Module 2
Module 2
PhilippinesCollege Department
Which of these invitation formats would you prefer to have for your own
wedding? Why?
READING SHOP
Language Registers
There are five language registers or styles. Each level has an appropriate
use that is determined by differing situations. It would certainly be inappropriate
to use language and vocabulary reserve for a boyfriend or girlfriend when
You must control the use of language registers in order to enjoy success in
every aspect and situation you encounter.
1. Static Register
2. Formal Register
This language is used in formal settings and is one-way in nature. This use of
language usually follows a commonly accepted format. It is usually impersonal
and formal. A common format for this register are speeches. e.g. sermons,
rhetorical statements and questions, speeches, pronouncements made by
judges, announcements.
3. Consultative Register
4. Casual Register
This is informal language used by peers and friends. Slang, vulgarities and
colloquialisms are normal. This is “group” language. One must be member to
engage in this register. e.g. buddies, teammates, chats and emails, and blogs,
and letters to friends.
5. Intimate Register
One can usually transition from one language register to an adjacent one
without encountering repercussions. However, skipping one or more levels is
usually considered inappropriate and even offensive.
Language Register and Why It Matters (Or: Why You Can’t Write An Academic
Paper in Gangsta Slang)
Language register is the level of formality with which you speak. Different
situations and people call for different registers. This is a concept I was talking
about recently with some of my graduate students who dislike the idea of writing
with a formal tone. They were commenting that they preferred to write in a
conversational tone. Since our class is about learning to write up their academic
research, I countered by saying that a manuscript submitted to a peer-reviewed
journal was less likely to receive a favorable response from the editors if the tone
was too conversational.
Frozen or “static” register. At this level, language is literally “frozen” in time and
form. It does not change. This type of language is often learned and repeated by
rote. Examples include biblical verse, prayers, the Pledge of Allegiance, and so
forth.
Formal register. This style is impersonal and often follows a prescriptive format. The
speaker uses complete sentences, avoids slang and may use technical or
academic vocabulary. It is likely that the speaker will use fewer contractions, but
opt instead for complete words. (Example: “have not” instead of “haven’t”).
Writing expert Rita Mae Brown might argue that a writer or speaker is more likely
to use vocabulary with Latin or Greek roots at this register. For example, the writer
of a scientific article may be more likely to use the word “female” (Latin root) than
“woman” (Anglo Saxon root). This is the register used for most academic and
scientific publishing.
Consultative register. This is the register used when consulting an expert such as a
doctor. The language used is more precise. The speaker is likely to address the
expert by a title such as “Doctor”, “Mr.” or “Mrs.”.
Some sources say this register is the formal register used in conversation.
Rita Mae Brown might say that at this register, speakers are more likely to use
vocabulary words with an Anglo Saxon or Germanic root. Her book “Starting from
Scratch: A Different Kind of Writers’ Manual” has an impressive list of (pp. 63-65)
English vocabulary words that have an Anglo-Saxon or Germanic root, and their
Latin root counterparts.
Intimate register. The language used by lovers. It is also the language used in
sexual harassment. This is the most intimate form of language. It is best avoided in
public and professional situations.
Why it can be harder for English speakers to understand differences in register
Unlike French, Spanish, German and other languages, English does not have
different pronouns for addressing others in different registers. For example, Spanish
has “usted” for formal and consultative register and “tú” for casual and intimate
register. I never quite understood why one would address dieties with the informal
“tú”, but that seems to be what is used at the frozen register, too.
Communicative Competence
The table below illustrates how each communicative area contributes to com
TALKING IT OVER
Given the following word pairs, classify each word according to formality
by completing the table below.
Informal Formal
GETTING STARTED
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Language can mark the cultural identity, but it is also used to refer to other
phenomena and refer beyond itself, especially when a particular speaker uses it
to explain intentions. A particular language points to the culture of a particular
social group. We can therefore presume that language learning is cultural
learning, so language teaching is cultural teaching due to the interdependence
of language and cultural learning.
TALKING IT OVER
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anticlockwise
articulated lorry
uneven bars
eggplant
baking tray
bank holiday
beetroot
biscuit
underground economy
sponge bath
block of flats
boiler suit
hood
boob tube
trunk
hope chest
bowls
suspenders
brawn (the food)
breakdown van
cinder block
bridge loan
bumbag
cotton candy
car park
emergency room
catapult
median strip
drugstore
chips
cinema
plastic wrap
common seal
durable goods
cornflour
cos (lettuce)
cot
crib death
cotton swab
cotton wool
council estate
courgette
court card
crash barrier
crisps
alligator clip
bias-ply
quarter note
checking account
hazard pay
demister (in a car)
dial tone
rhinestone
heavy cream
draughts (game)
thumbtack
dressing gown
drunk driving
drinks cupboard
drinks party
driving licence
divided highway
dummy (for a baby)
drop cloth
dustbin
ground
engaged (of a phone)
estate agent
estate car
ex-directory
parochial school
fiscal year
fire company/department
first floor
fish finger
fitted carpet
washcloth
flat
flexitime
flick knife
overpass
soccer
sidewalk
fringe (hair)
full stop (punctuation)
garden
gearing (finance)
gearshift
freight train
wax paper/waxed paper
green fingers
grill (noun)
grill (verb)
first floor
groundskeeper
hairslide
hatstand
hen night
hire purchase
hoarding
hob
holdall
holiday vacation
holidaymaker
homely
(garden) hose
in hospital
hot flush
housing estate
hundreds and thousands
Popsicle (trademark)
confectioners’ sugar
turn signal
inseam
jelly beans
Joe Blow
John Q. Public
rummage sale
jumper cable
sweater
junior school
kennel
ladybug
a lettuce
grade crossing
elevator
lolly
lollipop lady (or man)
slipcover
lorry
loudhailer
low loader
grab bag
baggage car
maize
snow pea
market garden
marshalling yard
maths
paved road
odometer
half note
cell phone
monkeyshines
expressway; highway
mom/mommy
diaper
pinwale
newscaster
noughts and crosses
number plate
off-licence
opencast mining
ordinary share
oven mitt
wading pool
acetaminophen
parting (in hair)
patience
pavement
pay packet
pedestrian crossing
clothespin
valance
gas; gasoline
physiotherapy
pinafore dress
dark chocolate
plain flour
turtleneck
reverse discrimination
absentee ballot
postbox
zip code
potato chip
power point
baby carriage; stroller
snap
pushup
GI
private school
public transport
punching bag
pushchair
pylon
estimator
eighth note
queue
race car
railway
court tennis
certified mail
registration plate
remould (tyre)
call collect
back-up lights
right-angled triangle
ring road
carousel
traffic circle
rowing boat
sailing boat
Sample links:
https://www.youtube.com/watch?V=vy0bAxcnLwM
https://www.globalfromasia.com/east-west-differences/
GETTING STARTED
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READING SHOP
Cultural Sensitivity. Knowing that there are differences and similarities among
cultures without making value judgments of good or bad, better or worse, right or
wrong (Texas Department of Health, National Maternal and Child Health
Resource Center on Cultural Competency, 1997).
What does it take to be a critical reader? There are a variety of answers available
to this question; here are some suggested steps:
After all, authors design texts for specific audiences, and becoming a member of
the target audience makes it easier to get at the author's purpose. Learn about
the author, the history of the author and the text, the author's anticipated
audience; read introductions and notes.
Critical readers seek knowledge; they do not "rewrite" a work to suit their own
personalities. Your task as an enlightened critical reader is to read what is on the
page, giving the writer a fair chance to develop ideas and allowing yourself to
reflect thoughtfully, objectively, on the text.
This may seem obvious, but the title may provide clues to the writer's attitude,
goals, personal viewpoint, or approach.
4. Read slowly.
Again, this appears obvious, but it is a factor in a "close reading." By slowing down,
you will make more connections within the text.
If there is a word in the text that is not clear or difficult to define in context: look it
up. Every word is important, and if part of the text is thick with technical terms, it is
doubly important to know how the author is using them.
6. Make notes.
Jot down marginal notes, underline and highlight, write down ideas in a
notebook, do whatever works for your own personal taste. Note for yourself the
main ideas, the thesis, the author's main points to support the theory. Writing while
reading aids your memory in many ways, especially by making a link that is
unclear in the text concrete in your own writing.
Critical reading involves using logical and rhetorical skills. Identifying the author's
thesis is a good place to start, but to grasp how the author intends to support it is
a difficult task. More often than not an author will make a claim (most commonly
in the form of the thesis) and support it in the body of the text. The support for the
author's claim is in the evidence provided to suggest that the author's intended
argument is sound, or reasonably acceptable. What ties these two together is a
series of logical links that convinces the reader of the coherence of the author's
argument: this is the warrant. If the author's premise is not supportable, a critical
reading will uncover the lapses in the text that show it to be unsound.
Watch the discussion about the topic on the given link below:
https://www.facebook.com/SSU-Mercedes-Campus-Outcome-Based-
Education-107632207494624/videos/evaluating-messages-andor-images-
of-different-types-of-text-reflecting-different/2519150958299804/
TALKING IT OVER
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Activity 1. Study the following examples of food ads to identify cultural elements
in each. Consider the use of space, text, symbol, and color.
Activity 2. Select a television ad currently being aired. How would you re-
conceptualize the ad if you were to be aired for a Western audience. Your
advertising proposal should include objectives and a description of the concept,
storyline, and characters. Present your proposal through video presentation. Your
output will be evaluated via Facebook Group Page.