Kukishin Ryu Jojutsu-Unlocked

九鬼神流杖術 Kukishin Ryu Jojutsu 1
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九
鬼
神
流
杖
術
九鬼神流杖術 Kukishin Ryu Jojutsu

(Nine Demon Gods School Cane Art)

目録
Mokuroku
(Catalogue)
九鬼神流杖術
Kukishin Ryu Jojutsu
(Nine Demon Gods School Cane Art)
構
Kamae
(Postures)
中段の構
Chudan no Kamae (Middle Level Posture)
下段の構
Gedan no Kamae (Low Level Posture)
一文字の構
Ichimonji no Kamae (Figure One Posture)
青眼の構
Seigan no kamae (Correct Eye Posture)
詥変の構
Kyohen no Kamae (Posture Of Change – also known as Ihen)
天地人の構
Tenchijin no Kamae (Posture Of Heaven, Earth And Man)
自然の構
Shizen no kamae (Natural Posture)

基本型
Kihon Gata
(Fundamental Forms)
上段受け
Jodan Uke (Upper Receiving)
面打ち
Men Uchi (Head Strike – the Kanji for Men means face)
同打ち
Do Uchi (Side Strike)
足払
Ashi Barai (Lower Leg Strike – literal meaning is tripping up)
小手打ち
Kote Uchi (Wrist Strike)
下段打ち
Gedan Uchi (Lower Strike)
跳上げ
Hane Age (Striking Upwards)
小手返打ち
Kote Gaeshi Uchi (Turning Wrist Strike)
突
Tsuki (Thrust)

杖術型
Jojutsu Kata (Cane Art Forms)
十文字
Jumonji (Figure Ten – The Cross)
六法
Roppo (Six Ways)
九法
Kyu Ho (Nine Ways)
飛龍
Hiryu (Flying Dragon)
付入
Tsuke Iri (Entering Thrust)
霞掛
Kasumi Gake (Haze Trap)
腕掛
Ude Gake (Arm Trap)
小手返
Kote Gaeshi (Hands Against)
太刀落
Tachi Otoshi (Sword Drop)

構
構 Kamae (Postures)
中段の構
中段の構 Chudan no Kamae (Middle Level Posture)
Kuden – Stare into the Uke’s eyes with the intention of driving through and
piercing his heart.
Stand in a natural position facing front (Similar to Bojutsu Hira no Kamae) -

the Jo is held palm down about a foot apart in the centre. From this position,
step back with your right foot. The feet are approximately 2 ½ to 3 feet apart
with about a 1 to 2 inch gap between. The front foot (left) is angled very
slightly to the left. This is not noticeable to the Uke. The back foot (right)
points 45 degrees to the rear. Lower your centre of gravity as much as is
comfortable (this takes time). Your knees should hide your feet if you are
looking down (important point). Make sure the knees are not buckling
inwards to take the strain. This will hurt initially but the pain is temporary
and, if practiced correctly, will build strong legs. This is an important point.
Your back is straight with this Kamae. Make sure your backside is not
sticking out. This is a common mistake and should be corrected from the
start. Your weight should be about 60/40 to the rear. Keep your shoulders
relaxed and do not hunch them. Your head faces forwards. Bring the Jo
under your right armpit and hold it against your chest. Your left arm holds
the Jo so as to point the tip to the Uke’s heart (note – your hands are still
about 1 foot apart, they do not change). Your palms should be down. This
Kamae is done on the left side and the right side.

下段の構
下段の構 Gedan no Kamae (Low Level Posture)
Kuden – Stare into the Uke’s eyes with a composed feeling of responding to
any changes the Uke may make.
This Kamae is the same as Chudan no Kamae with the following changes. -
From a natural position facing front (same as in last Kamae) slide your left
hand to the left until it is at the left end of the Jo. As you step back with the
right foot bring your left hand to your Hara (2 inches below your navel) and
allow your right arm to drop behind you (along the right side of your torso)
and put the right tip of the Jo on the floor behind you (both palms are down).
The right tip of the Jo should be along the same line of your feet. This
一文字の構
一文字の構 Ichimonji no Kamae (Figure One Posture)
Kuden – Stare into the Uke’s eyes with an attitude of becoming one with
nature.
From a natural position facing front (same as in last Kamae) step back with
your right foot to bring you body side on. Your feet should be
approximately shoulders width apart with the knees slightly bent. The Jo is
parallel to your body with your arms hanging naturally and your hands
holding the Jo in the centre with a gap of approximately 2 foot in between
your hands (palms down). Turn you head to your left so as to look over
your left shoulder (to the front). Make sure your head is straight and not
tilted to the side. Relax your shoulders. This Kamae is done on the left side
and the right side.

青眼の構
青眼の構 Seigan no kamae (Correct Eye Posture)
Kuden – Stare into the Uke’s eyes with a feeling of making him move at
your will.

the Jo is held palm down about 2 feet apart in the centre. From this position,
step back with your left foot. The feet are approximately 2 feet apart. The
front foot (right) is angled very slightly to the right. This is not noticeable to
the Uke. The back foot (left) points 45 degrees to the rear. Lower your
centre of gravity as much as is comfortable (this takes time). Your knees
should hide your feet if you are looking down (important point). Make sure
the knees are not buckling inwards to take the strain. This will hurt initially
but the pain is temporary and, if practiced correctly, will build strong legs.
This is an important point. Your back is straight with this Kamae. Make
sure your backside is not sticking out. This is a common mistake and should
be corrected from the start. Your weight should be about 60/40 to the rear.
Keep your shoulders relaxed and do not hunch them. Your head faces
forwards. Bring your left hand next to your left hip and put the tip of the Jo
on the line between yours and the Uke’s eyes. Keep your elbows in. This
詥変の構
詥変の構 Kyohen no Kamae (Posture Of Change)
(Kyohen is the traditional way of pronouncing the Kanji – it can also be
pronounced as Ihen)
Kuden – Stare into the Uke’s eyes with the feeling of drawing him in and
inviting an attack.

step back about 2 feet with your right foot. Change your palm grip with your
right hand to ‘palm up’. Bring your right hand a couple of inches away from

your right cheek and your left hand pushes the Jo straight out so that the Jo is
on roughly a 45 degree angle in front of you (front tip is the lowest point).
Make sure your head is straight and not tilted to the side. This Kamae is
done on the left side and the right side.
天地人の構
天地人の構 Tenchijin no Kamae (Posture Of Heaven, Earth And Man)
Kuden – Stare into the Uke’s eyes with the feeling of being able to defeat
any attack he may make under a single blow.

step back about 1 foot with your right foot. Change your palm grip with
your right hand to ‘palm up’. Bring your right hand a couple of inches away
from your right cheek and allow the Jo to hang down naturally – your left
hand should be by your right elbow. Your right hand grip should be with
your thumb pressing the Jo against your palm and straightened index finger –
the other three fingers are loose (the same way a Bo-Shuriken is held). Make
sure your head is straight and not tilted to the side. This Kamae is done on
the left side and the right side.
自然の構
自然の構 Shizen no kamae (Natural Posture)
Kuden – Stare into the Uke’s eyes with the feeling of hiding all thoughts and
intentions from him.
Stand in a natural position facing front with your knees slightly bent. The Jo
is held vertically with the right hand and gripped about 2/3 of the way up
(similar to a walking staff). Make sure your head is straight and not tilted to
the side. This Kamae is done on the left side and the right side.

基本型
基本型 Kihon Gata
(Fundamental Forms)
上段受け
上段受け Jodan Uke (Upper Receiving)
This is for receiving a cut from Bikenjutsu Daijodan no Kamae. You can
evade either 45 degrees left or right, to the front or to the rear – depending on
the situation or the distance of the attack. This is the same as in Kukishin Ryu
Rokushakubojutsu.
Begin from Jojutsu Ichimonji no Kamae. The Uke begins from Bikenjutsu
Daijodan no Kamae. The Uke cuts with Karatake Wari (straight down to the
head). In this example I will explain stepping forward to the left – but as I
said, this can be also to the right and both can also be to the rear.
With the left foot, step 45 degrees forwards to the left and raise the Jo directly
over your head and position your arms/hands like this – the left hand is raised
high (don’t lock the elbow out though) and supports the Jo between the thumb
and the index finger (if you use a mirror to correct yourself, your thumb and
fingers cannot appear above the line of the Jo) and the right hand
palm/forearm support the Jo to put it on a 45 degree angle (your right hand
should be directly above your head). You should aim to receive the Uke’s cut
at the right forearm position with the Jo to allow the cut to slide off the Jo.

面打ち
面打ち Men Uchi (Head Strike – the Kanji for Men means face)
There are 2 versions to this.
Version 1 – Begin in Seigan no Kamae (right foot forwards). The Uke begins
in Bikenjutsu Seigan no Kamae. Shift you weight forwards onto the front foot
(right) and as you do this, allow the Jo to slide through your hands until you
can grab the front end of the Jo with your leading hand (right). As you step
forward with your left leg, swing the back end of the Jo up and over your head
and strike the Uke’s head as your left leg lands (make sure that your right hand
is by your abdomen and your elbows are kept in at all times). Do this on both
the left and the right. Return to Kamae.
Version 2 - Begin in Seigan no Kamae (right foot forwards). The Uke begins
(right) and as you do this, throw the back end of the Jo up and over with your
left hand and use your right hand as an axis point (this will turn to palm up)
and recapture the short end of the Jo with the left hand. Strike as you
recapture the Jo (make sure that your right hand is by your abdomen and your
elbows are kept in at all times). Do this on both the left and the right. Return
to Kamae.
同打ち
同打ち Do Uchi (Side Strike)
forward with your left leg, swing the back end of the Jo horizontally
(sideways) to Do (torso) – to strike, just before you connect, snap/pull the back
of the Jo with your right hand into your sternum to increase the power of the

strike (and keep your elbows in at all times). Do this on both the left and the
right. Return to Kamae.
Version 2 – This is the same as version 1 except you toss the leading end of
the Jo up and to the rear with your right hand and as the back end of the Jo
emerges (the short end), capture it with the right hand (this is all done as you
step in). The finish is the same only your palm position with your leading
hand (left) is palm up. Do this on both the left and the right. Return to
Kamae.
Note – If you strike Kasumi (the temple) from here, this becomes Yoko Men
Uchi.
足払
足払 Ashi Barai (Lower Leg Strike – literal meaning is tripping up)
forward with your left leg, swing the back end of the Jo around and down to
the Uke’s lower leg – to strike, just before you connect, snap/pull the back of
the Jo with your right hand into your sternum to increase the power of the
strike (and keep your elbows in at all times). Do this on both the left and the
right. Return to Kamae.
Version 2 – This is the same as version 1 except you toss the leading end of
the Jo up and to the rear with your right hand and as the back end of the Jo
emerges (the short end), capture it with the right hand (this is all done as you
step in). The finish is the same only your palm position with your leading
hand (left) is palm up. Do this on both the left and the right. Return to
Kamae.

小手打ち
小手打ち Kote Uchi (Wrist Strike)
Version 1 – Begin in Seigan no Kamae (right foot forwards). The Uke

begins in Bikenjutsu Seigan no Kamae. Shift you weight forwards onto the
front foot (right) and as you do this, allow the Jo to slide through your hands
until you can grab the front end of the Jo with your leading hand (right). As
you step forward and slightly to the left with your left leg, swing the back end
of the Jo up and over in a straight line and strike the Uke’s wrists/forearms.
Bring your body weight forwards and lower your posture as you strike to
increase the power of the strike, and also keep your elbows in. Do this on both
the left and the right. Return to Kamae.
Version 2 - Begin in Seigan no Kamae (right foot forwards). The Uke

begins in Bikenjutsu Seigan no Kamae. Shift you left foot to your left and
throw the back end of the Jo up and over with your right hand. Recapture the
short end of the Jo with your left hand and strike the Uke’s wrists/forearms
(your left hand will be palm up). Realign your right foot just before you
strike. Bring your body weight forwards and lower your posture as you strike
to increase the power of the strike, and also keep your elbows in. Do this on
both the left and the right. Return to Kamae.
下段打ち
下段打ち Gedan Uchi (Lower Strike)

you step forward with your left leg, the tip of the Jo turns anti clockwise in a
straight line from back to front. As the left leg lands, drop your hips and strike
up powerfully with the tip of the Jo to the Uke’s groin. Bring your body

weight forwards and lower your posture as you strike to increase the power of
the strike, and also keep your elbows in. Do this on both the left and the right.
Return to Kamae.
in Bikenjutsu Seigan no Kamae. Shift you weight forwards onto the front
foot (right) and as you do this, toss the leading end of the Jo to the rear (up and
over) with your right hand. As you step forward with your left leg, the tip of
the Jo turns anti clockwise in a straight line from back to front (use the
momentum created from throwing the end of the Jo). As the left leg lands,
drop your hips and strike up powerfully with the tip of the Jo to the Uke’s
groin (your left hand will be palm up). Bring your body weight forwards and
lower your posture as you strike to increase the power of the strike, and also
keep your elbows in. Do this on both the left and the right. Return to Kamae.
跳上げ
跳上げ Hane Age (Striking Upwards)

you step forward with your left leg, the tip of the Jo turns anti clockwise in a
straight line from back to front. As the left leg lands, drop your hips and strike
up powerfully with the tip of the Jo to the Uke’s wrists to knock the Uke’s
sword away. Bring your body weight forwards and lower your posture as you
strike to increase the power of the strike, and also keep your elbows in. Do
this on both the left and the right. Return to Kamae.
in Bikenjutsu Seigan no Kamae. Shift you weight forwards onto the front
foot (right) and as you do this, toss the leading end of the Jo to the rear (up and
over) with your right hand. As you step forward with your left leg, the tip of
the Jo turns anti clockwise in a straight line from back to front (use the
momentum created from throwing the end of the Jo). As the left leg lands,
drop your hips and strike up powerfully with the tip of the Jo to the Uke’s

wrists to knock the Uke’s sword away (your left hand will be palm up). Bring
your body weight forwards and lower your posture as you strike to increase
the power of the strike, and also keep your elbows in. Do this on both the left
and the right. Return to Kamae.
小手返打ち
小手返打ち Kote Gaeshi Uchi (Turning Wrist Strike)
Version 1 – Begin in Shizen no Kamae (Jo is held in your right hand). The
Uke begins in Bikenjutsu Seigan no Kamae. Step in with your right foot and
bring the tip of the Jo that is on the ground up and over (anti clockwise) and
capture the short end with your left hand and strike the Uke’s wrists/forearms
as your right foot lands. Bring your body weight forwards and lower your
posture as you strike to increase the power of the strike, and also keep your
elbows in. Do this on both the left and the right. Return to Kamae.
Version 2 - Begin in Shizen no Kamae (Jo is held in your right hand). The
Uke begins in Bikenjutsu Seigan no Kamae. Step in and to the left side with
your left foot and at the same time, bring the Jo to your left side – still in
your right hand (the Jo is still held vertically – at your left side). Bring the
tip of the Jo that is on the ground up and over (clockwise) and capture with
your left hand (the left hand becomes your lead hand) and strike the Uke’s
wrists/forearms as your right foot lands (your right hand is palm up). At the
same time swing your right foot back and around to the left to line up your
body for the strike. Bring your body weight forwards and lower your posture
as you strike to increase the power of the strike, and also keep your elbows in.
Do this on both the left and the right. Return to Kamae.
突
突 Tsuki (Thrust)
Begin in Chudan no Kamae (left leg forwards). The Uke begins in

Bikenjutsu Seigan no Kamae. Pull your right hand back so that it slides to

the back end of the Jo – also shift your weight slightly to the rear (keep the
Jo horizontal at all times). Shift forwards with your weight onto your left
foot and thrust the Jo by pushing the Jo through your left hand with your
right. Bring your body weight forwards and lower your posture as you strike
to increase the power of the thrust, and also keep your elbows in. Do this on
both the left and the right. Return to Kamae.
To improve your targeting skills within this technique, have your Uke hold a
Rokushakubo vertically in front of him – aim to hit this.

杖術型
杖術型 Jojutsu Kata (Cane Art Forms)
十文字
十文字 Jumonji (Figure Ten – The Cross)
Kuden – The name of this Kata means that the Jo comes out in a cross
shaped pattern in Katate buri.
This Kata should be done at speed so as to prevent the Uke from blocking
any of the attacks.
Begin in Kyohen no Kamae (left foot forwards). The Uke begins in

Bikenjutsu Seigan no Kamae. Step in with your right foot and as you do,
push the Jo down with your left hand to rotate the Jo in a anti clockwise
direction (up and over, vertically) and re-capture it with your left hand and
strike the Uke’s left side Kasumi (temple) with Yoko Men Uchi. Shift your
back leg (left) to the right so it is behind your right foot - and from the last
strike, move the Jo downwards in a semi-circle (clockwise) and strike to the
Uke’s left side Butsumetsu (this is a sudden movement). Then step to the
left with your left foot – allow the Jo to slip through your fingers (looks
similar to Gedan no Kamae – also, reposition your right hand so that it is
palm down) and strike the Uke’s right side Kasumi with Yoko Men Uchi as
your right foot shifts behind your left. Allow the Jo to slip through your
fingers and catch the front end with your left hand and immediately (and
without moving your new hand positioning) turn the Jo over clockwise to
strike the Uke’s right side Kasumi again (your right elbow will be raised and
your right hand will be in front – palm down in this strike). To finish, step to
the right with the right foot – as you do, using your right hand as a pivot,
throw the Jo counter-clockwise with your left hand so that it spins above
your head – bring your left leg behind your right, catch the end of the Jo with
your left hand and Yoko Men Uchi to the Uke’s left side Kasumi. Return to
Kyohen no Kamae and Zanshin.

六法
六法 Roppo (Six Ways)
Kuden – This Kata means to attack in every direction in every way.
Begin in Gedan no Kamae (left foot forwards). The Uke begins in

Bikenjutsu Seigan no Kamae. Step in with your right foot and swing the Jo
to - Ashi, Do or Men – any strike is fine. The Uke leaps back to avoid the
strike. As the Uke evades the strike, release the Jo with your right hand and
continue the swing so that you catch the Jo on your left shoulder – recapture
the Jo with your right hand as the Jo comes to rest on the back of your neck
(the middle of the Jo rests on the nape of your neck). Prepare to attack the
Uke by watching him for an opening. Release your left hand and flick the Jo
around towards the Uke’s left side Kasumi with Yoko Men Uchi – catch the
Jo with your left hand just before impact. Release the Jo with your left hand
and turn the Jo up and over in your right hand in a counter-clockwise
direction, and as the front end now becomes the back end, grab this with the
left hand. The Uke enters into Bikenjutsu Daijodan no Kamae. At the
moment the Uke is ready to cut, perform Tsuki to Suigetsu (you can also
drop to the knee for the Tsuki). Return to Gedan no Kamae and Zanshin.
九法
九法 Kyu Ho (Nine Ways)
Kuden - Since nine was originally the highest number, the name of this kata
means it is the most powerful kata.
Begin in Chudan no Kamae (left foot forwards). The Uke begins in

Bikenjutsu Seigan no Kamae. Step in with your right foot and strike up to
the Uke’s groin with Hane Age, then immediately turn the Jo in a counter
clockwise crescent (paddle the Jo using the right hand as an axis) to strike
the Uke’s left side Kasumi with Yoko Men Uchi. Pull the Jo back to Gedan
no Kamae with the Jo on your left side, step forward with your left leg and
strike the Uke on top of his head with Men Uchi. Then, step in with your
right leg and strike with Ashi Barai to the Uke’s rear leg. Step back with
your right leg, return to Chudan no Kamae and Zanshin.

飛龍
飛龍 Hiryu (Flying Dragon)
Kuden – This Kata’s meaning is the image of a dragon soaring up into the
sky.
Begin in Tenchijin no Kamae (left foot forwards). The Uke begins in

Bikenjutsu Seigan no Kamae. Step in with your right foot and strike to the
Uke’s left shoulder with a diagonal strike. Switch foot positions so the left
foot is forwards and strike with Men Uchi to the top of the Uke’s head. Step
in with your right foot and strike with Do Uchi to the Uke’s right side.
Switch foot positions (left forwards) and strike up to the Uke’s groin with
Gedan Uchi. Step in with your right leg and Strike to the Uke’s left Kasumi
with Yoko Men Uchi. Without moving your feet, strike to the inside of the
Uke’s right lower leg/ankle with Ashi Barai. Again, without stepping,
revolve the Jo clockwise in your right hand, recapture with your left and
strike the Uke’s left side with Do Uchi. Step back with your right leg , return
to Tenchijin no Kamae and Zanshin.
付入
付入 Tsuke Iri (Entering Thrust)
Kuden – This Kata means to strike the Uke’s weak point.

Bikenjutsu Seigan no Kamae. Step in deep with your left foot and Tsuki to
Do. Step in with your right foot and strike up and through to the
wrists/forearms with Hane Age. Release the Jo with your left hand and
swing the Jo clockwise over your head using your left hand as an axis,
recapture the short end with your left hand and strike the Uke’s left side with
Do Uchi. Pull your right leg back slightly – at the same time bring the front
tip of the Jo down and behind you in a circular fashion (counter clockwise)
on your right side. Step forwards again with your right leg and continue the
circle to strike again with Do Uchi to the Uke’s left side. Step back with the
right leg and finish by entering into Chudan no Kamae and Zanshin.

霞掛
霞掛 Kasumi Gake (Haze Trap)
Kuden - This kata means you strike the Uke’s Kasumi

Bikenjutsu Seigan no Kamae. The Uke begins to approach – pull your left
leg back and strike with Yoko Men Uchi to the Uke’s left temple. As in the
previous technique, release the Jo with your left hand and rotate it over your
head with your right hand as the axis, recapture with your left hand and
strike once again to left side Kasumi (temple) with Yoko Men Uchi. Step
back with your right foot and bring the Jo across your chest (chudan no
Kamae) Then step in with the right foot again to strike with Men Uchi. Step
back with your right foot, return to Chudan no Kamae and Zanshin.
腕掛
腕掛 Ude Gake (Arm Trap)
Kuden - The name means you strike into the arm which holds the opponents
sword.
Begin in Ichimonji no Kamae (left foot forwards). The Uke begins in

Bikenjutsu Seigan no Kamae. The Uke then changes to Bikenjutsu Daijodan
no Kamae, steps forwards with the right foot and cuts in with Karatake Wari
(straight down to your head). Receive the cut by stepping back with your
left foot and perform Jodan Uke. Finish by moving your left foot to the right
behind and to the right side of your left (you should be on a 45 degree angle
to the Uke). Let go of the Jo with your left hand and swing the Jo down onto
the top of the Uke’s wrists/forearms (recapture with the left hand just before
the strike). Pull your right leg back and return to Ichimonji no Kamae and
Zanshin.

小手返
小手返 Kote Gaeshi (Hands Against)
Kuden - The kats’s name means crossing the hands over.
Begin in Seigan no Kamae (left foot forwards). The Uke begins in

Bikenjutsu Seigan no Kamae. Without moving your feet, lean in whilst
feinting a Tsuki (slightly to the Uke’s right side Do). The Uke reacts by
parrying your Jo to his right. As he does this, release the Jo with your right
hand and allow the Jo to revolve counter clockwise on your left side –
recapture the short end with your right hand and finish with Do Uchi to the
Uke’s right side. Return to Seigan no Kamae and Zanshin.
太刀落
太刀落 Tachi Otoshi (Sword Drop)
Kuden - The kats’s name means rolling the hands over.
Begin in Seigan no Kamae (left foot forwards). The Uke begins in

Bikenjutsu Daijodan no Kamae. As the Uke begins to attack as in the
previous technique, step in with your right foot and strike in with Men Uchi
– and just at the last moment, change the target and strike down to the Uke’s
wrists/forearms (shift your body weight onto your back leg). Switch step
quickly (left foot forwards) and and strike under the Uke’s wrists/forearms
with Gedan Kote Uchi (you can drop to your left knee for this). Return to
Seigan no Kamae and Zanshin.
Note – the timing of the first strike is critical to avoid being cut.

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九鬼神流杖術 Kukishin Ryu Jojutsu 1

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高松伝の本 © Takamatsuden Books 2010

九鬼神流杖術 Kukishin Ryu Jojutsu

高松伝の本 © Takamatsuden Books 2010

高松伝の本 © Takamatsuden Books 2010

高松伝の本 © Takamatsuden Books 2010

高松伝の本 © Takamatsuden Books 2010

Stand in a natural position facing front (Similar to Bojutsu Hira no Kamae) -

高松伝の本 © Takamatsuden Books 2010

高松伝の本 © Takamatsuden Books 2010

Stand in a natural position facing front (Similar to Bojutsu Hira no Kamae) -

Stand in a natural position facing front (Similar to Bojutsu Hira no Kamae) -

高松伝の本 © Takamatsuden Books 2010

Stand in a natural position facing front (Similar to Bojutsu Hira no Kamae) -

高松伝の本 © Takamatsuden Books 2010

高松伝の本 © Takamatsuden Books 2010

There are 2 versions to this.

There are 2 versions to this.

高松伝の本 © Takamatsuden Books 2010

There are 2 versions to this.

高松伝の本 © Takamatsuden Books 2010

There are 2 versions to this.

Version 1 – Begin in Seigan no Kamae (right foot forwards). The Uke

Version 2 - Begin in Seigan no Kamae (right foot forwards). The Uke

There are 2 versions to this.

Version 1 – Begin in Seigan no Kamae (right foot forwards). The Uke

高松伝の本 © Takamatsuden Books 2010

There are 2 versions to this.

Version 1 – Begin in Seigan no Kamae (right foot forwards). The Uke

高松伝の本 © Takamatsuden Books 2010

There are 2 versions to this.

Begin in Chudan no Kamae (left leg forwards). The Uke begins in

高松伝の本 © Takamatsuden Books 2010

高松伝の本 © Takamatsuden Books 2010

Begin in Kyohen no Kamae (left foot forwards). The Uke begins in

高松伝の本 © Takamatsuden Books 2010

Kuden – This Kata means to attack in every direction in every way.

Begin in Gedan no Kamae (left foot forwards). The Uke begins in

Begin in Chudan no Kamae (left foot forwards). The Uke begins in

高松伝の本 © Takamatsuden Books 2010

Begin in Tenchijin no Kamae (left foot forwards). The Uke begins in

Kuden – This Kata means to strike the Uke’s weak point.

Begin in Chudan no Kamae (left foot forwards). The Uke begins in

高松伝の本 © Takamatsuden Books 2010

Kuden - This kata means you strike the Uke’s Kasumi

Begin in Chudan no Kamae (left foot forwards). The Uke begins in

Begin in Ichimonji no Kamae (left foot forwards). The Uke begins in

高松伝の本 © Takamatsuden Books 2010

Kuden - The kats’s name means crossing the hands over.

Begin in Seigan no Kamae (left foot forwards). The Uke begins in

Kuden - The kats’s name means rolling the hands over.

Begin in Seigan no Kamae (left foot forwards). The Uke begins in

高松伝の本 © Takamatsuden Books 2010

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