go out and track down books,
records, etc. that would be covered by the Research skill.

Alertness
Base Rating: 20%

Alertness detects danger. Use it to hear a safety being weapon being readied, to understand the mumbling on the other
side of a wall, to spot a concealed item hidden under a jacket, or to catch someone who is trying to escape notice using
Stealth.

Anthropology
Base Rating: 0%

The study of living human cultures. Use it to understand morals, religious beliefs, customs, and mores, and to identify
(but not translate) obscure languages. Where History is about the distant past and Archeology studies physical artifacts,
Anthropology is about the behaviors of living cultures and how they relate to each other and the past.

29
Appraise
Base Rating: 10%

The ability to quickly determine the true (intrinsic) value of an item. This is an important skill in ensuring that bartering
exchange deals are favorable to you. It is also helpful in know what items or resources others might be willing to trade to
obtain.

Archeology
Base Rating: 0%

The study of physical remains of human cultures. Use it to analyze a ruined structure to determine useful information
about its purpose long ago or the circumstances of its destruction. Where Anthropology is about living cultures and
History is a broad study of the past, Archeology discerns meaning from the artifacts left behind.

Art (Type)
Base Rating: 0%
Expertise at creating or performing a work that sways emotions and opinions. It also encompasses knowledge of
techniques and trends in your field, and the ability tell a particular creator’s real work from a fake. Anyone can draw a
rough sketch; the Art skill reflects knowledge, practice, and talent. Each type of Art is a separate skill: Acting, Dance,
Forgery, Music, Poetry, Sculpture, Singing, Storytelling, etc.

Athletics
Base Rating: 30%
Your Protagonist trains to get the most out of his or her strength and agility. Strength and Dexterity cover raw physical
power and manual dexterity; the Athletics skill represents long practice doing things like running, jumping, climbing, and
throwing.

Use Athletics to:


• Outrun someone (see OPPOSED TESTS on page 41).
• Jump an intimidating gap.
• Climb in a crisis.
• Land safely in a fall of up to three yards.
• Hit a target with a thrown knife or put a grenade exactly on target.
• Catch something without warning, such as intercepting a thrown grenade.

Charm
Base Rating: 20%
Changing someone else’s viewpoint or convincing them to do something for you through guile, cunning, “buttering-up”,
or other such subtle techniques. It’s not about threatening them (that’s covered by the Harangue skill) or using cold
logic to convince them (that’s Persuade) but covers all those other soft-touch methods. With Charm you might be able
to connect with an individual on a more personal level – maybe even seduce them – and such changes can become long-
held attitudes or beliefs. If the target of the skill starts from an antagonistic viewpoint, some form of OPPOSED TEST will
probably be needed to overcome their negative impression.

30
Craft (Type)
Base Rating: 0%
Making and repairing sophisticated tools and structures. A job that most people could figure out does not require the
Craft skill, only an INT or DEX test. Use Craft for specialized work that needs training: Craft (Mechanic) to get a broken
apparatus working — or to sabotage one beyond repair; Craft (Locksmith) to open a lock without a key, and so on.

A common specialization is Craft (Jury-Rigging) which represents an ability to create lash-ups of equipment to perform a
function when the proper tool for the job is unavailable.

The Game Moderator decides whether a task requires Craft. Each Craft type is a separate skill: Blacksmith, Carpenter,
Farmer, Jury-Rigging, Locksmith, Mechanic, etc.

Disguise
Base Rating: 10%
Alter your Protagonist’s appearance, voice, posture, body language, and mannerisms to avoid recognition without
drawing attention.

Dodge
Base Rating: 30%
Evading danger through instinct and reflexes. Use Dodge to avoid an attack. Against firearms and explosives, Dodge is
only useful to get to cover (see DODGING RANGED ATTACKS on page 47).

Drive
Base Rating: 20%
Handling any ground-based vehicle or conveyance safely in a crisis. Unless the Game Moderator says otherwise, every
Protagonist can drive safely in normal conditions. Use this skill to keep a vehicle safe in a tense pursuit or on dangerous
terrain.

Firearms
Base Rating: 20%
Safe and accurate shooting with common firearms in combat. Use it to hit a target despite the adrenaline, panic, and
shock of violence interfering with hand-eye coordination.

First Aid
Base Rating: 10%
The initial treatment and stabilization of injuries. Use it to help a character recover lost Hit Points. By comparison,
Surgery corrects a severe wound and Medicine ensures long-term recovery. (See HEALING on page 48.)

Foreign Language (Type)


Base Rating: 0%
Fluency in another language. Each foreign language is a distinct skill. Having 20% allows halting conversations; at 50%
your Protagonist speaks and reads like a native. The greater the skill, the greater the complexity of the information your
Protagonist comprehends and the less time it takes. You don’t need to roll a Foreign Language skill unless the Game
Moderator says the situation is exceptionally difficult.

31
Harangue
Base Rating: 10%
The art of browbeating someone into agreeing with your point of view or agreeing to do something you want them to
do. This technique is not a subtle attempt to engage with their good nature (that’s covered by the Charm skill) or their
logical reason (that’s Persuade) – instead it’s all about bluster, shouting, and threats. But sometimes these can be more
successful than other techniques, although the individuals on the receiving end are unlikely to enjoy the interaction
quite so much.

Heavy Machinery
Base Rating: 10%

Safe operation of a tractor, crane, thresher, steam train, or other big machine in a crisis.

History
Base Rating: 10%

Uncovering facts and theories about human antiquity. Use it to remember or find a key fact about the distant past,
recognize an obscure reference, or comb through records that nobody without your deep education could find. While
Anthropology is about living cultures and Archaeology studies the meaning of ancient relics, History is a broad study of
humanity.

Insight
Base Rating: 10%

Insight obtains information about a person — especially information the subject would rather conceal — through
observation, conversation, or examining patterns of behavior and relationships. Use Insight to recognize signs of
dishonesty from verbal cues and body language, gauge attitude and intentions, cultivate sources of information about a
subject, determine what it would take to get a subject to cooperate, or recognize clues of what a subject wants to
conceal.

Insight can notice signs of mental illness but Psychoanalyze would be needed to assist with a specific malady. A subject
who deliberately tries to deceive your Protagonist can attempt an opposed test comparing their Persuade against your
Protagonist’s Insight (see OPPOSED TESTS on page 41).

Law (Type)
Base Rating: 0%

Use this skill to understand and manipulate the power structures that exist within society, to either influence outcomes
or bullshit your Protagonist’s way out of trouble.

Different societies have their own systems of law – the understanding of each is a separate skill. Because all societies are
based on common human behavior, you can attempt to use your Law skill at half chance to navigate the vagaries of a an
entirely new and unfamiliar social order.

32
Medicine
Base Rating: 0%

The study and treatment of injury and illness. Use it to diagnose the cause of an injury, disease, or poisoning, identify
abnormalities such as toxins or diseases, identify the cause and approximate time of death, identify a dead person’s last
meal, or prescribe proper long-term care. By comparison, First Aid keeps a patient alive until surgery is possible, and
Surgery corrects a severe wound. (See HEALING on page 48).

Melee Weapons
Base Rating: 30%

Lethal use of melee weapons in combat. Use it to hurt or kill an opponent with a knife, axe, club, or other hand-held
weapon.

Military Training (Type)


Base Rating: 0%

Many people spend a part of their careers in some form of military service to a crown or other empire – whether as part
of an army or navy, or even on boats in coastal waters. A great many people are also employed in the giant bureaucracy
that keeps the military supplied and functioning. This skill represents first-hand training and experience obtained
through time spent in one such military service. Use it to apply military tactics or strategies to a situation, to recall
specific details about a particular military unit or corps, or to know your way around common military-issue equipment.

Natural World
Base Rating: 10%

The common understanding of the natural world as practiced by farmers, fishermen, and others who make a living
based upon the changing patterns of the weather, tides, etc. It also covers the broad understanding of the natural habits
of animals, as well as the different uses of specific plant species. Use this skill to determine whether observed behavior
of natural forces or creatures is consistent with “normal” or common patterns, or not.

Navigate
Base Rating: 10%

Finding your way quickly with maps, charts and tables, orienteering, compass, or dead reckoning.

Occult
Base Rating: 10%

The study of the supernatural as understood by human traditions, including things like magick, folklore, and secret
societies. Use Occult to examine and deduce the intent of a ritual, or to identify occult traditions, groups, grimoires,
tools, symbols, or legends. Occult can never tell a Protagonist what’s genuinely unnatural and what’s just superstition or
mythology. That’s the province of the Unnatural skill.

Persuade
Base Rating: 20%

Changing another’s deeply held decision or desire. Use Persuade to get your Protagonist’s way when the subject is so
stubborn, what your Protagonist wants is so valuable, or the deception is so flagrant that Charisma isn’t enough.

33
With Persuade, your Protagonist might convince a witness that what she saw was innocuous and not unnatural, talk a
compound leader into helping you cover up an outbreak to avoid a mass panic, or draw useful information out of an
unwilling subject. This skill also allows your Protagonist to resist persuasion and interrogation in opposed Persuade rolls
(see OPPOSED TESTS on page 41).

Pilot (Type)
Base Rating: 0%

Piloting, navigating, and captaining waterborne, or airborne vehicles. Use it to keep a vessel safe in a crisis, such as
through a storm or in a dangerous pursuit. Each vessel type is a separate skill: Airplane, Airship, Small Boat, Ship, etc.

Psychoanalyze
Base Rating: 10%

The diagnosis and treatment of mental illness. Use it to identify a mental disorder, help a patient recover, talk someone
down when a disorder begins to take over, and treat mental illness in the long term. You cannot use Psychoanalysis on
yourself. Using Psychoanalysis to aid someone who suffered exposure to Cthulhu Mythos forces might cost the therapist
SAN; see THREATS TO SAN on page 66.

Regional Lore (Type)


Base Rating: 0%

Most educated people know a little bit about every place, but if you’ve spent a long time living in (or studying) a specific
region you learn so much more. This skill represents a deep understanding of the people, places, and common practices
that are unique to one particular region. Use it to recall folktales that villagers tell, unique local words, or unusual ruins
and earthworks found in the region. It can also cover quirky superstitions and rites that are particular to the region.

Research
Base Rating: 10%

The ability to find specific information in a large repository or buried in files, records, or ledger books. Use this skill to
navigate a library catalogue system, pull out buried details in account records, or otherwise locate whatever relevant
information lies buried.

Ride
Base Rating: 10%
Handling, training, and riding an animal—horses, donkeys, camels, whatever. Use it to keep safe on an animal in a crisis
and to keep riding animals safe, calm, and healthy.

Science (Type)
Base Rating: 0%
The deep study of the processes of the world. This is more than common schooling; anyone can attempt an INT test to
remember facts from whatever (rudimentary) schooling they received. Science is used to find a key insight about the
way the universe works — or at least, the way it’s supposed to work. Each Science is a separate skill: Astronomy,
Biology, Botany, Chemistry, Engineering, Forensics, Genetics, Geology, Mathematics, Meteorology, Nutrition, Physics,
Radio, Zoology, etc.

34
Social Etiquette
Base Rating: 10%

Good manners cost nothing, or so they say, and in this era they are an essential part of ‘civilized’ society. One simple
faux pas at a dinner party can make you a laughingstock, or have you ejected from a prestigious club. Use this skill to
know what complex rules of etiquette might apply in any given situation and be prepared to follow them instinctively
when you need to. Alternative, it may be used to spot situations where someone else is failing to follow one of society’s
many little rules.

Stealth
Base Rating: 10%
Concealing your presence or activities. Use it to hide a weapon, camouflage a position, conceal an occult amulet, pick a
pocket, move silently, follow without being seen, or blend into a crowd. A Protagonist attempting Stealth can be
detected only by an opposing Alertness or Search skill (see OPPOSED TESTS on page 41).

Streetwise (Type)
Base Rating: 0%

In cities and towns, there is an entirely separate ‘society’ that exists between the criminal classes, the poor, and
everybody else that the high-and-mighty would prefer to believe don’t exist. In fact, there are many different sub-
cultures and groups who make up this (largely invisible) under-class. This skill represents detailed knowledge of one such
strata of society. It includes extensive details about contacts – who does what and where one might go to obtain any
kind of illicit goods or services common to that group. Some groupings may be region-based (e.g., “the docks”), while
others represent broad categories of people or services (e.g., “smugglers and bootleggers”).

Surgery
Base Rating: 0%
The treatment of an injury or abnormality, by invasive means. By comparison, First Aid keeps a patient alive until surgery
is possible, and Medicine ensures long term recovery. (See HEALING on page 48)

Survival (Type)
Base Rating: 10%
Knowledge of the natural world. Use it to plan an expedition, predict weather, recognize when fauna or flora are
unusual, use the environment to gather other information, or find food, water, and shelter. Each type of Survival is its
own skill. Common types are Desert, Jungle, Tundra, Urban.

Swim
Base Rating: 20%
Most Protagonists can swim for leisure. Use the Swim skill in a dangerous crisis: going a long distance in choppy water,
keeping a friend from drowning, or getting to a boat before the tentacled thing below grabs you.

Track
Base Rating: 10%
Use this to locate the tracks of a specific creature or person and follow them. A test must be made to locate the trail and
then again once every ten minutes they are being followed. Penalties or bonuses may apply depending on how long it

35
was since the tracks were made, what the ground is like, what the weather conditions have been since the tracks were
made, etc.

Unarmed Combat
Base Rating: 20%
Self-defense. A fight between untrained combatants often involves more shoving and shouting than real violence. Use
Unarmed Combat to hurt or kill an opponent with your Protagonist’s bare hands (or feet, elbows, teeth, or head).

Unnatural
Base Rating: 0%
Knowledge of the fundamental, mind-shattering secrets of the universe. The things that slithered in the dark corners of
the world and the cosmos beyond. Use it to remember, recognize, or research facts about the things humans consider
unnatural. This goes far beyond the occult, because the Unnatural skill represents things that are real. Use it to sift
through the darkest parts of myth and folklore and recognize which of it is true.

Use Gadgets
Base Rating: 0%

Nobody needs to make a skill roll to use devices and technologies that are in common use in the era and setting of the
game. However, making effective use of highly-specialized or technical apparatus is a different question. In the hands on
the untrained, such devices are at best useless, and at worst dangerous. Use Gadgets is an umbrella skill allowing your
Protagonist to successfully use all manner of common technical devices.

2.11 Detailed Description: Mental Damage from Harsh Upbringings


Protagonists that have grown up in difficult and brutal conditions are likely to have picked up some mental scarring
along the way. This can leave them hardened to certain types of traumatic stimuli. It might also make them
psychologically distant from those around them, or even afflicted with mental disorders.

Mental Damage gained from a harsh early life can take several forms:

1. Becoming adapted to specific types of psychological trauma (see ADAPTING TO SAN LOSS, page 74),
2. MENTAL DISORDERS (page 69), or
3. Generally becoming more distant with other people.

The table below shows the possible mental damage to your Protagonist based on the Harshness Descriptor for the
environment he or she grew up in.

Harshness Descriptor Potential for Mental Damage


Normal(ish) None
Harsh If CHA or POW Is less than 7, Protagonist loses 1D4 from two Bonds (player choice, each
can be either an Individual or Community Bond)
Very Harsh 1. Make a POW×4 test; failure indicates 1 starting mental disorder
2. If CHA or POW Is less than 10, Protagonist starts Adapted to either Violence OR
Helplessness (pick one; apply the necessary modifiers to stats and bonds, see below)

Roll to determine mental disorders first; if any are acquired work with the Game Moderator to pick something
appropriate from the list of mental disorders starting on page 69.

36
If the Protagonist begins the game Adapted to either Violence or Helplessness place a check mark in the appropriate box
on the character sheet and make the following adjustment to statistics and bonds:

• If Adapted to Violence: Reduce CHA by 1D6 and subtract the same number from every bond (both Individual
and Community).
• If Adapted to Helplessness: Reduce POW by 1D6.

3.0 The Game


Cthulhu Eternal is a game about unveiling – and perhaps defeating – the horrific yet hidden entities of the Cthulhu
Mythos that haunt our reality. The world seems mundane, but this is a façade. In dark corners and hidden places, the
extra-dimensional and extra-terrestrial horrors lurk. Most people never learn of their existence, but some come to
worship or follow such inimical forces. Others who learn the true nature of reality – of those dark entities, and insane
devotees they inspire – cannot help but make a stand to defeat their terrible plans. These are Protagonists. Their fight
might be never-ending, but the cost of losing is too great. They are the line that separates the sane world we know and
the Apocalypse.

Protagonists are usually every-day people who have been awakened to the truth about our world. They usually aren't
superhuman, powerful, or invulnerable. Rather, they are frequently humble, vulnerable, and fragile individuals who have
chosen to fight the unknowable but vast powers of the Cthulhu Mythos. Not because they have the strength to conquer
the horrors, but because the consequence of inaction is beyond the pale.

Here’s how the game works.

3.1 Using Skills


The Cthulhu Eternal rules focus on skills. You decide what your Protagonist attempts to do; the Game Moderator
determines what skill to use. In a typical adventure, Protagonists use many different skills.

Sometimes using a skill requires a roll of dice. The most important rule is this: The Game Moderator determines if, when,
and what you roll. If the Game Moderator says a roll isn’t needed, the skill rating itself determines success or failure.

3.1.1 Resolving a Test Without Dice


If the Game Moderator decides you don’t need to roll, it comes down to what you’re trying to do and how high your
Protagonist’s skill is. If the fact is common knowledge for your Protagonist’s Archetype, or can be found with a little
research, he or she might be able to get it by just expending time and effort. If it requires special knowledge, your
Protagonist may need a certain amount of a skill.

If the Game Moderator thinks a fact should be known by a history expert with at least 60% skill, then a Protagonist with
a relevant history-related skill at 60% or better knows the fact without rolling. Or perhaps a Protagonist with 40% can
learn some clues but a Protagonist with 60% would learn more.

Sometimes a combination of skills can overcome a lack in one. A clue that needs 60% in a history-related skill might be
available if the Protagonist has both a history skill and some other relevant skill at 40%.

37
How Much Skill Does the Task Require?

Only a little training; a hobbyist 20%


Basic training or minor training 30%
Years of experience or training 40%
Decades of experience or training 60%
A lifetime’s mastery 80%

3.1.2 Resolving a Test With Dice


If the Game Moderator tells you to roll a skill, it’s a skill test. The dice determine success or failure. Roll two ten-sided
dice to get a number from 01 to 00 (1 to 100).

Roll your skill test rating or lower to succeed. Rolling higher than the skill test rating means failure.

There are three criteria for rolling dice for a skill test:

ROLL WHEN IT IS DIFFICULT: A skill test means the Protagonist is attempting something difficult. After all, even an expert
in a skill might have only a 60% or 70% rating. A skill test is for a situation when even an expert might fail.

ROLL WHEN THE SITUATION IS UNPREDICTABLE: Having to roll means the situation is out of control. Randomness plays
a major role. Surprising, possibly disastrous things can happen, no matter how skillful you are.

ROLL WHEN THERE ARE CONSEQUENCES: Failing a skill roll means ugly things are going to happen. Maybe failing at the
crisis is the punishment — or with a failed roll, your Protagonist succeeds but the consequences are severe. The fallout is
up to the Game Moderator.

3.1.3 If You Don’t Have the Skill


If your Protagonist has a 0 in a skill, he or she can’t even attempt to use it. It requires specialized training or education
that your Protagonist lacks.

3.1.4 Using a Stat


If your Protagonist tries to do something that anyone ought to be able to do — something that’s hard, but doesn’t
require specific training like a skill — then the Game Moderator might look to one of your Protagonist’s stats, for a stat
test. A stat test is the relevant stat × 5. (So with STR 11, a STR test is 55%.)

Use STR if the challenge requires physical power, CON if it requires endurance, DEX if it requires agility, INT if it requires
attention to detail, POW if it requires mental resilience, or CHA if it requires charm.

The stat’s score itself may tell the Game Moderator whether your Protagonist succeeds, without the need for a roll.
Does it need someone with at least average Strength? Then your Protagonist needs a STR of 10 or more. If it needs
someone with above-average Intelligence, your Protagonist must have an INT of at least 13. If only one person in a
hundred would have enough stamina, your Protagonist needs a CON of 17 or 18. (See DETAILED DESCRIPTION:
STATISTICS on page 8.)

How Much Stat Does the Task Require?

Anyone could do it 3–4


Nearly anyone could do it 5–8
An average person could do it 9–12
Only an unusually gifted person could do it 13–16
Only a prodigy could do it 17–18
38
3.1.5 Bonuses and Penalties
Having to make a skill test in the first place means there’s a substantial chance of failure. But if the odds are really
against your Protagonist, the Game Moderator might impose a penalty, down to a minimum chance of 1%. If the
situation is a little more in your Protagonist’s favor, the Game Moderator might allow a bonus, up to a maximum chance
of 99%.

If a bonus or penalty applies, it’s usually +20%/−20% or rarely +40%/−40%.

Bonus or Penalty Frequency Description


+40% Rare You almost shouldn’t even bother to roll
+20% Uncommon Circumstances are noticeably in your favor
No modifier Most circumstances The action is difficult and unpredictable
-20% Uncommon Circumstances are noticeably worse than usual.
-40% Rare You almost shouldn’t even bother to roll.

3.1.6 Who Rolls?


A group of Protagonists is searching the cult leader’s camp. Who makes the Alertness skill roll to spot a trap? Good
question.

If it’s a task where having more help is useful, use the highest skill among the team.

If it’s a task where a crowd is a hindrance, use the lowest skill among the team.

If it’s a task where you need to know whether every Protagonist succeeds or fails (“How many of you get a good look at
the thing in the shadows?”), each player rolls.

3.2 Success and Failure


On any skill or stat test, there are only four possible outcomes. From best to worst they are: Critical Success, Success,
Failure, and Fumble. Ordinary success and failure are most common. Critical successes and fumbles represent
exceptionally good or terrible outcomes.

3.2.1 Critical Success


A critical success is a roll of 01 or any success where the dice digits match one another. So if your Protagonist’s skill is
50%, you achieve a critical success with a roll of 01, 11, 22, 33, or 44. A critical success automatically succeeds, and
exceeds expectations. A critical is twice as good as an ordinary success. What twice as good means must be taken in
context of the action. In combat, a critical success means double damage, but during an investigation, it might mean
the action takes half as long.

3.2.2 Success
A success is a roll equal to or less than the test chance. With a success, your Protagonist accomplishes what he or she set
out to achieve.

3.2.3 Failure
A failure is a roll that’s higher than the test chance. Sometimes that means your Protagonist suffers harm.

There may be times when a failed roll means a Protagonist achieves what he or she wanted — but it comes with an
unpleasant complication. The Game Moderator always decides whether that’s the case and what the cost will be. For a
few possibilities, see the effects of fumbling a roll.

39
3.2.4 Fumble
A fumble is a roll of 00 (100) or any failure where the dice digits match one another. So if your Protagonist’s skill is 50%,
you fumble on a roll of 55, 66, 77, 88, 99, or 00. A fumbled roll fails, no matter how high your Protagonist’s chance of
success, and has additional, catastrophic consequences.

In a car chase, a fumble might mean your Protagonist crashes. In a gunfight, a weapon might jam, or you might
accidentally shoot yourself.

The exact complications are up to the Game Moderator. Here are some possibilities.

PHYSICAL STRAIN: Lose 1D6 HP or temporarily lose 1D4 STR, CON, or DEX.

EMOTIONAL BURNOUT: Lose 1D6 WP or temporarily lose 1D4 INT, POW, or CHA.

ALIENATION: Offend an important NPC. All CHA or Persuade tests with the NPC automatically fail until the end of the
adventure.

EXHAUSTION: Immediately become EXHAUSTED (see page 42).

DISTRACTION: Suffer a −20% penalty to your next test.

CONFUSION: You make a major error and gain false information.

3.3 The Luck Roll


Events often come down to pure chance.

Are adversaries awake when your Protagonist sneaks into the enemy’s camp? Does the stolen car have a first aid kit in
the trunk? When an unexpected burst from a Tommygun tears down the door, does a bullet find you?

If the Game Moderator calls for a Luck roll, there’s a 50% chance that things go your Protagonist’s way. It doesn’t
depend on psychic talent or your Protagonist’s connection with the cosmos or anything else. Just roll the dice. With a
critical success or a fumble, your Protagonist’s luck is extra good or bad.

3.4 Time Required


Sometimes speed counts. The Game Moderator determines how long it takes to perform a test.

TURNS: It takes a few combat turns (see THE TURN on page 43) or, at most, sixty seconds. Combat, some skill tests, and
most stat tests are resolved in turns.
MINUTES: It takes a few minutes. You can’t do it in combat, but otherwise, your Protagonist can get through it rapidly.
Many skill tests are resolved in minutes.
HOURS: It takes hours. Your Protagonist can typically attempt two to four such tasks per day (four only if your
Protagonist goes without rest; see EXHAUSTION on page 42).
DAYS: It takes a day or more. Some extended skill tests, requiring multiple rolls, take days.
LONG-TERM: Efforts that take place outside normal gameplay, like research and training, fit here. It could be a week, a
month, or years. It’s up to the Game Moderator.

40
3.5 Opposed Tests
An opposed test happens when someone takes action to interfere with another’s action.

This might be a player rolling a Protagonist’s Insight to sense the lies in a slimy politician's Persuade roll, a Protagonist
escaping a pursuer with opposed Athletics tests, a degenerate cultist trying to wrestle a sacrificial victim to the ground in
opposed Unarmed Combat tests, or a Protagonist’s Dodge trying to oppose an alien monstrosity’s attack roll.

Usually, skills oppose skills and stats oppose stats. A stat opposes a skill only when one character must use very specific
knowledge or training (and therefore rolls a skill) but the other does not (and therefore rolls a stat). It is up to the Game
Moderator.

By nature, opposed tests are very unlikely to succeed. Not only must your roll succeed, but you must overcome the
opposition’s roll as well.

If two characters’ skills oppose each other but neither needs to roll, the higher rating wins.

>> Opposed Tests and Pursuits


Outcome Opponent Succeeds Opponent Fails
You Succeed A critical success beats a success. Otherwise, Your action succeeds and the opposed action
whoever rolled higher succeeds and the fails.
other fails.
You Fail You fail to stop the opposed action. Nobody succeeds; or whoever rolled lower
succeeds and the other fails (Game Moderator’s
choice).

3.6 Pursuit
A pursuit is a series of opposed tests. The most basic chase is a single test for each side, pursuer and quarry. If the quarry
wins, he or she escapes and the chase ends. If the pursuer wins, he or she (or it) runs the quarry down and the chase
ends. Usually that means combat.

A more prolonged chase may require two wins by one side or the other. Wins cancel each other out. If the pursuer wins
one but the quarry wins the next, that cancels out the pursuer’s win. Then, the quarry needs to win twice more to
escape. An especially wide-open chase might require three wins to either catch up or escape.

In each test, one side or the other wins. If both fail their rolls, the lowest failure wins. A critical success with a chase test
counts as two wins. A fumble counts as two failures thanks to a wreck or some other disastrous accident.

WHICH SKILL APPLIES: A chase on foot requires Athletics; one in vehicles uses Drive, Pilot, or even Heavy Machinery; in
the water, it uses Swim; on horseback, it uses Ride.

AID AND ADVANTAGES: Coordinating with multiple pursuers (whether they’re in sight of each other or have constant
contact by some means), or being substantially faster and/or more maneuverable grants a +20% bonus to each chase
test, or +40% if the advantages are overwhelming.

SEEKING AN EDGE: Instead of the usual roll to catch up or get away, pursuer or quarry may attempt to gain some
advantage by testing a skill that applies to the situation.

Possible skills include Alertness, Navigate, Stealth, or Survival.

41
If this test wins the contest, instead of a “win” it grants a +20% bonus to the next chase roll, or +40% with a critical
success. Failure and fumbling have the usual effects.

COMBAT DURING A CHASE: A person in a chase may be able to launch attacks at opponents, especially if their skill isn’t
being used as the test for escaping or evading (e.g., they are a passenger on a conveyance controlled by someone else).
These will usually be some form of ranged attack. Such attacks are resolved before the pursuer and quarry roll to pursue
and escape. Attacks use the COMBAT rules, beginning on page 43. Each contest in the chase is equivalent to one combat
turn.

If your Protagonist makes an attack but doing so will seriously impact their efforts to pursue or evade, the attack is
considered to occur instead of a roll to pursue or escape – effectively meaning the opponent’s roll to pursue or escape
automatically wins that exchange. This will always be the case if the pursuit is on foot; in other situations it will depend
on whether your Protagonist’s skill at controlling his or her conveyance is a major factor in the chase (if in doubt, the GM
can make a call).

3.7 Willpower Points


Willpower Points are mental fuel. Protagonists require Willpower Points to keep going despite exhaustion, to resist
unwanted persuasion, to resist the effects of terror and mental disorders, and, on rare occasions, to resist or enact
unnatural rituals.

LOW WILLPOWER POINTS: A Protagonist whose WP hits 1 or 2 has an emotional breakdown. The Protagonist suffers a
−20% penalty to all actions until WP rises above 2.

RUNNING OUT OF WILLPOWER POINTS: A Protagonist at 0 WP loses all control. This can look different for every
Protagonist and every situation. The Protagonist might collapse in wracking sobs, or lash out wildly, or simply pass out.
The Game Moderator controls your Protagonist until WP returns to 1 or higher and describes the reaction. A Protagonist
with 0 WP cannot succeed at any tests, including SAN tests. Sooner or later the Protagonist falls asleep, regardless of any
disorders or stimulants, long enough to regain WP

REGAINING WILLPOWER POINTS: When your Protagonist gets a full night’s sleep (but no more than once in a 24-hour
period), he or she regains 1D6 WP. If you play up one of your Protagonist’s personal motivations in a way the Game
Moderator finds compelling, your Protagonist regains 1 WP.

3.7.1 Exhaustion
A Protagonist who works too long or faces extreme danger and injury without resting becomes exhausted. When this
comes into play is up to the Game Moderator, but a good rule of thumb is that going a night without sleep or refusing to
rest after losing SAN or Hit Points leads to exhaustion.

An exhausted Protagonist suffers a −20% penalty to all skills, stat tests, and SAN tests, and loses 1D6 WP. The exhausted
Protagonist loses another 1D6 WP after going another night without sleep, after working hard for a few hours, or after
running or fighting for a few minutes. A full night’s sleep cures exhaustion.

STIMULANTS: Taking common types of stimulants offsets the exhaustion penalty for 1D6 hours. Examples in the Jazz
Age might include nicotine and caffeine.

Harder stimulants (if any are available) offset it for 2D6 hours. Examples in the Jazz Age include Benzedrine inhalers (the
first mass-marketed amphetamine) and cocaine (snorted, declared illicit in many places).

42
During this time, your Protagonist can’t sleep. A Protagonist can take more stimulants to keep going, but every dose
after the first costs 1D6 WP.

If your Protagonist gains a new mental disorder while using stimulants, the Game Moderator has good reason to say the
disorder takes the form of addiction to them. (See DISORDERS on page 69.)

3.7.2 Sleeplessness
The first time your Protagonist tries to sleep after suffering temporary insanity or gaining a new mental disorder (see
TEMPORARY INSANITY and DISORDERS on page 68), you must make a SAN test. If it fails, your Protagonist wakes in
terror, losing the possibility of regaining any WP for 24 hours.

ARTIFICIAL SEDATION: A Protagonist may try to overcome sleeplessness via artificial means, such as drinking alcohol or
using other similar sedatives. This gives a +20% bonus to the SAN test to get to sleep. If the test fails, the Protagonist
gets no rest despite taking sedatives. In addition, the Protagonist is sick the next day, at a −20% penalty to all tests until
he or she gets a full night’s rest. If your Protagonist gains a new mental disorder while using sedatives, the Game
Moderator has good reason to say the disorder takes the form of an addiction to them.

4.0 Combat
A serious fight, where people are trying to kill each other, is chaotic, frightening, and fast. That’s what these rules
represent. Being skilled, having better weapons, or being in a superior position helps, but the inescapable randomness
of combat can claim even the most skilled combatant’s life.

Lovecraft’s fiction presaged humanity’s urge to reduce any confrontation with the unnatural to base combat. However,
humanity’s weapons are as ridiculous to the unnatural forces that control the universe as an ant wielding a pebble is to
the bulldozer razing the field the ant hill stands in. Combat rarely resolves any unnatural threat.

4.1 The Turn


Combat is measured in turns. A turn is a few seconds, or as long as it takes everyone to complete a single action.

The Game Moderator counts down by DEX for all characters, from highest to lowest. Each character acts when his or her
number comes up. If DEX scores tie, the actions occur at the same time or the Game Moderator can choose some
tiebreaker.

During a turn, a combatant can attempt one of the following actions.

4.1.1 Aim
Sacrifice one turn to aim and gain a +20% to your attack next turn. Aiming requires no roll. After the next turn, or if your
Protagonist suffers any damage before attempting it, the bonus is lost.

4.1.2 Attack
An “attack” encompasses anything from throwing a punch to firing an anti-tank rocket. The “standard” attack (ranged or
hand-to-hand) is a skill test to see if your Protagonist hits a target; damage is inflicted based on the weapon used.

• Use Firearms for a gun;


• Use Firearms for other aimed weapons (e.g., bow or crossbow);
• Use Athletics for a thrown weapon;
• Use Melee Weapons for a hand-to-hand weapon;
• Use Unarmed Combat for a punch or kick.
43
The number of shots fired in a single firearm attack depends on the weapon used — a bolt-action rifle fires one shot
while a semi-automatic pistol might fire two or three shots — but it’s always a single attack roll and a single damage roll.

Attacking with unarmed combat or a melee weapon (but not with weapon which acts at a distance) also means your
Protagonist is parrying and blocking. See DEFENSE ROLLS on page 47 for details.

4.1.3 Called Shot


A called shot is an attack to a particular body part (the head, the hand, the leg).

A called shot allows your Protagonist to roll a grenade past cover to explode on the far side, or to shoot someone in the
leg and avoid body armor. If the attack is automatic gunfire that can hit multiple targets, the called shot affects only the
first target.

A called shot is more difficult than a standard attack, so it has a penalty:

PARTLY COVERED (−20%): The target is partially covered (half the body).

MOSTLY COVERED (−40%): The target is mostly covered (all but a limb or head).

Making a called shot with unarmed combat or a melee weapon (but not with weapon which acts at a distance) also
means your Protagonist is parrying and blocking. See DEFENSE ROLLS on page 47 for details.

4.1.4 Disarm
An attempt to knock an object from the target’s grasp using the Unarmed Combat skill. This is possible only if your
Protagonist has both hands free and is in hand-to-hand range. If your roll succeeds, the target drops the object.

Attempting to disarm also means your Protagonist is parrying and blocking. See DEFENSE ROLLS on page 47 for details.

4.1.5 Dodge
This is a Dodge skill test to get out of the way of an attack (or a disarm or pin). This opposed test pits your Protagonist’s
Dodge skill against the attack roll. If your roll overcomes the attack roll, your Protagonist avoids harm. See DEFENSE
ROLLS on page 47 for details. If the Game Moderator agrees, a Protagonist can dodge while jogging or running as
described in the MOVE action below.

4.1.6 Escape
A roll to escape a pin. Roll either STR×5 or Unarmed Combat, whichever is better. This acts as a defense roll against the
character pinning your Protagonist (see DEFENSE ROLLS on page 47 for details); it’s opposed by the pinning character’s
attack roll against your Protagonist. If the pinning character is not attacking, the escape is opposed by either Unarmed
Combat or STR×5 (whichever is better). If the escape roll succeeds, your Protagonist is no longer pinned — and the
escape roll defends against other attacks until your Protagonist’s next action. If it fails, your Protagonist remains pinned
and cannot defend against attacks.

4.1.7 Fight Back


If someone attacks your Protagonist with a melee weapon or unarmed combat (not a weapon acting at a distance or an
explosive), your Protagonist can fight back with Unarmed Combat or Melee Weapons to block and counterattack. See
DEFENSE ROLLS on page 47 for details.

4.1.8 Move
An action that moves your Protagonist a significant distance: 10 yards jogging, 20 yards running, or 30 yards sprinting (or
you can move about 3 yards while performing some other action).
44
Usually moving requires no roll, but if Protagonists are running or sprinting, players may need to make a DEX×5 test to
keep their footing. Fail, and your Protagonist falls prone and must spend a turn recovering.

If there’s cover at the end of your Protagonist’s movement, getting behind it provides protection (see PROTECTION IN
COMBAT on page 52). This can give your Protagonist armor against firearms, ranged weapons and explosives — if the
Protagonist is behind cover when the attack happens.

4.1.9 Pin
An attempt to immobilize a target, either on the ground or up against something, using Unarmed Combat. This is
possible only if your Protagonist has both hands free and is in hand-to-hand range. If it succeeds, the target is pinned.

All unarmed or melee weapon attacks against a pinned target are at a +20% bonus. A Protagonist pinning a target can
attack the pinned target in later turns.

A pinned target can attempt escape once per turn (see the ESCAPE action, above) but nothing else.

Attempting to pin a target also means your Protagonist is parrying and blocking. See DEFENSE ROLLS on page 47 for
details.

4.1.10 Wait
Protagonists can choose to wait to take any action after their DEX order comes up. At any time before your next turn,
you can insert your Protagonist’s action before the next action in DEX order. Your Protagonist can’t wait until another
character acts and then jump in before it’s resolved, but your Protagonist can jump in before the other character’s turn
comes up.

4.1.11 Anything Else


Drink a vial full of a glowing liquid, throw open an unlocked door, activate a mechanism, grab a rope, pick something up,
stand up from a prone position — anything that takes a moment’s concentration. The Game Moderator decides whether
it requires a stat or skill test.

>> One Action Per Turn


A Protagonist can take only one action per turn. In some settings, there might exist advanced weapons which may
hit multiple targets, or one target multiple times, with a single roll (see LETHALITY RATING on page 49), but it’s still
just one action per turn. If this seems counterintuitive (“a good brawler can throw three jabs a second!”) don’t think
of every roll as a single action but as a few seconds of fighting or moving.

4.2 Attack Rolls


An attack is a skill roll which inflicts damage, disarms or pins the target, depending on the attacker’s action.

4.2.1 Critical Hits and Fumbles


An attack roll that’s a critical success (see page 39) is a critical hit. A critical hit inflicts double damage.

An attack roll that fumbles (see page 40) is bad news. The exact outcome remains up to the Game Moderator and can
include:

1. A weapon malfunctions in some way, requiring 1D4 turns to fix


2. A weapon drops and it takes a turn to pick it back up.
3. The attacker accidentally hits a friend, a bystander, or himself / herself.
4. The attacker stumbles and falls.
45
4.2.2 Attack Modifiers
When you make an attack roll, it means the situation is out of control. Combat is chaotic and unpredictable even for the
most highly trained fighters. The combatants’ skill ratings and the luck of the dice usually tell everything you need to
know.

Bonuses and penalties in combat apply only in extraordinary circumstances. The COMBAT MODIFIERS table, nearby, lists
the likeliest modifiers. If they do apply, Attack bonuses stack up to a maximum +40%. There’s no limit on penalties.

No matter the bonus or penalty, a roll of 01 always hits and a roll of 00 (100) always misses.

>> Optional Rules: Other Firearm Called Shots


If the Game Moderator agrees, you can make a called shot for some effect other than ignoring armor. Here are
some possibilities.
DOUBLE SHOT (−20%): Make two attack rolls. Both must be on the same target. If two potential targets are close
enough that you could hit either one, randomly determine which one takes each hit. Not an option with bows,
muzzle-loaders, bolt-action or one-shot weapons.
STUN (−20%): A hit stuns the target (see STUN, page 48).
FLESH WOUND (−40%): A hit inflicts half damage (round up).
HEAD SHOT (−40%): A hit is critical without matching dice.
>> Optional Rules: Other Critical Hits
If the Game Moderator agrees, a critical hit can inflict normal damage (not double) and have some additional
effect: STUN or DISARM the target; knock the target PRONE; make the hit a CALLED SHOT; or allow the attacker to
immediately roll a SECOND ATTACK.

4.2.3 Surprise Attacks


If your Protagonist is out to kill someone who’s unaware or helpless (and nobody is trying to stop you), that’s hardly
combat. You may not even need to make a roll.

TARGET IS TOTALLY HELPLESS — BOUND OR ASLEEP: No roll is needed to murder the target in one turn.

TARGET IS ACTIVE BUT UNAWARE AND COMBAT HAS NOT YET BEGUN: Make an attack roll at +20%. Any success is a
critical hit. If it fails, the attack misses. Maybe your Protagonist flinched at the last instant or maybe the target moved.
Work out the details with the Game Moderator.

4.2.4 Firing Into A Crowd


Use a CALLED SHOT to hit a particular target in a crowd with a ranged attack. Otherwise a random member of the crowd
takes the hit.

>> Combat Modifiers


Circumstance +20% Bonus -20% Penalty -40% Penalty
Very Long or Very Short Firing at point-blank range (3 Beyond base range (up to 2×) Beyond 2× base range (up to
Range yards or less) 5×)

Unusual Target Concealment Using a sight to line up a Terrible visibility due to Little to no visibility
or Visibility ranged attack smoke or darkness

Called Shot or Area Attack Explosive weapon Target about half covered or Target mostly covered or very
smaller than a human body small
Unusual Target Condition — Target standing totally still Target prone or running Target moving very fast
Ranged Attack

46
Unusual Target Condition — Target pinned down or Target moving quickly (e.g., Target moving very fast
Melee Attack standing totally still running)

Unusual Attacker Condition Carefully aiming for a full turn Suffering from an irritant; Suffering from corrosive gas;
exhausted stunned

4.3 Defense Rolls


Dodging and hand-to-hand combat (with unarmed or with melee weapons) are tests that protect your Protagonist by
opposing an attack roll.

4.3.1 Dodging and Fighting Back


Your Protagonist can Dodge or fight back against an incoming attack even before your Protagonist’s DEX order in a turn.
If you do this, it becomes your Protagonist’s single action for that turn. A Protagonist who has already taken another
action that turn can’t Dodge or fight back until the next turn.

A roll to Dodge opposes all hand-to-hand attacks that turn. It lets your Protagonist duck behind cover to evade all
ranged attacks that turn if cover is near. Dodging never inflicts damage.

Fighting back blocks all hand-to-hand attacks that turn. If you win the contest, you take no damage. It does not protect
you against ranged attacks unless you’re close enough to push the ranged weapon away. As part of your fighting back
roll, choose one offensive action – ATTACK, CALLED SHOT, DISARM, or PIN – against a single attacker. If your roll beats
that attacker’s roll, your Protagonist takes no damage and your Protagonist’s action affects the attacker.

In order to Dodge or fight back, your Protagonist must know an attack is coming and be physically able to block or evade
it. If your Protagonist is pinned, if the attack occurs before he or she realizes it, or if your Protagonist can’t see or hear
the attacker, your Protagonist can’t Dodge or fight back.

4.3.2 Dodging Ranged Attacks


An ordinary Dodge roll can avoid a slow-moving ranged attack, such as an arrow or a thrown weapon.

Nobody can react as fast as bullets and shrapnel, but your Protagonist can use Dodge to scramble for cover. If your
Protagonist is near enough to move to cover and knows gunfire or an explosion is imminent, make a Dodge roll for the
Protagonist to get behind the cover. If there’s no cover, Dodging does no good. This is why people get nervous when
guns come out.

4.3.3 Defending After Attacking


When your turn comes up, declare your Protagonist’s action — ATTACK, CALLED SHOT, DISARM, OR PIN — and make
the roll. Your Protagonist can harm, disarm or pin only one target per turn (the attack might hurt others, but all attacks
have a single target).

A roll to attack, disarm, pin, or make a called shot also opposes each Unarmed Combat and Melee Weapons attack
against your Protagonist until your Protagonist’s next action. If an attack fails to overcome your roll, it does no harm.

To oppose an attack, your Protagonist must know the attack is coming. That requires seeing or hearing the attacker. The
Protagonist must also be physically able to block the attack, if it is melee. A pinned Protagonist can’t defend, nor can a
Protagonist who has already successfully pinned a target.

An attack roll with a ranged weapon does not oppose attack rolls against your Protagonist.

47
4.4 Damage
Combat is about inflicting damage. Each weapon or attack has a damage rating measured in dice. When an attack hits,
roll the weapon’s damage dice and subtract the result from the target’s Hit Points.

DAMAGE BONUS: High or low Strength modifies the damage of unarmed and hand-to-hand attacks, to a minimum of 0:

>> Damage Bonus from STR Score


1—4 5—8 9—12 13—16 17—18
-2 -1 0 +1 +2
STUN: Stun attacks startle and impair. While stunned, your Protagonist can’t act. When it’s your Protagonist’s turn, you
may attempt a CON×5 test to recover and act normally next turn. If a single attack inflicts half of your Protagonist’s
current HP, the Protagonist is automatically stunned.

UNCONSCIOUSNESS: If your Protagonist is reduced to 2 or fewer HP, he or she falls unconscious. An unconscious
Protagonist is helpless and can be killed with a single attack without having to roll. At 3 HP or more (or after an hour
passes), the Protagonist regains consciousness.

PERMANENT INJURY: Any time your Protagonist is reduced to 2 or fewer HP, make a CON×5 test. Failure indicates
permanent injury. The Game Moderator selects a stat to be permanently reduced by the number on the lowest ten-sided
die of the failed CON×5 roll. Stats can only be reduced in this way to a minimum score of 3. If STR or CON drop, adjust HP
accordingly.

DEATH: If an attack brings your Protagonist to 0 HP, he or she is dead. HP do not go below 0.

>> Optional Rules: Other Permanent Injuries


At the Game Moderator’s discretion, a permanent injury may have some effect other than stat loss: a permanent
penalty that can’t be corrected with surgery. Usually it’s a −20% penalty that applies in certain circumstances.
Here are some possibilities.
PARTIALLY BLINDED: The Protagonist suffers a −20% penalty to all tests requiring good eyesight.
PARTIALLY DEAFENED: The Protagonist suffers a −20% penalty to all tests requiring good hearing.
ARM CRIPPLED OR SEVERED: The Protagonist suffers a −20% penalty to all tests requiring two hands.
LEG CRIPPLED OR SEVERED: The Protagonist suffers a −20% penalty to all tests requiring movement.

4.4.1 Healing
There are four types of healing: Resuscitation, Stabilization, Treatment, and Recuperation.
RESUSCITATION: Sometimes it’s possible to resuscitate a dead character. If the Game Moderator says resuscitation is
possible, someone must make a First Aid test. This must occur within a number of minutes after death equal to the
victim’s CON score. If it succeeds, it restores 1D4 HP (doubled for a critical success) and allows the patient to recover. If
First Aid fails, the victim dies and may not be resuscitated.
STABILIZATION: Stabilizing a wounded character with a successful First Aid test immediately heals 1D4 HP. A critical
success doubles the amount healed; a fumble inflicts 1D4 damage. Once your Protagonist receives first aid, success or
failure, the Protagonist can’t benefit from it again until he or she suffers damage again.
TREATMENT: Treatment is professional care in a clean, calm location with extensive tools and healing supplies.
A doctor can attempt a Surgery or Medicine test once per week: Surgery for critical care of severe wounds; Medicine for
poison, disease, and ongoing healing. If treatment succeeds, the patient recovers 1D4 HP. This is doubled with a critical,

48
while a fumble inflicts 1D4 HP damage. At the Game Moderator’s discretion, having worn-out tools or poor quality
medicines may incur a penalty.
RECUPERATION: Over time, the human body repairs itself. A patient who rests in a safe place with proper food and
water can attempt a CON×5 test once per day to recover 1 HP (in addition to any HP recovered due to medical
treatment). On a critical success, the patient regains 1D4; on a fumble, the patient loses 1 HP.

4.4.2 Complications
After treatment, and until the patient heals all lost Hit Points, undertaking strenuous activity (any physical stat or skill
test) inflicts 1D4 HP damage as sutures rip, broken bones shift, or fever sets in.

4.4.3 Recovering Stat Points


Unless the Game Moderator says otherwise, temporarily lost stat points are restored at 1 point per day.

4.5 Table of Example Weapons


The tables below summarize some representative weapons and vehicles that characters might have access to. Note that
while the concept of LETHAL DAMAGE still exists, it is primarily applied to explosives, poisons, or battlefield weapons
(like field guns, naval guns, and machine guns like the infamous Tommy gun).

Also, this setting does not have a specific skill for Ranged Weapons – characters who are firing crossbows etc. should use
the Firearms skill to aim such weapons, while thrown weapons use Athletics as a combat skill.

>> Melee Weapons


Sample Weapons Damage
Bare hands and feet 1D4–1*
Brass knuckles or steel-toe boot 1D4*
Ordinary knife, switchblade or hatchet 1D4*
Hatchet or Sickle 1D6+1*
Blackjack or Cricket/Baseball Bat 1D8*
Large sword 2D6*
*Damage bonus is added for this weapon

>> Ranged Weapons


Sample Weapons Skill Damage Base Range
Crossbow Firearms 1D8+2 50 yards
Thrown Rock Athletics 1D4* 20 yards
Thrown Knife Athletics 1D4* STR×5 feet
Thrown Spear Athletics 1D8* STR×5 yards
Thrown Hand Grenade Athletics Lethality 12%, 4 yds STR×3 yards
*Damage bonus is added for this weapon

49
>> Firearms
Sample Weapons Damage Base Range
Derringer 1D8 5 yards
Medium Pistol 1D10 15 yards
Large Caliber Pistol 1D10+2 10 yards
Rifle 1D12+2 60 yards
Shotgun blast, close range 2D10 50 yards
(full damage up to 10yds;
reduced to 1D10 for 10—20yds;
reduced to 1D6 for 20+ yards)
Thompson Sub-Machine Gun LETHALITY 15%, 1—3yd 40 yards (80 if mounted)
radius (based on mode)
WW1 Machinegun (mounted) LETHALITY 20%, 3yd radius 140 yards

>> Selective Fire


Type of Fire Ammo Used Lethality Kill Radius
Short Burst 3 10% None
Long Burst 5 10% 1 yd
Short Spray 10 10% 2 yds
Long Spray 20 10% 3 yds

>> Explosives
Sample Weapons Placement Skill Damage Base Range
Dynamite Stick Military Training Lethality 15% 1 yard
Pipe Bomb Military Training Lethality 20% 2 yards

4.6 Lethality Rating


Certain attacks inflict damage well beyond the possibility of survival; a burst of heavy machine gun fire or an artillery
shell makes fast work of human anatomy. Rather than rolling many dice for damage or many separate attacks, a weapon
like this has a Lethality rating.

If an attack hits with a weapon that has a Lethality rating, there’s a chance it simply kills the target outright. Instead of
rolling normal damage, roll percentile dice against the weapon’s Lethality rating. If the Lethality test succeeds, a human
target immediately drops to 0 HP. If the Lethality test fails, add the two dice together as if they were individual D10s (0 is
10) and apply that as HP damage.

Lethality rolls do not fumble or critically succeed, but the attack roll can. If the attack roll is a critical success, double the
Lethality rating, and double the HP damage if the Lethality roll fails.

4.6.1 Kill Radius


Some types of especially destructive effects destroy not just one target but spread across an entire (usually circular)
zone – the size of the effect is measured by Kill Radius.

If a weapon has a Kill Radius, a successful attack inflicts a Lethality roll on each character inside that radius. The center of
the Kill Radius is the initial target of the attack.

50
Why Lethality Ratings?
The Lethality rating replaces the need to roll lots of separate attacks and lots of dice for damage. Without it, a
massively damaging attack might require several separate attacks and damage rolls to afflict many different
targets. In the middle of combat, rolling that much breaks the tension.
If you’d rather roll damage the old way, it’s 1D6 damage for every 3% of Lethality. So a weapon with 35% would
do 12D6 HP damage.
With explosive weapons, Kill Radius attacks don’t need to be as precise as ordinary attacks; hitting a zone within the Kill
Radius of a target is enough. That adds +20% to the chance to hit.

A failed attack roll means the Kill Radius lands harmlessly outside the intended area. The attack does no harm—but may
still suppress targets (see SUPPRESSION, below). Whether a failed Kill Radius attack does unwanted collateral damage is
up to the Game Moderator.

MANY TARGETS: A single attack with a Kill Radius usually affects everyone in the Kill Radius. If that doesn’t make sense
for the situation, the Game Moderator can decide who gets hit.

The Game Moderator is welcome to let players roll the Lethality results for NPCs to speed things up. But really, you need
to roll Lethality only for characters who are important enough to track in detail. Since even a failed Lethality roll inflicts
between 2 and 20 damage, it’s safe to just assume that most humans caught in a Kill Radius are either dead or
incapacitated.

4.6.2 Selective Fire


Some small arms, like submachine guns and assault rifles, have selective fire. The shooter chooses how it’s used; each
pull of the trigger can fire a single shot, a short burst, a long burst, a short spray, or a long spray. A weapon set for single
shots attacks normally. A burst or a spray has a Lethality rating.

A short burst fires three bullets in one trigger pull. It affects a single target. A long burst fires five shots with a Kill Radius
of 1 yard. Short and long sprays empty the magazine faster, but cover a larger Kill Radius. Some firearms allow only
single shots or short bursts (“three-round bursts”).

4.7 Explosions
If your Protagonist wants to disable or destroy a structure or vehicle, an explosive or other form of Lethal attack might
be their best bet. Such large objects have their own Hit Points (see VEHICLES, page 63), and they are considered huge
targets (see HUGE, page 53).

For example, if your Protagonist wanted to gain entry into a bank vault, he or she might try lobbing a hand grenade at its
door. The GM might rule that the safe has 20HP and an Armor rating of 10. Assuming the grenade lands such that the
safe is within its kill radius (10 yards from where it lands), the safe will take damage. Because the object is treated like a
HUGE target, the normal Lethality 15% damage is translated into an automatic 15 HP damage reduced by Armor down
to 5 HP. So, while the explosion makes a lot of noise, the safe is only a quarter broken into. Time to get some more
grenades.

51
4.8 Fear in Combat
Being involved in combat is inherently frightening for most people. However, certain types of attacks which devastate an
entire area are especially terror-inducing. When faced with such destruction – whether from a mundane weapon (e.g., a
burst from a Tommy gun) or something supernatural – primal instinct kicks in to prevent a person from placing
themselves in mortal peril.

The GM can nominate that any massively damaging attack is Terror-Inducing. Any character who knowingly seeks to
enter a region targeted by such an attack will hesitate and go to ground – even if the attack does not succeed. The only
way to stifle this primal terror is by voluntarily sacrificing 1 SAN.

The types of attacks which might be ruled Terror-Inducing include:

• Attacks (mundane or supernatural) that inflict Lethal Damage to a Kill Zone,


• Attacks which have previously been witnessed to inflict Unnatural effects worthy of a SAN test,
• Anything else the GM believes would strike extreme fear into combatants.

Note that these effects do not apply to a combatant who is not aware that he or she is straying into an area targeted by
the Terror-Inducing attack – when in doubt, call for an Alertness test.

A character adapted to violence (see ADAPTING TO SAN LOSS on page 74) loses no SAN for braving a Terror-Inducing
attack. For NPCs, it’s easiest to assume the average human goes to ground when faced with such attacks. Only insane,
hardened, or fanatical enemies stand up to such intense fear.

>> Optional Rule: Creating Terror Through Concentrated Fire


Normally, mundane ranged weapons won’t be damaging enough to inspire terror. What if several combatants team
up to concentrate simultaneous shots – none of which themselves are Terror-Inducing – on a single point? In such a
case the GM might decide that the combined effect is sufficient to create 1 yard-radius circular zone centered on the
point of concentrated fire. All combatants firing at the spot make an attack roll – if the majority succeed, no damage
is inflicted but the designated zone is treated as Terror-Inducing. If one or more of the attackers scored a critical on
their roll, a random target in the zone is hit for normal damage and everyone else in the zone is affected by the
Terror effect. If fewer than half of the attackers succeeded on their rolls, no damage is inflicted and no terror is
generated.

As a rule of thumb, for a concentration of smaller attacks to be ruled as creating a Terror-Inducing effect the sum of
their individual maximum damages should be at least 30HP (i.e., three attacks each delivering 1D10 or five attacks
each delivering 1D6). Any coordination of two or more attacks with Lethal effects would also qualify.

4.9 Protection in Combat


We’ve seen how to injure, kill, and dismember targets, but how do you protect them?

There are five stages of protection, categories that determine how easy a Protagonist or other creature is to harm,
regardless of their ability to get out of the way.

4.9.1 Fragile
Fragile targets drop to 0 HP instantly if they suffer any damage from a deliberate attempt to injure them. A helpless
human is Fragile and may, at the Game Moderator’s discretion, be reduced to 0 HP with one attack without bothering to
roll damage.

52
4.9.2 Exposed
Exposed is the default for humans and many creatures. It means the target is aware of danger and trying to avoid it, but
doesn’t have any real protection. Attacks operate normally against Exposed targets.

4.9.3 Armored
Being Armored reduces the damage of attacks. Armor has an Armor rating which reduces the HP damage of attacks.
Armor 5 means reduce damage by 5.

Armor comes in two forms: body armor and cover. They both reduce the damage of ordinary attacks, but have different
effects on Lethality attacks. If you have more than one source of armor (such as wearing body armor while behind a
wall), add them all together.

Some weapons are armor piercing, which in turn reduces armor (see ARMOR PIERCING WEAPONS, page 54).

BODY ARMOR: Body armor reduces the damage of an ordinary attack by its Armor Rating. Body armor protects against
the damage of a failed Lethality roll, but does nothing whatsoever against a successful Lethality roll.

COVER: Finding cover means using a hard barrier as armor against attack. Cover protects more completely than body
armor. If you have cover against a Lethality attack, the Lethality roll automatically fails, but still inflicts the sum of the
dice as damage. Subtract the cover’s Armor rating from that damage.

What if your Protagonists are completely enclosed in a structure or conveyance? That’s definitely cover, but it’s the
Game Moderator’s call. Maybe they take damage reduced by the cover, or maybe they take no damage until the cover is
breached.

Being behind cover does not make Protagonists immune to the terror of combat (see FEAR IN COMBAT on page 52). If
your Protagonist is terrorized, his or her next action must be to hide behind that cover instead of attacking.

Armor Armor Rating


Heavy Robes or Leather Jacket 1
Trench Coat 2
Wall or thick door; Steel lined vest 5
Automobile body 6
Thick wall, concrete, or moderate rock; light vehicle armor 10
Reinforced wall, big rock, or sandbag 15
Thick concrete or brick wall 20

4.9.4 Huge
A huge target loses Hit Points from ordinary weapon damage as usual. But Lethality ratings don’t affect huge creatures
in the same way they do a human sized target. Instead, the Lethality attack does flat HP damage equal to the Lethality
rating.

4.9.5 Transcendent
Transcendent entities are immune to physical damage. This might mean they exist partly in dimensions we barely
perceive, or are so organized that mere excesses of force and matter cannot harm them.

Nothing of this Earth is Transcendent. Only through the use of unnatural techniques, under extremely dangerous and
limited situations, can humans become Transcendent.

53
>> Combat Protection Summary
Target Status Effect of Normal Damage Effect of Lethality Success Effect of Lethality Failure
Fragile Reduced to 0 HP Reduced to 0 HP Reduced to 0 HP
Exposed Roll HP damage. If Armored, Reduced to 0 HP Add up the Lethality dice to
subtract the Armor value determine HP damage. If
from the damage. Armored, subtract the Armor
value from the damage
Behind cover Roll HP damage. Subtract the Add up the Lethality dice to Add up the Lethality dice to
cover’s Armor value from the determine HP damage. determine HP damage.
damage. Subtract the cover’s Armor Subtract the cover’s Armor
value from the damage. value from the damage.
Huge Roll HP damage. If Armored, Take the Lethality rating as Take the Lethality rating as
subtract the Armor value HP damage. If Armored, HP damage. If Armored,
from the damage. subtract the Armor value subtract the Armor value
from the damage. from the damage.
Transcendent No damage No damage No damage

4.9.6 Armor Piercing Weapons


An armor piercing weapon reduces the Armor value of a target by a number of points. If the weapon description notes it
as armor-piercing it will normally also specify the reduction – if no number is given, assume the attack reduces effective
armor by 5.

4.10 Optional Spot Rules for Weapons


There’s a staggering variety of personal firearms and weaponry. Their usefulness in adventures may be limited, of
course, depending on who or what the Protagonists face.

The primary game statistics relating to different types of weapons may be found on the Example Weapons Table on
page 49. The availability of any class of weapon will be dictated by the scarcity of weapon resources in the particular
game setting (see preceding section).

What follows are some spot rules for Protagonists who have access to common Jazz Age (early 20 th Century) weapons.

4.10.1 Concealing Weapons


Knives and pistols can be concealed under ordinary clothing. Someone deliberately looking for a concealed weapon can
attempt an Alertness test to spot it. A heavy pistol or especially big knife means a +20% Alertness bonus.

If a Protagonist is wearing an overcoat or trench coat, he or she can attempt to conceal a bigger gun like a sawed-off
shotgun, or a larger hand weapon (e.g., a hatchet or machete) and incur no Alertness bonus.

There’s no way to conceal a full-size rifle or a large melee weapon.

4.10.2 Hand-to-Hand Weapons


Unarmed attacks, like punching, kicking, and strangling, use the Unarmed Combat skill. All melee weapons use the
Melee Weapons skill.

4.10.3 Primitive Ranged Weapons


Old-fashioned ranged weapons that are aimed (e.g., crossbows, bow, and slings) use the Firearms skill even though they
aren’t firearms. All such weapons require some kind of ammunition (arrows, bolts, bow) and are useless if the supply is
exhausted. Primitive weapons that are thrown (e.g., spears) use Athletics skill.

54
4.10.4 Firearms
Depending on when and where the game is set, the Protagonists may have easy access to a range of different firearms.

Pistols
Lightweight pistols fire low-powered cartridges and are of limited use even against humans. Medium pistols are the
standard sidearms in the military everywhere. They fire moderately powerful rounds. Most revolvers hold six shots, but
some late models hold seven or eight. Pocket revolvers sometimes take only five. There’s a huge variety of ammunition
capacities for semiautomatic pistol magazines, but 15 is typical, although 17 or even 20 is not uncommon. Large-caliber
pistols often carry less. A typical figure for a heavy pistol is eight.

Shotguns
A typical pump-action shotgun holds five shots, although there are many with extended magazines for eight or more.
Double-barrel shotguns hold one shot per barrel and can fire both barrels at one target with one attack roll. Shotguns
can fire shot (a spread of small projectiles), slugs (a single heavy bullet), or “non-lethal” ammunition such as bean bag
rounds, baton rounds, or rubber shot.

FIRING SHOT: Grants a +20% bonus to hit at all ranges: at point-blank due to the target being so close (see ATTACK
MODIFIERS on page 46) and beyond that due to the spread of projectiles. If the target has an Armor rating due to armor
or cover, double it.

FIRING BOTH BARRELS: You can fire both barrels of a double-barrel shotgun at one target with one attack roll. That
inflicts an extra +1D8 damage at base range. It adds no damage beyond base range as the shot or the slugs separate.

OTHER GAUGES: These rules assume a standard 12-gauge (called 12-bore in England) shotgun. Modify the damage by +2
for a heavier bore or −2 for a lighter gauge.

Tommy Guns
Thompson submachine guns (nicknamed “Trench brooms” and “Chicago Typewriters”) fire full-automatic bursts but are
often also capable of semi-automatic fire. When firing semi-automatic, the weapon inflicts ordinary damage; with
automatic fire, it uses a Lethality rating (see LETHALITY RATING on page 49).

Rifles and Carbines


Rifles fire more powerful cartridges than pistols, for better penetration, wounding, and range. However, they are also
bulkier.

Rifles in the Jazz Age are mostly breach loading, bolt-action weapons. These must be manually worked before each shot,
which delays aiming. An attack using such a weapon in the turn immediately after it’s already been fired is at −20%. A
rifle gets no benefit from the Aim action in the turn immediately after it’s fired.

>> Unusual Ammunition


Most small-arms ammunition uses the standard, listed damage ratings. Special types are available.
EXPRESS BULLETS (HOLLOW POINT): Late in the 19th Century these bullets were marketed as cartridges that were
lighter weight – since they were hollow at the tip – thereby increasing velocity. They also proved to cause greater
tissue trauma, albeit at the expense of penetration. An Express (hollow point) bullet does +1 damage but armor is
twice as effective against it. Express bullets were originally designed for rifles, but were also produced for larger-
caliber pistols.

55
4.10.5 WW1 Machineguns & Artillery
Many unnatural things that Protagonists face are inscrutable perversions of physics no more vulnerable to explosions
than they are to crucifixes. This never stops Protagonists from trying.

The Base Range for WW1 Machineguns reflects the fact that it needs to be accurate enough only to get a target within
the Kill Radius. Such weapons fired off their tripod mounts halve Base Range.

Naval Guns and Field Guns are specialized pieces of equipment that require some form of Military Training at 40%+ to
operate in a moderately safe fashion. They also require the concerted work of a whole team of trained military
personnel. The specific skill tests needed to accurately target a Mythos horror with one of these weapons should be
determined by the GM based on the specific situation. Conceivably a hit by a shell launched by a large bore gun could
deal Lethality 25% across a Kill Zone of 8 yards radius. A fumble or misfire could be just as devastating to the team
operating the weapon.

4.10.6 Weapons with Special Effects


Some types of weapons do something other than (or as well as) inflicting damage to Hit Points.

Mustard Gas and Phosgene Gas


These terrifying forms of chemical warfare were commonly used by both sides in World War 1. Exposure to such gas
creates horrific damage that is best dealt with as a form of poisoning. See the table on page 56. Military gas masks are
an effective, if bulky, defense but anyone wearing such a mask suffers a −20% penalty to Alertness and Search tests.

4.11 Other Threats


The world is full of threats, combat isn’t the only thing that can kill a Protagonist.

4.11.1 Poison and Disease


Every poison or disease has two ratings: Speed and Damage.

Speed indicates how soon the poison or disease inflicts damage. A poison inflicts damage once and then passes from
your Protagonist’s system. A disease requires a series of CON tests to resist damage.

Damage is ordinary HP for a disease, while poisons have Lethality ratings.

POISONS: A poison has a Lethality rating. If the Lethality roll fails, the victim makes a CON×5 test to withstand harm.
Success means half damage, and a critical success means the victim loses only 1 HP. A fumble doubles the damage.
‘Hospitalization’ (makeshift or otherwise) grants +20% to the victim’s CON test.

DISEASES: Diseases inflict HP damage. If your Protagonist succeeds at a CON×5 test, he or she suffers half damage and
recovers from the disease. On a failure, he or she suffers full damage and must make the CON×5 test again after another
Speed interval. A fumbled CON test doubles the damage. While under the effects of a disease, the Protagonist cannot
gain Hit Points back. ‘Hospitalization’ grants a +20% bonus to the CON test. Serious diseases may come with a penalty to
the CON test.

56
>> Natural Poisons
Poison Entry Route Speed Lethality Symptoms Antidote?
Spider venom Bite 1D6 hours 5% Pain, chills,
nausea; possibly Yes
necrosis
dangerous drug Varies 1D6 hours 5% Usually pain,
administered with diarrhea, Yes
failed skill use convulsions, or
asphyxiation
Arsenic Ingestion 1D6 hours 10% Pain, diarrhea, No
cramping
Scorpion or rattlesnake Bite or sting 1D6 hours 10% Pain, weakness,
venom hemorrhaging, Yes
convulsions

>> Manufactured Poisons


Poison Entry Route Speed Lethality Symptoms Antidote?
Phosgene/Mustard gas Inhalation 2D6 hours 15% Blistering, No
coughing blood,
asphyxiation
Prussic Acid (Hydrogen Inhalation or 1D6 turns 20% Asphyxiation No, but some
cyanide) Ingestion treatments
Strychnine Inhalation, 10+1D10 minutes 10% Convulsions, No
Ingestion, paralysis,
Contact asphyxiation

>> Sample Diseases


Disease Route Speed CON Test Damage Symptoms Cure
Penalty
Bacterial Airborne 1D6 days –40 1D4 Stiff neck, No; treatment
meningitis nausea, includes
confusion lumbar
puncture and
induced
vomiting.
Bacterial Inhalation 1D6 days None 1D6 Cough, fever, No
pneumonia chills
Gangrene Dirty wounds 1D6 days –20 1D4 Discoloration, Bromine
oozing, injections,
numbness excision, or
amputation
Plague Flea bite 1D6 days None 1D6 Fever, chills, No
(bubonic lymph node
plague), swelling,
inhalation coughing (if
(pneumonic pneumonic),
plague) shock
Smallpox Exposure to 2D6 days –40 1D6 Fever, No, but
infected person vomiting, immunization
ulcers, rashes, exists
scabs

57
Some diseases are persistent. That means that even succeeding at the CON test only buys time; the disease subsides and
your Protagonist recovers lost HP. But every time the Protagonist is badly hurt (losing more than half his or her HP) or
suffers from some other poison or disease, the Protagonist must make a CON×5 test to resist a resurgence.

ANTIDOTES: A few poisons and diseases can be cured with medication. If a physician has the antidote for a poison or the
right drug to treat a disease, a Medicine test before the ailment takes effect renders the poison or disease harmless. An
antidote given after the ailment takes effect halves the Lethality rating and the HP damage.

4.11.2 Falling
Falling is extremely dangerous to humans. Even a bad slip can be lethal. A fall from a short distance (one to three yards)
does 1D6 damage, or 2D6 if it’s a particularly uncontrolled fall. Beyond that, a fall instead has a Lethality rating of 1% per
yard fallen. A Protagonist who survives a fall must make a CON×5 test or be STUNNED (see page 48).

4.11.3 Suffocation
Suffocation is a slow death. If your Protagonist takes a deep breath before holding it, he or she can go without breathing
for CON×5 turns. After that, your Protagonist’s oxygen-starved brain begins to die. Once every turn, make a CON×5 test.
If it fails, your Protagonist suffers 1D6 HP damage. If the CON test succeeds, your Protagonist suffers 1 HP damage
instead. This continues until your Protagonist can breathe again or he or she dies.

If your Protagonist doesn’t get a breath before suffocating, the damage starts immediately and lasts until someone
clears his or her airway with a First Aid test. Armor does not protect against suffocation damage.

4.11.4 Fire
Fire damage suffered depends on the flame’s intensity. The victim suffers a damage roll every turn of exposure.

Intensity Example Damage


Minor Candle 1/turn
Moderate Flaming brand; momentary exposure to a larger fire 1D6/turn
Large Campfire 2D6/turn
Major Scalding steam; bonfire; furnace Lethality (10%) each turn

After taking damage from any moderate, large or major source of fire, the victim must make a DEX×5 test or catch fire,
suffering half damage each turn until extinguished. Being surrounded by a raging fire also causes suffocation as the fire
consumes oxygen. (See SUFFOCATION above.)

4.11.5 Cold
Protagonists can last for CON in minutes exposed to freezing temperatures unprepared, or CON×5 minutes if partially
prepared. Fully prepared and well-equipped Protagonists can last CON hours.

After this, their bodies start to fail. Players must make a CON×5 test every five minutes. Each failure reduces CON by 1.
When a Protagonist’s CON hits 1, the Protagonist can no longer move and suffers 1D8 HP cold damage every five
minutes. Exposure to warmth and shelter restores 1 point of CON per minute. Hit Points heal normally.

4.11.6 Impact
Slamming into a barrier at speed can be deadly. It has a Lethality rating of 10% for every 25 mph (40 km/h) of speed.
Double the Lethality rating if your Protagonist slams into a wall and there’s nowhere to tumble. A Protagonist who
survives an impact must make a CON×5 test or be STUNNED (see page 48). For damage from a vehicular crash, see
VEHICLES on page 63.

58
4.12 The Aftermath
When the smoke clears and the fighting stops, it’s time for the Game Moderator to look to the consequences of combat.
There are always consequences.

First, violence damages sanity. Unless your Protagonist is a hardened operator, getting into a deadly fight calls for a
Sanity roll. So does getting hurt. So does killing someone. (See THREATS TO SAN on page 66.)

Next, was anyone killed or badly hurt? If so … who’s going to come looking for them?

5.0 Equipment
Most equipment that your Protagonist will buy, find or use does not require any special rules – if you have the
equipment, and it is in working order then you can use it (possibly with a skill or stat test) to do things. Some items that
are poorly made or worn-out may incur a penalty (see the box nearby).

Obtaining equipment can be as simple as purchasing it in a store (assuming such commerce exists in the game setting);
alternatively, it can involve scrounging around trying to piece together usable items from junk.

5.1 Buying Equipment


The table below gives some indicative prices for equipment. It also shows the normal range of available financial wealth
that is typical for individuals at different strata of society (as defined by the Permanent Resources rating, see DETAILED
DESCRIPTION: RESOURCES, page 18).

What does the Resources Rating Mean?


Resources Financial Assets, Income and Cash-at-Hand
Rating
0 Penury $0 no assets
1-4 Poor $700/annum bicycle, rented apartment
5-8 Average $3k/annum nice bicycle, mortgaged home
9-12 Above Average $10k/annum cheap car, part-mortgaged home
13-16 Well Off $5k/annum good cars, paid-off home
17-18 Rich $15k/annum luxury car, several homes
19 Very Rich $50k/annum several prestige cars, mansions
20+ Super Rich $100k/annum+ sky is the limit
Some representative costs:
• Average living expenses for a single person (excluding rent): $15—20/month
• Renting a 1-bedroom apartment in a large city: $60/month
• Renting a 1-bedroom apartment in a small city or town: $15/month
• Buying a 3-bedroom house in a large city: $6,000
• Buying a 3-bedroom house in a small city or town: $2,000
• Meal at a quality restaurant: $1—$2
• Diner meal: 70c
• New radio: $200
• Trip on public transport: 5c or 10c
• New (non-prestige-brand) car: $1,500—$2000
• Prestige-brand car: $8,000
• Berth on a steamship between England and America: $120 (first class) to $35 (steerage)
• Biplane: $3,000

59
5.2 Scrounging
Some items that the Protagonists want to obtain might not be easy to obtain – either because they are restricted in
some way, especially scarce, or illegal. Alternatively, the items might be available, but priced such that the Protagonist
simply can’t afford them. In such situations, the only recourse might be to scrounge around to see if the items can be
‘liberated’ from somewhere. This might involve sifting through discarded items to find pieces that are good enough to
function as needed, and perhaps lashing them together to make more complex equipment.

If a Protagonist wants to obtain a resource that isn’t available to them via simple means, there are two ways:

1. By rummaging through the stockpile of belongings that constitute his or her personal ‘resources’, or
2. Searching the environment to try to locate an abandoned or unclaimed supply of that resource.

Each of these methods uses a different game mechanic.

The former is a use of the Protagonist’s Resources rating, while the latter is a use of his or her Search skill.

In both cases, the difficulty of the test to locate a usable item depends on the scarcity of the item being sought, as well
as:

• [For rummaging the resource pool] – whether the item is small enough to realistically be carried around from
place to place.
• [For scavenging] – whether the location being searched is a likely or unlikely place for such resources to have
been stored or abandoned.

The results of a test can indicate that an item has been discovered, or describe utter failure of the search/rummaging.
However even if the roll is successful there is no guarantee that the resource discovered will be in good condition – the
discovered item might be heavily worn or maybe even utter junk (see box nearby).

Pre-Loved Items and Spoiled Goods


>> Junk
Not all equipment the Protagonists will encounter in the game world are in pristine condition. Indeed, some pieces
of equipment they find is damaged, poorly maintained, or just badly made.

If your Protagonist is stuck with a junk piece of gear, it fumbles not just on a failed roll with matching numbers, but
also on any roll higher than 95.

A junk item also incurs a −20% penalty to every use of it.

>> Heavily Worn Items


Some of the items which the Protagonist finds aren’t junk but have seen considerable previous use and be heavily
worn out. Items like this work alright but are at the risk of becoming junk every time the Protagonist puts them into
service. After each use the Protagonist must make a Luck roll. On failure, the worn item has turned into junk (as per
above).

It’s up to the Game Moderator exactly when a perfectly normal pristine item has had so much wear-and-tear that it
qualifies as being considered Heavily Worn. This should only happen to equipment or devices that have received
considerable ‘on screen’ use, or which were purloined from a source which is likely to have heavily over-used it.

60
>> Spoiled and Potentially Dangerous Consumables
If the Protagonist is searching for a type of consumable resource (e.g., water, food) and gains a less-than-perfect
outcome, it is possible that some quantity of the resource has been found but in a spoiled condition that may be
potentially dangerous to use/ingest.

The Game Moderator will need to interpret what this means in the context of the resource type, and whether the
spoiling is obvious or requires a skill test to detect.

• Ingesting spoiled food or water is treated as an exposure to poison (see POISON AND DISEASE on page 56).
The default toxicity is (Speed 1D4 hours; Lethality 2%), but the Game Moderator can vary this to fit the
situation.
• Administering spoiled pharmaceuticals can be considered as per food and water (if the original medicine was
something relatively minor), or as per the failure of a Medicine roll during administration of a dangerous
drug (Poison; Speed 1D6 hours; Lethality 5%).
• Attempting to use other “spoiled” consumables (e.g., gasoline or weapon ammo) usually results in them
being inert and useless, although the Game Moderator might decide they result in dangerous situations for
the users (explosions, damage to weapons, vehicles, etc.)

5.2.1 Resource Categories and Scarcity


As an abstraction, the scarcity of a resource in the game setting can be rated on the following scale (from least to most
scarce):

• Abundant: The resource is virtually everywhere; the average person probably has at least some of it at any given
time.
• Uncommon: The resource isn’t something that you’d just stumble upon accidentally but if you put concerted
effort into it, you would probably find some.
• Hard to Get: The resource is in short supply or is somehow heavily regulated; most people don’t have ready
access to it at all but if you have special access or know the right people, you can probably get some.
• Very Hard to Get: The resource is absent from all the common places and even people with special access find it
a significant challenge to track some down. Don’t be surprised if you can’t get any at all.
• Impossible to Get: Stockpiles of this resource simply don’t exist; people that are especially resourceful might
have been prudent enough to snare some for their personal supply, but that’s it.

The scarcity rating of a resource affects a Protagonist’s attempt to either scavenge from the environment (using the
Search skill) or rummage through their personal “resource stash” to find it. The table below summarizes the effects of
scarcity.

Scarcity Consumable Resources (marked ©) Non-Consumable Resources


Effect on Search Tests Effect on Resources Tests Effect on Search Tests Effect on Resources
Tests
Abundant No test required; search On successful Resources No test required; search On successful Resources
is automatically test, a full ‘unit’ of the is automatically test, a pristine version of
successful. resource is found in successful. the item is found in
Protagonist’s collection, in Protagonist’s collection.
perfect condition.

61
Uncommon May be found with a On successful Resources May be found with a On successful Resources
standard Search test. test, some quantity of the standard Search test. test, some form of the
resource is found. item is found.

If the test is a standard If the test is a standard


success and the die roll is success and the die roll is
20 or less, the discovery is 20 or less, the item is
half a ‘unit’. heavily worn

A critical success or a A critical success or a


standard success with die standard success with
roll 21+ discovers a full die roll 21+ discovers a
‘unit’ pristine item.
Hard to Get May be found with a Resources tests are made May be found with a Resources tests are
Search test modified by at half the effective Search test modified by - made at half the
-20. Resources rating. 20. effective Resources
rating.
If the test is a standard If the test is a standard If the test is a standard
success and the die roll success and the die roll is success and the die roll is If the test is a standard
is 10 or less, a spoiled 20 or less, a spoiled and 10 or less, a junk version success and the die roll is
and potentially potentially dangerous of the resource is found. 20 or less, a junk version
dangerous version is version is unearthed. of the resource is found.
unearthed. A critical success or a
A standard success with a standard success with die A standard success with
A critical success or a roll of 21+ yields a safe roll 11+ finds a pristine a die roll 21+ finds a
standard success with resource but only half a version of the resource. heavily worn version.
die roll 11+ finds a safe ‘unit’.
supply. Only if the test was a
Only if the test was a critical success, is a
critical success, is a full pristine version of the
‘unit’ of perfectly safe resource discovered.
resource discovered.
Very Hard May only be found with Resources tests are made May only be found with Resources tests are
to Get successes on both a at quarter the effective successes on both a Luck made at quarter the
Luck roll and a Search Resources rating. roll and a Search test at - effective Resources
test at -40. 40. rating.
If the test is a standard
If the Search test is a success and the die roll is If the Search test is a If the test is a standard
standard success and 20 or less, a spoiled and standard success and the success and the die roll is
the die roll is 10 or less, potentially dangerous die roll is 10 or less, a 20 or less, a junk version
a spoiled and potentially version is unearthed. junk version is unearthed of the resource is found.
dangerous version is instead.
unearthed. A standard success with a A standard success with
roll of 21+ yields a safe A standard success on a die roll 21+ finds a
A critical success on resource but only half a Search with die roll 11+ heavily worn version.
Search or a standard ‘unit’. finds a heavily worn
success with die roll 11+ version. Only if the roll was 01, is
finds a safe supply. Only if the roll was 01, is a a pristine version of the
full ‘unit’ of perfectly safe A critical success on resource discovered.
resource discovered. Search finds a pristine
version.

62
Impossible No test required; search Resources tests are made No test required; search Resources tests are
to Get automatically fails. at quarter the effective automatically fails. made at quarter the
Resources rating. effective Resources
rating.
Any test that is not a
critical success fails to find Any test that is not a
the item in the critical success fails to
Protagonist’s collection in find the item in the
any quantity or quality. Protagonist’s collection
in any form.
Critical rolls locate spoiled
and potentially dangerous Critical rolls locate junk
stocks unless the roll was versions unless the roll
01, in which case a further was 01, in which case a
Luck roll is made: failure further Luck roll is made:
indicates a half ‘unit’ of failure indicates heavily
safe resource; success a worn items; success
full ‘unit’ of safe resource. indicates pristine.

5.3 The Fine Art of Jury-Rigging


Protagonists may often find themselves faced with an inability to track down the exact equipment or devices that they
really need to get something done. No amount of scrounging or rummaging through each person’s resources pool will
track down the obscure item they need. What can a Protagonist group do in that situation? One option is to devise a
plan to hunt down a collection of less-scarce component items and cobble together some kind of hodge-podge out of
the parts. This is the fine art of jury-rigging.

In Cthulhu Eternal, all attempts to build these kinds of lash-ups are governed by Craft skill specializations or Use
Gadgets (at the GM's discretion).

The players should describe exactly what they plan to construct and what components they hope to use. Ideally there
should be some kind of logic or rationale behind why such items might come together in the way imagined, but
ultimately it is up to you as Game Moderator to decide whether the planned jury-rigged device has any chance of
working.

Once the plan is made, choose a scarcity for each component parts – hopefully somewhat better than the scarcity of the
original item – and the Protagonists can venture forth (or rummage around their resource pools) to see if they can find
all the pieces they need. Once they have each part, one or more skill tests will be needed to successfully assemble the
final item or device.

At best, a lash-up created in this way qualities as a ‘heavily worn’ version of the real item or device. If any discovery rolls
along the way yielded up sub-standard parts, or the skill rolls were only marginally successful, you might decide the lash-
up is barely-functional ‘junk’ (see PRE-LOVED ITEMS AND SPOILED GOODS on page 60).

6.0 Vehicles
Depending on the nature of the game setting, different types of simple or sophisticated vehicles might be common
items. If the Protagonists or their adversary have access to such vehicles, the following guidelines may assist when
dangerous and/or action-oriented scenes involving vehicles arise during play.
63
Vehicles have three basic statistics:

• Hit Points and Armor, in case they’re involved in combat, and


• Speed ratings that affect chases.

6.1 Hit Points and Armor


Each vehicle counts as a Huge target (see HUGE, page 53). It takes damage from unarmed attacks and small weapons
such as knives and clubs only when the Game Moderator thinks it makes sense.

A vehicle that loses half its Hit Points is badly damaged. It can’t be operated without a relevant skill test (depending on
the type of vehicle). The next time such a test fumbles, the vehicle fails altogether until repaired. Repairing a damaged
vehicle requires time, parts, and successful application of one or more skill tests. Even if repaired, the vehicle might now
qualify as ‘heavily worn’ or ‘junk’ (see PRE-LOVED ITEMS AND SPOILED GOODS, page 60).

A vehicle that loses all of its Hit Points is demolished. It will never function again.

6.1.1 Speed
There are two broad categories of vehicle speed: Surface and Air. Any vehicle with an Air Speed rating can automatically
outrun a vehicle with a Surface Speed rating (except for Hot Air Balloons, which can’t outrun any vehicle, and Zeppelins
which are considered equivalent speed to a Slow Surface vehicle).

Within the same vehicle category, some are faster than others. A vehicle with a ‘Fast’ rating grants a +20% bonus to any
Drive or Pilot test to pursue or escape. A ‘Slow’ vehicle incurs a −20% penalty instead. An ‘Average’ rating confers no
modifier.

A vehicle that’s notorious for poor handling or that’s in bad shape might counts as ‘heavily worn’ or ‘junk’ (see above) at
the GM’s discretion.

Some Example Vehicles


>> Example Vehicles
Vehicle Type Hit Points Armor Speed
Motorcycle 15—20 0 Fast
Medium Car 25—30 6 Average
Armored Car 35 10 Slow
Small Truck 30—35 6 Average
Air Vehicles
Light Biplane 15 0 Average
Hot Air Balloon 10 0 Slow (see nearby)
Zeppelin 20 0 Slow-Surface

6.1.2 Ramming
The Game Moderator decides how deadly a collision ought to be. Here are a few suggestions for a vehicle’s ramming
damage.

AT LOW SPEED: 1D6 or 2D6 damage.

64
AT MODERATE SPEED: roll half the vehicle’s maximum HP as a Lethality rating. A “Slow” vehicle cannot go faster than
this.

AT HIGH SPEED: roll the vehicle’s maximum HP as a Lethality rating.

If the target is a huge creature or another vehicle, the ramming vehicle suffers half ramming damage based on the
target’s HP.

A vehicle’s Armor rating acts as Armor Piercing for its ramming damage.

Every passenger in a ramming vehicle takes 1D6 damage. Every passenger in a rammed vehicle takes 2D6 damage. A
worn seat belt halves the damage. A passenger in a vehicle that rams a target less than huge size suffers no damage.

7.0 Sanity
Sanity Points represent the resilience of the relationship between your Protagonist’s personality and the world. With
high SAN, your Protagonist has confidence in his or her place in the world. A high SAN score is marked by insight, self-
awareness, and a life-affirming view of reality. With low SAN, the deadly truth of the universe has begun to overwhelm
your Protagonist. With no SAN, your Protagonist is forever lost.

Unlike the protagonists in many tabletop roleplaying games, Cthulhu Eternal Protagonists may begin play with a level of
mental scarring due to the harshness of their upbringing. This scarring can manifest itself in different ways – reduced
starting SAN, mental disorders, or adaptation to traumatic stimuli. The Protagonist creations rules outline mechanics for
determining this psychological damage (MENTAL DAMAGE FROM HARSH UPBRINGINGS, page 36).

7.1 Sanity Losses


When your Protagonist faces a threat to sanity, make a SAN test: roll his or her current SAN or lower of 1D100 to take a
diminished loss of SAN points; roll higher than your Protagonist’s SAN and he or she suffers a greater loss of SAN points.

Sanity losses look like: 0/1D4 or 1D6/1D20. The number on the left is how much SAN your Protagonist loses on a
successful SAN test; the one on the right is how much SAN your Protagonist loses on a failed test.

7.2 Rules of Thumb for SAN Loss


If the cost of failing a SAN test is 1D6 or less, the cost of success is usually zero. If the cost of failure is 1D8 or 1D10, the
cost of success is usually 1. Some unnatural events and encounters are even more catastrophic.

A critical success with a Sanity roll means your Protagonist loses the least possible SAN. If the loss for succeeding at the
Sanity roll would have been 1D4, he or she loses 1 point.

Fumbling a Sanity roll means your Protagonist loses the most possible SAN. If the loss for failing the Sanity roll would
have been 1D20, he or she loses 20 points.

>> Optional Rule: Keep SAN Secret


For greater suspense, each player should keep his or her Protagonist’s current SAN secret from the other players (of
course, the Game Moderator must also know all SAN scores). Another approach is for the Game Moderator to keep
the current SAN of all Protagonists a secret even from the players. You know your Protagonist has lost SAN and you’ll
know when your Protagonist goes insane, but you won’t know the point totals, adding a welcome uncertainty to the
game.

65
7.3 Explore the Loss
When your Protagonist loses SAN, take a second to describe it. If the Protagonist loses a few points, how does that look
to the people around him or her? Does the Protagonist jump or cry out in terror? Does the Protagonist stare in shock?
Does the Protagonist back away involuntarily? If your Protagonist kills someone and loses no SAN, what does that say
about the Protagonist?

What are the long-term effects of repeatedly losing SAN? What strong beliefs or motivations are eroding as your
Protagonist’s SAN falls? The game is more potent when you play out those details and let them shape your Protagonist.

7.4 Threats to SAN


The three major threats to SAN are Violence, Helplessness and the Unnatural.

These categories can overlap. Being tied up and tortured might trigger both Violence and Helplessness. It’s up to the
Game Moderator to decide which aspects affects the Protagonist.

7.4.1 Violence
Killing other humans is inherently harmful to sanity. While wrestling and punching people is within biological norms,
bludgeoning someone to death is not instinctive. Violence can drive you insane if you’re not careful.

In combat, you must make a SAN test for a trauma the first time it happens in that fight. Outside of combat, every
individual incident triggers its own SAN loss.

7.4.2 Helplessness
The essential human impulse is to act. True inactivity is unwholesome to the human psyche.

Note that helplessness often makes violence worse, just like violence makes helplessness worse.

7.4.3 The Unnatural


Finally there’s the unnatural, the inhuman things of the Cthulhu Mythos that haunt the edges of existence. The
unnatural troubles us because it is wholly outside of human experience. It wounds our sense of connection to the world
by causing huge gaps in understanding.

This is why your Unnatural skill limits maximum SAN. The more you understand of mankind’s actual position in the
cosmos, the harder it is to navigate in the ‘real’ world.

If a Protagonist faces the Unnatural and loses 0 SAN, it may mean the Protagonist has adapted to the reality of the
Unnatural in some small way — or it may mean simple denial, refusing to admit the Unnatural experience was real. It’s
up to the player.

Suffering Violence Loss


• Ambushed or hit by gunfire 0/1
• Find a corpse or a mangled carcass 0/1
• Find mutilated corpse of infant or loved one 0/1D4
• Stabbed, strangled or shot 0/1D4
• Suffer a permanent injury 0/1D6
• Set on fire 0/1D6
• Reduced to 2 HP or less 0/1D6
• Tortured 0/1D10

66
Inflicting Violence Loss
• Incapacitate or cripple an innocent 0/1D4
• Destroy a teammate’s body to
thwart discovery* 0/1D4
• Kill in defense of oneself or another* 0/1D4
• Kill a murderous enemy
in cold blood* 0/1D6
• Torture a victim 0/1D8
• Accidentally kill an innocent* 0/1D8
• Kill an innocent in cold blood,
even for a very good reason* 1/1D10
* For a failed roll, add 1 per victim beyond the first, up to the maximum possible die-roll: 4 for 1D4, 6 for 1D6, etc.

Helplessness Loss
• Being dismissed from one’s role/job 0/1
• Nearly get an Individual Bond hurt or killed 0/1
• Losing all personal Permanent Resources 0/1
• A friend suffers permanent harm
or gains a disorder 0/1
• A Bond’s score is reduced to zero 0/1D4
• Imprisoned or held against will 0/1D4
• Waking paralyzed or blind 0/1D4
• Find a friend’s remains 0/1D4
• An Individual Bond suffers permanent harm
or gains a disorder 1/1D4
• Shunned by all members of a Community
Bonded organization 1/1D4
• Flung into a pit of corpses 0/1D4
• See or hear a friend being
gruesomely killed 0/1D6
• Learn an Individual Bond has been killed 1/1D6
• See or hear an Individual Bond
gruesomely killed 1/1D8
• Learn that a Community Bonded organization
has been destroyed 1/1D6
• Act in a way that directly leads to collapse
of a Community Bonded organization 1/1D8

67
The Unnatural Loss
• Attempting Psychoanalyze on a
character who lost SAN to the Unnatural 0/1
• Witnessing a supernatural effect
that’s apparently benign 0/1
• Witnessing a violent supernatural effect 0/1D6
• Seeing a corpse walk 0/1D6
• Subjected to an overtly
supernatural effect 0/1D6
• Suffering a violent supernatural assault 1/1D8
or more

7.5 Insanity and Disorders


Protagonists who lose excessive SAN lose control of themselves, suffering insanity and mental disorders.

TEMPORARY INSANITY (PAGE 68): A Protagonist who loses 5 or more points of SAN in a single roll suffers temporary
insanity.

DISORDER (PAGE 69): Every time your Protagonist’s SAN is reduced to his or her Breaking Point (see DERIVED
ATTRIBUTES on page 10), he or she gains a new disorder. Immediately reset your Protagonist’s Breaking Point to your
Protagonist’s current SAN minus POW. Even if SAN rises back above the old Breaking Point, the disorder and the new
Breaking Point remain.

PERMANENT INSANITY (PAGE 73): If your Protagonist hits 0 SAN, he or she suffers permanent insanity and becomes the
property of the Game Moderator.

7.6 Temporary Insanity


In a moment of overwhelming stress — after losing 5 or more SAN in a single roll — your Protagonist loses self-control.
We call it temporary insanity. For a short time, you cannot control your Protagonist’s actions. Your Protagonist’s
primitive brain switches to pure panic, with one of three possible responses: Flee, Struggle, or Submit.

Work with the Game Moderator to determine which stance your Protagonist takes. Each is more likely in some
circumstances than others.

If the circumstances are calm, it may be possible to talk your Protagonist down from temporary insanity.

Such attempts are tests of the Psychoanalyze skill.

In the absence of anything like that, your Protagonist loses control until the insanity runs its course.

7.6.1 Flee
Your Protagonist must move away from the SAN-affecting stimulus at top speed in any direction. Your Protagonist must
do this for a number of turns equal to his or her CON, whereupon your Protagonist falls to the ground exhausted (see
EXHAUSTION on page 42), or until your Protagonist feels ‘safe’, whichever happens first. This is a common reaction
against Unnatural and Violence SAN threats.

68
7.6.2 Struggle
This is lashing out randomly at the nearest threat, no matter how insurmountable it might be. Once this course is set
upon, your Protagonist has no choice but to fight until he or she is killed, unconscious, or restrained. This is a common
reaction against Helplessness and Violence SAN threats.

7.6.3 Submit
This is shutting down or passing out from shock. If conscious, your Protagonist is catatonic and paralyzed until the Game
Moderator decides he or she snaps out of it. When your Protagonist comes to, it’s likely he or she has suppressed the
trauma that caused his or her collapse. Remembering details requires an INT×5 test and is terribly stressful. This is a
common reaction against Unnatural and Helplessness SAN threats.

7.6.4 Understanding the Unnatural


Whenever your Protagonist goes temporarily insane or develops a disorder due to an encounter with the Unnatural, he
or she also gains some deeper understanding of the true nature of reality.

If your Protagonist had no prior knowledge of the Cthulhu Mythos (i.e., has an Unnatural skill rating of 0), such an
experience causes him or her to gain +5 percentiles in the Unnatural skill. Even if they already knew about the
Unnatural, such an experience grants a further +1 percentile to the Unnatural skill.

This increase also serves to reduce the Protagonist’s maximum SAN (and if current SAN is higher than this value, also
causes it to drop to the new maximum).

>> Optional Rule: Insane Insight


Sometimes Protagonists who face massive psychological damage from unnatural trauma come away with strange
insights. If your Protagonist suffers temporary insanity due to an Unnatural trauma, he or she might gain some
special insight into the specific creature or Mythos Power encountered. Immediately after going insane, the
Protagonist can attempt an INT×5 test – if this roll fails, the Game Moderator can provide the Protagonist with some
salient detail about the monstrosity, which may prove helpful in defeating it.

7.7 Disorders
A Protagonist whose SAN reaches the Breaking Point gains a disorder. When suffering from a disorder, the mind
maladapts to mental trauma with long-term neuroses. A disorder is like a release valve for intolerable stress. Indulging in
it helps your Protagonist cope. It’s possible to suffer from multiple disorders at the same time.

Any disorder is negative in the long term, but some are worse than others. Whatever the source of the disorder, it takes
the form of an irrational adaptation to the trauma that produced it. It may manifest a few hours after the trauma, or it
might take days, weeks, or months to appear. The player and the Game Moderator negotiate the exact nature of your
Protagonist’s psychological trauma, so it makes sense. If your Protagonist saw his or her partner die in a fire, developing
pyrophobia makes sense for example.

7.7.1 Acute Episodes


A disorder is a chronic, ongoing condition. It lurks under the surface, threatening to erupt when things get bad. Each
disorder suggests triggers that bring on acute episodes. Acute episodes last as long as your Protagonist is in the crisis or
in the presence of the trigger and usually for at least a few hours afterward. In an acute episode, the Protagonist
succumbs to the disorder’s internal logic and must act accordingly. If your Protagonist suffers from more than one
disorder, the Game Moderator decides which comes to the fore.

69
REPRESSING AN EPISODE: When an acute episode begins, your Protagonist can attempt to repress it by projecting the
stress and trauma onto a Bond. See USING BONDS TO REPRESS INSANITY on page 75.

EFFECTS OF AN EPISODE: Suffering an acute episode of a disorder often means your Protagonist can’t take some actions
(or can attempt them only with a penalty), or your Protagonist must take some actions. The Game Moderator always
decides the exact repercussions, and whether it happens immediately or builds gradually, in the aftermath of the
trauma.

When your Protagonist is going through an acute episode, make sure it is obvious to everyone that something is wrong.

An Insight roll can diagnose your Protagonist’s particular disorder.

It may be possible for someone to talk your Protagonist down despite the crisis or the presence of the trigger, reducing
the impact of the disorder so the Protagonist can regain self-control. That takes a few minutes.

Such attempts are tests of the Psychoanalyze skill.

>> Psychoactive Sedatives


Your Protagonist may have access to substances which can stave off the onset of an acute episode or dull its
effects. These are, at best, short-term remedies and come with their own negative impacts.
Taking a powerful sedative (e.g., a barbiturate like veronal) gives your Protagonist a +20% bonus to resist an acute
episode of a disorder at the cost of a −20% penalty to everything else. Using such drugs frequently makes
addiction to them a likely result of your Protagonist’s next disorder. If that happens, the drugs no longer confer
any bonus to reduce acute episodes of a disorder, but still inflict the penalty.
Heavy drinking (where alcohol is available), psychedelics or cannabis gives your Protagonist a +10% bonus to resist
an acute episode at the same −20% penalty to other actions. Alcohol runs the risk of addiction.

7.7.2 Sample Disorders


There are many adaptations the mind makes when exposed to traumatic events, whether they be violence and gore,
feelings of utter helplessness, or the inherent ‘wrongness’ of unnatural Cthulhu Mythos beings. The specific disorder
received by a Protagonist should never be a random roll on a table, but something specifically selected to relate to the
trauma they suffered.

Addiction (e.g., Alcoholism, Cocainism, Morphinism)


Your Protagonist relies on a harmful habit or substance to get by. However much harm the addiction causes, your
Protagonist needs the relief it offers. Losing 2+ SAN in any single roll triggers an acute episode, an overwhelming need.
Feeding it usually imparts a −20% penalty to stats and skills for a few hours due to intoxication or distraction. And even
in the best of times, going 24 hours without feeding the addiction costs 1D6 WP and prevents your Protagonist from
recovering any WP. Every further 24 hours costs 1D6 WP. At 2 or fewer WP, your Protagonist does irrational, self-
destructive things to feed the addiction.

Amnesia
This is a common disorder from encounters with the unnatural. Losing 2+ SAN in any single roll triggers an acute
episode, which erases all memory of the episode until your Protagonist finds a way to bring it back.

70
Hysterical Condition of Blindness / Deafness / Paralysis
Collectively called conversion disorder, this can manifest either as non‐physical blindness, deafness, or paralysis (pick
one). Losing 2+ SAN in any single roll triggers an acute episode, which leaves your Protagonist blind, deaf, or paralyzed
with numbness and tremors until the source of stress goes away.

Mania
Your Protagonist displays a euphoric and perhaps irritable mood that is consistently present. This may include frenzied
activity for no obvious reason, uncharacteristic garrulousness, a random stream‐of‐consciousness flow of ideas, or
difficulty sleeping. An acute episode is triggered whenever your Protagonist loses 2+ SAN in a single roll. During an acute
episode all tasks which require concentration or fine control are at one‐fifth chance.

Megalomania / Narcissistic
What does it mean to look upon the face of a dead god and live? Some see themselves as messiahs, or as exempt from
ordinary morality. Losing 2+ SAN in any single roll triggers an acute episode, in which every hint of doubt about your
Protagonist’s superiority fills him or her with indignation. That causes every use of a stat or skill to get help or make a
good impression to fail.

Melancholia
Acute melancholia means total despair and a crushing inability to get anything done. It sometimes takes the shape of
overwhelming guilt. An acute episode is triggered by reminders of past traumas your Protagonist suffered or inflicted,
which can come in the most surprising forms and moments. During an acute episode, every skill or stat test costs 1D4
WP.

Multiplex Personalities
Most of the time, your Protagonist seems fine. Suffering temporary insanity or reaching the Breaking Point triggers an
acute episode, in which your Protagonist takes on an alternate identity with its own personality and memories. Over
time, more identities may surface. The Game Moderator decides when and whether you keep control of your
Protagonist’s behavior.

Obsession / Monomania
Your Protagonist becomes fixated on some person, place, event, act, or idea. Losing 2+ SAN in any single roll triggers an
acute episode, which lasts days. In that time, any long-term action or skill use—anything taking more than a few hours—
is at −20% because your Protagonist’s mind is so often wrapped around its obsession.

Paranoia
A delusional state of Dementia Praecox (disrupted cognitive function) commonly presenting as extreme suspicion, in
which a fear of invisible enemies pervades one’s world-view. Losing 2+ SAN in any single roll triggers an acute episode.
Unless your Protagonist finds a way to stifle his or her delusions, he or she can’t trust or rely on anyone. Every event,
every disagreement or source of suspicion is a clue to a conspiracy against the Protagonist.

Phobia or Philia
A common affliction arising from traumatic experiences is the development of an irrational fear of something related
(directly or by association) with the incident. These are called phobias and can be quite debilitating. Whenever a
Protagonist is in the presence of a trigger for his or her phobia, he or she must make a SAN test (even if the trigger is not
terrifying in any way to others). Failure means an acute episode has been triggered, during which there’s little choice but
to suffer the Flee or Submit response to temporary insanity (see page 68). A nearby box provides some examples of
phobias; searching online will reveal a huge array of other (sometimes quite weird) phobias.

71
A less common response to experiencing something shocking is the development of an irrational fetish or allure for
something odd that is associated with the situation (perhaps which somehow related to the Protagonist’s survival).
These are called philias and work in a similar way to phobias in that whenever the afflicted Protagonist is in the presence
of his or her irrational fetish a SAN roll is required to maintain any degree of self‐control. If failed, an acute episode
results during which the Game Moderator will dictate your Protagonist’s actions until he or she regains control. The list
of phobias shown nearby can be converted into philias by simply inverting them: for example, where scotophobia is a
fear of darkness, scotophilia is an obsessive and irrational predisposition to shroud oneself in darkness.

Psychogenic Fugue
Your Protagonist may shut down into catatonia or wander off in an unconnected daze. It often manifests in the face of
emotional or personal complications. Suffering temporary insanity or reaching the Breaking Point triggers an acute
episode during which your Protagonist may disappear for days at a time, returning with no memory of his or her recent
past.

Schizoid
Your Protagonist’s personality changes towards an uncharacteristic emotionlessness. He or she will be perceived as cold
or aloof by most people. This can have a devastating effect on interpersonal relationships. In game terms, all personal
interaction skill tests or CHA tests are halved at any time. Whenever your Protagonist loses 2+ SAN on any single roll, he
or she suffers an acute episode during which the emotionlessness amplifies to the point where CHA tests must be made
at one‐fifth chance. Such episodes usually last a few days.

Shellshock
A common diagnosis for individuals who have encountered extraordinarily traumatic condition in the trenches of the
Great War (being shelled), although it may equally well arise from other exposures to exceptionally stressful situations
where a terribly traumatic encounter leaves its scars upon someone. If afflicted by “shellshock” your Protagonist is
frequently haunted by glimpses of traumatic events he or she witnessed in the past – these create anxiety and make it
hard to achieve restful sleep. An acute episode is triggered by reminders of past traumas your Protagonist suffered or
inflicted. In an acute episode, the Game Moderator chooses one effect: your Protagonist either reacts violently to
threats only the Protagonist perceives, or suffers an acute depressive episode. (See MELANCHOLIA nearby for details.)

Phobias
• ACROPHOBIA: Fear of heights
• AGOROPHOBIA: Fear of open places
• AILUROPHOBIA: Fear of cats
• ANDROPHOBIA (for female Protagonists): Fear of males
• APIPHOBIA: Fear of bees
• ARACHNOPHOBIA: Fear of spiders
• ASTROPHOBIA: Fear of thunder, lightning and storms
• BACTERIOPHOBIA: Fear of bacteria
• BACTRACHOPHOBIA: Fear of frogs and toads
• BATHOPHOBIA: Fear of the deep sea
• BELONEPHOBIA: Fear of pins and needles
• BOTANOPHOBIA: Fear of plants
• CATOPTROPHOBIA: Fear of mirrors
• CLAUSTROPHOBIA: Fear of confined spaces
• DEMOPHOBIA: Fear of crowds

72
• DENDROPHOBIA: Fear of trees
• DORAPHOBIA: Fear of fur
• ENTOPHOBIA: Fear of insects
• GYNEPHOBIA (for male Protagonists): Fear of females
• HEMATOPHOBIA: Fear of blood
• HYLEPHOBIA: Fear of forests
• IATROPHOBIA: Fear of doctors
• MONOPHOBIA: Fear of being alone
• NECROPHOBIA: Fear of dead things
• OPHIOPHOBIA: Fear of snakes
• PYROPHOBIA: Fear of fire
• SCOTOPHOBIA: Fear of darkness
• TAPHEPHOBIA: Fear of being buried alive
• TECHNOPHOBIA: Fear of technology
• THALASSOPHOBIA: Fear of the sea
• TRICHOPHOBIA: Fear of hair
• TRISKADEKAPHOBIA: Fear of the number 13
• XENOPHOBIA: Fear of foreigners
• ZOOPHOBIA: Fear of Animals

7.8 Permanent Insanity


A Protagonist who drops to 0 SAN is effectively ‘lost.’ Just as being reduced to 0 Hit Points permanently removes your
Protagonist from your control through physical death, being reduced to 0 SAN permanently removes your Protagonist
from your control through insanity. Protagonists at 0 SAN have embraced a world of violence, helplessness, and death.
No therapy or treatment will ever bring them back.

It remains up to the Game Moderator to determine when the Protagonist is ‘removed’ from play. Sometimes it is
instant; after the SAN loss, the Protagonist collapses weeping and refuses to re-engage with reality.

Sometimes it’s more subtle. Many dangerous psychopaths get by for months or years without detection. A player who
enjoys this kind of challenge may work in tandem with the Game Moderator to keep playing a character with 0 SAN as if
things were normal. If you keep all SAN totals secret (see OPTIONAL RULE: KEEP SAN SECRET on page 65), this should
not be difficult.

Usually, a character who reaches 0 SAN is either Catatonic, Delusional, or Psychopathic.

Catatonia
Catatonia is complete separation. Your Protagonist’s mind refuses to engage with the world that injured it. Your
Protagonist no longer speaks, or eats (without prompting), or looks after him or herself; your Protagonist stares into
space in a trance. Some catatonics go so deep they no longer react to physical pain. Others rise in and out of
consciousness.

Delusions
Your Protagonist is raving, incapable of holding a conversation that does not stray into insanity. Your Protagonist is
absolutely certain of the truth of his or her delusions and acts and responds as though they are completely real, even if
that means violence. Nothing can dissuade your Protagonist of their reality.

73
Psychopathy
This goes beyond ordinary sociopathy. At 0 SAN, empathy has been burned out of your Protagonist. The feelings and
needs of others cannot touch him or her. People are mere objects for his or her amusement or use. Your Protagonist
sometimes engages in appallingly merciless actions for gratification. Some psychopaths with 0 SAN appear fine; they are
no longer emotionally functional or concerned with people on a human scale, but they keep a simulated veneer of
civility. Many serial killers have been classified as functional psychopaths.

7.9 Resisting Insanity


It’s possible to resist SAN loss and insanity through adaptation and by placing stress on Individual and Community Bonds.
But suffering a trauma always comes with a cost.

7.9.1 Adapting to SAN Loss


People can become hardened to traumatic stimuli. What sends one Protagonist fleeing may seem mundane to an
individual who has survived it often enough. Adaptation to Violence or to Helplessness means you always succeed at a
Sanity roll for that type of trauma.

Adaptation to Violence or adaptation to Helplessness occurs after your Protagonist has lost SAN from that kind of
trauma three times in a row without going temporarily insane from it or hitting the Breaking Point. The character sheet
has spaces to mark your Protagonist’s progress toward adaptation. Each time Violence or Helplessness reduces your
Protagonist’s SAN by 1 or more, mark a box on your character sheet to keep track of it.

If your Protagonist suffers insanity from Violence before all three boxes are marked, erase all the “Violence” boxes and
start again. If your Protagonist suffers insanity from Helplessness before all three boxes are marked, erase all the
“Helplessness” boxes and start again. If you fill in all three boxes for Violence or all three for Helplessness, your
Protagonist becomes adapted to that type of stressor.

ADAPTING TO VIOLENCE: Unfortunately, being adapted to Violence means your Protagonist’s empathy suffers. He or
she permanently loses 1D6 CHA and the same amount from each Bond (Individual and Community).

ADAPTING TO HELPLESSNESS: Being adapted to Helplessness means your Protagonist’s personal drive suffers. As soon
as your Protagonist becomes adapted to Helplessness, he or she permanently loses 1D6 POW.

ADAPTING TO THE UNNATURAL: There is no adapting to the unnatural. Things that exist beyond human comprehension
are beyond ‘getting used to.’ Every new encounter is a fresh shock. The only way to ‘adapt’ to the Unnatural is to reach 0
SAN, whereupon the horrors of the Cthulhu Mythos make perfect sense and no longer inflict mental damage.

7.9.2 Projecting Onto A Bond


When your Protagonist loses SAN, you may spend WP to reduce the loss. The amount is always 1D4: roll the die and
reduce your WP by that much.

If your Protagonist still has at least 1 WP, reduce the SAN loss by the amount of WP spent — the amount you rolled — to
a minimum of zero.

Now reduce one of your Protagonist’s Bond scores by the same amount. It could be an Individual Bond or a Community
Bond. The next time your Protagonist interacts with the subject of the Bond, decide what shape the projection takes.
Does the Protagonist grow hostile and angry, irrationally blaming his or her loved one for imagined wrongs? Does the
Protagonist abandon his community in favor of relationships with less importance and meaning? The stresses faced by
Protagonists often wreck the families, friendships and associations that give them strength.

74
7.9.3 Using Bonds to Repress Insanity
Sometimes it’s easier to cope with mental trauma if you pull strength and motivation from the relationships that give life
meaning. You may attempt to repress the blind panic of temporary insanity or an acute episode of a disorder by
spending Willpower Points. The amount is always 1D4: roll the die and reduce your WP by that much.

If your Protagonist still has at least 1 WP after spending the 1D4, describe how a Bond might help your Protagonist keep
it together and reduce the Bond by the same amount.

Now attempt a SAN roll. If it succeeds, your Protagonist suppresses the insanity or disorder and behaves normally. If it
fails, the attempt to repress the effects did not succeed – they occur as normal, despite the points of WP and Bond
strength sacrificed in the attempt.

Either way, make a note to describe later how the Bond has strained because your Protagonist has taken so much
support from it.

7.10 Recovering Sanity


There are a few ways to restore mental health. These are described below.

7.10.1 Defeating Unnatural Creatures


The Unnatural in Cthulhu Eternal represents such an affront to the human mind that gaining any control over it is a sort
of victory. At the Game Moderator’s discretion, any destruction of a Cthulhu Mythos infiltration by a Protagonist can
restore hope — and in the process, SAN.

As a rule, destroying an unnatural creature or an object known to contain otherworldly power restores an amount of
SAN equivalent to the lowest amount that could be lost for encountering it.

If the SAN loss is 1/1D6, for example, destroying it restores 1 SAN. If the SAN loss is 1D6/1D20, your Protagonist gains
1D6 SAN for destroying it.

This can mean your Protagonist gains more SAN from overcoming the threat than he or she actually lost from facing it.
But it can never bring SAN higher than the Maximum SAN score: i.e., 99 minus your Protagonist’s rating in the Unnatural
skill.

Each Protagonist who was directly involved in putting the threat down gains this SAN increase.

7.10.2 Concluding a Dangerous Adventure


Once a deadly adventure has been successfully brought to a close, all Protagonists left alive can breathe a sigh of relief
that – for now at least – the world is a safer place. The Game Moderator is justified in awarding such Protagonists a
small increase in SAN (and published scenarios may include specific SAN rewards associated with different levels of
success). Such gains can never push the Protagonist’s current SAN any higher than Maximum SAN (99 – Unnatural).

7.10.3 Destroying Accounts of the Unnatural


To a Protagonist whose sanity has been blasted by revelations about the horrors of the Unnatural, the fact that accounts
exist which lay bare such secrets is disturbing. It is via such dire accounts – ancient tomes, journals or miscellaneous
manuscripts – that the madness spreads. Accordingly, some who have lost sanity from unnatural Mythos encounters
make it their mission to track down such records and destroy them. What better way to protect humanity than rid it of
these dangerous traps? This, in part, explains why true permanent accounts of the Unnatural are so rare.

75
Protagonists who have experienced the Unnatural and who deliberately destroy a permanent record of secret
information can earn a small boost to SAN, at the discretion of the Game Moderator. To qualify, the item in question
must contain an actual authentic account of the Mythos (see page 80) and the Protagonist’s actions must be deliberate,
willful, and cause its permanent and total destruction. The Protagonist must also believe in the veracity of the account.

The amount of SAN increase depends upon the how many Mythos secrets the account reveals – this is measured by the
Unnatural skill point gain associated with reading/viewing the account.

Unnatural Skill Gain SAN gain from Destruction


+1 to +3 1D3
+4 to +6 1D6
+7 to +12 2D6
+13 to +16 2D8
+17 or more 2D10
Such gains can never push the Protagonist’s current SAN any higher than Maximum SAN (99 – Unnatural).

7.10.4 Getting Help with Mental Illness


After the adventure your Protagonist can attempt to recuperate with empathetic colleagues or by focusing on his or her
Bonds; the things that give your Protagonist strength (see DOWNTIME, below). Any such recovery can never push the
Protagonist’s current SAN any higher than his or her Recovery SAN (POW×5), or Maximum SAN, whichever is lower.

7.10.5 Pursuing Personal Goals or Caring for Individuals


Time spent between adventures doing things that naturally reassert your Protagonist’s ‘normal’ life can slightly improve
his or her SAN (see DOWNTIME, below). This can only increase current SAN up to his or her Recovery SAN (POW×5), or
Maximum SAN, whichever is lower.

8.0 Downtime
Games of Cthulhu Eternal should feature occasional scenes that focus on Protagonists’ everyday lives. These short
vignettes should last no more than a few minutes. Typically, they occur between adventures, but the Game Moderator
always decides when and whether one is appropriate. These vignettes are a chance to explore the most important
things in your Protagonist’s life — and to see whether those things are deteriorating thanks to the Protagonist’s
experience of the secret horrors of the world.

8.1 What Changed


In a downtime vignette, take stock of what changed for your Protagonist in the last adventure.

BONDS DAMAGED OR BROKEN: Describe how each relationship has deteriorated.

PERMANENT INJURIES: Describe what they look like.

DISORDERS GAINED: Did your Protagonist hit the Breaking Point during the adventure? Now’s the time for the Game
Moderator to decide what disorder the Protagonist gains.

COMMUNITY: If your Protagonist misused his or her contacts, authority, or resources from his or her home community,
describe how actions during the adventure may have impacted your Protagonist’s reputation or standing. Does this
impact any Community Bonds?

JUSTICE: Did your Protagonist break the rules of the local community? Does that impact any Individual or Community
Bonds?
76
8.2 Personal Pursuits
For the vignette, the player chooses one of the following pursuits. Describe how your Protagonist is pursuing it, and roll
the appropriate stat, skill, or SAN test to resolve it.

Choose from these pursuits:

8.2.1 Fulfill Responsibilities to Individuals


If your Protagonist focuses on day-to-day obligations and relationships, describe something the Protagonist is doing to
support an Individual Bond. Roll a SAN test. Success improves the Individual Bond by 1D6 (up to your Protagonist’s CHA);
a critical success also adds 1 SAN (up to your Recovery SAN). Failure adds 1 to the Bond. A fumble means some
disastrous conflict reduces the Individual Bond by 1D4 and your SAN by 1. Describe how the relationship has improved
because of your Protagonist’s efforts or worsened despite them.

8.2.2 Reorganizing and Replenishing Personal Resources


As described in REPLENISHING RESOURCES, REMOVING CHECKMARKS (page 23), if your Protagonist actively drew from
his or her personal pool of Resources during an adventure, there will be check marks on the character sheet to record
this. By investing some downtime (half a day or more) to reorganize or replenish your stash of resources, all such checks
marks can be erased. Describe the lengths your Protagonist goes to tidy up or restock.

8.2.3 Gaining Favor of the Community at Large


Your Protagonist may choose to spend time attempting to improve his or her status within a group or society, as
represented by a Community Bond he or she already has. This may involve influencing key individuals to build a
support-base or working hard to solve the community’s problems and earn their respect.

A major investment of time warrants a SAN test – success means that your Protagonist’s actions have drawn the
attention of key people in the community. A fumbled SAN roll means that some terrible error of judgement by your
Protagonist creates a negative reaction: this reduces the bond value by -1D3 and causes a loss of 1 point of SAN.

If the SAN roll succeeded, there is a chance that the positive attention from the community may convert into an increase
in status. Make a second D100 roll and compare it to current Community Bond rating×5. If the roll is higher than the
target, the Community Bond value improves:

• If the original SAN roll was a normal success: +1 to bond value


• If the original SAN roll was a critical success: +2 to bond value

The causes of the increase or decrease in status should be described, along with their impact.

8.2.4 Back to Nature


Your Protagonist can spend time in contemplative seclusion, minimizing stress, distractions, and obligations. This isn’t a
holiday; it’s extended time alone, or mostly alone, in an environment that’s physically active but places few other
demands on the Protagonist. This reduces one Bond (either Individual or Community) by 1 as you let other
responsibilities lapse. Roll a SAN test. Success adds 1D4 SAN, or 4 for a critical (up to your Recovery SAN). Failure adds 1
SAN. A fumble costs 1D4 SAN. Describe the impact of this time alone.

8.2.5 Establish a New Individual Bond


Your Protagonist may attempt to create a new Individual Bond with a character. This is not done lightly. It means this
new character is developing into an essential, important part of your Protagonist’s life. Attempt a CHA×5 test. Success
establishes a new Individual Bond with a score equal to half your Protagonist’s CHA (round up). Unfortunately, devoting

77
so much attention to the new Bond reduces the value of one other Bond – either reduce an Individual Bond by 1D4 or a
Community Bond by 1.

8.2.6 Establish a New Community Bond


Your Protagonist attempts to establish membership in a new community and assert some kind of status within its
‘pecking order’. You might do this because you have just arrived in a new place, or because you wish to take on a
position of standing within a group (e.g., an elite order) that provides social benefits. Getting accepted to a position of
trust within a community is not easy. Attempt a CHA×5 test. Success establishes a new Community Bond with a score
equal to half your Protagonist’s Permanent Resources rating (round up). Devoting energy to currying the favor needed
to establish the new Bond reduces the value of one other Bond – either reduce an Individual Bond by 1D4 or a
(different) Community Bond by 1.

8.2.7 Get Help With Mental Illnesses


Depending on where and when your game is set, Protagonists may have the option of accessing professional mental
health services to try to overcome the ill-effects accrued through traumatic experiences. Prior to the mid-20th Century,
such services were very primitive and arguably more damaging to sanity than curative. The GM will be the final arbiter
as to whether reliable and high-quality psychotherapy services are available. However, even in settings where no such
facilities exist there are still ways to get help in more old-fashioned ways.

Therapy
If your Protagonist chooses to enlist a clinical therapist to deal with his or her psychological damage, he or she is
committing to an ongoing process requiring honesty and commitment.

Your Protagonist must decide whether to truthfully tell the therapist what caused the SAN loss.

• If your Protagonist tells the truth, there are risks. If the SAN loss came from confronting the Cthulhu Mythos,
your therapist might diagnose your Protagonist as suffering from schizophrenia. Alternatively, if the therapist
believes your Protagonist’s account, he or she may in turn lose SAN from the shocking details they reveal.
The outcomes of therapy are determined by a roll against the therapist’s Psychoanalyze skill. If your Protagonist
described unnatural events and the therapist thinks they’re delusions, that skill is halved. If the roll fumbles,
your Protagonist loses 1 SAN. If it succeeds, your Protagonist regains 1D6 SAN (or 6 with a critical success), up to
his or her Recovery SAN.
If your Protagonist shares tales of terrible, illegal violence and it sounds like further violence is imminent, the
therapist may report it to the authorities. Whether that happens is entirely up to the GM.
• If, on the other hand, your Protagonist doesn’t tell the therapist the truth, healing is limited. Make a roll against
the therapist’s Psychoanalyze skill. If it fumbles, your Protagonist loses 1 SAN. If it succeeds, your Protagonist
regains 1D4 SAN (or 4 for a critical success), up to his or her Recovery SAN.

If your Protagonist suffers from a disorder, a critical success with the therapist’s roll cures it (whether your Protagonist
told the truth or not). Your Protagonist also develops a Bond with the therapist equal to half your Protagonist’s CHA (or
add 1D4 to it if your Protagonist already has that Bond, up to the Protagonist’s CHA). He or she also loses points from
another bond of your choice (1D4 from one individual Bond or 1 from a Community Bond). Write a note saying “cured”
next to the disorder on the character sheet — but do not erase it. The next time you gain a disorder, you must roll
another SAN test. If that fails, the “cured” disorder returns in full force alongside the new one.

Regardless of whether the rolls result in improvements, the long hours spent with an empathetic person reduces one
Bond (either Individual or Community) by 1 as you let other responsibilities lapse.

78
Talking it Out
Even if no clinical psychotherapy is available to your Protagonist, there is still the time-honored method of healing a
damaged mind through sharing one’s burden with an empathic person who one knows and trusts. This other person
might be a spiritual adviser, a folk-psychiatrists, or just a kind-hearted fellow member of the community that is willing to
reassure you.
Being helped through the process of recovering from mental trauma works in a similar way to therapy although takes a
lot longer and has less certain outcomes. As with therapy there are risks to sharing detailed accounts of the events that
caused the original SAN loss, both to the empathic person (who could take SAN from the account) and to the Protagonist
(if the other individual alerts others).

• As with formal therapy, the effectiveness of folk remedies is determined through skill rolls against the
Psychoanalyze skill (or an alternate skill substituted by the GM as fits the game’s setting). The difference is that
for any benefit to be achieved, the empathic person must succeed in two consecutive rolls.
• If the Protagonist has not been truthful in relating their story, they can still gain some benefit: a pair of
consecutive successful rolls will give them 1D2 SAN back (2 with a critical success), up to his or her POW × 5. If
the Protagonist was truthful, the reward is 1D3 SAN (3 with a critical success), to the same maximum.
For a Protagonist to have a disorder cured through folk remedies, the empathic listener must get two consecutive critical
successes on their rolls. If that occurs, it functions in the same way to a therapist making a critical success.
As with therapists, the hours spent with the empathic listener has the inevitable impact that one other bond (either
Individual or Community) is reduced by 1 as you let responsibilities lapse. If the long conversations led to a disorder
being cured, you will automatically develop or strengthen an Individual Bond with the empathic listener as noted above
for successful therapy outcomes – but at the cost of another bond becoming weaker.

8.2.8 Improve a Skill or Stat


By training or studying extensively, your Protagonist can try to boost a stat or a skill. This reduces one Bond (either
Individual or Community) by 1 as you let other responsibilities lapse.
Describe what your Protagonist is doing to improve the stat or skill: poring over crumbling books for INT or a skill, lifting
weights for STR, meditating to strengthen self-discipline for POW, loitering in a club or attending a leadership institute
for CHA, working with one's personal physician to regain stat points permanently lost from an injury, etc.
If you wish to gain points in a skill you don’t already possess and which has a Base Chance of 0%, you can only do this if
you are being trained by someone who has at least 20% in that skill. Under no circumstances can the Unnatural skill be
improved through training.
Attempt a test of the stat × 5 or the skill. If the test fails, your Protagonist has improved. Add 3D6 percentage points to
the skill (to a maximum of 99%) or one point to the stat (to a maximum of 18).

8.2.9 Personal Motivation


Your Protagonist indulges in the things that he or she finds meaningful. This reduces one Bond (either Individual or
Community) by 1 as you let other responsibilities lapse. Roll a SAN test. Success adds 1 SAN, or 1D4 for a critical (up to
your Protagonist’s Recovery SAN). A fumble costs 1 SAN.

8.2.10 Accounts of the Cthulhu Mythos / Learning Rituals


Your Protagonist may have unearthed records – e.g., ancient tomes, journals or miscellaneous manuscripts – which
claim to contain wisdom about the Cthulhu Mythos forces which haunt the world. He or she can devote time to trying to
delve into such accounts or trying to learn the arcane rituals they describe. See MADDENING REVELATIONS on page 80
for more on how such research is performed.
79
PART II: GAME MODERATOR RESOURCES
This section consists of a series of resources which are designed to help a Game Moderator design exciting and
dangerous scenarios to challenge a Protagonist Group.

9.0 Maddening Revelations


A common feature of Cthulhu Mythos fiction is the existence of musty old tomes which describe the ‘truth’ about
mankind’s perilous place in the universe, and the powers thirsting for cosmic upheaval. In the Jazz Age such revelations
might be found buried in ancient tomes, journals or miscellaneous manuscripts. Alternatively, the secret knowledge
might be passed down from generation-to-generation through spoken tales and mystic traditions.

Revelatory accounts and the secret information they contain can, if you wish, be important parts of your Cthulhu Eternal
game. Some of the revelations might describe supernatural powers or “magickal effects” that Protagonists might be able
to utilize to fight back the shadows. Often these will require they perform time-consuming rituals drawn from mystical
traditions.

9.1 Researching the Mythos


If you as Game Moderator want to include a form of revelatory information in your game, there are a few factors to
consider:

• How will the Protagonist’s locate it?


• What skill rolls are needed to read it (or view it, or otherwise access its information)?
• How long does it take to study the information before it is understood?
• Does the information cause a Sanity Loss to those who learn it?
• Does understanding the revelations cause an increase in skills?
• Does it impart some other benefit, such as the chance to learn a magickal ritual?

Mythos accounts offer one of the few ways in which Protagonists may increase their rating in the Unnatural skill. Each
has an associated amount of Unnatural skill gain that it might potentially impart … if only the Protagonist is able to see
past its disordered jumble of insane ideas. Simple accounts of the Cthulhu Mythos might impart just a few points (+1 to
+3 perhaps) while weighty records (like those immortalized in the infamous Necronomicon) might offer the reader
thorough and dangerous insight (+15 or more points of increase in Unnatural).

9.1.1 Finding Information


If the ‘tome’ (or other information source) is hidden away or stored as part of a vast collection, Protagonists may need to
exercise a range of skills to track it down. Or maybe interpersonal skills will allow them to get directions to it from
people who are knowledgeable about the collection?

9.1.2 Accessing and Understanding the Contents


If the item is expressed in a language other than the common vernacular, understanding it might require a relevant
Foreign Language test. This is especially true if the information is expressed in archaic or highly specialized language.

Other possibilities:

• If the knowledge locked up in the account is highly contextualized on esoteric systems of thought it might also
require an Occult test.

80
• If it is so full of references back to antiquated knowledge that it can’t readily be understood, perhaps a History
or Anthropology test might be required.
• On the other hand, if the knowledge is closely tied to people, places, folklore and events from a particular
geography then maybe a relevant Regional Lore test may be needed.
• If the information is written using a cipher a Science (Codes and Ciphers) test might be called for, or perhaps a
roll against a relevant Military Training specialialization.

9.1.3 Immersion
To the layperson, an account of the Cthulhu Mythos looks like nothing more than a random collection of disjointed
thoughts, none of them imparting any real meaning. This is because most people have no prior experience of the
Unnatural and thus have no reason to think that the gibbering ravings might be something meaningful.

If the Protagonist undertaking the research has an Unnatural skill rating of 0, he or she will be likewise unconvinced.
Such an individual will be unable to become sufficiently ‘immersed’ in the account’s buried secrets to learn anything
useful at all.

On the other hand, a researcher with skill in Unnatural may be able to see beyond the disconnected rantings and
perceive the implied secrets. This requires an Immersion test: a roll against the Protagonist’s current Unnatural skill × 10
with a negative modifier based on the account’s weightiness (measured by the amount of potential additional Unnatural
skill it may afford the cautious reader).

Tome’s Unnatural Modifier to


Skill Gain Immersion Test
+1 to +3 0
+4 to +6 -10
+7 to +12 -20
+13 to +16 -30
+17 or more -40

If this roll fails, the researcher becomes convinced that the account is gibberish. No matter how many days or weeks he
or she invests in studying it, that belief will prevent any deeper understanding of its contents.

If this roll is a critical success, the researcher becomes obsessed with the account – and will want to pursue its analysis at
all costs. This might present some difficult situations, but also means the research (see below) will be completed in half
the normal time.

9.1.4 Investing Time


Delving into a weighty account of the Mythos might take months, especially if it is rendered in rambling and confusing
language; on the other hand, the information might be presented in a form that only takes a few minutes to
comprehend. You as Game Moderator should make a call as to the amount of time that a Protagonist must invest in
order to properly appreciate the contents of the knowledge source – in general, the more cryptic and voluminous, the
longer it will take. Conceivably, some records featuring elliptical logic might take months to properly understand.

If the Game Moderator determines that some form of skill test is required to comprehend the information (e.g., if it is in
a foreign language or recorded in a highly unorthodox way), that roll should only be allowed after the necessary
research time has been invested. In general, it isn’t necessary for the research process to be uninterrupted, but a long
break might prove a setback which lengthens the overall task.

81
9.1.5 Dangers of Understanding
Lovecraft famously wrote that the most merciful thing in the world is mankind’s inability to correlate all the pieces of
knowledge at its disposal. It’s this “island of ignorance” that saves humanity from going insane from the realization of
the true horrors underlying the world. Deliberately diving into the study of the hidden truth is a potentially perilous
undertaking.

Revelations about terrible or shocking events or disgusting practices of Cthulhu Mythos entities or their followers, might
warrant a SAN Loss.

9.1.6 Skill Increases


The main reason to unlock the hidden wisdom of Mythos accounts or other obscure knowledge-sources is to gain
information that is relevant to the state of the current world or the scenario/campaign that is being played. In this
regard, you as Game Moderator should reward successful research with some helpful details or facts which will aid in
solving a problem or remaining alive in the broken world.

In addition to this, you might rule that the knowledge learned through research increases the Protagonist’s skill ratings
in some way. The most common ‘reward’ is an improvement to the Unnatural skill (which captures hidden knowledge
about the Cthulhu Mythos and its attendant horrors).

A minor account might provide +5 skill points (or fewer) to Unnatural, while certain rare and shocking accounts might
offer as much as +15.

When improving the Unnatural skill, don’t forget that a Protagonist’s Sanity cannot ever be higher than (99 minus the
Unnatural skill rating). If changing this cap means current Sanity is too high, that number must also be reduced to match
the new Maximum SAN.

In addition to learning about the Unnatural, successful research might improve other knowledge-based skills as well. For
example:

• Information about obscure human beliefs might improve Occult


• Information about events or places from the distant past might improve History or Archeology
• Information about folklore specific to a geography might improve a Regional Lore skill
• Information about human civilizations, either past or present might improve Anthropology

More mundane knowledge might be learned as well, which improves Art, Craft, First Aid, Law, etc.

Usually the amount of skill gained through such means will be variable and relatively small (e.g., 1D4 to 1D10).

9.1.7 Learning Rituals


Mythos accounts may also include descriptions of rituals which, if correctly performed, can create a supernatural effect.
Rituals typically involve (potentially complex) patterns of action, chants, and associated paraphernalia. The
manifestations created through rituals can be significant, but unlike magic in most tabletop roleplaying games such
supernatural workings are laborious. They are typically time-consuming and may require the coordinated actions of a
group of people to have any chance of succeeding.

Despite such inherent limitations, supernatural rituals represent perhaps the most powerful source of otherworldly
influence which Protagonists (or their human adversaries) are ever likely to have under their control. As such there are
some individuals who scour the world searching for tomes which can instruct them in such rituals.

82
When a Protagonist has successfully read a tome in its entirety you as Game Moderator should provide him or her with a
list of any rituals it contains. Not every account contains rituals, and not every description of supernatural effects in an
account is detailed enough to allow it to be reproduced. But for those that are present in such form, you should provide
a sketchy description of what the ritual seems designed to do. This should be a description in vague game-world terms
rather than in terms of game mechanics: “seems designed to bring forth a shadow entity” is preferable to “summons a
Night-Gaunt”.

A Protagonist might decide to attempt to study the specifics of a ritual described in a tome. If so, he or she will need to
devote time and effort to that endeavor. This is in addition to the time spent researching the account itself and
represents study that can only begin when its information has been consumed in full.

Exactly how much time is needed to study a given ritual depends on its complexity – that is, whether it is considered
Simple, Complex, or Elaborate. Typically, the more powerful the potential effects of a ritual, the more complex it will be.

Simple rituals take research of the order of hours or days to learn; Complex rituals can only be learned through the
application of days or weeks of study; and Elaborate rituals can take weeks, months, or years to master. The time
investment to learn a ritual does not have to be a single continuous block of research but can be split across many
shorter periods of intense study.

Rolling to Learn A Ritual


If the Protagonist invests the requisite time, he or she will still need to make a roll at the end of the period to see
whether the time invested paid off. The Protagonist must attempt a SAN roll – and fail the roll – to learn the ritual.

If the roll does not indicate a successful learning of the ritual, it means the Protagonist does not grasp the nuances
required to master it. He or she can try again but will need to start from the beginning and again invest the same
amount of time again before re-attempting the test.

If, on the other hand, the roll does indicate the Protagonist learned the ritual, he or she loses SAN. This is the price of
internalizing unnatural truths about the universe and weird techniques for manipulating it. For Simple rituals, the Sanity
loss should be modest (e.g., 1 point, 1D4, or 1D6); for Complex rituals a more substantial loss is warranted (e.g., 1D6,
1D8, or 1D10), while learning Elaborate rituals will always be damaging to Sanity (e.g., 1D10, 1D12, or 1D20 point loss).
Learning an Elaborate ritual also grants a Protagonist +1 percentile in the Unnatural skill.

Once a ritual has been successfully learned, the Protagonist may attempt to perform it (see below).

Mythos Accounts With Multiple Rituals


Some written accounts, in particular so-called ‘grimoires’, contain descriptions of many different supernatural rituals.
Learning rituals from such sources requires each effort to be attempted separately, using the method described above.

Keeping Failed Rolls Secret


The Game Moderator may choose to keep the SAN roll made at the conclusion of a research attempt secret from the
player. If the outcome is a clear success or failure the Protagonist should recognize it as such, but if the roll was a
marginal success or failure the Game Moderator might choose to tell the player that the Protagonist believes he or she
has memorized all the subtleties but is not 100% sure. The only way to know for certain is to attempt the ritual – and if
the learning attempt was a failure, such an attempt will never properly succeed. Although it may still generate an
unintended supernatural effect.

83
9.2 Performing Rituals
The specific actions, chants, and paraphernalia required to successfully perform a ritual are particular to each and should
be designed as part of the ritual’s description.

Any attempt to carry out a ritual without the necessary knowledge or components is doomed to failure … although it is
possible that flawed ritual activities might still generate some kind of supernatural effect, just not the one intended by
the person conducting the ritual. The Game Moderator should use his or her judgement to determine any such random
supernatural side-effects; they should almost always be dangerous and detrimental to those involved.

In terms of game mechanics, the successful performance of a ritual (once the correct pieces are in place) is achieved via
an investment of time/effort, the sacrifice of points in one or more game attribute (usually Willpower Points), and a
successful Ritual Activation Test (see below). If all these steps are successfully achieved, the supernatural effects of the
ritual will manifest.

9.2.1 Time Invested in the Ritual


The amount of time required to perform a ritual depends on its complexity rating – Simple, Complex, or Elaborate.

• Simple rituals are relatively quick to carry out, requiring somewhere between a turn and a minute.
• Complex rituals are more time-consuming, needing somewhere between a few minutes and an hour.
• Elaborate rituals are serious undertakings, consuming anything from a few hours to a day or maybe more.

During the time taken to perform a ritual, assume that all participants are completely occupied (chanting, carrying out
prescribed actions, using paraphernalia in particular ways). A short interruption might not destroy the momentum of the
ritual but a longer break likely will.

9.2.2 Powering the Ritual


The description of a ritual should outline the type and number of personal attribute points that must be sacrificed to
provide mental energies that fuel the supernatural effect.

The most common form of sacrifice is Willpower Points – to create relatively minor effects might only require 5 or 6
WPs; a substantial effect might require 15; a vastly powerful effect might require 30; and a truly cosmic-level effect
might need 100 or more WPs.

When a Protagonist makes a deliberate sacrifice of WPs, check to see whether the new total carries any effect upon him
or her (see WILLPOWER POINTS, page 42). In particular, remember that reaching a WP total of 1 or 2 indicates a mental
collapse of some kind, and reaching 0 WP causes unconsciousness.

Whenever a sacrifice of WP is called for, a participant in the ritual may always choose to sacrifice points of permanent
POW instead – each such point is equivalent to 10 WPs for the purposes of fueling a ritual. Such sacrificed points do not
refresh, but Protagonists can attempt DOWNTIME activities to try to get some back (see page 76)

Some rituals also call for a sacrifice of Hit Points, either from the participants or from elsewhere (animal, human, or
other living entity). Note that Protagonists who knowingly harm another person, or even cruelly harm or kill an animal
are likely to be subject to Sanity loss due to VIOLENCE (see page 66).

Depending on the nature of the specific ritual, it may be possible for several people to cooperate in the performance.
For especially large effects this may be the only way to generate enough mental energies. While the leader of the ritual
must have learned it in full (using the process described in the previous section), helpers can be instructed through
simple notes and rote learning. Each assistant chooses for themselves how many points of attributes they will sacrifice.
84
9.2.3 The Ritual Activation Test
If the requisite amount of time has been devoted to the ritual and the necessary number of attribute points sacrificed,
the individual leading the performance may make a roll to see if the effort was ultimately successful.

Successfully activating a ritual depends on the ritual leader’s Sanity, but success is more likely the lower that number.
The Ritual Activation Test is a SAN test that must be failed for the ritual to work as planned.

If the roll indicates the ritual did not work, all the chanting and ceremony has been for naught. The ritual leader has two
options – he or she can either:

• Abandon the ritual: nothing supernatural happens at all, and half of the sacrificed points are returned to all
participants; or
• Force a connection to the supernatural: this involves the leader personally sacrificing 1 POW permanently to
turn a failed roll to a successful one. The ritual effects happen after all, despite the roll.

9.2.4 Sanity Costs to Ritual Participants


The simple act of being involved in a supernatural ritual performance is damaging to a character’s Sanity, regardless of
whether the ritual was successful or not.

If the performance was completed but something went awry (e.g., insufficient mental energy was raised, or the Ritual
Activation Test indicated the effort was fruitless), all participants suffer an automatic SAN loss. For rituals intended to
create small effects this will be modest, perhaps just 1 SAN point; if attempting a substantial supernatural effect, the loss
is 1D4; if attempting a vastly powerful effect it might be 1D6; and for a cosmic effect it might be 1D20.

On the other hand, if the ritual succeeded and the supernatural effect is generated it is quite likely that the experience
of witnessing something bizarre created by one’s own actions will damage each participants Sanity. The precise losses
should reflect the effect that is created, as described by the spell description. As a guideline, a minor supernatural effect
might warrant a SAN loss of 1 point, a substantial one might be worth 1D8, a vast effect might lead to a loss of 1D12, and
a truly cosmic manifestation might cause a Sanity loss of anything up to 1D100.

9.3 Objects with Unnatural Power


As Game Moderator, you may wish to include in your game items with the power to create supernatural effects
reminiscent of those wrought through rituals. Using such an item does not require any special training or learning, and
no Ritual Activation Test is needed. The user of an object with supernatural powers may, however, still need to sacrifice
attribute points to fuel the effect (as per the GM’s description of the item) and might suffer SAN loss from the
experience.

10.0 Supernatural Effects


There are lots of weird, supernatural things that can happen in your game of Cthulhu Eternal. In most cases, the style of
weirdness and its scope of effect should be tied to the specific setting, or the current adventure/campaign/plotline being
played out. As such Cthulhu Eternal doesn’t provide a ready-made catalogue of supernatural rituals and effects to
plunder. Effects should relate to significant plot points or elements of the setting rather than being generic RPG ‘spells’.

The following guidelines may be helpful to Game Moderators inventing custom supernatural powers for their own game.

85
Designing Supernatural Effects: General Principles
Supernatural effects in Cthulhu Eternal are unlike the forms of magic that appear in most roleplaying games,
especially games set in the fantasy genre. Rather than wielding a flashy fireball into the midst of combat, a ritual
magician in Cthulhu Eternal might create a supernatural effect as the result of hours of ritual incantation placing his or
her mind into communion with extradimensional horrors.
The following general guidelines will help you in depicting magic in a suitably low‐key and creepy fashion:
• Supernatural Effects are seldom flashy: while some spells might create a spectacular if shocking
manifestation of unnatural horror, most work with little or no visible or physical effect. Frequently, people
who aim to unleash supernatural effects have no way to tell whether their ritual succeeded or not, until
hours, days, or even weeks have passed. And even then, its effects may be subtle changes that most people
would never notice.
• Supernatural Effects are usually time‐consuming to create: many supernatural effects require lengthy rituals
which are repetitious and wearying to perform. While there are a handful of smaller, casual effects which
might be useful in a tactical, fast‐paced situation, most play out far too slowly to help in tactical
environments.
• Supernatural Effects are ALWAYS dangerous to invoke: generating a supernatural effect is equivalent to
opening one’s mind and essence to the unknowable forces which make up the Cthulhu Mythos. These powers
are inherently corrosive to reality as we know it. So, coming into direct mental or physical connection with
them always causes some form of lasting damage to the spellcaster, and maybe others as well.
• Supernatural Effects are the enemy of Sanity: Connecting with the forces of the Mythos is inherently
dangerous to one’s Sanity. In game terms this manifests as a mandatory sacrifice of SAN; but in narrative
terms you should play up the highly disturbing experience of touching an unknown and unknowable extra‐
dimensional force whose very existence is anathema to everything that the caster has ever known or
experienced. Generating supernatural effects should hurt. Every single time.

10.1 Calculating the Scope of the Supernatural Effect


The manifestations associated with a supernatural effect can be virtually anything the Game Moderator can imagine.
Where such effects require game mechanics, these can be designed on a case-by-case basis.

For determining the attribute cost of a ritual, as well as its potential for creating Sanity losses, it is useful to gauge the
overall ‘magnitude of the effect being generated – this is termed the scope of the effect. For convenience, a scale of
eight scope ratings (from least to greatest) is shown below, along with a representative Willpower Point cost for fueling
effects at each rating.

Supernatural Effect Scope Indicative WP Cost


Minor 6
Small 9
Significant 12
Substantial 15
Major 22 (or 12 WP + 1 POW)
Vast 30 (or 10 WP + 2 POW)
Sweeping 45 (or 15 WP + 3 POW)
Cosmic 110 (or 10 WP + 10 POW)

86
The scope of an effect is based on how sweeping a change it causes to the physical (or mental) world. The sections
which follow give guidelines regarding how specific types of effects might be rated using this scale.

One basic factor for consideration is the range of the supernatural effect (i.e., how far from the ritual site the effect
manifests). Generally, it is much easier to create effects nearby and harder to influence reality a long distance away. The
table below gives a rough guide.

Range of Effect Base Scope Rating Range of Effect Base Scope Rating
Nearby (10 m away) Minor Global (anywhere on Earth) Major
Local (100m away) Small Beyond earth, but within our Vast
galaxy
Line of Sight (1km away) Significant In another galaxy Sweeping
Distant (100km away) Substantial In a separate dimension Cosmic

Use these base scope ratings as a starting point, adapting them according to the criteria specific to different effect types
as shown on the next page. Wherever multiple criteria apply, always pick the greater of the two possible scope ratings
(e.g., if one criterion suggests a Significant rating and another a Vast rating, the scope of the effect is actually Vast).

10.2 Common Types of Effects


As Game Moderator you’re free to invent any type of supernatural effect that complements your game world. For
settings which emulate the styles of otherworldly phenomena found in H.P. Lovecraft’s fiction, a few common categories
of effects may prove useful starting points for broader invention.

10.2.1 Summoning Supernatural Entities


In many Lovecraftian settings there exist a family of rituals designed to compel a supernatural being of the Cthulhu
Mythos to manifest at the location where the ritual is performed. The specific details of the chants and actions that must
be performed to achieve this outcome vary according to the type of creature to be summoned.

In determining the Scope rating for this supernatural effect, the most pertinent factor is the POW characteristic of the
supernatural creature summoned.

POW of Supernatural Entity Scope Rating


1—8 Minor
9—12 Small
13—16 Significant
17—20 Substantial
21—30 Major
31—40 Vast
41—60 Sweeping
61—150 Cosmic

10.2.2 Binding Supernatural Entities


Another category of rituals found in many Lovecraftian settings are those compelling a supernatural creature of the
Cthulhu Mythos to obey the will of the ritual leader (at least for a period of time). This control is called binding. As with
summoning, the Scope of such an effect is governed primarily by the POW of the creature – use the table above. Binding
spells which have a long duration (more than a day) may warrant a higher Scope rating than that mentioned on the
table.

87
10.2.3 Mental Contact With Alien Gods
While the Cthulhu Mythos includes numerous races of supernatural creatures, the major Powers are more properly
thought of as individual alien ‘gods’. This includes vastly powerful entities that are trapped in obscure places on our
planet (like Cthulhu) through to cosmic forces that define our very reality (like Azathoth).

Certain insane sorcerers have at different points in history devised rituals to make mental contact with one of these vast
unknowable intelligences. In determining the rating for the scope of such an effect the primary consideration is the
potency of the Alien God.

Magnitude of Alien God Scope Rating


Minor (e.g., Nodens) Substantial
Major (e.g., Dagon) Vast
Significant (e.g., Cthulhu) Sweeping
Cosmic (e.g., Azathoth, Yog- Cosmic
Sothoth)

10.2.4 Opening Physical Conduits to Alien Gods


Some sorcerers are not content with communing with the vast and corrosive intelligences of the Alien Gods, but instead
wish to open conduits for their physical avatars to enter our reality.

Again, the primary consideration in determining scope is the potency of the Alien God, although the act of opening a
physical conduit is at least one step greater in scope than merely communicating telepathically.

Magnitude of Alien God Scope Rating


Minor (e.g., Nodens) Major
Major (e.g., Dagon) Sweeping
Significant (e.g., Cthulhu) Cosmic
Cosmic (e.g., Azathoth, Yog- Cosmic
Sothoth)

10.2.5 Dimensional Traversal


Lovecraftian settings often incorporate the idea of extra-dimensional locales, whether remote parts of our own universe,
realms created by the collective human unconscious mind, or entirely different dimensions. Stories set in such worlds
may involve a myriad of different supernatural effects that permit mere mortals to cross the barrier between the normal
(ravaged) world and one such outside region.

In determining the scope of an effect which allows dimensional traversal, consider the distances involved. Use the range
table provided above, re-imagining the range values as referring instead to the distance traversed.

88
10.2.6 Cursing and Damaging
Although far less common than in traditional tabletop roleplaying games, supernatural effects may exist in Lovecraftian
settings which directly inflict physical harm on individuals. The scope for such an effect can be estimated by considering
the amount of physical damage which may be potentially inflicted, usually represented by a dice value or Lethality
rating.

Damage Inflicted Scope Rating


1D4 Minor
1D6 Small
1D10 Significant
1D20 Substantial
10% Lethality Major
20% Lethality Vast
40% Lethality Sweeping
99% Lethality Cosmic

10.2.7 Warding and Protection


As counterpoint to supernatural effects which may cause physical harm, it is equally possible for supernatural effects to
exist which protect individuals from such harm. When estimating the scope of such an effect, consider the worst or
most-serious type of damage the effect is likely to mitigate and consult the table from the previous section.

89
PART III: GAME BUILDING RESOURCES
While the rules presented in this System Reference Document provide a fully-playable (if generic) tabletop roleplaying
game, they are designed to also serve as the rules foundation for future games. Several resources are collected here
which may assist with the design and definition of such games.

11.0 Designing New Archetypes


Section 2.5 describes a representative selection of Protagonist Archetypes suitable for games set in the Modern Age.
While these are varied enough to support a wide range of character types, situations will inevitably arise where none of
the pre-defined Archetypes meets the needs of describing a class of Protagonists or NPCs important to the setting.

When this happens, the best solution is to simply create a new Archetype – which is fortunately not difficult.

11.1 Archetype Building in a Nutshell


The notes below give a set of helpful guidelines that can assist in making the design choices that define a brand-new
Archetype. However, at its simplest, the mechanical process of defining an Archetype is very simple. Each Archetype
needs:

• a suitable Name that embodies a character type befitting the setting;


• one or two Recommended Statistics that should ideally be higher than average for characters of that Archetype;
• a starting Number of Bonds (usually between 2 and 5);
• a Starting Resources rating (usually between 2 and 5);
• a set of Skills which have a starting value higher than the usual base rating for the setting.

For the last three items, there is a simple system to “balance out” different Archetypes. Each has a budget of 800 points
that can be spent as per the table below:

Archetype Feature Points Cost


For each Starting Bond slot 50 points
For each point rating in Starting Resources 50 points
For each +1 raise to a skill’s starting value, 1 point
above the base value for the skill in this setting
For each Archetype, there is a total budget of 800 points.

11.2 Step 1 – Defining the Archetype Concept


Before diving into the specifics of building game-mechanics for your new Archetype concept, it is worth spending some
time making sure the idea is built around a clear concept. How is this Archetype going to be different from others
already defined for the setting? In what ways is it filling a gap that none of the existing Archetypes can cover? Is the idea
too specific to one situation – and could be broadened out to cover a related category of character types? Or is it too
abstract, and in need of refinement to bring it back to something that others will intuitively recognize as an appropriate
category of characters for this setting? Having a good concept in mind will make everything that follows much easier, so
don’t rush your thinking about the core concept.

11.3 Step 2 – Picking Recommended Statistics


Each Archetype usually has one or two recommended Statistics that should (ideally) be higher-than-average for
characters of that Archetype. Picking these is usually a matter of simple extrapolation from your core concept. Is the
Archetype largely driven by knowledge? Then maybe INT should be in the list somewhere. Are individuals of the

90
Archetype defined by their abilities to socialize or establish rapport with other people? Then CHA should definitely be in
the list somewhere. If the character type is all about exercising sheer brawn, maybe STR is appropriate … or alternatively
if they’re all about fine manipulation or skulking in the shadows, perhaps DEX is a suitable choice. There aren’t too many
character types which revolve around healthiness and fortitude, but if yours does maybe you could consider adding CON
to the list. It’s fine for your archetype to have just a single recommended statistic, or a couple. More than two is unlikely.

11.4 Step 3 – Starting Bonds and Starting Resources


Each Archetype needs a starting number of Bonds and a starting Resources rating. Of the budget of 800 points, each
Bond slot costs 50 and each rating level in Resources costs 50. A starting point for designing an Archetype is to consider
a value of 3 starting bonds and 3 starting resources – this reflects an “average” situation for characters; tweak this as
seems appropriate.

If your concept for the new Archetype is something that has a wide network of contacts, the initial number of Bonds
could be 4 or even 5. Each additional bond will, however, reduce the budget of points available for elevating skills so
having an extensive network comes with a cost. Some Archetypes are inherently loners: for them, having a smaller
number of starting Bonds (perhaps only 2) captures that insular nature and leaves some additional points for resources
or skills, depending on your concept for the Archetype. Creating an Archetype with fewer than 2 starting Bonds risks
forcing characters into being cut-off from the world around them, and is not usually realistic.

For a few rare cases, an Archetype might inherently have one bond that is higher than the normal starting value. If your
basic concept inherently places the individual in a leadership role (e.g., your Archetype is supposed to be a local religious
leader), it’s ok to add a note that says one of the starting bonds will have a rating value of at least 10. This is usually only
meaningful for community bonds.

Each Archetype also needs a starting Resources value. Think about how many assets the poorest member of the
character type might have access to. If they might be a pauper (at least in terms of access to items), maybe consider a
low starting Resources score (perhaps a 2, or in extreme cases a 1). On the other hand, if members of the Archetype
would typically have ready access to lots of equipment or assets, a value of 4 or 5 might be worth considering. Don’t
forget that during the character generation process, it will be possible to sacrifice skill picks to elevate these base
ratings, so leaving a rating at a low level doesn’t necessarily mean that every character created using the new Archetype
will have a below-average set of items to draw on: it’s only those who choose not to further sacrifice skill picks that will
have a small pool of items to draw on. Making the starting Resources value too high will significantly restrict the number
of skills that the Archetype will have at an elevated level. (So, while it would be possible to set your Archetype’s starting
Resources at an impressive score of 12, that would use up 600 of the 800 points in the budget, leaving nothing much for
skill enhancement; so characters of that Archetype would all universally “wealthier-than-most” but lacking in any
specific skill. This isn’t usually an interesting choice.)

Once you’ve decided on the appropriate number of starting Bonds and starting Resources rating, multiply both numbers
by 50 and subtract them from the starting budget of 800. Whatever is left is available for spending on skills.

11.5 Step 4 – Skills With Elevated Starting Ratings


As described on page 27, each skill has a base rating which every character has as a starting value, regardless of their
Archetype. For skills that are directly related to the main activities of an Archetype, the beginning rating will be higher to
reflect specialized training and/or experience gained through undertaking tasks particular to the Archetype. These
elevated starting scores are purchased on a 1-for-1 basis, trading 1 point from the Archetype build budget for a +1 bump
in one skill, above its base value. So, if the normal base value for Search is 20 and your concept for the Archetype

91
suggests its members should have a Search value beginning at 50, you would spend 30 points (50 minus 20) from the
budget to achieve that goal.

It is traditional to spend points in blocks of 10 (i.e., 10, 20, 30, etc.) to ensure that the Archetype’s starting skill ratings
remain a neat multiple of 10, although ignoring that convention won’t break anything from a game mechanics
perspective.

When deciding on which skills to elevate for your Archetype, it is best to think about the common types of tasks that
members of the Archetype would perform often in their professional duties, or things would generally be assumed to be
good at.

It not unusual for an Archetype’s core concept to strongly suggest a half-dozen or so skills which every member of the
archetype would excel at, and a larger list of skills which some – but not necessarily all – members would have as a
specialty. It is easy to manage this situation by developing two lists:

• A list of core skills, universally relevant to every member of the Archetype – usually this won’t be more than
about six skills; and
• A list of skills which seem like good contenders to be optional specializations for the Archetype.

First you can spend most (but not all) of the available points from the budget to increase the starting rating of every skill
on the core skill list, remembering:

• The points cost is the amount you raise the starting value ABOVE the normal base.
• There’s usually diminishing value in increasing a skill’s starting value above 70 or 80 since success is likely and
the points might be better spent on elevating another lower-valued skill instead.
• It’s not usually beneficial to elevate a core skill by a tiny amount – anything less than a 30-point nudge for a core
skill will feel like you’re short-changing an important part of the Archetype concept.
• No skill under any circumstance can ever be higher than 99%.

Once you’ve got most of the points spent on upgrading the core list, divide whatever’s left into blocks of 30 or 40 points
and specify that the Archetype’s skills also include a certain number of picks from your list of optional specializations,
with each pick giving that same block-size of elevation to the chosen skill. So, for example, if you were left with 80 points
in the budget after core skills had been elevated, you could decide that the Archetype also includes a choice of two skills
from your list of possible specializations with each choice elevating the selected skill to a starting value of base plus 40.
Alternatively, if there were 90 points left instead you might decide to offer three picks with each offering a 30-point
boost over base.

If using this structure to provide a level of customization for the Archetype, you should ensure that there’s a good
selection of skills to choose from – ideally there should about twice as many options in the list as there are skill picks on
offer, to allow plenty of options for diversifying characters. [So, for example, if you’re allowing four picks from the
optional specializations list, try to ensure the list has about eight skills to choose from.]

12.0 Translating Creatures from D100 Games


Game Moderators may find statistics for horrific creatures and supernatural effects in the rules or supplements
published for other D100 Lovecraftian horror RPGs. The general-purpose guidelines below give some assistance with
converting creature-related statistics for use in Cthulhu Eternal.
In most cases, converting horrific creatures found in other D100 games for use in a Cthulhu Eternal game is
straightforward. A seven-step process for carrying out such conversions is described below.
92
Step 1: Convert Statistics
As described on page 8, characters and other creatures in Cthulhu Eternal are principally described in terms of six core
capabilities: Strength, Constitution, Dexterity, Intelligence, Power, and Charisma. These are measured on a scale of
approximately 3—18 for a human being. Most D100 games use a similar set of characteristics although the seventh
edition of the world’s oldest Lovecraftian roleplaying game chooses to instead measure a character’s core statistics on a
1—100 scale.

If the creature or character being translated has game statistics for anything other than the previously mentioned
seventh edition game, the translation is simple:

• Strength (sometimes STR) becomes the creature or character’s Strength statistic in Cthulhu Eternal;
• Constitution (CON), Intelligence (INT), Dexterity (DEX), and Power (POW), all become the identically named
statistic in Cthulhu Eternal; and
• If a creature/character has a listed Appearance (APP) rating, that translates to its Charisma (CHA) in Cthulhu
Eternal.

When translating statistics from the aforementioned seventh edition game, the process is effectively the same, but each
number is divided by 5 during the translation (e.g., a CON of 65 for a seventh edition creature would translate to a
Cthulhu Eternal Constitution statistic of 13).

If the creature or character has a listed Sanity (SAN) score, that same number becomes their SAN score in Cthulhu
Eternal.

Step 2: Derive Hit Points and Will Points (and optionally Resources)
In Cthulhu Eternal two key game attributes, Hit Points and Will Points, are derived from the core statistics. The formulae
for deriving these may be found in the section on creating Protagonists, on page 10. Once the core statistics have been
translated for the Mythos creature or character, these should be calculated exactly as described in the Protagonist
generation process.

When translating human characters (as opposed to creatures) it may be important for the Game Moderator to be able
to gauge how well-resourced the character is. In that situation, scanning through the list of Archetypes (starting on page
11), the Game Moderator can see which most closely relates to the character’s role – the base Resources attribute score
for the character can be assumed to be the same as that Archetype. This can be modified up or down by the Game
Moderator to reflect a vision for the character’s material ‘wealth’.

Step 3: Deriving Sanity Loss


For games which list explicit sanity losses for witnessing Cthulhu Mythos horrors, those same sanity losses can be
applied in Cthulhu Eternal. For games which do not include specific game mechanics for mental stability, use the table
on page 66 to pick an equivalent sanity loss based on how disturbing and/or disgusting a creature is described as being.

Step 4: Deriving Skills


All D100-based games measure skill proficiency of a person or creature on a scale of 0—100, the same scale used by
Cthulhu Eternal. So, any skill scores assigned as part of the game statistics for another game can be carried across
without the need for any arithmetic. However, each different game uses its own list of skills, each of them a variant way
of carving the broad field of human knowledge and abilities into different categorizations. Thus, in converting game
statistics from another RPG to Cthulhu Eternal, it’s necessary to decide which Cthulhu Eternal skill most closely relates to
each skill named in the source stat-block.

93
There are four situations that can arise:

1. Obvious Match: The skill named in the source stat-block has an obvious counterpart in the Cthulhu Eternal skill
list. In this case, simply give the person or creature the corresponding Cthulhu Eternal skill with the same
percentile rating assigned to the original skill.
2. Multiple Match: The skill named in the source stat-block has similarities with several different Cthulhu Eternal
skills. In this case, you can either pick one of the Cthulhu Eternal skills (ideally the most relevant) and assign all
the original skill’s percentile rating to that skill, or you can split up the percentiles among multiple Cthulhu
Eternal skills.
3. Clash: Sometimes during the translation of many different skill ratings, it will occur that several different foreign-
game skills all translate to the same Cthulhu Eternal skill. In that case, the person or creature’s percentile rating
in that skill should be the highest of all the different skills that translate to that skill.
4. Novelty Skill: Some games like to include silly or oddly specific skills (like “bake cookies” or “defuse nuclear
bomb”). You can either ignore these skills altogether or carry them across as similar ‘additional skills’ (i.e.,
presume the existence of a cookie baking skill in Cthulhu Eternal, whose definition you can make up as needed).

References to a rating in the “Cthulhu Mythos” skill used in other games should all be carried across to Cthulhu Eternal’s
Unnatural skill (see page 36).

Step 5: Deriving Attacks


Every D100-based game describes the basic attributes of an offensive capability (or attack) in terms of a percentage
chance that the attack will hit its target, plus a dice roll to determine the HP damage that the attack inflicts.

When converting a stat-block to Cthulhu Eternal, each attack mode will typically map to a similar or equivalent weapon
skill with the same percentile rating. Damage ratings (die rolls) can either be carried across unchanged, or if the attack
mode obviously relates to one of the weapons listed in the examples on page 49, you can just use the Cthulhu Eternal
damage rating for the listed weapon. Where the damage die listed in the source stat-block mention adding a “Damage
Bonus”, consult the material on page 48 to see whether the Cthulhu Eternal attack should also include the equivalent
bonus.

If converting a stat-block for a creature – especially a large creature, or one with a STR well outside the normal human
range – it is probably better to forget about Damage Bonus altogether. Many D100-based games give such massive
monstrosities equally massive Damage Bonuses (+3D6 and above): Cthulhu Eternal’s combat system doesn’t seek to
model overwhelming damage by means of large pools of dice – instead, it uses the Lethality mechanic. Consider setting
the total damage rating of such a creature’s attacks based on its overall damage rating in the source system – that is, the
attack’s base damage plus the creature’s stated Damage Bonus. If that total is no-more than 2 dice, then simply set the
Cthulhu Eternal damage rating for the attack equal to that.

If the foreign-game attack mode lists more than 2 dice to roll for damage overall, it is likely that it would be better to
represent the damage in terms of a Lethality rating. The table below gives some approximate translations:

Multiple-Dice Damage Lethality Rating


3D6 9%
3D8 12%
3D10 15%
For each +1D6 +3%
For each +1D8 +4%
For each +1D10 +5%
94
Step 6: Deriving Armor value
Creatures or individuals who have innate protection from damage, or who wear protective equipment may have an
Armor value as part of their original statistic block. They may also have a description of the particular type of armor.

Armor values from D100-based games can be directly translated across – for example, a Mythos creature with an innate
Armor of 2 will have the same Armor rating in Cthulhu Eternal.

An alternate method of assigning an Armor value for worn protection is to consult the table in ARMORED (page 53),
locating a roughly-equivalent type of protective equipment and use the Armor value shown in the table.

Step 7: Defining Special Powers and Defenses


Perhaps the hardest part of converting stat-blocks for creatures (and sometimes human beings) to Cthulhu Eternal, is
translating special powers and defenses, including unusual modes of attack. These are sometimes written in a manner
that is specific to the game-mechanics for the source system.

There are two basic approaches to converting special powers:


1. finding a similar power already possessed by a creature with Cthulhu Eternal stats, or
2. converting the individual game mechanics underlying the power into Cthulhu Eternal concepts piece-by-piece.

For determining appropriate Cthulhu Eternal game-statistics to cover special defenses, a good place to start is
considering the categories of Defenses described in PROTECTION IN COMBAT, page 52. These are: Fragile, Exposed,
Armored, Huge, and Transcendent.

Furthermore, some creatures have physical forms that are less susceptible to Lethal damage: the box nearby
summarizes different levels of protection that the Game Moderator can assign to otherworldly monstrosities.

Reduced Susceptibility to Lethal Damage


The following common forms of protection against Lethal attacks may be assigned to creatures/individuals which are
harder to kill than normal humans.
• RESILIENT: A successful roll on a Lethal attack does not kill the creature/individual but inflicts Hit Point
damage equal to 2D10 minus any Armor rating.
• RESILIENT TO <attack type, e.g., Firearms>: If attacked with other attack types than the one named,
damage/lethality is as per normal. If attacked with Lethal attacks of the nominated type, a successful roll does
not kill the creature/individual but inflicts Hit Point damage equal to 2D10 minus any Armor rating.
• PARTIALLY IMMUNE (less than <number, e.g., 20>%): If the Lethal attack has a Lethality rating less than or
equal to the number mentioned, it cannot harm or kill the target – even a successful Lethality roll will cause it
zero harm. For Lethal attacks with a Lethality rating higher than the number mentioned, the
creature/individual is still not automatically killed on a successful Lethality roll but suffers Hit Point damage
equal to 2D10 minus any Armor rating.
• IMMUNE: Is not affected at all any physical attacks, including Lethal attacks.

95
Some Example Special Attacks
During a translation the GM might need to invent game statistics for special forms of attacks. The following examples
provide some example powers that can be used or adapted as needed.
Blood Drain: The bite of the entity drains blood from the victim each turn until forcibly detached. For each turn of
blood loss, the victim loses 1D6 STR. If STR reaches zero the victim dies, however if he or she survives the attack, it will
be slowly regained at the rate determined by the Game Moderator.
Cling & Bite: After the entity bites a victim, it will cling to it unless forcibly removed. Each subsequent turn inflicts a
further 1D3 Hit Points of damage to the victim.
Engulf Victims: If a victim is pulled into the entity’s mass it becomes absorbed within it. An individual trapped inside
the entity must separately make an opposed test comparing his or her STR against the entity’s STR. If the test is failed,
the victim takes Lethal Damage with rating equal to 1% × the entity’s CON. Trapped targets inside the entity find it
difficult to move or attack: only by making a percentile roll below their STR can such individuals make an attack while
inside the entity.
Mental Drain: If the entity wishes to mentally weaken those in its proximity, it can compel an individual to perform an
opposed test which matches the entity’s POW versus the victim’s INT. If the victim is defeated in this test, he or she
immediately loses 1D6 Willpower Points + 1D6 SAN. The WPs are added to the attacker’s total.
Tentacle Constrict/Crush: If one of the entity’s tentacles successfully strikes an enemy it will wrap around it and
continue to crush it in later turns. Unless freed by external means, the victim will continue to suffer Hit Point damage
equal to half the normal attack damage in each succeeding turn.
Tentacle Grapple: If the tentacle of the entity strikes a victim it wraps itself around a limb, effectively PINNING the
target (see page 45). Being held in this way does not inflict any Hit Point damage but the victim is effectively unable to
take any actions until he or she is freed. The entity can use its other attacks against victims held by its tentacle.
Breaking free from the entity’s grip requires success in an opposed test pitting the entity’s STR against the victim’s
STR.
Toxic Venom: The bite of the entity injects a potent toxin with a Lethality Rating equal to the entity’s CON.

Some Example Special Abilities


During a translation the GM might need to invent game statistics for special abilities that aren’t attacks but still
provide the creature or person with an advantage. The following examples provide a few ideas that can be used or
adapted as needed.
Hypnotize: The entity’s gaze can render a victim in a trance-like state. When a victim locks eyes with the entity, he or
she makes an opposed POW vs POW test with it. If the target loses, a hypnotic state quickly descends. Humans
controlled in this way will always follow simple instructions. If the commands are inherently self-destructive or
injurious to the controlled person, an INT×5 roll can be attempted at the beginning of each turn – success means the
person snaps out of the trance.
Invisible: The entity has the power to become invisible to normal vision through a supernatural effect; attempts to hit
the entity while it is invisible are halved.

96
Mental Control: The entity has the power to control humans via mental dominance. Resolve such attempts as an
opposed POW vs POW test; if the target’s will is overcome, he or she is compelled to remain in close proximity to the
area where the mental control was initiated. Once controlled, a dominated human can be mentally contacted by the
entity regardless of where it is, anywhere on Earth. This communication costs the entity 1 Willpower Point.
Regeneration: Regenerates 2 HP per turn after being wounded; if the entity’s HP ever reach zero it is dead and will
not regenerate.
Trans‐dimensional Travel: The entity has an innate ability to travel between different dimensions. Initiating a
transition from our dimension to another takes a full (uninterrupted) turn and costs the entity 4 Willpower Points. If
the entity is holding anything or anyone (e.g., someone held via a previous pin action), they too make the journey.

Some Example Special Vulnerabilities


During a translation the GM might need to invent some game statistics for a creature’s special vulnerability. Here are
a few ideas that can be used as starting points for new inventions.
Hates the Light: The entity takes damage from exposure to light. Bright light inflicts 1 HP per turn; bright and dazzling
light inflicts 3D6. Full daylight reduces the entity to a pile of grey ash. This damage ignores armor.
Poisoned by <Substance>: The entity’s metabolism is particularly susceptible to a common earthly substance.
Whenever the entity comes into direct physical contact with the substance it must make a CON test; if it fails, the
entity suffers Lethality 10% damage.
Susceptible to Fire: Fire inflicts double damage to the entity. This damage ignores armor.

13.0 Gumshoe Creature Conversions


Creature stat-blocks in Gumshoe are relatively brief, consisting of ratings for: Athletics, Health, Scuffling, Hit Threshold,
Alertness Modifier, Stealth Modifier, Weapon, Armor, and sometimes Stability Loss. The tables below give a (rough) idea
of how these ratings can be carried across to Cthulhu Eternal creature statistics. Because Gumshoe is quite a different
system, some creativity will be required to fill in statistics like INT, POW, etc. since Gumshoe typically doesn’t measure
such attributes for creatures.

13.1 Athletics Rating


In general, a creature can be assumed to have a Cthulhu Eternal Athletics skill equal to its Gumshoe Athletics rating ×
12%. Physical statistics like STR, DEX, and CON can – if needed – be inferred from this. A higher Gumshoe Athletics rating
almost certainly means one or more of those stats will be well above average.

13.2 Health Rating


In general, a creature in Cthulhu Eternal will have 2 Hit Points for every single point of Gumshoe Health Rating. For
example, a Gumshoe monstrosity with a Health Rating of 10 will have 20 HP in Cthulhu Eternal.

13.3 Scuffling and Weapon


The chance that a Cthulhu Eternal version of an attack will hit its target is usually given by the Gumshoe Scuffling rating ×
4%.
97
For damage associated with an attack see table below.

Gumshoe Weapon Rating Cthulhu Eternal Damage Dealt


-3 Damage 1 HP
-2 Damage Either 1D3 HP or 1D4 HP
-1 Damage 1D6 HP
+0 Damage 1D8 HP
+1 Damage Either 1D8+1HP, 1D10 HP, or 2D6 HP
+2 Damage Either 3D6 HP, 4D6 HP, or Lethality 10%
+3 Damage Lethality: 15%
+5 Damage Lethality: 20%
+12 Damage Lethality: 40%

13.4 Hit Threshold and Armor


Gumshoe Hit Threshold Cthulhu Eternal Skill in Dodge
2 0 (Attacker gains +40% chance to hit)
3 15% (easier than normal to hit)
4 30% (average difficulty to hit)
5 50% (harder than average to hit)
6 75% (much harder than average to hit)

Gumshoe Armor Rating Cthulhu Eternal Armor


Stat
-1 1 point
-2 2 points
-3 3 or 4 points
-4 5, 6, or 7 points*
-5 8—11 points*
-6 12—16 points*
-7 17—22 points*

* Rating may indicate that the creature is HUGE (see page 53), TRANSCENDENT (see page 53), or have some form of
REDUCED SUSCEPTIBILITY TO LETHAL DAMAGE (see page Error! Bookmark not defined.).

13.5 Stability Loss


Gumshoe Stability Loss Cthulhu Eternal SAN Loss
1 point SAN Loss of 0/1
2 points SAN Loss of 0/1D3
3 points SAN Loss of 1/1D4
4 points SAN Loss of 1/1D6
5 points SAN Loss of 1/1D10
6 points SAN Loss of 1D6/1D20
7 points SAN Loss of 1D8/2D20
8 points SAN Loss of 1D10/1D100

98
13.6 Stealth Modifier
In general, a creature’s ability to avoid detection is measured in Cthulhu Eternal in terms of its Stealth skill rating; if a
sentient (likely humanoid) creature has a sneaky kind of ability that would be better modelled by the Disguise skill,
substitute that skill instead in the table below.

Gumshoe Stealth Cthulhu Eternal Skill in


Modifier Stealth
+1 30%
+2 60%
+3 90%

13.7 Alertness Modifier


Gumshoe Alertness Cthulhu Eternal Skill in
Modifier Alertness
+1 30%
+2 60%
+3 90%

99
L OVECRAFTIAN P ROTAGONIST STATISTICS OTHER ATTRIBUTES
C H A R AC T E R R E C O R D S H E E T STATISTIC SCORE x5 Distinguishing Feature Willpower Points
Name Strength (STR) 

Exhausted
Setting Constitution (CON) (-20%)
MAX CURRENT
Archetype Dexterity (DEX)
 WP 2 or less = emotional break-
down (-20%), WP 0 = incapacitated
Age Gender Intelligence (INT)
Home Power (POW) Damage Bonus
Charisma (CHA)
Body Armor
Birthplace
 
Max/Starting HP Max SAN Recovery SAN Insane 01 02 03 04 05 06 07

Current SAN

00 01 02 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30
STUNNED 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53
Current HP

03 04 05
54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76
06 07 08 09 10 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99
11 12 13 14 15 
Incidents of SAN Loss Without Insanity  Circle current SAN on
16 17 18 19 20 Violence  Helplessness  Breaking Point meter. Black out numbers
above MAX SAN. Draw box
 around Breaking Point
Permanent Injuries  Third checkbox filled, character is adapted

JAZZ  >5 SAN lost in one roll, temporary


insanity. If SAN reaches Breaking Point,

A GE
acquire a Disorder and reset BP
 HP 2 or less = unconscious AND roll
for permanent injury. HP of 0 = dead

SKILLS
Base ratings shown in [square brackets]. All skills with fill-in spaces for specializations have a base rating of 0%.
BONDS
 Administration [10%]  Navigate [10%] Individual Bond Score
 Alertness [20%]  Occult [10%]
 Anthropology [0%]  Persuade [20%]
 Appraise [10%]  Pilot (____________) [0%]
 Archeology [0%]  Pilot (____________) [0%]
 Art (______________) [0%]  Psychoanalyze [10%]
 Art (______________) [0%]  Regional Lore (_________) [0%]
 Athletics [30%]  Regional Lore (_________) [0%]
Community Bond Score
 Charm [20%]  Research [10%]
 Craft (_____________) [0%]  Ride [10%]
 Craft (_____________) [0%]  Science (__________) [0%]
 Disguise [10%]  Science (__________) [0%]
 Dodge [30%]  Science (__________) [0%]
 Drive [20%]  Search [20%]
 Firearms [20%]  Social Etiquette [10%]
 First Aid [10%]  Stealth [10%] Motivation / Mental Disorder
 Foreign Language (_________) [0%]  Streetwise (_________) [0%]
 Foreign Language (_________) [0%]  Streetwise (_________) [0%]
 Harangue [10%]  Surgery [0%]
 Heavy Machinery [10%]  Survival (_________) [10%]
 History [10%]  Swim [20%]
 Insight [10%]  Track [10%]
 Law (_____________) [0%]  Unarmed Combat [20%]
Permanent Resources
 Medicine [0%] Unnatural [0%] 
Resource Checks     Black Out
 Melee Weapons [30%]  Use Gadgets [0%] 1 2 3 Unavailable Boxes

 Military Training (__________) [0%] 


MAX 6 MAX 6 Unlimited
 Natural World [10%] 
AT HAND STOWED IN STORAGE
PROTAGONIST'S STORY SO FAR

TERRIBLE TOMES & ARCANE RITUALS GEAR Record


Pristine/Worn/Junk

WEAPONS (db) = damage bonus


(ap) = armor piercing
WEAPON SKILL % BASE RANGE DAMAGE (db) (ap) Pristine/Worn/Junk LETHALITY % KILL RADIUS AMMO
  
  
  
  
  
  
  
  
  

CThulhu Eternal Rules Cheat Sheet


Test Outcomes: Roll d100. If under test → Success;
NOTES FELLOW CHARACTERS
if digits of dice match also (or roll 01) → Critical.
Roll over test → Failure;
if digits of dice match also (or roll 00) → Fumble.
Opposed Tests: both sides roll and compare results
Critical beats Success beats any failure. If both
parties succeed or crit, whoever rolled HIGHER wins
Combat Options: Aim, Attack, Called Shot, Disarm,
Dodge, Escape Pin, Fight Back, Move, Pin, Wait.
Resisting Insanity: Project SAN loss onto Bond, Use
Bond to Repress Temp Insanity / episode of Disorder
Open Gaming License v. 1.0a
The following text is the property of Wizards of the Coast, Inc. and is Copyright 2000 Wizards of the Coast, Inc (“Wizards”). All Rights Reserved.
1. Definitions: (a) “Contributors” means the copyright and/or trademark owners who have contributed Open Game Content; (b) “Derivative Material” means
copyrighted material including derivative works and translations (including into other computer languages), potation, modification, correction, addition, extension,
upgrade, improvement, compilation, abridgment or other form in which an existing work may be recast, transformed or adapted; (c) “Distribute” means to
reproduce, license, rent, lease, sell, broadcast, publicly display, transmit or otherwise distribute; (d) “Open Game Content” means the game mechanic and includes
the methods, procedures, processes and routines to the extent such content does not embody the Product Identity and is an enhancement over the prior art and any
additional content clearly identified as Open Game Content by the Contributor, and means any work covered by this License, including translations and derivative
works under copyright law, but specifically excludes Product Identity. (e) “Product Identity” means product and product line names, logos and identifying marks
including trade dress; artifacts; creatures characters; stories, storylines, plots, thematic elements, dialogue, incidents, language, artwork, symbols, designs, depictions,
likenesses, formats, poses, concepts, themes and graphic, photographic and other visual or audio representations; names and descriptions of characters, spells,
enchantments, personalities, teams, personas, likenesses and special abilities; places, locations, environments, creatures, equipment, magical or supernatural abilities
or effects, logos, symbols, or graphic designs; and any other trademark or registered trademark clearly identified as Product identity by the owner of the Product
Identity, and which specifically excludes the Open Game Content; (f) “Trademark” means the logos, names, mark, sign, motto, designs that are used by a Contributor
to identify itself or its products or the associated products contributed to the Open Game License by the Contributor (g) “Use”, “Used” or “Using” means to use,
Distribute, copy, edit, format, modify, translate and otherwise create Derivative Material of Open Game Content. (h) “You” or “Your” means the licensee in terms of
this agreement.
2. The License: This License applies to any Open Game Content that contains a notice indicating that the Open Game Content may only be Used under and in terms of
this License. You must affix such a notice to any Open Game Content that you Use. No terms may be added to or subtracted from this License except as described by
the License itself. No other terms or conditions may be applied to any Open Game Content distributed using this License.
3. Offer and Acceptance: By Using the Open Game Content You indicate Your acceptance of the terms of this License.
4. Grant and Consideration: In consideration for agreeing to use this License, the Contributors grant You a perpetual, worldwide, royalty-free, non-exclusive license
with the exact terms of this License to Use, the Open Game Content.
5. Representation of Authority to Contribute: If You are contributing original material as Open Game Content, You represent that Your Contributions are Your
original creation and/or You have sufficient rights to grant the rights conveyed by this License.
6. Notice of License Copyright: You must update the COPYRIGHT NOTICE portion of this License to include the exact text of the COPYRIGHT NOTICE of any Open
Game Content You are copying, modifying or distributing, and You must add the title, the copyright date, and the copyright holder’s name to the COPYRIGHT NOTICE
of any original Open Game Content you Distribute.
7. Use of Product Identity: You agree not to Use any Product Identity, including as an indication as to compatibility, except as expressly licensed in another,
independent Agreement with the owner of each element of that Product Identity. You agree not to indicate compatibility or co-adaptability with any Trademark or
Registered Trademark in conjunction with a work containing Open Game Content except as expressly licensed in another, independent Agreement with the owner of
such Trademark or Registered Trademark. The use of any Product Identity in Open Game Content does not constitute a challenge to the ownership of that Product
Identity. The owner of any Product Identity used in Open Game Content shall retain all rights, title and interest in and to that Product Identity.
8. Identification: If you distribute Open Game Content You must clearly indicate which portions of the work that you are distributing are Open Game Content.
9. Updating the License: Wizards or its designated Agents may publish updated versions of this License. You may use any authorized version of this License to copy,
modify and distribute any Open Game Content originally distributed under any version of this License.
10 Copy of this License: You MUST include a copy of this License with every copy of the Open Game Content You Distribute.
11. Use of Contributor Credits: You may not market or advertise the Open Game Content using the name of any Contributor unless You have written permission from
the Contributor to do so.
12. Inability to Comply: If it is impossible for You to comply with any of the terms of this License with respect to some or all of the Open Game Content due to
statute, judicial order, or governmental regulation then You may not Use any Open Game Material so affected.
13. Termination: This License will terminate automatically if You fail to comply with all terms herein and fail to cure such breach within 30 days of becoming aware of
the breach. All sublicenses shall survive the termination of this License.
14. Reformation: If any provision of this License is held to be unenforceable, such provision shall be reformed only to the extent necessary to make it enforceable.
15. COPYRIGHT NOTICE
Open Game License v. 1.0, © 2000, Wizards of the Coast, Inc.
Legend, © 2011, Mongoose Publishing.
Unearthed Arcana, © 2004, Wizards of the Coast, Inc.
Delta Green: Agent’s Handbook, © 2016, Dennis Detwiller, Christopher Gunning, Shane Ivey, and Greg Stolze.
Delta Green: Handler’s Guide, © 2017, Dennis Detwiller, Adam Scott Glancy, Kenneth Hite, Shane Ivey, and Greg Stolze.
APOCTHULHU Quickstart, © 2020, Dean Engelhardt, Chad Bowser, Jo Kreil, and Michelle Bernay-Rogers.
APOCTHULHU Core Rules © 2020, Dean Engelhardt, Jo Kreil, Kevin Ross, Jeff Moeller, Chad Bowser, Dave Sokolowski, Christopher Smith Adair, Fred
Behrendt, Emily O’Neil, Paul Franzese, and Michelle Bernay-Rogers.
APOCTHULHU System Reference Document v0.666 © 2020, Dean Engelhardt, Jo Kreil, Kevin Ross, Jeff Moeller, Chad Bowser, Dave Sokolowski,
Christopher Smith Adair, Fred Behrendt, Emily O’Neil, Paul Franzese, and Michelle Bernay-Rogers.
Cthulhu Eternal System Reference Document v1.0 © 2021, Dean Engelhardt, Jo Kreil, Kevin Ross, Jeff Moeller, Chad Bowser, Dave Sokolowski,
Christopher Smith Adair, Fred Behrendt, Emily O’Neil, Paul Franzese, and Michelle Bernay-Rogers.
Cthulhu Eternal – Victorian Age Localization: System Reference Document v0.1 © 2022, Dean Engelhardt and Jo Kreil.
PRODUCT IDENTITY: The following items are hereby identified as Product Identity, as defined in the Open Gaming License Version 1.0a, Section 1(e), and
are not Open Game Content: The name “Cthulhu Eternal” and the Cthulhu Eternal logo (except as it appears on the supplied character sheet).
OPEN GAME CONTENT: The following items are hereby designated as Open Gaming Content under the terms of the Open Game License Version 1.0a,
Section 1(d): all text, tables, and character sheets are considered Open Content except for the name “Cthulhu Eternal” appearing anywhere other than on
the supplied character sheet. If you would like to use the term “Cthulhu Eternal” in another fashion within a product, please contact Cthulhu Reborn at
inquiry@cthulhureborn.com to obtain written permission prior to publication.

You might also like