12 Language As Text Course Participants Notes
12 Language As Text Course Participants Notes
IHCAM
International House Certificate in Advanced Methodology
Before you read the notes, consider your answers to these three questions.
You may like to make notes as your answers will be discussed during the
session. Once you have answered them, read the notes which follow.
1. How many different kinds of ‘text’ can you think of? Make a list,
including examples of spoken texts as well as written texts.
2. Think of at least four ‘texts’ which you have read or listened to recently.
What problems might learners at different levels of English encounter
when reading or listening to the same texts?
3. When did you last use a text for teaching purposes? What was your
teaching aim, and to what extent did you achieve your aim?
Dear Mark
I’m sorry to have taken so long to get back to you. I went away to Malaysia a
month ago and came back to 650 messages (non-Spam). I’ve still got 556! It
feels like the pile will never shrink. Anyway, enough of excuses. I’m happy to
attach my presentation.
As texts go, this is a relatively short example. Despite being brief, however, it has
several characteristics which together qualify it as a text:
1. Spontaneity
With the exception of monologues delivered as speeches, most spoken texts are
the result of spontaneous discourse which involves at least two people and takes
place in real time and without detailed preparation. Consequently, spoken texts
are characterised by ‘performance’ features which make up for the lack of
preparation time. Speakers, in other words, have to ‘think on their feet’, and to
buy thinking time they might employ a range of devices or techniques, such as:
• Fillers.
• Repetition.
• False starts.
• Chunks.
• Small units of meaning.
2. Interactivity
Most spoken discourse involves more than one person so that a spoken text
tends to include contributions from more than one participant. Written texts are
not, on the whole, ‘collaborative’ in the same way. The interactive nature of
spoken discourse manifests itself in the following characteristics of spoken texts:
• Turn-taking (including the use of intonation to indicate whether a ‘turn’ has
finished).
• Interruptions.
• Signalling agreement or disagreement.
• Signposting (including the use of prominence to draw attention to key
information).
• Co-operation and collaboration.
2. Contextual knowledge – this could have a linguistic element to it, in the form
of an awareness of different text types and styles, or it could be cultural or
situational in the form of background knowledge of a topic. This knowledge is
what the reader or listener brings with them to the text, and is applied through
top-down processing.
Bottom-up processing starts with basic language units like words (or even parts
of words) and then moves on to more complex structures in order to build-up
comprehension of meaning. It involves concentrating on grammatical structures,
vocabulary and syntax rather than looking at the global meaning of texts. Top-
The first problem can only be solved by acquisition of the schema, which may be
achieved by learning more about the culture of the target language or specifically
about the topic, concept or genre concerned. Perhaps the best way for learners
to acquire schemata is for them to be immersed in the culture of the target
language by living in the country where the language is spoken. However, a
teacher can also play a role by teaching learners about the ‘target culture’ as well
as the target language – indeed it can be argued that the two concepts are
essentially inseparable anyway. Content-based teaching also has a role here –
children taught in bilingual schools tend to acquire the L2 receptive skills more
quickly not only because they receive more linguistic input but also because they
have the opportunity to build up a bigger range of L2 schemata.
With their schemata thus activated, learners should be able to apply top-down
processing techniques more easily when they are reading or listening to the text,
which in turn will enable them to compensate for any breakdown in bottom-up
processing which may occur. In fact, the activation of schemata can also aid
bottom-up processing as well, as it might prepare learners to recognise and
‘decode’ individual grammatical or lexical features of a text more quickly when
they are encountered. The extent to which this is true depends on whether the
context or layout of the text obviously identify it as belonging to a specific genre
or text-type, and on how familiar the learners are with the genre in question.
Interpreting generic features involves making use of both macro and micro-level
clues. Macro clues are contained within the overall organisation of the text (its
format, length and layout) and provide particular help to top-down processing,
whilst micro clues are to be found in the specific grammatical and lexical features
of the text (the grammar structures and vocabulary in the text, for instance) and
perhaps aid bottom-up processing more. Teachers, then, should be careful to
consider genre whenever they introduce their learners to a text by pointing out or
eliciting what genre the text belongs to and looking for opportunities to highlight
specific generic features of the text in order to aid comprehension of the text and
add to learners’ bank of schemata to aid comprehension of similar texts they may
encounter in the future.
Applying these sub-skills will typically require constant switching between top-
down and bottom-up processing. For instance, identifying text-type and topic and
inferring attitude will tend to require a top-down approach, based on what we
already know about text organisation, the writer / speaker and the ‘real world’.
This knowledge enables us to make predictions about the likely meaning of the
text. If we have cause to question the accuracy of our predictions, or if a lack of
real-world knowledge restricts our top-down processing, we may be forced to
switch our attention to checking the meaning of individual words in a written text
Focusing on the skills themselves can in turn have either a testing focus or a
teaching focus. A testing focus usually involves asking learners to read or listen
to a text and then work through a series of activities consisting of comprehension
questions designed to test how well they have understood the text. In this way,
the learners’ existing reading or listening skills are assessed. A teaching focus
aims to develop learners’ receptive skills in order to make them better readers or
better listeners. There are two broad approaches to the development of receptive
skills:
In addition, there are inevitably situations when the distinction between sub-skills
and strategies becomes blurred. In order to infer the attitude of a speaker, for
instance, listeners will tend to use a combination of linguistic, non-linguistic and
contextual clues, requiring the application of a range of facilitatory sub-skills and
compensatory strategies simultaneously. Similarly, before being able to use the
compensatory strategy of activating background knowledge of the topic, readers
may have to possess sufficiently developed facilitatory sub-skills to be able to
decode enough text to identify the topic in the first place.
1. Give some minimum information about the context (e.g. about the genre of
the text) – to activate schemata and therefore help with top-down processing
– and pre-teach key vocabulary if necessary – to help with bottom-up
processing.
2. Set an extensive task which requires learners to understand the gist of what
they read or hear. This may be a simple matching exercise or a series of
undemanding True / False statements.
3. Allow learners to read or listen to the text for the first time and then to consult
each other on the answers to the extensive task.
The skills-based and text-based approaches are complementary and both types
of lesson are valid ways of teaching receptive skills.
Pre-session task
Imagine you have a new student who will be having individual lessons with you
over a period of a few weeks. The student has indicated to you that they find
understanding written and spoken English particularly difficult.
Having carried out a thorough needs analysis you have managed to identify one
written and one spoken text-type which the student typically encounters in their
daily life. With these two text-types in mind (they can be any text-types of your
choice), decide how you would go about developing the student’s receptive skills.
Consider genre features, schemata, sub-skills and strategies.
Reading list
Reading And Reading Skills, Robert Buckmaster (in Modern English Teacher,
April 2005).
What Makes Reading In A Second Language Difficult?, Paul Harvey (in Modern
English Teacher, January 2006).
Listening Skills, Paul Bress (in Modern English Teacher, January 2006).