Spectral Imaging Revised Removed
Spectral Imaging Revised Removed
Spectral Imaging Revised Removed
Abhishek Padhy
Md Mizan Kabir Shuvo
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putting together three separate images, each of which captures a different colour channel
(red, green, or blue) [3]. When these separate images are put together, the result is a
full-color image. In an RGB image, each pixel has a different value for each of the three
colour channels. This makes up the overall colour of the image..
3 Methods
To get spectral images, we first turned on the light booth to stabilize the light source and
connected the spectral camera to the computer. Then, to get a live view of the camera, we
opened the Nuance 3.0.0 programme on the laptop, chose the brightfield tab, and set the
wavelength (450 nm to 950 nm) and exposure time (50ms) for the live view. Then, we put
the object to be photographed on the 45-degree black stand inside the light booth, adjusted
the tripod so that the whole object was visible in the live view, focused the camera, and
set the exposure times for all wavelengths using the white reference sample, this ensures
there is no saturation with the other samples.
Rs
I= (1)
Rref
Where I is the image, Ri is reflectance of the sample, Rref is the reflectance of white
reference. Then, we took pictures of the white reference and all the other objects in order,
saving the data in.tif image format. In order to analyze the data, we turned the spectral
images into RGB images by choosing three wavelengths as the color channels.
We also calculated reflectance spectra for every image pixel and chose five points from each
imaged object to mark on the RGB pictures and plot as a function of wavelength.
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blue portion of the visible spectrum, the reflectance image would show how much blue light
is being reflected by the surface. If the surface reflects a lot of blue light, the image would
appear brighter in those regions, while areas that absorb more blue light would appear
darker. Figure.1 shows the single wavelength (620nm) reflectance image of the painting.
Spectral cameras are designed to capture reflectance images at multiple wavelengths across
Figure 1: Reflectance image for a single wavelength (620 nm) for Painting, Color checker
and Metameric Color Sample
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differences in their chemical composition and surface characteristics. Metameric samples
have different reflectance spectra but look the same under the same light source. This
means that their spectral power distributions are different, even though our eyes see them
as the same colour.
Figure 2: RGB Image for (a) Painting, (c) Color checker and (e) Metameric Color Sample
and Reflectance spectra (b),(d),(f) for the same samples respectively,
There are many things that can cause differences in the spectra of metameric samples,
such as differences in the materials used, the surface texture, the thickness, and the struc-
ture of the samples. Metamerism can also be caused by the light source that is used to look
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at the samples. For example, two objects may look the same colour when lit by daylight,
but when lit by fluorescent light, they may look different. This is because fluorescent light
has a different spectral power distribution than daylight and the human visual system ad-
justs its sensitivity to different wavelengths to adapt to different lighting conditions. This
can cause different perceptions of colour even when the same physical stimulus is present.
The image of the white reference was not uniformly white because of spatially uneven
illumination and vignetting effects of the camera lens. In spectral imaging, a white reference
is used to calibrate the camera and make sure that the spectral values that are recorded
are accurate representations of the real spectral properties of the object being imaged. But
even the whitest materials can reflect light in different ways, which can cause the spectral
values to be different. Also, the lighting conditions when the white reference image was
taken can change how uniform it is. For example, if the lighting isn’t even or if there are
shadows or reflections, the image that is captured may not be white all the way through.
In the same way, the sensitivity of the camera sensors can also make the image uneven.
If the sensitivity of the sensors changes at different wavelengths, the spectral values that
are recorded may not be the same. So, to make sure that spectral imaging is accurate,
it is important to carefully calibrate the camera and lighting conditions and use the right
algorithms to fix any differences in the spectral values that were recorded.
5 Conclusion
In conclusion, we were able to show that a Nuance Ex-VIS spectral camera and Spectralight-
III Light Booth can be used to take and analyze spectral images. We learned about spectral
images, how to get them, and how to get information out of them. We showed how to turn
spectral images into RGB images, calculate reflectance spectra for 5-points in an image,
and look at the differences in their spectra between metameric samples. Overall, this lab
activity taught us a lot about spectral imaging and how it can be used in many different
fields.