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Index Patt

This document provides a table of contents for a book on Pattachitra painting. Chapter 1 discusses the history and background of Pattachitra painting in Odisha and Bengal. It covers the origins and development of the art form in different regions. Chapter 2 discusses different classifications of Pattachitra paintings by size, shape and subject matter. Chapter 3 describes the technical process involved in creating Pattachitra paintings. It outlines the steps of preparing the cloth, colors and applying pigments. The document provides an overview of the topics that will be discussed in each chapter regarding the traditional art form of Pattachitra painting.

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Gillu A
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40 views2 pages

Index Patt

This document provides a table of contents for a book on Pattachitra painting. Chapter 1 discusses the history and background of Pattachitra painting in Odisha and Bengal. It covers the origins and development of the art form in different regions. Chapter 2 discusses different classifications of Pattachitra paintings by size, shape and subject matter. Chapter 3 describes the technical process involved in creating Pattachitra paintings. It outlines the steps of preparing the cloth, colors and applying pigments. The document provides an overview of the topics that will be discussed in each chapter regarding the traditional art form of Pattachitra painting.

Uploaded by

Gillu A
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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TABLE OF CONTENTS

Introduction 1-4

Chapter-1 History and background of Pattachitra 6-39


1.1 Patta as A Form Of Art 11 -12
1.2 The Study of Location 12-13
1.3 Pattachitra: Bengal and Odisha 14-16
1.3.1 Pattas Of Odisha:- 16-22
1.3.2 Raghurajpur:The Heritage Village:- 23-25
1.3.3 Ragurajpur Transformation To Craft Village 26
1.4 Pattas of Bengal (Midnapore and Kalighat):- 27-28
1.4.1 Midnapore: Naya Village: 28-31
1.4.2 Kalighat: 32-37
1.4.3 History Of Kalighat Paintings: 38-39

Chapter-2 Classication of Patta 41-48


2.1 Classification by Shape/Size: 41
2.2 Classification by Subject Matter: 41-42
2.3 Some Famous Pattas : 42-46
2.4 The Various Themes of Pattachitra Are: 47-48

Chapter-3 The Process of Pattachitra Painting 50-75


3.1 Preparation of Cloth: 51-55
3.2 Preparation of Colour: 56-57
3.2.1 Colours from Stones: 57-58
3.2.2 Other Colour: 58-61
3.3 Application of Colour: 62-67
3.4 Preparation of the Medium: 68
3.5 Tools and Equipments Used: 68-70
3.6 Aesthetics 71
3.7 Composition 71-73
3.8 Patta Gaan 74-75

Chapter 4 Innovation in Pattachitra 77-82


4.1 Modernity in Patta Painting 77-79
4.2 Transformations- Pattachitra and New Media 80-82

Chapter 5 Socio-Economic Aspects: The Life of Pattachitrakars 84-87


5.1 West Bengal: 84-85
5.2 Odisha: 85-87
Chapter 6 Facing The Pandemic: A Perspective On Pattachitra Artists 89-104
6.1 Pattachitra Cultural Heritage: An Ancient Tradition Facing the Art Market 90-95
6.2 Pattauas’ Art Market Facing the Pandemic between Precariousness and Resilience 95
6.2.1 Precarity, Precariousness, Precariat 95-96
6.2.2 Precarity and the Ccis 96-97
6.2.3 Precarity, Ccis, and Covid-19 97-98
6.2.4 Pattauas, Precariat, and Ontological Precarity 98-100
6.2.5. Covid-19, Pattaua, and Precariatization 100-104

Chapter 7 The Socio-Cultural Context: The Chitrakaras As A Caste 106-112


7.1 An Ancient Tradition Facing the Art Market 107-112

Chapter-8 Commercialization and Modern Use in Pattachita 114-117

Chapter -9 Impact of Creative Pattachitra on The Culture Of South Asian Region 119-120

Chapter -10 Current Crises in Pattachitra Style 122-124

Conclusion 126-130

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