Approaches in Writing Critiques
Approaches in Writing Critiques
I. Structuralist/Formalist Approach
The formalist approach to literature examines a text by its organic form - its setting, theme,
scene, narrative, image, symbol, and genre. It sees the innate attributes of texts objectively
excluding any external elements (i.e. author's personal life or the social, historic background of
the time the text was written or the reader's bias) in criticism.
This approach can be used in almost all literary works because language and structure are
innate aspects of any literary piece. In analyzing a text using formalist approach, you take a look
at the following aspects of the text.
1. Genre
This is the type of text and writing discipline to which the piece belongs. A work may be under
prose (essay novels, short stories, novellas, and scripts.) or classified as poetry. (sonnets, lyric
poems, epics, ballads, ode, etc.)
2. Structure and Organization
A work’s structure and organization can tell you a lot about the kind of message it wants to
convey. Some novels are narrated in a linear, chronological fashion, while others skip around in
time. Some plays follow a traditional three-or five-act structure, while others are a series of
loosely connected scenes. Some authors deliberately leave gaps in their works, leaving readers
to puzzle out the missing information.
3. Point of View
The perspective from which a story is told. In the first-person point of view, the narrator involves
him or herself in the story. (“I went to the store”; “We watched in horror as the bird slammed into
the window.”) A first-person narrator is usually the protagonist of the work, but not always. In the
third-person point of view, the narrator does not participate in the story. A third-person narrator
may closely follow a specific character, recounting that individual character’s thoughts or
experiences, or it may be what we call an omniscient narrator. Omniscient narrators see and
know all: they can witness any event in any time or place and are privy to the inner thoughts and
feelings of all characters.
4. Diction
Word choice is also considered in analyzing a text whether a character uses dry, clinical
language or flowery prose with lots of exclamation points can tell you a lot about his or her
attitude and personality.
5. Syntax
Word order and sentence construction. Syntax is a crucial part of establishing an author’s
narrative voice. Ernest Hemingway, for example, is known for writing in very short,
straightforward sentences, while James Joyce characteristically wrote in long, incredibly
complicated lines.
6. Tone
The mood or feeling of the text. Diction and syntax often contribute to the tone of a
work. A novel written in short, clipped sentences that use small, simple words might feel
brusque, cold, or matter-of-fact.
7. Imagery
Language that appeals to the senses, representing things that can be seen, smelled,
heard, tasted, or touched.
8. Figurative Language
Language is not meant to be interpreted literally. The most common types of figurative language
are metaphors and similes, which compare two unlike things in order to suggest a similarity
between them— for example, “All the world’s a stage,” or “The moon is like a ball of green
cheese.” (Metaphors say one thing is another thing; similes claim that one thing is like another
thing.)
UNDERSTANDING PRACTICE
*ACCOMPLISH THE FOLLOWING ACTIVITIES ON A ½ SHEET OF PAPER. MAKE SURE TO INDICATE THE
ACTIVITY NUMBER.
3 4
5
ENGLISH 10
4. The female character’s essential role in the development of the literary piece is highlighted in
which approach in literary criticism?
A. Formalist B. Feminist C. Historical D. Moralist
5. Which approach in literary criticism sees the work as the work itself excluding all outside
factors such as author’s life, history, background, etc.?
A. Formalist B. Feminist C. Historical D. Moralist
7. “(I) Approaches in literary criticism are like lenses that critics use to view and analyze the
literary piece. (II) These lenses allow critics to study works of art based from assumptions innate
to the particular approach.” What can you say about the two statements? A. Statements I and II
are both true.
B. Statements I and II are both false.
C. Statement I is true but II is false.
D. Statement I is false but II is true.
9. Literary analysis involves examining all the parts of a literary piece and thinking about how
the author uses those elements to create certain effects.” The statement is.
A. True B. False C. Uncertain D. Improbable
10. A is a type of writing that critically evaluates a piece of literary work in detail.
A. literary feature
B. literary critique
C. literary research
D. literary development