Overview - AL Semester 1 - 2022
Overview - AL Semester 1 - 2022
Applied Linguistics
OVERVIEW OF SEMESTER I
Faculty of Arts, Humanities and
Languages
Year 4, Semester 1
Academic Year 2022
Components of language
• The Sounds of Language
• The Sound Patterns of Language
• Words and Word-formation Process
• Morphology
• Grammar
• Syntax
• Semantics
• Pragmatics
The Origin of Language
13
Acquisition Learning
Components of language
• The Sounds of Language
• The Sound Patterns of Language
• Words and Word-formation Process
• Morphology
• Grammar
• Syntax
• Semantics
• Pragmatics
Define the five components of a language
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Classification of Consonants:
o Place of Articulation: (Bilabials, Labiodentals,
Dentals, Alveolars, Palatals, Velars, Glottals)
o Manner of Articulation: (stops/plosives, fricatives,
affricates, nasals, liquids, and glides/semi-vowels)
Classification of Vowels
The Sounds of Language
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PLACE OF ARTICULATION (Consonant sounds)
o Bilabials: Sounds formed using both (= bi) upper and
lower lips (= labia).
• Voiceless: pat [p]
• Voiced: bat [b], mat [m]
o Labiodentals: with the upper teeth and the lower lip.
• Voiceless: fat [f], cough [f], photo [f]
• Voiced: vat [v]
o Dentals: with the tongue tip behind the upper front teeth.
• Voiceless: thin, bath [θ] “theta”
o Alveolars: with the front part of the tongue on the
alveolar ridge, which is the rough, bony ridge immediately
behind and above the upper teeth.
• Voiceless: top [t], sit [s]
• Voiced: dip [d], zoo [z], nut [n]
The Sounds of Language
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o closed syllable: a syllable that ends with a consonant or coda i.e. up,
cup, at, hat
o open syllable: a syllable that ends with a vowel (or nucleus) and has no
coda i.e. me, to, no
o coda: the part of a syllable after the vowel
o onset: the part of the syllable before the vowel
o consonant cluster: two or more consonants in sequence
o rhyme: the part of the syllable containing the vowel plus any following
consonant(s), also called “rime”
Word-Formation Processes
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• Coinage
• Borrowing
• Compounding
• Blending
• Clipping
• Backformation
• Conversion
• Acronyms
• Derivation
Word-Formation Processes
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o A single word that can stand alone and carry its meaning is
called Free Morpheme. (Study, open, stand, clever, big,
small, etc.)
o A word that is used alone and carries no meaning is called
Bound Morpheme. (or, ing, ed, un, ation, dis…)
Syntax
Syntax: Syntax refers to ways in which words are organized
and sequenced to produce meaningful sentences. In other
words, syntax concerns the ways in which words combine
to form sentences, making some sentences possible and
others not possible within a particular language.
Example:
In Khmer: នាងជាសិសសឆ្នម ើ ម្ននក់ ។ (ន + គុ.នាម)
In English: She is an outstanding student.
(adj. + n.)
GRAMMAR
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Traditional grammar
• Parts of speech
• Agreement (number, person, tense, voice &
gender)
Prescriptive grammar
Descriptive grammar
• Structural analysis
• Constituent analysis
• Labeled and bracketed sentences
Grammar
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Linguistic
expressions
represented by
phonetic alphabet
Parts of Speech
Generative Grammar
• Syntactic structure
• Deep and surface structure
• Structural ambiguity
• Recursion
• Symbols used in syntactic description
Tree Diagram
• Phrase structure rules
• Lexical structures
• Back to recursion
• Complement phrases
• Transformational rules
SYNTAX
Generative Grammar: can be48used to “generate” or produce
sentence structures and not just describe them.
• Syntactic structure: syntax (syntactic structures): (the
analysis of) the structure of phrases and sentences.
• Deep structure (abstract phrase structure) and surface
structures (ways of interpretations)
• Surface structure: the structure of individual sentences after
the application of movement rules to deep structure.
• Deep structure: the underlying structure of sentences as
represented by phrase structure rules.
• Charlie broke the window. (deep structure)
• The window was broken by Charlie.
• It was Charlie who broke the window
• Was the window broken by Charlie?.
(In short, the grammar must be capable of showing how a
single underlying abstract representation can become
different surface structures.)
SYNTAX
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Semantic Features
Semantic roles
• Agent & Theme
• Instrument & experiencer
• Location, source and goal
Lexical relations
• Synonyms/antonyms/hyponymy
• Prototypes
• Homophones & homonyms
• Polysemy/word play/metonymy
• Collocation
SEMANTICS
Semantic role: the part played
54 by a noun phrase, such as
agent, in the event described by the sentence.
• The boy kicked the ball. (The boy = Agent; the ball = Theme)
• The wind blew the ball away.
• A car ran over the ball.
• The dog caught the ball.
o Instrument: the semantic role of the noun phrase identifying the
entity that is used to perform the action of the verb (e.g. The boy
cut the rope with a razor)
o Experiencer: the semantic role of the noun phrase identifying the
entity that has the feeling, perception or state described by the
verb (e.g. The boy feels sad)
• The boy cut the rope with an old razor. (semantic role of instrument)
• He drew the picture with a crayon. (semantic role of instrument)
• The boy feels sad. (The boy – the experiencer of the only semantic role )
• Did you hear that noise? (you – the experiencer; that noise – the theme)
SEMANTICS
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PRAGMATICS
o Conversational Implicatures
• Quality
• Quantity
• Manner
• Relevance
o Presupposition
o Speech Acts
• Syntax and words that indicate speech act type
• Content and force in speech acts
• Expressives / directives
o Summary (pragmatics, presupposition, speech acts)
PRAGMATICS
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There are five components of a language: phonemes,
morphemes, syntax, semantics and pragmatics.
o Pragmatics is the study of speaker meaning and how more is
communicated than is said.
o Pragmatics is the study of “invisible” meaning, or how we
recognize what is meant even when it isn‟t actually said or
written. In order for that to happen, speakers (or writers) must
be able to depend on a lot of shared assumptions and
expectations when they try to communicate.
o To make conversational exchanges successful requires
participants to co-operate with each other, as the philosopher
Paul Grice (1975:45) suggests four co-operative principles
(maxims) to “make your conversational contributions such as
is required, at the stage at which it occurs, by the accepted
purpose or direction of the talk exchange in which you are
engaged.” (Yule, 2010, p.128)
What is co-operative principle?
o Cooperative principle: participants
69 try to make their
contributions appropriate to the shared purpose of the
„talk exchange‟ in which they are engaged.
There are Grice’s four cooperative maxims
(principles) in conversation:
1. Quality: Do not say something perceived as false or
(truthfulness) insufficient evident.
2. Quantity: Give appropriate amount of information, not
(informativenes too, or less, informative.
s)
3. Relevance: Be relevant to the assumed current goals of
(relation) the people involved.
4. Manner: Utterances should be clear: brief, orderly
(style/clarity) and not obscure.
Levinson‟s Notation (symbols)
Implicature (of an utterance): the
70 additional conveyed meaning,
implied meaning or intended implication of the utterance.
A. “Utterance” “Would you like something to eat?”
B. “U” “I‟ve got a terrible toothache.”
„Implicature‟ = B implicates, „No, thanks.‟
+ > „i‟
Presupposition: an assumption by a speaker/ writer about what is true
+< or already known by the listener/reader
Entailment: - the foundation of semantics, is defined in terms of
truth: under conditions that make sentence 1 true,
sentence 2 must be true
Example 3:
A: “It’s cold in here.” (Locutionary)
B: In saying “it’s cold in here” I complained about the
temperature.
C: By saying ‘it’s cold in here’ I persuaded Dara to close
the window.
*** Most linguists view illocutionary acts as speech acts.
Performative verbs
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o Illoctionary Force Indicating Devices (IFIDs) or performative
verbs are utterances used to display (kinds of) speech acts.
1) Enjoy yourself. (declaration)
2) Don‟t touch it! (warning)
3) I bet you five US dollars that it will rain tomorrow.
(betting)
4) I dub this ship Titanic. (naming)
5) I declare war on Zanzibar. (declaration)
6) Thank you. (acknowledgement)
7) I apologize to you for stepping on your toes. (apology)
8) I pronounce you husband and wife. (pronouncing or
declaring)
o The same utterance may have different illocutionary forces, but the
intended illocutionary forces can be recognized through performative
verbs.
CHAPTER 4: LANGUAGE IN WRITTEN
DISCOURSE
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SECTION A: Text(s)
• What is a Text?
• Components of texture: coherence and cohesion
• Coherence: Registerial & Generic
• Cohesive Resources: Reference, Lexical cohesion,
Conjunctive cohesion
SECTION B: Genre: Context of Culture in Text
• Register configuration: field, tenor, mode
• Staged or Schematic structure
• Realisational patterns in the text
SECTION C: Register: Context of Situation in Text
• How does Text matter?
• How context gets into text
• Register theory
Text Analysis
CONTEXT OF CULTURE
(GENRE = PURPOSE)
CONTEXT OF SITUATION
(REGISTER = LANGUAGE
PATTERN)
DISCOURSE/SEMANTICS
(MEANING)
LEXICO-GRAMMAR
(WORDS & STRUCTURE)
PHONOLOGY(SOUND)
GRAPHOLOGY(LETTERS)
Text Analysis
CULTURE F I E L D = S U B J E C T/ T O P I C
T E N O R = PA R T I C I PA N T S
SITUATION
MODE = CHANNEL OF
C O M M U N I C AT I O N
Field Tenor
TEXT
Mode
REGISTER
GENRE
Different kinds of genres
There are as many different genres 85 as there as recognizable social
activity types in our culture:
• Literary genres: short stories, autobiographies, sonnets, fables,
tragedies
• Popular fiction genres: romantic novels, whodunits, sitcoms
• Popular non-fiction genres: instructional manuals, new stories,
profiles, reviews, recipes, how-to features
• Educational genres: lectures, tutorials, report/essay writing,
leading seminars, examinations, text-book writing
• Everyday genres: telling stories, gossiping, chatting with friends-
Systemic Functional Linguistics (SFL)
• Systemic linguists suggest that the generic identity of a text, the
way in which it is similar to other texts of its genre, lies in three
dimensions:
1. The co-occurrence of a particular contextual cluster
(Register configuration: field, tenor, mode)
2. The text‟s staged or schematic structure
3. Realisational patterns in the text
1. Register configuration: field, tenor, mode
Register theory identifies three86 main dimensions of situations
or context: field (topic), tenor (role relationship) and mode
(means of communication).
For example:
• Transactional genre: buying your coffee from the corner café
• Field: coffee
• Tenor: customer/provider
• Mode: (spoken) face-to-face
• Horoscope texts:
• Field: „Predicting romantic, material and career events‟
• Tenor: advice and warning
• Mode: (written) direct address from writer to reader
• Newspaper article
• Field: Finals of the Soccer World Cup
• Tenor: Specialist to general audience
• Mode: Written to be read
MODE: Spoken language vs. written language
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• Written text will be organized synoptically (Beginning, Middle, End
type of generic structure)
• Spoken text contains everyday language and less grammatical
structure
• Written text consists of more prestigious vocabulary and standard
grammatical constructions.
• Written language generally has a much higher rate of lexical density
than does spoken text.
• Spoken language has a higher level of grammatical intricacy.
Grammatical intricacy relates to the number of clauses per sentence,
and can be calculated by expressing the number of clauses in a text as
a proportion of the number of sentences in the text (Halliday 1955b).
These linguistic differences are not accidental, but are the functional
consequence (the reflect) of the situational differences in mode (spoken
and written)
• However, there are two more linguistic features that are highly
sensitive to mode variation; the degree of grammatical complexity,
and the lexical density of the language chosen.
MODE: Spoken language vs. written language
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Mode: typical situations of language use
Spoken discourse Written text
+ interactive non-interactive
2 or more participants one participants
+ face-to-face not face-to-face
in the same place at the same time on his/her own
+ language as action not language as action
using language to accomplish some task using language to reflect
+ spontaneous not spontaneous
without rehearsing what is going to be planning, drafting and
said rewriting
+ casual not casual
informal and everyday formal and special occasions
MODE: Spoken language vs. written language
Spoken and written language: the linguistic implications of MODE
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Spoken language Written language
Turn-taking organization Monologic organization
context dependent context independent
dynamic structure synoptic structure
-interactive staging -rhetorical staging
-open-ended -closed, finite
spontaneity phenomena ‘final draft’ (polished)
(false starts, hesitations, overlap, Indications of earlier drafts
interruptions, incomplete removed
clauses)
everyday lexis ‘prestige’ lexis
non-standard grammar standard grammar
grammatical complexity grammatical simplicity
lexically sparse lexically dense
TENOR: Formal language vs. Informal language
FORMAL and INFORMAL90 LANGUAGE:
the linguistic consequences of TENOR
INFORMAL language FORMAL language
attitudinal lexis neutral lexis
(purr and snarl words)
colloquial lexis formal lexis
- abbreviation forms -full forms
- slang -no slang
politeness phenomena (Ps and Qs)
swearing no swearing
interruptions, overlap careful turn-taking
first names, nicknames, diminutives titles, no names
typical mood choices incongruent mood choices
modalization to express probability modalization to express deference
modulation to express opinion modulation to express suggestion
FIELD: Technical situation vs. Everyday situation
• We initially defined field as the situational variable that has to do
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with the focus of the activity in which we are engaged. Field can
also be glossed as the topic of the situation, but Martin‟s (1984:23,
1992a:536) broader definition in terms of institutional focus or
social activity type is more useful to capture the field in situations
where language is accompanying action.