Leharia Tie and Dye Jaipur

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Leharia Tie and Dye - Jaipur
Leharia Tie and Dye, Jaipur
by
Prof. Bibhudutta Baral, Divyadarshan C. S. and
Rohit R. Chandak
NID Campus, Bengaluru
Source:
http://www.dsource.in/resource/lehar-
ia-tie-and-dye-jaipur
1. Introduction
2. Tools and Raw Materials
3. Making Process
4. Products
5. Contact Details
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Introduction
Leharia Tie and Dye, Jaipur Leharia, A Rajasthani word clearly signifying waveforms of water, from which almost all of its designs are inspired.
by There are a numerous kinds of resist dyeing known popularly today, like traditional tie and dye, Bandhani, batik
Prof. Bibhudutta Baral, Divyadarshan C. S. and etc., one among them being Leharia. Leharia technique of tie and dye is practiced majorly or can even say only in
Rohit R. Chandak parts of Rajasthan such as Jodhpur, Udaipur, and Nathdwara and mainly in the pink city Jaipur, which is capital of
NID Campus, Bengaluru Rajasthan.
Tie and Dye forms of craft are one of the oldest form of coloring fabrics in numerous patterns and designs. Its
exact records of existence are unclear though it is believed that it is brought from various regions like Kutch and
Sindh by Muslim Khatri cast people to Rajasthan, where it is widely adopted and is in much practice till date by
many people including the Muslim Khatri cast. It is a home based craft and does not requires any complex equip-
Source: ments, generally ladies in the household do most of the Leharia tie and dye method in home as a part of their
income. The cloth used can be of cotton or silk depending upon the requirement, generally they do dyeing in bulk
ia-tie-and-dye-jaipur/introduction
to reduce the production cost and upon the market requirement, Leharia pattern waveform consists of alternate
pattern of colored and white cloth and upon the requirement, artisan colors the cloth in single or multicolor, usu-
ally in single color, maroon, red, shades of yellow, orange, blue, pink, and green are used widely and in multicolor
1. Introduction theme usually rainbow color theme is followed.
In this technique the cloth piece is twisted and knots are tied to it in a precise gap all over it, with the help of
3. Making Process
a thread, which will resist the dye thus forming the design of alternate color patches and small gap of whites,
4. Products which Leharia is famous for Leharia process dyed cloth has always been famous among Rajput clans and local
5. Contact Details women’s and it still is, majorly for the male, Paggar / Pagri, Rajasthani style of turban is made out the dyed cloth
which is considered auspicious and defines dignity of a man, and is usually used during ceremonies such as
marriage, puja and other festivals. For female, it is generally used as a dupattas (Scarf) to be worn with saree or
with a traditional dress, there are sarees made with Leharia tie and dye process, which is also famous among the
people of Rajasthani, especially Marwari community.
A close view of finished leharia process dyed stole.

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Design Resource
by
Rohit R. Chandak
Source:
http://www.dsource.in/resource/lehar- Image showing tied cloth bundles being kept in copper
ia-tie-and-dye-jaipur/introduction pot to be washed.
1. Introduction
3. Making Process
4. Products
5. Contact Details
Image showing dyed fabric being put to dry under A leharia artisan displaying freshly dyed cloth.
the sun.
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by
Rohit R. Chandak
Source:
ia-tie-and-dye-jaipur/introduction
1. Introduction
3. Making Process
4. Products
5. Contact Details
Women artisan posing for a photograph, after a hard day’s work.

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Tools and Raw Materials
Leharia Tie and Dye, Jaipur Following are the tools and raw materials used for the process of Leharia Tie and Dye:
by
Prof. Bibhudutta Baral, Divyadarshan C. S. and 1. A piece of cloth, made of either cotton or silk, onto which dyeing has to be done.
Rohit R. Chandak
NID Campus, Bengaluru 2. A reel of thread used to tie the twisted cloth piece acting as resisting agent for dye.
3. An wooden stand, made up of horizontal wooden plant with a vertical pole, onto which the twisted cloth is
wrapped around, for tighter grip.
4. Chemical dye of various colors and shades, used in coloring the cloth piece.
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5. A large copper vessel in which clothes are dyed.
ia-tie-and-dye-jaipur/tools-and-raw-materials
1. Introduction
3. Making Process
4. Products
5. Contact Details
An wooden stand on which the fabric which is to be dyed, is twisted and rolled, so that it can be tied precisely on
every interval.
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Design Resource
by
Rohit R. Chandak
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http://www.dsource.in/resource/lehar- A fabric used to make leharia tie and dye stole and
ia-tie-and-dye-jaipur/tools-and-raw-materials other product out of it.
1. Introduction
3. Making Process
4. Products
5. Contact Details
A vessel containing dye powder, to be mixed with water A reel of thread used to tie fabric before dying, so that
and boiled, for further usage. the dye does not stick to the are where it is not re-
quired.
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Design Resource
Making Process
Leharia Tie and Dye, Jaipur The making process in Leharia involves various simple steps, which are done mainly in backyards of homes or in
by any free space, by women’s mostly.
Rohit R. Chandak Generally, cotton or silk cloth is used for dyeing in this process, the cloth brought from market is washed off to
NID Campus, Bengaluru remove any residue such as starch, sand, dirt etc., the wet cloth is then dried for further process, ensuring flaw-
less white piece of cloth. After the cloth is dried, it is twisted with the help of two members, one at either end,
it is twisted such that it creates enough tension, and then is transferred onto a wooden stand, consisting of a
horizontal table with vertical cylindrical pole, the twisted cloth piece is wrapped around the wooden pole firmly,
such that it does not loosen up the carefully done twisting, the wrapped cloth is slowly removed bit by bit and
threads are tied to it tightly, which acts as a resisting agent, from dyes. Knotting is done in a precise and regular
Source: interval of gap onto the cloth, parallel to each other, which gives cloth its signature waveform kind of a design
after dyeing. After the knotting is done, cloth is unwrapped, knotting distance depends on the intricacy of design
ia-tie-and-dye-jaipur/making-process
required, from nearby knotting to knotting with larger distance in between and with more thicker and thinner
knotting. After the knotting is completed, the cloth is dipped in water, to make it absorb the further dyeing
process, once ensuring the cloth is absorbing water, it is dipped in dye based solution, depending upon the color
1. Introduction required and upon the intensity of the color, mostly chemical based dyes are used in the process, dyeing depends
2. Tools and Raw Materials on the requirement of the end product, from rainbow colored cloth, which consists of multiple pastel shades of
color depicting rainbow, to single color stoles. It is then put to dry as it is with the knots, once dried, the knots
3. Making Process
are carefully removed, so as not to damage the cloth and is washed for one final time, and is put to dry.
4. Products
5. Contact Details It is then ready to be used as scarf, turban etc.
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Rohit R. Chandak
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1. Introduction
3. Making Process
4. Products
5. Contact Details
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by
Rohit R. Chandak
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1. Introduction
3. Making Process
4. Products
5. Contact Details
Artisan twists the fabric from both the ends, till the necessary tension is created.
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by
Rohit R. Chandak
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1. Introduction
3. Making Process
4. Products
5. Contact Details
The twisted fabric is then rolled onto a wooden stand. Artisan carefully rolls the twisted fabric such it does not
gets untwisted in the process.
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by
Rohit R. Chandak
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1. Introduction
3. Making Process
4. Products
5. Contact Details
It is then opened bit by bit and a thick thread is tied After the rolled fabric is tied to the required length, it is
on precise gap from each other. removed from the wooden stand.
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by
Rohit R. Chandak
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http://www.dsource.in/resource/lehar- The place where the thread is tied, will not be affected Artisan then boils the dye powder in a vessel, adding
ia-tie-and-dye-jaipur/making-process by the dye making process, and hence constitutes the water to it.
design pattern, which the Leharia craft is famous for.
1. Introduction
3. Making Process
4. Products
5. Contact Details
After the dye is dissolved completely, it is poured onto a larger container.

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Design Resource
by
Rohit R. Chandak
Source:
1. Introduction
3. Making Process
4. Products
5. Contact Details
Artisan then adds the required quantity of water to the After a thorough wash with dye, artisan then squeezes
vessel and the tied fabric is dipped into it, to soak up the excess dye water from the fabric.
the dye.
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Design Resource
by
Rohit R. Chandak
Source:
http://www.dsource.in/resource/lehar- Artisan then removes the tied thread from the fabric
ia-tie-and-dye-jaipur/making-process and is washed to remove the curls.
1. Introduction
3. Making Process
4. Products
5. Contact Details
It is then let to dry naturally under the sun. It is finally dried once again, ready to be packaged, or
for use.
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Design Resource
Products
Leharia Tie and Dye, Jaipur There are numerous product range for women’s, especially Scarf, which is wore on an Indian dress such as salvar
by kameez and even sarees are dyed in this process, majorly worn by Marwari community.
Rohit R. Chandak For men, a Rajasthani turban, “Pagri” is made out of Leharia dyed cloth piece, wore especially during 201243eli-
NID Campus, Bengaluru gious ceremonies such as marriage, puja etc.
Source:
ia-tie-and-dye-jaipur/products
1. Introduction
3. Making Process
4. Products
5. Contact Details
A multi colored stole, dyed with Leharia tie & dye A turban used in marriage and other special occasions.
process.
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by
Rohit R. Chandak
Source:
ia-tie-and-dye-jaipur/products
1. Introduction
3. Making Process
4. Products
5. Contact Details
A flat turban, made out from leharia process dyed fabric.

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Design Resource Contact Details

Leharia Tie and Dye, Jaipur This documentation was done by Prof. Bibhudutta Baral, Divyadarshan C. S.
by and Rohit R. Chandak at NID Campus, Bengaluru.
You can get in touch with
Rohit R. Chandak
• Prof. Bibhudutta Baral at bibhudutta[at]nid.edu
You could write to the following address regarding
suggestions and clarifications:
Helpdesk Details:
Source: Co-ordinator
http://www.dsource.in/resource/lehar- Project e-kalpa
ia-tie-and-dye-jaipur/contact-details R & D Campus
National Institute of Design
#12 HMT Link Road, Off Tumkur Road
1. Introduction Bengaluru 560 022
2. Tools and Raw Materials India
3. Making Process Phone: +91 80 2357 9054
4. Products Fax: +91 80 23373086
5. Contact Details Email: dsource.in[at]gmail.com

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D’source 1

Digital Learning Environment for Design - www.dsource.in

A close view of finished leharia process dyed stole.

Women artisan posing for a photograph, after a hard day’s work.

After the dye is dissolved completely, it is poured onto a larger container.

A flat turban, made out from leharia process dyed fabric.

Design Resource Contact Details

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